Otello (1986 film)

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Otello
Theatrical release poster
Directed byFranco Zeffirelli
Screenplay byadaptation:
  • Franco Zeffirelli
  • Masolino D'Amico
Based on
Produced by
Starring
Cinematography
Cannon Films
Release date
  • 28 August 1986 (1986-08-28)
Running time
122 minutes
Countries
  • Italy
  • Netherlands
LanguageItalian

Otello is a 1986 film based on the

Golden Globe
for Best Foreign Language Film.

Plot

With only a few exceptions, the film follows the same plot as the opera. Iago plots and brings about Otello's downfall by convincing him that his wife Desdemona is engaged in an affair with the young lieutenant Cassio, provoking Otello to murder her in a blind rage. However, in a major change from the opera, Otello kills Iago at the end by throwing a spear at him, while in the stage version he only wounds him with his sword.

Cast

Production

Verdi's Il trovatore. Domingo, however, suggested instead that they film Otello, his signature role. While working with Italian director Franco Zeffirelli on a stage production of Tosca at the Metropolitan Opera, Domingo discussed the possibility of collaborating again on another opera film. They had previously made television versions of Cavalleria rusticana and Pagliacci together, as well as a theatrically released film of Verdi's La Traviata. Zeffirelli agreed to direct Domingo in Otello.[1]

Shooting was scheduled to begin in 1985 at Heraklion, Crete. Soon before the filming was to start, Mexico City was devastated by a massive earthquake. Domingo cancelled all his engagements in order to help with rescue efforts. Once the project came close to being scrapped, Domingo agreed to appear in Crete for the filming. Zeffirelli later recalled that the tenor used his hard work on Otello to help forget the traumatic sights in Mexico of the injured and dead (which included some of his family members).[1]

Music

For the most part, the film follows the original score of the opera with several noticeable exceptions. The entire "Willow Song" ("Salce, salce"), Desdemona's solo aria, which is largely considered one of the most beautiful moments in the work, is omitted. However, her "Ave Maria", which follows immediately, is retained in the film. There are, at various points, smaller additional cuts in the music, such as the moment at the end of the storm scene when the chorus is cut short and the film skips to the

recitativo between Iago and Roderigo. This contrasts with stage productions of Otello, where the opera is rarely cut. There are also two additions: the extra music from the rarely performed third act ballet (written for the opera's Paris
premiere) is inserted into the festivities of the first and third acts in the film.

In some scenes, Zeffirelli was able to use the medium of film to show aspects of his interpretation that could not be done onstage. In the movie, when Iago is informing Otello about Cassio's supposed dream in which he apparently said to Desdemona, "Let us hide our loves", we see Cassio singing the words, not Iago, as in the original stage version. Here Zeffirelli is showing the audience the image of Iago's fabricated dream as Otello is imagining it. Another of Zeffirelli's interpretive decisions was to show, complete with screams and sound effects, a flashback of marauding soldiers attacking an African village and snatching Otello (as a baby) from his mother, while the adult Otello and Desdemona sing their Act I love duet.

On the soundtrack album of the opera, released by

RCA Victor
.

Reception

Otello was named

Golden Globe. The film was also entered into the 1986 Cannes Film Festival.[3]

Leonard Maltin, in his Movie and Video Guide, called the film "nearly flawless". Vincent Canby in The New York Times, however, criticized Zeffirelli for some of his alterations to the opera's music.[4] In an interview in Opera News, the film's star, Plácido Domingo, expressed similar displeasure in the movie's musical cuts. He also complained that the synchronization of the soundtrack with the film was improperly done, rendering the music half a step lower than it was recorded. In regard to his interpretation of Otello, he felt that some camera cutaways undermined what he was trying to express in his characterization. Overall, he deemed it a "good film" that "could have been better".[5]

Stanley Kauffmann of The New Republic when reviewing Otello in 1986 described the movie as Franco Zeffirelli's best film.[6]

See also

  • Shakespeare on screen

References

  1. ^
    ISBN 978-0-7156-2943-7
    .
  2. National Board of Review of Motion Pictures
    . 2016. Retrieved 31 October 2016.
  3. ^ "Festival de Cannes: Otello". festival-cannes.com. Retrieved 11 July 2009.
  4. ^ Canby, Vincent (12 September 1986). "Film: Placido Domingo in Zeffirelli's 'Otello'". The New York Times. Retrieved 10 January 2019.
  5. ^ Scovell, Jane (September 1987). "Domingo: Giving his Best". Opera News.
  6. ^ "A Mystery, A Tragedy". The New Republic. Retrieved 27 October 2023.

External links

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