Persian calligraphy

Source: Wikipedia, the free encyclopedia.

Persian calligraphy or Iranian calligraphy (Persian: خوشنِویسیِ ایرانی) is the calligraphy of the Persian language. It is one of the most revered arts throughout the history of Iran.

History

Example showing Nastaʿlīq's proportion rules.[citation needed]

History of Nasta'liq

After the introduction of Islam in the 7th century, Persians adapted the Arabic alphabet to Persian and developed the contemporary Persian alphabet. The Arabic alphabet has 28 characters. An additional four letters were added by Iranians,[1] which resulted in the 32 letters currently present in the Persian alphabet.

Around one thousand years ago,

Perso-Arabic script
.

In the 17th century Morteza Gholi Khan Shamlou and Mohammad Shafi Heravi created a new genre called cursive Nastaʿlīq

Shekasteh Nastaʿlīq (Persian
: شکسته نستعلیق)). Almost a century later, Abdol-Majid Taleqani, who was a prominent artist at the time, brought this genre to its highest level. This calligraphic style is based on the same rules as Nas’taliq. However, cursive Nas’taliq has a few significant differences: it provides more flexible movements, and it is slightly more stretched and curved. Yadollah Kaboli is one of the most prominent contemporary calligraphers within this style.

  • Folio of Poetry From the Divan of Sultan Husayn Mirza, c. 1490. Brooklyn Museum.
    Folio of Poetry From the Divan of Sultan Husayn Mirza, c. 1490. Brooklyn Museum.
  • Calligraphy of Persian poems on large pishtaq at the Agra Fort, India
    Calligraphy of Persian poems on large
    pishtaq at the Agra Fort, India
  • Chalipa panel, Mir Emad.
    Chalipa panel,
    Mir Emad
    .
  • Calligraphic composition by Shah Mahmud Nishapuri, a 16th-century master of Nasta'liq
    Calligraphic composition by Shah Mahmud Nishapuri, a 16th-century master of Nasta'liq

Contemporary Persian calligraphy

In 1950, the Iran's Association of Calligraphers was founded by Hossein Mirkhani, Ali Akbar Kaveh, Ebrahim Bouzari, Hassan Mirkhani and Mehdi Baiani. For an overview of Persian calligraphy's development within Afghanistan, see "Calligraphy during last two centuries in Afghanistan" (1964), by Azizuddin Vakili.

Modernist movement

Zendeh Roudi, Jalil Rasouli, Parviz Tanavoli, and Nima Behnoud use Persian calligraphy and Rumi poetry in dress designing.

Post modernism

Abol Atighetchi uses combination of colored naskh, suluth and kufic style calligraphy with large letters in a single large format acrylic painting for his work presentation and circles in gold leaf or simple color to decorate but in the Nastaligh style many colorful geometrical forms and lines are used to modernize the painting and the same technique is used to modernize the large format birds of bessmel (Persian: مرغ بسمل), all drawn with large letters. This style of work can be classified as post-modern.

Genres

  • Nasta'liq script
  • Shekasteh Nastaʿlīq
    (Cursive Nasta'liq)
  • Naghashi-khat (Painting-Calligraphy combined)

Most notable figures

See also

References

  1. ^ a b "History - Persian Calligraphy- All about Persian Calligraphy". persiancalligraphy.org. Archived from the original on 2015-09-04. Retrieved 2021-03-17.

External links