On Photography
(publ. Farrar, Straus and Giroux)
On Photography is a 1977 collection of
In On Photography, Sontag examines the history and contemporary role of photography in society. She contrasts the work of
Contents
In the book, Sontag expresses her views on the history and present-day role of photography in societies as of the 1970s. Sontag discusses many examples of modern photography. Among these, she contrasts Diane Arbus's work with that of Depression-era documentary photography commissioned by the Farm Security Administration.
She also explores the history of American photography in relation to the idealistic notions of America put forth by Walt Whitman and traces these ideas through to the increasingly cynical aesthetic notions of the 1970s, particularly in relation to Arbus and Andy Warhol.
Sontag argues that the proliferation of photographic images had begun to establish within people a "chronic voyeuristic relation to the world."[1] Among the consequences of this practice of photography is that the meaning of all events is leveled and made equal.
As she argues, perhaps originally with regard to photography, the medium fostered an attitude of anti-intervention. Sontag says that the individual who seeks to record cannot intervene, and that the person who intervenes cannot then faithfully record, for the two aims contradict each other. In this context, she discusses in some depth the relationship of photography to politics. One of the themes that is connected with the book is the problem of the norm and the repressive function of the idea of the norm in society.[2]
Reception
On Photography won the National Book Critics Circle Award for Criticism for 1977 and was selected among the top 20 books of 1977 by the editors of The New York Times Book Review. In 1977, William H. Gass, writing in The New York Times, said the book "shall surely stand near the beginning of all our thoughts upon the subject" of photography.[3]
In a 1998 appraisal of the work, Michael Starenko, wrote in the magazine Afterimage: "On Photography has become so deeply absorbed into this discourse that Sontag's claims about photography, as well as her mode of argument, have become part of the rhetorical 'tool kit' that photography theorists and critics carry around in their heads".[4] He added that "no other photography book, not even The Family of Man (1955), which sold four million copies before finally going out of print in 1978, received a wider range of press coverage than On Photography."[5]
In 2003, Sontag published Regarding the Pain of Others, which reassesses some of the views she espoused in On Photography. Sontag considered that book to be a sequel to On Photography.[6] Sontag's publishing history includes a similar sequence with regard to her 1978 book Illness as Metaphor and AIDS and Its Metaphors a decade later, which expands on some of the ideas contained in the earlier work.
Editions
- New York: ISBN 0-374-22626-1.
- London: ISBN 0-7139-1128-X.
- New York: ISBN 0-385-26706-1.
- New York: ISBN 978-0312420093.
- Reprinted in Sontag: Essays of the 1960s & 1970s, ISBN 978-1-59853-255-5. Includes endnotes.
Earlier versions of these essays appeared in The New York Review of Books:
- Volume 20, No. 16 (October 18, 1973).
- Volume 20, No. 18 (November 15, 1973).
- Volume 21, No. 6 (April 18, 1974).
- Volume 21, No. 19 (November 28, 1974).
- Volume 23, No. 21 & 22 (January 20, 1977).
- Volume 24, No. 11 (June 23, 1977).
See also
References
- ^ Sontag, Susan (1978), On Photography, Penguin Books, London, p. 11
- ^ Vasilieva, E. V. (2014). Susan Sontag on Photography: the Idea of Beauty and the Problem of Norm. Vestnik of Saint Petersburg University. Arts, 4(3), 64-80.
- ^ Gass, William (18 December 1977). "On Photography". The New York Times. Retrieved 22 July 2015.
- ^ "Focus on Photography. - Free Online Library". Retrieved September 30, 2015.[dead link]
- ^ "Archived copy". Archived from the original on 2017-10-24. Retrieved 2017-10-24.
{{cite web}}: CS1 maint: archived copy as title (link) - ISBN 978-0062896407.
External links
