Norman Bates

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Norman Bates
Psycho character
Anthony Perkins as Norman Bates in Psycho (1960).
First appearancePsycho (1959 novel)
Last appearancePsycho: Sanitarium (novel)
Created byRobert Bloch
Portrayed by
Others:
  • Oz Perkins (II, child)
  • Ryan Finnigan (IV, child)
  • Henry Thomas (IV, teenager)
  • Beckham Skodje, Luke Roessler, Nicholas Holmes (TV series, child)
In-universe information
AliasMother
Robert Newman
GenderMale
OccupationFormer owner of the Bates Motel
Family
SpouseDr. Constance "Connie" Forbes-Bates (wife, films)

Norman Bates is a fictional character created by American author Robert Bloch as the main protagonist in his 1959 horror novel Psycho. He has an alter, Mother, who takes from the form of his abusive mother, and later victim, Norma, who in his daily life runs the Bates Motel.

He was portrayed by Anthony Perkins in the 1960 version of Psycho directed by Alfred Hitchcock and in the Psycho franchise. He was also portrayed by Vince Vaughn in the 1998 version of Psycho, and by Freddie Highmore in the television series Bates Motel (2013–2017).[1]

Unlike the franchise produced by

copycat killers who assume Norman's identity after his death in Psycho II (1982), although he does return and in the licensed continuation novel Psycho: Sanitarium (2016) by Chet Williamson. There is a wide-ranging assumption that the character was directly inspired by the Wisconsin murderer Ed Gein. With Psycho being optioned for film adaptation as a direct result of media attention on Gein, Bloch later revealed he was inspired more by the circumstances surrounding Gein's case—the idea that "the man next door may be a monster unsuspected even in the gossip-ridden microcosm of small-town life." Years later, when the full details of Gein's crimes were revealed, he was struck by "how closely the imaginary character I'd created resembled the real Ed Gein both in overt act and apparent motivation."[2]

Character overview

Both the 1959 novel, and its

emotional abuse as a child at the hands of his mother, Norma, who preached to him that sexual intercourse was sinful and that all women (except herself) were whores. The novel also suggests that their relationship may have been incestuous
.

After Norman's father died, Norman and his mother lived alone together "as if there was no one else in the world" until Norman was a teenager, when his mother met Joe Considine (Chet Rudolph in Psycho IV: The Beginning) and planned to marry. Considine eventually convinced Norma to open a motel. Driven over the edge with jealousy, Norman murdered both of them with strychnine. After committing the murders, Norman forged his mother's suicide note to make it look like she had killed Considine and then herself. After a brief hospitalization for shock, he developed a split personality, assuming his mother's personality to repress his awareness of her death and thus escape the guilt of murdering her.[3] He inherited his mother's house—where he kept her corpse in the fruit cellar—and the motel in the fictional small town of Fairvale, California.

Norman's "Mother" personality is as cruel and possessive as the real Norma had been in life, frequently berating him and forbidding him to have a life outside of her. As "Mother", he dresses in Norma's clothes and talks to himself in her voice, and he also speaks to her corpse as if it is alive. "Mother" also kills women whom Norman feels attracted to, and anyone else who threatens the illusion of her existence. Norman passes out when "Mother" takes control; after "Mother" commits a murder, Norman awakens and destroys the evidence, convinced that "she" alone is responsible for the crime.

Bloch sums up Norman's multiple personalities in his stylistic form of puns: "Norman", a child needing his mother; "Norma", a controlling, mean-spirited parent figure; and "Normal", a functional adult who goes through the motions of day-to-day life.[4]

Psycho (novel and film)

In Bloch's 1959 novel and the 1960 Hitchcock film, Marion Crane (Janet Leigh), a young woman on the run after stealing money from her employer, checks into the motel one night. Norman is smitten with her, and shyly asks her to have dinner with him in the house. "Mother" flies into a rage and threatens to kill Marion if Norman lets her in the house. Norman defies her and eats dinner with Marion anyway, but lashes out at her when she suggests that he institutionalize his mother. When Marion goes to her room to shower, Norman spies on her through a peephole he drilled in the wall. "Mother" takes control and stabs Marion to death (he beheads her in the novel). When Norman awakes to discover what he believes his mother has done, he sinks Marion's car—with her corpse and the money in the trunk—into a nearby swamp. As "Mother", he also murders Milton Arbogast (Martin Balsam), a private detective hired by Marion's employer, days later.

Norman is finally caught when Marion's sister Lila (Vera Miles) and boyfriend, Sam Loomis (John Gavin), arrive at the motel looking for her. When Norman figures out what they want, he knocks Sam out and goes running after Lila, who has reached the house and found Mrs. Bates' corpse. He attacks her as "Mother", but Sam, after coming to, overpowers him, and Norman is finally arrested for murdering Marion and two other missing women. Norman is declared insane and sent to an institution, where "Mother" takes complete, and permanent, control of his mind: he becomes his mother.[4][5]

Novel sequels

Psycho II

In Bloch's 1982 sequel to his first novel, Psycho II, Norman escapes from the psychiatric hospital by killing one of two visiting nuns and donning her habit. He steals their van and kills then rapes the corpse of the second nun. Norman plans to find and kill both Sam Loomis and his wife Lila (Lila Crane sister of Mary or Marion Crane) who he believes are responsible for his incarceration but first he needs to fake his death. He notices a hitchhiker and decides to kill him and fake his own death. Unbeknown to Norman the hitchhiker is planning to attack this nun and steal her van. Norman tries to attack his passenger but is overpowered. This in turn causes a fiery accident where the hitchhiker escapes, but Norman dies. Meanwhile, Dr. Adam Claiborne, who discovered Norman's corpse, assumes his personality and goes on a killing spree.[6]

Psycho House

In Bloch's 1991 sequel to his second novel,

animatronic
on display in the Bates Motel, which has been converted into a tourist attraction.

Danganronpa Kirigiri

In the second volume of Takekuni Kitayama's 2013 Danganronpa Kirigiri light novel series, a prequel to the 2010 video game Danganronpa: Trigger Happy Havoc, the events of Psycho and Psycho House are depicted as having taken place in the past of the world of Danganronpa.[7] Twenty years after Norman's death, the reinvented Bates Motel operates as a tourist attraction, now known as the Norman Hotel. It eventually closes, however, following a series of mysterious suicides and murders taking place in its vicinity, said to be committed by Norman's ghost.[8][9]

By the time of the present day narrative of the novel, the hotel is used by the Victims Catharsis Committee (VCC) for their Duel Noir program, intended for victims of crimes to get revenge against the criminals who wronged them. In the novel,

LCD screen of Norman's image (an evolution of his animatronic form, initially mistaken for a "talking painting") uttering lines recorded in the original Norman's voice to speak on the behalf the VCC. After explaining the game's rules, Norman leads a maid to her death via a burning gun-trap situated under his painting, before announcing that he has to leave to go find his mother. He then "leaves" the painting, and the rest of the Duel Noir is hosted by Norman's "family".[7][8][9]

Psycho: Sanitarium

In Chet Williamson's 2016 prequel to the second novel, Psycho: Sanitarium, Dr. Felix Reed tries to bring Norman out of a catatonic state. Sanitarium introduces Robert Newman, Norman's twin brother who was taken away at birth after the attending doctor pronounced him brain damaged. As Robert and Norman get to know each other, Norman senses a darkness in Robert, even deeper than that which has lurked in Norman himself. Disappearances begin occurring in the asylum, with the victims being those that were a threat towards Norman and wanted to bring him harm. It is revealed that Robert Newman is a new split personality of Norman's, which was created by Reed through hypnosis in order to get Norman to kill the asylum's most violent patients. With the help of his "Mother" personality (that Norman has been trying to suppress throughout most of the novel), the Robert persona is destroyed and Mother stabs Reed to death. The incident traumatizes Norman and puts him back into a catatonic state.

Film sequels

Psycho II

In 1983's Psycho II, the first sequel to the original film, Norman is released from the institution twenty-two years after his arrest, seemingly cured. Sam Loomis has passed away at this point. Norman meets Mary Samuels (Meg Tilly)—later revealed to be Mary Loomis, Lila and Sam Loomis's daughter and Marion Crane's niece—and falls in love with her. However, a series of mysterious murders occurs, as well as strange appearances and messages from his mother, and Norman slowly loses his grip on sanity. The mysterious appearances and messages turn out to be a plot by Lila to drive him insane again in order to get him recommitted. The actual murders turn out to be the work of Norman's coworker, Emma Spool (Claudia Bryar). Before Norman discovers this, however, Mary Loomis is shot dead by the police during a confrontation with Norman, and Mrs. Spool murders Lila. When Spool tells Norman that she is his real mother, he kills her and embalms her corpse while assuming the "Mother" personality once again.[10]

Psycho III

In 1986's Psycho III, set a month later, Norman continues to struggle, unsuccessfully, against "Mother"'s dominion. He also finds another love interest named Maureen Coyle (Diana Scarwid), who eventually dies at "Mother"'s hand. In the film, Mrs. Spool's corpse is first discovered by sleazy musician Duane Duke (Jeff Fahey), whom Norman kills when Duke tries to use the discovery to blackmail Norman. Tracy Venable (Roberta Maxwell), a reporter interested in Norman's case, finds out that Spool was in fact Norman's aunt—Norma Bates' sister—who was in love with Norman's father and killed him when he chose Norma over her. She then kidnapped the child Norman, believing him to be her own, but she was arrested and institutionalized, leaving Norman to be raised by Norma.

"Mother" orders Norman to kill Tracy, but in the end he destroys Spool's corpse, attempting to break free of her control. He is then arrested and put back in the institution.[11]

Psycho IV: The Beginning

Donna Mitchell). When his wife becomes pregnant, he lures her to his mother's house and tries to kill her, wanting to prevent another of his "cursed" line from being born into the world; the film implies that Mrs. Bates (Olivia Hussey) suffered from schizophrenia and borderline personality disorder and passed the illnesses on to her son. However, he relents at the last minute, when Connie professes her love for him. He then burns the house down in an attempt to free himself of his past. During the attempt, he is tormented by hallucinations of "Mother" and several of his victims, becoming injured in a fall. He almost dies in the flames before willing himself to get out, apparently defeating his illness at long last; he is finally free of his mother's voice, which demands to be let out. This was Anthony Perkins' final performance as Norman Bates; Henry Thomas portrayed Norman as a teenager.[12]

Television

Bates Motel (film)

In the 1987 television spin-off movie and series pilot

wills ownership of the titular motel to him before dying of old age.[13]

Bates Motel (TV series)

The television series

dissociative state, and Norma moves them from Arizona, where he was born and raised, to White Pine Bay, Oregon, to protect him.[14] The series also introduces his maternal half-brother, Dylan Massett (Max Thieriot) and gives him a love interest in Emma Decody (Olivia Cooke), a classmate with cystic fibrosis
.

As "Mother", Norman murders Blaire Watson (

rape Norma in a drunken rage after she tried to leave him; it is implied that this trauma fractured his psyche.[19]

When Norman's sanity begins to deteriorate, Norma marries the town sheriff, Alex Romero (

Nestor Carbonell), so she can use his insurance coverage to pay for Norman's treatment. While the marriage is at first merely a financial arrangement, they eventually fall in love. After Norman is released from the institution and finds out that Norma is married, he grows insanely jealous and tries to kill both Norma and himself by flooding the house with carbon monoxide while his mother sleeps. Romero arrives at the house in time to revive Norman, but finds that Norma is already dead.[20] Romero figures out what happened and swears revenge, but is arrested for perjury before he can do anything. Meanwhile, Norman cannot bear losing his mother, so he digs up her corpse and assumes her personality to preserve the illusion of her being alive.[21]

Two years later, Norman is running the motel and living alone in the house with Norma's corpse, which he keeps frozen and preserved in the cellar. He and his "Mother" personality live together as if there is no one else in the world, and she takes care of his problems - such as killing and disposing of a hitman sent by Romero[22] and helping him get rid of his uncle, Norma's brother Caleb (Kenny Johnson), after he discovers the truth.[23] Norman falls for Madeline Loomis (Isabelle McNally), a lonely woman who bears an uncanny resemblance to Norma, and whose husband Sam (Austin Nichols) is cheating on her. "Mother" becomes jealous and starts behaving erratically, at one point taking possession of Norman's mind and making him have sex with a man at a gay bar while dressed in Norma's clothes.[24] Norman finally begins to suspect that "Mother" is not real, and she confirms that he created her in his mind to deal with things that he could not, such as his abusive father.[25]

When Sam's mistress Marion Crane (Rihanna) checks into the motel, Norman has dinner with her and tells her that Sam is married. Marion comes back to the motel after confirming Sam's infidelity, and seeks comfort from Norman. He fears that "Mother" will kill her, however, and tells her to leave and never come back. When Sam comes to the motel to look for Marion, Norman stabs him to death in the shower.[25]

Dylan comes to see Norman after learning of Norma's death, and they get into a fight that ends with Norman assaulting his half-brother at "Mother"'s instigation. Terrified of what he might do, Norman calls 911 and confesses to murdering Sam.[26] While he is in jail, Sheriff Jane Greene (Brooke Smith) finds the bodies of Norman's other victims, and charges him with their murders, as well.[27] While Norman is awaiting trial, Romero—who had earlier escaped from prison—breaks into his cell and takes him hostage.[28] They drive to the woods where Norman hid Norma's corpse after the police began searching his house. There, Norman gets the better of Romero and shoots him dead, but not before his former stepfather tells him he will never escape from murdering his own mother. When Norman finally admits to himself that he killed Norma, "Mother" appears to him and tells him she is leaving, as there is no longer anything she can protect him from.[29]

Now completely alone, Norman loses all contact with reality. He calls Dylan and invites him over for a "family dinner", complete with Norma's corpse seated at the head of the table. When Dylan tells him that Norma is dead, Norman flies into a rage and attacks him with a knife, forcing Dylan to shoot him in self-defense. As he dies, Norman sees a vision of his mother embracing him.[29]

Characterization

The character Norman Bates in Psycho was loosely based on two people. First was the real-life murderer Ed Gein, about whom Bloch later wrote a fictionalized account,[30] "The Shambles of Ed Gein", in 1962. (The story can be found in Crimes and Punishments: The Lost Bloch, Volume 3). Second, it has been indicated by several people, including Noel Carter (wife of Lin Carter) and Chris Steinbrunner, as well as allegedly by Bloch himself, that Norman Bates was partly based on Calvin Beck, publisher of Castle of Frankenstein.[30]

The characterization of Norman Bates in the novel and the movie differ in some key areas. In the novel, Norman is in his mid-to-late 40s, short, overweight and homely. In the movie, he is in his mid-20s, tall, slender, and handsome. Reportedly, when working on the film, Hitchcock decided that he wanted audiences to be able to sympathize with Norman and genuinely like the character, so he made him more of a "boy next door".[31] In the novel, Norman becomes "Mother" after getting drunk and passing out; in the movie, he remains sober before switching personalities.

In the novel, Norman is well-read in

P.D. Ouspensky and Aleister Crowley
. He is aware that "Mother" disapproves of these authors as being against religion.

Portrayals

Norman Bates was portrayed by

Comic books

Norman appears in the 1992 three-issue comic book adaptation of the 1960 film Psycho released by Innovation Publishing. Despite being a colorized adaptation of the Hitchcock film, the version of Norman present in the comics resembles the one from Bloch's original novel: a middle-aged, overweight, balding man. Comic artist Felipe Echevarria has explained that this was due to Perkins' refusal to allow his likeness to be replicated for the books, wanting to disassociate himself with Norman Bates.[34]

Appearances

Novels

Films

Television

Comics

  • Alfred Hitchcock's Psycho (1992)

Music

Reception

Norman Bates is ranked as the second-greatest villain on the

Premiere magazine's list of The 100 Greatest Movie Characters of All Time.[42]

Notes

  1. ^ John Bates in the films Psycho II and Psycho III; Sam Bates in the Bates Motel TV series.

References

  1. New York Media
    . Retrieved August 9, 2017.
  2. ^ Guran, Paula (August 1999). "BEHIND THE BATES MOTEL: Robert Bloch". Dark Echo Horror Online. Archived from the original on August 14, 2011. Retrieved April 6, 2018.
  3. NPR.org
    . Retrieved October 26, 2017.
  4. ^ .
  5. ^ Alfred Hitchcock (Director) (September 8, 1960). Psycho (DVD). United States: Paramount Pictures.
  6. .
  7. ^ a b Hoshikaisha Fictions (November 29, 2013). "Danganronpa Kirikiri 2 (Hoshikaisha Fictions) – Impressions and Reviews". Da Vinci. Retrieved November 29, 2013.
  8. ^ a b Zuhara, Su (December 27, 2013). "Danganronpa Kirikiri 2 – Kyoko Kirigiri challenges the "Detective Auction"!". Karakarabox. Retrieved December 27, 2013 – via Seesaa.
  9. ^ a b Gakuto, Shosandai (October 20, 2020). [30-second novel video] Danganronpa Kirigiri Mystery. [Novel Series V]. Retrieved October 20, 2020 – via YouTube.
  10. ^ Richard Franklin (Director) (June 3, 1983). Psycho II (DVD). United States: Universal Pictures.
  11. ^ Anthony Perkins (Director) (July 2, 1986). Psycho III (DVD). United States: Universal Pictures.
  12. ^ Mick Garris (Director) (November 10, 1990). Psycho IV: The Beginning (DVD). United States: Universal Television.
  13. ^ Richard Rothstein (Director) (July 5, 1987). Bates Motel (DVD). United States: Universal Television.
  14. A&E
    .
  15. A&E
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  16. A&E
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  18. A&E
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  27. . Season 5. Episode 8. April 3, 2017. A&E.
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  29. ^
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  30. ^ a b Conradt, Stacy (March 18, 2013). "Everything You Need to Know About Norman Bates". Mental Floss. New York City: Dennis Media. Retrieved August 9, 2017.
  31. .
  32. . Retrieved August 9, 2017.
  33. ^ Swift, Andy (January 21, 2017). "People's Choice Awards 2017 Winners: Priyanka Chopra, Outlander and More". TVLine. Retrieved March 10, 2017.
  34. ^ Johnston, Rich (August 31, 2016). "Felipe Echevarria, On Taking Anthony Perkins Out Of The Picture". Bleeding Cool. Rantoul, Illinois: Avatar Press. Retrieved April 6, 2018.
  35. ^ "Landscape - Norman Bates". Discogs. 1981.
  36. ^ Colin Larkin, ed. (1992). The Guinness Encyclopedia of Popular Music (First ed.). Guinness Publishing. p. 1426. ISBN 0-85112-939-0.
  37. ^ "The Hitmen (6) - Bates Motel". Discogs. 1981.
  38. . Retrieved April 6, 2018.
  39. . Retrieved April 6, 2018.
  40. ^ "The 100 Greatest Movie Characters". Empire. London, England: Bauer Consumer Media. June 29, 2015. Retrieved April 6, 2018.
  41. ^ "The 150 Greatest Performances Of All Time" Archived March 30, 2014, at the Wayback Machine TotalFilm. com
  42. Premiere. New York City: Hachette Filipacchi Media U.S.
    Retrieved April 6, 2018.

External links