Paul Ryan Rudd

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Paul Ryan Rudd
Born
Paul Kenneth Rudd

(1940-05-15)May 15, 1940
DiedAugust 12, 2010(2010-08-12) (aged 70)
Other namesPaul Rudd (as billed through his career)
Occupation(s)Actor, theatre director, professor
Spouse(s)Joan Mannion (divorced)
Martha Bannerman (1983–2010; his death)
Children3

Paul Ryan Rudd (born Paul Kenneth Rudd; May 15, 1940 – August 12, 2010)[1] was an American actor, theatre director and professor.[2]

He appeared as the title character in a 1976 production of Shakespeare's

New York Shakespeare Festival, he also appeared in the 1978 film The Betsy and on television in the 1975 short-lived series Beacon Hill as Brian Mallory, the scheming Irish chauffeur.[1]

Biography

Early life

He was born in

Boston, Massachusetts on May 15, 1940.[3] He attended Boston Latin School and later Assumption Preparatory School,[4] graduating in 1958.[5] He earned a degree in psychology from Fairfield University.[1]

Originally named Paul Kenneth Rudd, he adopted Ryan as his middle name from his mother's maiden name, whose name had become Kathryn Rudd after marriage. He studied for the

Catholic priesthood but left, recognizing that the vocation was not for him. At some point, he married Joan Mannion, whom he later divorced.[1]

Acting career

Rudd worked in entertainment from 1967–86, variously as actor or as director, both on and off-Broadway.[4] He landed his first significant Broadway role in 1974 as Ken, the lobotomized motorcyclist, in The National Health by Peter Nichols.[1] His name was in the credits of the 1975 revivals of Ah, Wilderness! (co-starring Geraldine Fitzgerald, Swoosie Kurtz and Teresa Wright) and The Glass Menagerie as the "Gentleman Caller" (along with Maureen Stapleton, Pamela Payton-Wright and Rip Torn). [citation needed] He portrayed Barry Copley in the Williamstown Theater Festival's 1973 production of 'The Changing Room', sharing the stage with John Lithgow.

In 1976, he starred as Billy, the tortured young soldier, in

New York Shakespeare Festival opposite Meryl Streep as Katherine, whom he marries in the play.[1] He played in Theodore Mann's Romeo and Juliet[6] as Romeo, with Pamela Payton-Wright as Juliet in 1977.[7][8] In 1979, he starred as Scooper in Bosoms and Neglect opposite Marian Mercer.[9]

In 1975, he played Brian Mallory in the short-lived television series Beacon Hill.[1] In 1977, he portrayed John F. Kennedy in the NBC TV movie Johnny, We Hardly Knew Ye. He went on to appear in The Betsy, the 1978 film based on the Harold Robbins novel.[1]

Rudd married his second wife, Martha Bannerman, in 1983. They eventually had three children: Graeme, Kathryn and Eliza. During this time, Rudd held guest roles in several television shows, including Hart to Hart, Moonlighting, Knots Landing and Murder, She Wrote.[1][10]

In 1986, Rudd retired from acting to raise his children,[4] moving his family from Los Angeles to his Greenwich, Connecticut near his native Massachusetts.[10]

Later years

Later in life, Rudd taught[2] at local middle schools and high schools – on the subjects of theater, especially Shakespeare, and poetry.[4] He was part of the theater faculty at Sarah Lawrence College from 1999 to 2006.[11][10]

Rudd came briefly out of retirement for a 2000 production of

New School for Drama until his death.[10]

Death

Rudd died at his Greenwich, Connecticut home at the age of 70 from pancreatic cancer. He was survived by his wife, Martha, and three children.[7]

Filmography

Year Title Role Notes
1975 Beacon Hill Brian Mallory
1978 The Betsy Loren Hardeman Jr.
1979 Hart to Hart Kreeger Season 1 Episode 9 "A New Kind Of High"
1980 Beulah Land Leon Kendrick
1980-1981 Knots Landing Earl Trent
1983 Hart to Hart Dr. Michael Barber Season 4 Episode 16 "Bahama Bound Harts"
1983 Quincy, M.E. Kenny Kelso Season 8 Episode 24 "The Cutting Edge"
1984 Murder, She Wrote Palmer Eddington Season 1 Episode 10 "Death Takes a Curtain Call"
1985 Moonlighting Accomplice Season 2 Episode 8 "Portrait of Maddie"
1986 Kung Fu: The Movie Reverend Lawrence Perkins

Critical acclaim

Clive Barnes, while reviewing Romeo and Juliet, wrote in The New York Times:[1][7]

Paul Rudd makes a taut-nerved Romeo, his handsome face either tense with pain or almost consciously relaxed and sunny. He speaks the verse very well, with intelligent nuances, and his ardent death wish at the end is most impressive.

References

External links