Philip Furia

Source: Wikipedia, the free encyclopedia.

Philip George Furia (November 15, 1943 – April 3, 2019) was an American author and English literature professor. His books focus on the lyricists of the Tin Pan Alley era.

Biography

Furia was born in

Kennywood Park, an amusement park where he worked as a barker
during his high school years.

In 1961, Furia graduated from

Duquesne High School in Pittsburgh and attended Oberlin College in Ohio, majoring in English. Following his graduation with honors in English from Oberlin in 1965, Furia attended the University of Chicago, receiving his Master of Arts in English and creative writing in 1966. Furia then attended the University of Iowa Writers' Workshop, where he received his Master of Fine Arts in 1970. Hunkies Eat Their Young was the title of his MFA thesis. He received his PhD
from the University of Iowa in 1970.

Upon receiving his degree, Furia started teaching at the

Liberal Arts. In 1994, Furia served as the interim dean for the College of Arts and Sciences for Metropolitan State University in Saint Paul, Minnesota
during the 1994–1995 academic year.

Furia became chair of the Department of

Creative Writing, and interim Chair of the Department of Theatre. He was instrumental in the creation of both the creative writing department and the film studies program. He was a professor in the Department of Creative Writing.[1] Furia also presented a weeknight segment on WHQR
's The Great American Songbook with Philip Furia.

Along with Wendy and Gerald Fingerhut, Nancy King, Paul Albritton, David Williams, Jeannette Callison, Melvin Ezzel, Lynn O'Connell, Jack Sauer, and Robert Sherman, Furia was one of the founding members of the board of directors for Opera Wilmington.

Furia died on April 3, 2019 in Wilmington, NC.[2]

Honors and awards

Undergraduate

  • Knight Scholarship, 1961–1965, Oberlin College

Graduate

  • Ford Foundation Fellowship, 1965–1966, University of Chicago
  • Teaching-Research Fellowship, 1967–1969, University of Iowa
  • Sloan Doctoral Fellowship, 1969–1970, University of Iowa

Professional

  • Fulbright Professorship, 1982–1983, University of Graz, Austria
  • Distinguished Teaching Award, 1989, University of Minnesota, College of Continuing Education and Extension
  • Scholar of the college, 1991–1994, University of Minnesota
  • Cahill Grant, 1997–1998, University of North Carolina Wilmington
  • Presented with Key to the City of Savannah by Mayor Floyd Adams for writing Skylark: The Life and Times of Johnny Mercer, 2003
  • Awarded annual cash prize for editing American Lyricists, 1920-1960, which was voted the best volume in the series for 2002

Works

Articles, Chapters, and Other Publications:

  • "Nuances of a Theme by Milton: Wallace Stevens' 'Sunday Morning,'" American Literature, 46 (1974), 83–87.
  • "Hart Crane's 'At Melville's Tombe," The Explicator, 33 (1975), Item 73.
  • "'IS, the whited monster': Lowell's Quaker Graveyard Revisited," Texas Studies in Literature and Language, 17 (1976), 837–54.
  • "Bloomburied Stevens" (rev. art.) Centrum 1 (1977), 58–63.
  • "Stevens' Fusky Alphabet,"
    PMLA
    93 (1978), 66–77. [Co-author, Martin Roth]
  • "Howells' 'Editha': The Feminine View," American Literary Realism, 12 (1979), 278–83.
  • "Paterson's Progress," boundary 2, 9 (1981), 31–51.
  • "Pound and Blake on Hell," Paideuma: A Journal of Ezra Pound Scholarship, 10 (1981), 599–601.
  • "Halving Man/hattan: Lorenz Hart, Popular Song, and Modernist Poetry," William Carlos Williams Review, 15 (1989), 30–36.
  • "Jazzing the Word/Wording the Jazz," Twin Cities Jazz Notes, 13:1 (May 1991), 1–3.
  • "Irving Berlin: Troubadour of Tin Pan Alley," Inventing Times Square: Culture and Commerce in New York, ed. William Taylor (New York: The Russell Sage Foundation, 1991), 191–211.
  • "The Lorenz Hart Centenary," Dictionary of Literary Biography Yearbook: 1995 (Detroit: Bruccoli Clark Layman, 1996), 241–260. Author of main essay and editor of centenary tributes by Sheldon Harnick and other lyricists and scholars.
  • "'S Wonderful: Concord Jazz Salutes Ira Gershwin," CD Linder Notes for
    Mel Torme, Rosemary Clooney, and other jazz vocalists performing songs by Ira Gershwin (San Francisco: Concord Jazz
    , Inc., 1997).
  • "The Ira Gershwin Centenary," 'Dictionary of Literary Biography Yearbook: 1996 (Detroit: Bruccoli Clark Layman, 1997), 144-171. Author of main essay and editor of tributes by Sheldon Harnick and other lyricists and scholars.
  • "Love is Good for Anything that Ailes You: Songs of the 1930s," CD Liner Notes for Banu Gibson (New Orleans: Jazz Sessions, 1998).
  • "Something to Sing About: A Centenary Celebration of America's Great Lyricists," The American Scholar (Summer 1997), 379-394.
  • "Sinatra on Broadway," Frank Sinatra and Popular Culture: Essays on an American Icon, ed. Leonard Mustazza (London: Praeger, 1998).
  • Frank Sinatra: Musician, Actor, & Quintessential Ethnic," symposium edited for Italian Americana, XIX (Winter 2001), 5-22, including his own essay "Sinatra and the Great American Song Book," 10-13.
  • The Sounds of Silence: Songs in Hollywood Films since the 1960s," Style 36:1 (Spring 2002, 19-35. [co-author, Todd Berliner]

Selected National Television, Radio, and Other Interviews:

References

  1. ^ "Department of Creative Writing: Philip Furia, professor". UNCW. Archived from the original on 23 July 2011. Retrieved 4 April 2011.
  2. ^ "UNCW professor Phil Furia, chronicler of 'Great American Songbook,' dies". Star News. Retrieved 1 May 2019.
  3. ^ "Michael Lasser to Speak on Music Related to LeConte Stewart Exhibit", U-News & Views (University of Utah Alumni Association), November 2011. Retrieved 2011-11-25.

External links