Philip Brett

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For other people with the same name, see Philip Brett (disambiguation).

Philip Brett
Musicologist and conductor
Known forStudies of Benjamin Britten and William Byrd

Philip Brett (October 17, 1937 – October 16, 2002) was a British-born American

Distinguished Professor of Musicology at the University of California, Los Angeles
.

Life and career

Philip Brett was born in

MusB in 1961, studying under Philip Radcliffe, Boris Ord and Thurston Dart. After a year studying at University of California, Berkeley with Joseph Kerman, he returned to Cambridge as a Fellow of King's College and completed his PhD there in 1965. He wrote his doctoral dissertation on the songs of William Byrd, a composer on whom Brett would write extensively throughout his career. In 1966 he joined the faculty of the University of California, Berkeley and remained there for nearly 25 years. He was made a full professor in 1978 and went on to become chairman of the music department in 1988. During his time at Berkeley, he became a naturalised US citizen and participated in the musical life of the university both as a recitalist and as a choral conductor in addition to his teaching.[2]

In 1991, Brett moved to

gay, lesbian, bisexual, transgender/transsexual studies.[5]

Musicologist

As a musicologist, Brett was known for his scholarly studies on

Roman Catholic during the English Reformation and Britten as a closeted homosexual.[1][6]
Overlapping with these themes, was the other area in which Brett made a major, if at times controversial contribution—the development of lesbian and gay musicology.

Brett's earliest scholarship was in music of the

madrigal composers. He also revised one of the volumes in the Collected Works of William Byrd (another Fellowes project) and demonstrated the doubtful authenticity of many of the pieces which Fellowes had attributed to Byrd.[8] On Dart's recommendation, Brett was appointed General Editor of the new seventeen-volume Byrd Edition, which revised (and in some cases replaced) the work begun by Fellowes. Brett worked on the series right up until his death and edited several of the volumes himself. The final volume was published in 2005. According to Anthony Bye writing in The Musical Times, it was to become the first modern multi-volume, critical edition of a major English composer to reach completion.[9] The extensive introductions which Brett had written to the volumes on Byrd's Gradualia
were published posthumously as a separate monograph in William Byrd and His Contemporaries: Essays and a Monograph (2007).

In 1976, Brett delivered a paper on Benjamin Britten's opera

New Grove Dictionary of Music and Musicians, contained, for the first time in its history, an article on gay and lesbian music (co-written by Philip Brett and Elizabeth Wood).[12][13]

Conductor and musician

From 1966 to 1991, Brett was the conductor of the University of California, Berkeley Chamber Chorus. As a choral conductor, he received the American Musicological Society's

Grammy Award (Best Choral Performance).[7] Brett also played the harpsichord and Renaissance organ in some of these performances, as well as giving solo harpsichord recitals. Although most of his performances and recordings were of Renaissance and Baroque music, he also participated in the recordings of 20th century works including Lou Harrison's La koro sutro (1988) and Morton Feldman
's Rothko Chapel (1991).

Recordings

Selected bibliography

Brett published many articles, monographs, books, and critical editions of scores during his lifetime. The following is an indicative bibliography of key works over the course of his career.

Articles
  • "The English Consort Song, 1570-1625", Journal of the Royal Musical Association, Volume 88, Issue 1, 1961, pp. 73–88
  • "Word-Setting in the Songs of Byrd", Journal of the Royal Musical Association, Volume 98, Issue 1, 1971, pp. 47–64
  • "Britten and Grimes", The Musical Times, Vol. 118, No. 1618, December 1977, pp. 995–1000
  • "Homage to Taverner in Byrd's masses", Early Music, Volume 9, No.2, 1981, pp. 169–176
  • "Homosexuality and Music: A Conversation with Philip Brett" in Lawrence Mass (ed.), Dialogues of the Sexual Revolution: Homosexuality as Behavior and Identity, Routledge, 1990
  • "Musicality, essentialism, and the closet" and "Eros and Orientalism in Britten's Operas" in Queering the Pitch: The New Gay and Lesbian Musicology, Routledge, 1994
  • "Piano Four-Hands: Schubert and the Performance of Gay Male Desire", 19th-Century Music, Vol. 21, No. 2, Franz Schubert: Bicentenary Essays, Autumn 1997, pp. 149–176
Single-authored books
  • Benjamin Britten, Peter Grimes, Cambridge University Press, 1983
  • Music and Sexuality in Britten, University of California Press, 2006
  • William Byrd and his Contemporaries, University of California Press, 2007
Edited books
  • Queering the Pitch: The New Gay and Lesbian Musicology, Philip Brett, Elizabeth Wood and Gary Thomas (editors), Routledge, 1994
  • Cruising the Performative: Interventions into the Representation of Ethnicity, Nationality, and Sexuality, Sue-Ellen Case, Philip Brett, Susan Leigh Foster (editors), Indiana University Press, 1995
  • Decomposition: Post-disciplinary Performance, Sue-Ellen Case, Philip Brett, Susan Leigh Foster (editors), Indiana University Press, 2000
Edited scores
  • John Taverner, The Western Wynde Mass, Stainer & Bell, 1962; Mater Christi, Stainer & Bell, 1964
  • Consort Songs, (Musica Britannica 22), Royal Music Association, 1967
  • Spem in Alium
    (revised edition), Oxford University Press, 1969; The Lamentations of Jeremiah, Oxford University Press, 1969.
  • William Byrd, The Byrd Edition, Stainer & Bell. Completed in 2005, the new Byrd Edition was under the General Editorship of Philip Brett, who also edited the following volumes:
    • Vol. 4 The Masses, 1981
    • Vol. 5 Gradualia I (1605): The Marian Masses, 1989.
    • Vol. 6a Gradualia I (1605): All Saints and Corpus Christi, 1991.
    • Vol. 6b Gradualia I (1605): Other Feasts and Devotions, 1993.
    • Vol. 7a Gradualia II (1607): Christmas to Easter, 1997.
    • Vol. 7b Gradualia II (1607): Ascension, Pentecost and the Feasts of Saints Peter and Paul, 1997.
    • Vol. 15 Consort Songs for Voice and Viols, 1970.
    • Vol. 16 Madrigals, Songs and Canons, 1976.

References

  1. ^ a b Adams (October 31, 2002)
  2. ^ a b Anderson (October 21, 2002)
  3. ^ San Jose Mercury News (July 29, 1990)
  4. ^ University of California, Riverside, Philip Brett Memorial Peace Garden Archived 2010-10-10 at the Wayback Machine
  5. ^ American Musicological Society, The Philip Brett Award
  6. ^ Brett (2006) p. 26
  7. ^ a b Adams, Kerman, McClary, and Moroney (2002)
  8. ^ Scott and Morgan
  9. ^ a b Bye (2002)
  10. ^ Brett (1990) p. 45
  11. ^ Now called the LGBTQ Study Group (Lesbian, Gay, Bisexual, Transgender, Queer)
  12. ^ Brett and Wood (December 2002)
  13. ^ Church (30 December 2000)

Sources

External links

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