Patrick Kelly (fashion designer)

Source: Wikipedia, the free encyclopedia.

Patrick Kelly
Paris, France
Burial placePère-Lachaise Cemetery, Paris, France
OccupationFashion designer
Years active1974–1990
Known forPatrick Kelly Paris
PartnerBjorn Amelan

Patrick Kelly (September 24, 1954 – January 1, 1990) was an American

Chambre syndicale du prêt-à-porter des couturiers et des créateurs de mode, the prestigious governing body of the French ready-to-wear
industry. Kelly's designs were noted for their exuberance, humor and references to pop culture and Black folklore.

Early life and education

Kelly was born on September 24, 1954, in Vicksburg, Mississippi.[1] He was raised by his mother Letha Mae Kelly and father Danie S. Kelly, a home economics teacher and cab driver, respectively. He had two siblings: Danie Kelly, Jr. and William M. Kelly. After his father's death in 1969 his grandmother assisted with his upbringing.[citation needed] His interests in fashion surfaced in high school, when he learned to sew.[2] After graduating high school in 1972, he briefly attended Mississippi's Jackson State University before moving to Atlanta, Georgia.[3]

Career

In 1974 Atlanta, Kelly supported himself by working at an AMVETS thrift shop, where he had access to donated designer dresses and coats that he modified and sold alongside his own designs. He ultimately had his own store in the city's Buckhead district.[3] He also worked fashion shows at the Atlanta Hilton with upcoming super model Iman and established a modeling agency and clothing line under the name Longboy.[citation needed] In 1979, he connected with the pioneering Black supermodel Pat Cleveland, who admired the clothing he was making and encouraged him to move to New York City. After a lackluster year in New York, he moved to Paris in 1980, again at Cleveland's suggestion.[4] In Paris, he found more immediate success and soon developed his signature slinky, brightly colored jersey dresses adorned with colored buttons and bows in a nod to the sophisticated cut-rate style of the Southern women of his childhood.[2] Kelly met Bjorn Amelan, a photographers' representative, in 1983. The two quickly became lovers, with Amelan taking a management role in Kelly's burgeoning enterprise.[2]

Kelly began to sell his designs at the trend-setting Victoire boutiques in Paris.

Madonna, Cicely Tyson and Goldie Hawn.[8] He also participated in a notable collaboration with jewelry designer David Spada, one product of which was one of Kelly's most famous designs, a Josephine Baker-inspired ensemble with a banana skirt now in the collection of the Philadelphia Museum of Art.[9][10]

Patrick Kelly Suit, Spring/Summer 1989. Adnan Ege Kutay Collection.

In 1987, the

The Louvre.[11] Describing one such 1988 show, The Christian Science Monitor commented, "Styles ranged from the sublime—tailored suits and dresses with longer hemlines, mostly in somber gray flannel, and flowing crepe pants—to the ridiculous—motorcycle-helmet hats, lopsided pockets, scoop necklines trimmed with huge gardenias, and, of course, an abundance of buttons."[6]

Kelly was an avid collector of Black memorabilia, with an affinity for items depicting racial stereotypes that many people find challenging, offensive or demeaning. He deployed this material ironically in his designs, which feature cartoonish watermelon wedges, black baby dolls, bananas and golliwogs, among other images.[8] In 2004, Robin Givhan, writing in the Washington Post, observed that an important aspect of Kelly's work as a designer was the way he foregrounded race and heritage in his designs, choices of models and public image:

Any lasting contribution that Kelly made to fashion's vocabulary is dominated by the singular significance of his ethnicity. Kelly was African-American and that fact played prominently in his designs, in the way he presented them to the public and in the way he engaged his audience. No other well-known fashion designer has been so inextricably linked to both his race and his culture. And no other designer was so purposeful in exploiting both.[12]

Kelly sought inclusiveness in the clothes he designed, telling People Magazine in 1987, "I design for fat women, skinny women, all kinds of women. My message is, you're beautiful just the way you are." At his March, 1987 show, one of his models was eight months pregnant.[4]

Patrick Kelly's grave with an image of a heart and a golliwog on it
Patrick Kelly's grave in Père-Lachaise Cemetery, Paris

By 1989, Kelly was at the height of his success, producing his line for Warnaco in addition to other contracts—including one for

Père-Lachaise cemetery.[13]

Legacy

In 2004, The Brooklyn Museum presented Patrick Kelly: A Retrospective, featuring 60 Kelly ensembles together with fashion photographs and selections from his collections of Black memorabilia, all borrowed from the Kelly estate.[8] In 2014, the Philadelphia Museum of Art mounted Patrick Kelly: Runway of Love, which celebrated the promised gift of 80 ensembles to the museum from the estate.[14]

There are two main repositories of Kelly's garments in the United States. In addition to the Philadelphia Museum of Art, Jackson State University, which Kelly briefly attended, maintains a collection of approximately 250 items. Jackson State exhibited part of its holdings in Patrick Kelly: From Mississippi to New York to Paris and Back in 2016.[15] The Schomburg Center of the New York Public Library holds Kelly's sketchbooks and related materials,[16] as well videos of runway shows, interviews and his memorial service.[17]

References

  1. ^ a b "Patrick Kelly", Retrieved online 28 December 2018.
  2. ^ a b c d e Silva, Horacio (February 22, 2004). "Delta Force". New York Times. Retrieved October 11, 2017.
  3. ^ a b Hyde, Nina (November 9, 1986). "From Pauper To the Prints Of Paris". Washington Post. Retrieved October 11, 2017.
  4. ^ a b c Johnson, Bonnie (June 15, 1987). "In Paris, His Slinky Dresses Have Made Mississippi-Born Designer Patrick Kelly the New King of Cling". People Magazine. Archived from the original on April 1, 2017. Retrieved October 11, 2017.
  5. ^ Victoire's English-language Web page does not mention Kelly, but the image in the panel at the bottom of the page linked here is taken from an invitation to a Kelly runway show, with a caricature of the designer second from left: "70's – A vision of fashion". Victoire. Archived from the original on October 12, 2017. Retrieved October 12, 2017.
  6. ^ a b c Dissly, Meggan (August 25, 1988). "An American in Paris fashion. The Southern accent of designer Patrick Kelly". Christian Science Monitor. Retrieved October 11, 2017.
  7. ^ Sermak, Kathryn (September 17, 2017). "Bette Davis and Designer Patrick Kelly Made Oddly Perfect Pals". The Daily Beast. Archived from the original on October 11, 2017.
  8. ^ a b c d Brooklyn Museum. "Patrick Kelly: A Retrospective exhibition labels". Brooklyn Museum. Archived from the original on August 21, 2016. Retrieved October 11, 2017.
  9. ^ Gross, Michael (April 1, 1986). "Notes on Fashion". The New York Times.
  10. ^ "Woman's Ensemble: Bra Top and Banana Skirt". Philadelphia Museum of Art. Retrieved December 10, 2017.
  11. ^ a b Hornblower, Margot (April 3, 1989). "An Original American In Paris: PATRICK KELLY". Time. Archived from the original on July 10, 2019. Retrieved October 13, 2017.
  12. ^ Givhan, Robin (May 31, 2004). "Patrick Kelly's Radical Cheek". Washington Post. Archived from the original on February 1, 2017. Retrieved October 11, 2017.
  13. ^ "KELLY, Patrick". Amis et Passionnés du Père-Lachaise (in French). Archived from the original on March 22, 2016. Retrieved October 11, 2017.
  14. ^ "Patrick Kelly: Runway of Love". Philadelphia Museum of Art. Archived from the original on March 31, 2016. Retrieved January 8, 2021.
  15. ^ "Patrick Kelly: From MS to NY to Paris and Back". Jackson State University. Archived from the original on February 28, 2019. Retrieved January 8, 2021.
  16. ^ "Patrick Kelly archive". archives.nypl.org. Retrieved January 7, 2021.
  17. ^ "Patrick Kelly collection of audio-visual recordings". archives.nypl.org. Retrieved January 7, 2021.

External links