Paula Wessely
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Paula Wessely | |
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Born | Paula Anna Maria Wessely 20 January 1907 |
Died | 11 May 2000 Vienna, Austria | (aged 93)
Alma mater |
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Occupation | Actress |
Years active | 1924–1987 |
Spouse | |
Children | 3, including Christiane Hörbiger |
Relatives | Josephine Wessely (paternal aunt) |
Paula Anna Maria Wessely (20 January 1907 – 11 May 2000) was an Austrian theatre and film actress. Die Wessely (literally "The Wessely"), as she was affectionately called by her admirers and fans, was Austria's foremost popular postwar actress.
Biography
She was born in
Her career proceeded, when in 1926, she became a member of the
In 1927, she returned to the Volkstheater, playing in Ibsen's The Lady from the Sea and Wedekind's Spring Awakening. After being denied the role of Jenny in Brecht's Threepenny Opera in 1929, she quit and joined the ensemble of the Theater in der Josefstadt under director Max Reinhardt.
Strongly insisting on major roles, she performed in Der Gemeine by Felix Salten, together with Attila Hörbiger and Hans Moser. Supported by Reinhardt, she played in Schiller's Intrigue and Love at the 1930 Salzburg Festival. In 1932, she appeared in Hauptmann's Rose Bernd under director Karlheinz Martin at the Deutsches Theater in Berlin, acclaimed by the audience as well as by critics like Alfred Kerr and colleagues like Werner Krauss.
On 23 December 1932, having taken singing lessons, she played the leading role in the premiere of
Wessely, who was not particularly photogenic, was passed over in favor of
Like her brother-in-law Paul Hörbiger, Wessely had publicly acclaimed the Anschluss, after which she smoothly continued her film and theatre career.
Her most notorious movie appearance was in the anti-Polish
On 23 November 1935, she married Attila Hörbiger at the Vienna
After WWII, she was initially under a ban by the Allied authorities. She resumed her career in 1945 at the Innsbruck State Theatre with the role of Christine in Liebelei, and again at the Theater in der Josefstadt in Brecht's The Good Person of Szechwan the next year. She participated in the filming of Ernst Lothar's novel The Angel with the Trumpet in 1947, playing a half-Jewish woman. In 1957 she was again criticized [citation needed] for her role in the homophobic film Anders als du und ich by Veit Harlan.
She worked mainly as a theatre actress at the Vienna Burgtheater together with her husband for more than 40 years, performing in Raimund's Der Alpenkönig und der Menschenfeind and Der Diamant des Geisterkönigs, again as Gretchen in Goethe's Faust, in Schnitzler's Das weite Land, in Hofmannsthal's Der Unbestechliche with Josef Meinrad and as Ella Rentheim in Ibsen's John Gabriel Borkman. When Attila Hörbiger died of a stroke in April 1987, aged 91, Wessely, by then undisputed doyenne of the Burgtheater, retired at the age of 80.
In her last years she lived a very secluded life in her hometown Vienna and suffered from major
Selected filmography
- Maskerade (1934)
- So Ended a Great Love (1934)
- Episode (1935)
- Harvest (1936)
- Such Great Foolishness (1937)
- Mirror of Life (1938)
- Maria Ilona (1939)
- Heimkehr (1941)
- Late Love (1943)
- The Heart Must Be Silent (1944)
- The Angel with the Trumpet (1948)
- Vagabonds (1949)
- Cordula (1950)
- Maria Theresa (1951)
- Walking Back into the Past (1954)
- Different from You and Me (1957)
- Die unvollkommene Ehe (1959)
- Jedermann (1961)
Awards and decorations
- 1935: Volpi Cup for Best Actress for the film Episode (Venice Biennale)
- 1949: Max Reinhardt Ring
- 1960: Kainz Medal
- 1962: Bambi Prize
- 1963: Austrian Cross of Honour for Science and Art, 1st class
- 1967: Gold Medal of the capital Vienna
- 1976: Grand Silver Medal for Services to the Republic of Austria
- 1979: Iffland Ring and donated in 1978 by the Austrian Government to mark the death of Burgtheater-actress Alma Seidler(1899–1977); Wessely was the first recipient)
- 1982: Honorary Ring of Vienna
- 1984: Gold German Film Award for many years of excellent work in German films
References
Further reading
- Georg Markus: Die Hörbigers. Biografie einer Familie. Wien: Amalthea Verlag, 2006. ISBN 3-85002-565-9
- Edda Fuhrich & Gisela Prossnitz (ed.): Paula Wessely, Attila Hörbiger. Ihr Leben – ihr Spiel. Eine Dokumentation. München: Langen Müller, 1985. ISBN 3-7844-2035-4
- André Müller: Entblößungen. München: Goldmann, 1979. ISBN 3-442-03887-1
- Elisabeth Orth: Märchen ihres Lebens. Meine Eltern Paula Wessely und Attila Hörbiger. Wien: Molden, 1975. ISBN 3-217-05032-0
- Maria Steiner: Paula Wessely. Die verdrängten Jahre. Wien: Verlag für Gesellschaftskritik, 1996. ISBN 3-85115-224-7