Palm-wine music

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Palm-wine music

musical genre. It evolved among the Kru people of Liberia and Sierra Leone, who used Portuguese guitars brought by sailors, combining local melodies and rhythms with Trinidadian calypso to create a "light, easy, lilting style".[3][4] It would initially work its way inland where it would adopt a more traditional style than what was played in coastal areas.[5]

It would eventually gain popularity after Sierra Leone musician Ebenezer Calendar recorded songs in the 1950s and 1960s and continues to hold a small amount of that popularity.[6]

Etymology

Palm-wine music was named after a drink, palm wine, made from the naturally fermented sap of the oil palm, which was drunk at gatherings where early African guitarists played.

History

This music was created from a fusion of local and foreign sailors, dock workers, and local working-class people who would go to palm-wine bars to drink and listen to music. Portable instruments and local string and percussion merged to create this style. It was out of this genre that the traditional two-finger plucking of a guitar came when musicians played it similarly to how they played the local lute or harp. This style was typically played in a syncopated 4/4 metre.[5]

1920s–1940s

In the 1920s, a Kru taught Ghanaian highlife guitarist

Parlophone Records distributed albums of the Akan blues in southern Ghana. This was in the 1930s and 1940s and featured artists like Jacob Sam, Kwesi Pepera, Appianing, Kwame, Mireku, Osei Bonsu, Kwesi Menu, Kamkan and Appiah Adjekum.[8] At its peak of popularity in the 1930s, there would be about 200,000 Native Blues records sold per year before production was stopped due to World War II.[5]

1950s–1960s

Palm-wine music was first popularized by

Ebenezer Calendar & His Maringa Band, who recorded many popular songs in the 1950s and early 1960s. Soukous and highlife were influenced by palm-wine music. Though still somewhat popular, the genre is no longer as renowned as it once was. Other renowned palm-wine musicians include Koo Nimo (a.k.a. Daniel Amponsah),[6] S. E. Rogie
, Abdul Tee-Jay and Super Combo.

Agya Koo Nimo is another renowned Ghanaian singer who is popularly referred to as the "King of Palm-wine music". The "Grandfather of Highlife", as he's often called, uses his music to tell life stories which has greatly influenced the Ghanaian and other West African music scenes. He was awarded the lifetime achievers award at the

University of Education Winneba
in Ghana.

See also

References

  1. ProQuest 1304056634
    .
  2. .
  3. .
  4. ^ "The story of Ghanaian highlife". 2004-09-28. Archived from the original on 2020-03-23. Retrieved 2020-08-04.
  5. ^
    S2CID 162351116
    .
  6. ^ a b "KOO NIMO: PALMWINE MUSIC AND STORYTELLING". MusicXChange. Retrieved 2020-08-04.
  7. ^ "Palm Wine Music". Guide to the World of Music. 2018-05-10. Archived from the original on 2020-10-08. Retrieved 2020-08-04.
  8. ^ "Palm Wine Music". Guide to the World of Music. 2018-05-10. Retrieved 2020-08-21.

External links