Pauline Chase

Source: Wikipedia, the free encyclopedia.
Pauline Chase
Kent, England
Spouse
(m. 1914; died 1937)
Children3

Pauline Chase (born Pauline Bliss; May 20, 1885 – March 15, 1962) was an American actress who performed on the stage in both the United States and the

Peter Pan, or The Boy Who Wouldn't Grow Up
. She was also known as the Pocket Venus of New York.

Biography

She was born Pauline Bliss in Washington, D.C., on May 20, 1885, the daughter of Dr. Ellis Bliss. She was schooled at the Convent of the Sisters of the Holy Cross in New York.[2]

She began acting at the age of 15. She played one of the Lost Boys in the debut of Peter Pan in London in 1904. She was later selected by producer Charles Frohman and playwright J. M. Barrie for the title role, which she played from 1906 to 1913.[3][4] The Peter Pan costume she wore for the productions of the play is on display at the Museum of London.[5]

She first came to the attention of Charles Frohman when he opened his production of the musical play "The Girl from Up There", starring Edna May, at the Herald Square theatre in January 1901. By the time he transferred his production to the Duke of York's Theatre in London's West End in April that year, he had recruited Pauline onto the cast (as Sybilla). She was still only fifteen years of age when she made that first crossing of the Atlantic to appear on the London stage. That production was only a moderate success, but returning to the USA in September, she created a sensation as the Pink Pajama Girl in "The Liberty Belles".

Pauline Chase c. 1906

She returned to London with Frohman in 1903 to appear in "The School Girls" at the Prince of Wales theatre and would remain in England for the next few years appearing in numerous productions and building upon her acting reputation. In December 1904 she was an original cast member (as the first twin) in the first ever production of J.M. Barrie's perennial favourite "Peter Pan" (with Nina Boucicault in the title role) at the Duke of York's Theatre. In 1905, whilst playing 'Columbine' in another Barrie play, "Pantaloon", she twice performed before the King and Queen in that role at Windsor and Sandringham and was singled out for special praise and the reward of a present from their Majesties.

In December 1905 she was again in the cast of "Peter Pan" opening at the Duke of Yorke's theatre in London and then going on provincial tour. When the new Pan, Cissie Loftus, was taken ill during the tour Pauline, as understudy, stepped into the lead role. Barrie was so impressed at her performance that she would continue to be his first choice for the role until she was no longer available due to her retirement from the stage. She played the part each Christmas at the Duke of York's theatre for the next eight years, over 1,400 performances. As a result she became synonymous with the role and it brought her considerable fame and fortune.

In the Autumn of 1906 she played the lead role in Chevalier's wordless play "The Scapegoat", and the following year was a big hit in "A Little Japanese Girl" at the Duke of York's. In 1908 she played in Paris, first in "Peter Pan" at the Vaudeville then at the Theatre des Arts in Pantaloon.

When she was in England she spent much of her time when she was not performing in Marlow, Buckinghamshire. She loved the town so much that she had her mother's body exhumed from her grave in Washington and reburied in Holy Trinity Church, Marlow.[6]

When in Marlow she was often visited by her friend and mentor Charles Frohman. Pauline had become a social beauty with many famous and influential friends and admirers, and together with Charles Frohman she mixed in the highest circles and led an extravagant lifestyle. She was reputed to have once sailed from England to New York to attend a 24-hour charity event and then immediately caught the next available ship back.

In the town of Marlow today there is a statue of a naked lady atop a fountain, which was erected by the district council in 1924 in memory of Charles Frohman who had forged strong links with the town. Whilst there is no hard evidence to the fact, the model for the piece is widely believed to have been Pauline Chase.[7]

She retired from the stage after the Christmas run of Peter Pan ended in 1913 to marry banker Captain Alexander Victor Drummond. They had three children.[3]

She came out of retirement in 1916 for her only screen appearance in The Real Thing at Last, a satirical film scripted by Barrie and shown at a benefit for the YMCA, attended by members of the British royal family.[3]

She was said to have had an affair with explorer Robert Falcon Scott before he was married.[8]

She died in Royal Tunbridge Wells, England, in 1962.[9]

References

  1. ^ Mackail, Denis The Story of J.M.B (p385) Peter Davies (1941)
  2. ^ "Stars of the Edwardian Stage".
  3. ^ a b c StageBeauty.net web site, Don Gillan
  4. New York Times news article about Barrie's divorce refers to the couple adopting her though Barrie biographers make no note of this happening. StageBeauty.net refers to her as Barrie's god-daughter
    .
  5. ^ "Museum of London | Free museum in London".
  6. ^ "Pauline Chase (1885-1962)".
  7. ^ "The theatre boss, the statue and the actress".
  8. ^ Mackail, Denis The Story of J.M.B (p381) Peter Davies (1941)
  9. New York Times
    . March 5, 1962. Retrieved 2010-04-17.