Pénélope
Pénélope | |
---|---|
Opera by Gabriel Fauré | |
Librettist | René Fauchois |
Language | French |
Based on | Odyssey |
Premiere | March 4, 1913 Salle Garnier, Monte Carlo |
Pénélope is an opera in three acts by the French composer Gabriel Fauré. The libretto, by René Fauchois is based on Homer's Odyssey. It was first performed at the Salle Garnier, Monte Carlo, on 4 March 1913. The piece is dedicated to Camille Saint-Saëns.[1]
Background and performance history
In 1907 the Wagnerian soprano
Fauré worked on the opera each summer between 1907 and 1912. He orchestrated most of the piece himself, in contrast with his frequent practice of delegating orchestration to one of his students. However, at the end of October 1912 he had orchestrated only half the score; with the premiere announced for the following March he recognised that with his commitments to the Conservatoire entrance examinations he needed the help of an assistant to ensure that the score was completed in time.[5] For the sections that least interested him,[n 1] he recruited Fernand Pecoud, a composer and violinist in the orchestra of the Concerts Hasselmans.[6][n 2] The opera is scored for an orchestra of full symphonic strength, with triple woodwind and a full complement of strings.[5]
It is often stated that Fauré was one of the composers of his generation least influenced by Wagner. However, for Pénélope he adopted essential elements of Wagner's compositional technique: character and themes represented by leitmotifs, continuous music with no individual arias[8] and requiring the two main roles to have voices of heroic quality. In Fauré's late style, "tonality is stretched hard, without breaking."[9]
The premiere at Monte Carlo was not a great success, partly because the director of the theatre,
The piece was only very briefly the principal topic of discussion in Parisian musical circles: less than three weeks after the premiere of the opera the Théâtre des Champs-Elysées was the venue for the first performance of The Rite of Spring. The scandal at and after the ballet's premiere preoccupied the French press, and Fauré's opera was hardly mentioned.[14] A second blow to the fame of Pénélope was the financial collapse and near bankruptcy of the theatre six months after the premiere. The sets and costumes had to be sold.[14]
The Opéra-Comique took Pénélope into its repertoire on 20 January 1919, with a cast including Germaine Lubin in the title role and Charles Rousselière as Ulysse and Félix Vieuille as Eumée, conducted by François Ruhlmann. Later revivals were conducted by Albert Wolff (1922), Désiré-Émile Inghelbrecht (1924, with Claire Croiza in the title role), and Wolff again in 1927 and 1931, totalling 63 performances.[15] On 14 March 1943 the Paris Opera staged Pénélope, conducted by Ruhlmann, with Lubin in the title role.[15]
The US premiere was in 1945, in
Roles
Role | Voice type | Premiere cast, 4 March 1913 Conductor: Léon Jehin |
---|---|---|
Pénélope (Penelope) | soprano | Lucienne Bréval |
Ulysse (Ulysses) | tenor | Charles Rousselière |
Eumée (Eumaeus) | baritone | Jean Bourbon |
Euryclée ( Euryclea )
|
mezzo-soprano | Alice Raveau |
Antinoüs | tenor | Charles Delmas |
Alkandre | mezzo-soprano | Criticos |
Mélantho | soprano | Cécile Malraison |
Phylo | mezzo-soprano | Gabrielle Gilson |
Ctésippe | tenor | Robert Couzinou |
Pisandre | tenor | Bindo Gasparini |
Eurymache | baritone | André Allard |
Cléone | mezzo-soprano | Durand-Servière |
Leodès | tenor | Sorret |
Lydie | soprano | Florentz |
Une suivante (a follower) | soprano | Nelly Courcelle |
Synopsis
Act One
Penelope has been waiting for ten years for the return of her husband, Ulysses, King of Ithaca. In the meantime she has been besieged by suitors for her hand in marriage. She promises she will choose between them once she has finishing weaving a shroud for her father-in-law, Laertes, but every night she unpicks the day's work. Ulysses arrives at the palace disguised as a beggar and is recognised by his old nurse Euryclea.
Act Two
That night, as ever, Penelope keeps watch for Ulysses' ship on a hill-top overlooking the sea. She talks nostalgically to the shepherd Eumaeus. The beggar offers to help Penelope defeat the suitors. He claims to be a fugitive Cretan king who has seen Ulysses alive at his court. After Penelope leaves, Ulysses reveals his true identity to the overjoyed shepherds.
Act Three
The suitors have arranged Penelope's wedding in the palace hall. She tells them that they must decide which one will win her hand by holding a competition to see who can draw Ulysses' bow. Not one of them succeeds. The beggar steps forward and draws the bow with ease, before turning to shoot the suitors. The shepherds join in the killing with their knives. Finally, Ulysses and Penelope are happily reunited.
Recordings
- Pénélope: Régine Crespin, Raoul Jobin, Robert Massard, Christiane Gayraud, Choir and Orchestra of RTF, conducted by Désiré-Émile Inghelbrecht (live recording from 1956, GOP, 2007)
- Pénélope: Orchestre Philharmonique de Monte Carlo, conducted by Charles Dutoit (Erato, 1982)
Notes and references
- Notes
- ^ Act 2 from the duet "O mon hôte, à présent", and the end of Act 3.[6]
- ^ Fauré was not unusual in having such recourse. The Fauré scholar Jean-Michel Nectoux writes: "This was quite normal practice for the period: Saint-Saëns, superb orchestrator that he was, had allowed Messager to score an act of his opera Phryné and, as is well known, Debussy needed the help of André Caplet to meet the deadline for Le Martyre de St-Sébastien."[7]
- References
- ^ a b Jones, p. 150
- ^ a b Nectoux, p. 313
- ^ Duchen, p. 166
- ^ Jones, p. 142
- ^ a b Nectoux, p. 316
- ^ a b Orledge, p. 152
- ^ Nectoux, p. 332
- ^ Duchen, p. 167
- ^ a b Murray, p. 120
- ^ a b Duchen, p. 175
- ^ Phillips p. 319 and 333
- ^ Phillips, p. 324
- ^ Nectoux, p. 327
- ^ a b Duchen, p. 179
- ^ a b Wolff, p. x
- ^ Kennedy. Michael, "Ireland's three lovely ladies", 30 October 2005
Sources
- ISBN 0714839329.
- Jones, J Barrie (1989). Gabriel Fauré – A Life in Letters. London: B T Batsford. ISBN 0713454687.
- Murray, David (1997). "Fauré, Gabriel". In Amanda Holden (ed.). The Penguin Opera Guide. London: Penguin Books. ISBN 014051385X.
- Nectoux, Jean-Michel (1991). Gabriel Fauré – A Musical Life. Roger Nichols (trans.). Cambridge: Cambridge University Press. ISBN 0521235243.
- Orledge, Robert (1979). Gabriel Fauré. London: Eulenburg Books. ISBN 0903873400.
- Phillips, Edward R (2011). Gabriel Fauré: A Guide to Research (second ed.). London: Routledge. ISBN 978-0415998857.
- Wolff, Stéphane (1953). Un demi-siècle d'Opéra-Comique 1900–1950. Paris: André Bonne. OCLC 2174128.
External links
- Del Teatro (in Italian)
- Casaglia, Gherardo (2005). "Pénélope, 4 March 1913". L'Almanacco di Gherardo Casaglia (in Italian).
- Prelude to Pénélope: Scores at the International Music Score Library Project