Oedipus and the Sphinx (Ingres)

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Oedipus and the Sphinx, 1808–27, oil on canvas, 189 x 144 cm, Louvre

Oedipus and the Sphinx is a painting by the French

riddle of the Sphinx. An oil painting on canvas, it measures 189 x 144 cm, and is in the Louvre
, which acquired it in 1878.

History

The painting was begun in Rome, where Ingres had arrived belatedly in 1806 after winning the Grand Prix de Rome in 1801. Working in a studio on the grounds of the Villa Medici, Ingres continued his studies and, as required of every winner of the Prix, he sent works at regular intervals to Paris so his progress could be judged. As his envoi of 1808 Ingres sent a life-size Figure of Oedipus and The Valpinçon Bather, hoping by these two paintings to demonstrate his mastery of the male and female nude.[1] The academicians were moderately critical of the treatment of light in both paintings, and considered the figures to be insufficiently idealized.[2]

Oedipus and the Sphinx, 1864, The Walters Art Museum

Afterwards, Ingres retained the Figure of Oedipus in his studio for years. Around 1825 he decided to rework it to turn what was essentially a figure study into a more developed narrative scene.

Salon, where they were well received.[4]

The painting is signed and dated 1808 at the lower left. Ingres sold Oedipus and the Sphinx in 1829, and it entered the Louvre in 1878.[3]

A small oil sketch of ca. 1826 in which Ingres tested his composition before reworking the painting is in the

National Gallery, London.[1] It was once owned by Edgar Degas, who purchased it in 1897 or earlier.[5]

In 1864 Ingres painted a third version of Oedipus and the Sphinx, smaller than the first version, which reverses the composition and varies many details. It is in the Walters Art Museum, Baltimore, Maryland.[3]

See also

Notes

  1. ^ a b c d Condon et al. 1983, p. 38.
  2. ^ Tinterow, Conisbee et al. 1999, pp 98–101.
  3. ^ a b c d e Radius 1968, p. 91.
  4. ^ Mongan & Naef 1967, p. xxi.
  5. ^ Dumas & Degas 1996, p.71.

References

  • Condon, Patricia; Cohn, Marjorie B.; Mongan, Agnes (1983). In Pursuit of Perfection: The Art of J.-A.-D. Ingres. Louisville: The J. B. Speed Art Museum.
  • Dumas, Ann, and Edgar Degas (1996). Degas as a Collector. London: Apollo Magazine.
  • Mongan, Agnes; Naef, Dr. Hans (1967). Ingres Centennial Exhibition 1867-1967: Drawings, Watercolors, and Oil Sketches from American Collections. Greenwich, Conn.: Distributed by New York Graphic Society.
  • Radius, Emilio (1968). L'opera completa di Ingres. Milan: Rizzoli.
  • Tinterow, Gary; Conisbee, Philip; Naef, Hans (1999). Portraits by Ingres: Image of an Epoch. New York: Harry N. Abrams, Inc.