Panache

Panache (French pronunciation: [panaʃ]) is a word of French origin that carries the connotation of flamboyant manner and reckless courage, derived from the helmet-plume worn by cavalrymen in the Early Modern period.^[1]

The literal translation is a

Cyrano de Bergerac

The epitome of panache and the reason for its establishment as a virtue are found in Edmond Rostand's depiction of Cyrano de Bergerac, in his 1897 play of that name. Prior to Rostand, panache was not necessarily a good thing and was seen by some as a suspect quality.

Panache is referred to explicitly at two points in the play but is implicit throughout: Cyrano's challenges to Montfleury, Valvert, and, at one point, the whole audience at the theatre (Act I), and his nonchalant surrender of a month's salary to pay for the damages; his duel with a hundred footpads at the Porte de Nesle (Act II), as well as his dismissal of the exploit when talking to Roxane ("I've been much braver since then"); his crossing the Spanish lines daily to deliver Roxane's letters (Act IV); and his leaving his deathbed to keep his appointment with her in Act V.

The explicit references bring in the double entendre: first, in Act IV, when sparring with de Guiche over the loss of de Guiche's white sash, he says: "I hardly think King Henry would have doffed his white panache in any danger." A second instance is in Cyrano's last words, which were: "yet there is something still that will always be mine, and when I go to God's presence, there I will doff it and sweep the heavenly pavement with a gesture: something I'll take unstained out of this world... my panache."

Current use

In