Palestinian handicrafts
Palestinian handicrafts are
Embroidery and weaving
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An exclusively female artistic tradition,[3] embroidery has been a key feature of traditional Palestinian costumes for hundreds of years. Two main types of embroidery are tatreez (cross-stitch embroidery) and tahriri (couching-stitch embroidery).[4]
The production of cloth for traditional Palestinian costumes and for export throughout the Arab world was a key industry of the destroyed village of Majdal. Malawi weaving, as the technique is known, is woven by a male weaver on a single treadle loom, using black and indigo cotton threads combined with fuchsia and turquoise silk threads. While the village no longer exists today, the craft of Majdalawi weaving continues as part of a cultural preservation project run by the Atfaluna Crafts organization and the Arts and Crafts Village in Gaza City.[4]
Gaza was a center for cloth production, famous for a fine silk produced there that was known as gazzatum. Imported to Europe as early as the 13th century, this fabric later gave its name to the loose weave fabric known today as gauze.[5]
Bedouin weaving is traditionally carried out by women to create household items suited for the life in the desert. The thread is spun from sheep's wool, colored with natural dyes, and woven into a fabric using a ground loom and the strong fabric produced is used for tents, rugs, pillows, and other domestic items.[4]
A Galilee craftsman who learned the art of straw weaving from his grandmother is showing a exhibit of tabaqs (woven trays) and other items at the Ein Dor Archaeological Museum in northern Israel based on heirloom weaving techniques.[6]
Glass-making
A key Hebron industry, glass has been produced in the city since the Roman rule in Palestine. As the quote says: "If Hebron could boast of its glass bracelets, its big he-goat skins, and its fine grapes; if Gaza was still the granary of Palestine; if Lydda was reputed for its oil markets and mat industry; Nablus could point with pride to its soap manufactories."[citation needed]
Olive-wood carving
According to the Bethlehem municipality, olive-wood carving is thought to have begun in Bethlehem in the 4th century CE, following the construction of the Church of the Nativity. At the time, Christian monks taught how to make craft to the city's residents. Though its exact origins are obscure, one of the earliest olive-wood handicrafts were rosary beads carved from olive pits.[7]
Olive-wood is ideal for craft-making being resistant to decay and receptive to a number of surfacing treatments. The wood is usually carved using simple hand tools. Today, rough cutting is carried out using machines programmed with a design model, though fine work, such as work with facial structures, must be chiseled by hand.[7]
Olive-wood carvings sold to tourists are important to Bethlehem's economic industry. A number of artists in the city continue to make over a thousand different crafts, such as boxes, picture frames, covers for historical and old books, candle holders, rosaries, urns, vases and
Mother of pearl carvings
Pottery
Palestinian pottery shows a remarkable continuity throughout the ages. Modern Palestinian pots, bowls, jugs and cups, particularly those produced prior to the establishment of Israel in 1948, are similar in shape, fabric and decoration to their ancient equivalents.
Soap-making
Nabulsi soap is a type of castile soap produced only in Nablus in the West Bank.[10] An olive oil-based soap, it is made up of three primary ingredients: virgin olive oil, water, and a sodium compound.[11] Nabulsi workers who make the soap are proud of its unique smell, which they see as a signifier of the quality and purity of its ingredients.[12]
Long reputed to be a fine product,
Bamboo furniture
The Palestinians have a long history in creating both furniture and household objects. This skill was handed down for generations, although has dwindled in recent years. Bamboo made its way to the area from the Far East along the Silk Road and was processed by the buyers. The bamboo is boiled, scraped, burnt and then dried in order to harden it into shapes. No machines are used in the production of Palestinian furniture, it is completely man-made by between one and three men.[13][14][15][16]
References
- ^ Jacobs et al., 1998, p. 72.
- ^ Ghada Karmi, 2005, p. 18.
- ^ Pollock and Bernback et al., 2004, p. 76.
- ^ a b c "Craft Traditions of Palestine". Sunbula. Archived from the original on 2008-03-21. Retrieved 2008-04-18.
- ^ Garrison, 2008, p. 261.
- ^ The Man Reviving Palestinian Women's Weaving, Haaretz
- ^ a b c Handicrafts: Olive-wood Archived 2007-11-21 at the Wayback Machine Bethlehem Municipality.
- ^ Needler, 1949, p. 75.
- ^ "PACE's Exhibit of Traditional Palestinian Handicrafts". PACE. Archived from the original on 2007-06-03. Retrieved 2007-07-13.
- ^ "Palestinian Industries". Piefza.com. Archived from the original on 2007-06-14. Retrieved 2008-03-28.
- ^ a b c Michael Phillips (March 11, 2008). "Nablus' olive oil soap: a Palestinian tradition lives on". Institute for Middle East Understanding (IMEU). Archived from the original on July 20, 2008. Retrieved 2008-03-27.
- ^ a b c "Nablus Soap: Cleaning Middle Eastern Ears for Centuries". Suburban Emergency Management Project. September 20, 2006. Retrieved 2008-03-27.
- ^ "Gaza's dying bamboo crafts industry - Al-Monitor: the Pulse of the Middle East". Al-Monitor. 23 April 2015. Retrieved 2016-02-28.
- ISBN 9781576079195.
- ^ "Cheap Arab Labor May Prove Costly For Israel". tribunedigital-chicagotribune. 23 December 1987. Retrieved 2016-02-28.
- ^ "Report of the United Nations High Commissioner for Human Rights" (PDF). Report on Palestine and other occupied Arab territories. Human Rights Council (22). 6 March 2013. Retrieved February 28, 2016.
Bibliography
- Garrison, Webb B. (2008). Why You Say It. READ BOOKS. ISBN 9781443731829.
- Jacobs, Daniel; Eber, Shirley; Silvani, Francesca (1998). Israel and the Palestinian Territories: the rough guide. London: Rough Guides. ISBN 1-85828-248-9.
- ISBN 1-85984-694-7.
- ISBN 978-9963-610-41-9.
- Needler, Winifred (1949). "Palestine: Ancient and Modern". Royal Ontario Museum of Archaeology.
{{cite journal}}: Cite journal requires|journal=(help) - Pollock, Susan; Bernbeck, Reinhard (2004). Archaeologies of the Middle East: Critical Perspectives. ISBN 0-631-23001-7.
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