Philippine New Wave
Years active | 2000s - present |
---|---|
Location | Philippines |
Major figures | Lav Diaz, Brillante Mendoza |
Influences | |
Influenced |
|
Philippine New Wave (known as Filipino New Wave or Contemporary Philippine Cinema) is a filmmaking term that has been popularly associated with the resurgence of
Origins of the movement
Following the first golden age (in the 1950s to 1960s) and the second (from the 1970s to the early 1980s), there was a dramatic decline of the Philippine mainstream film industry in the mid-1980s to 1990s.[3] Hollywood films dominated theater sales even more,[4] and fewer than twenty local studio films were being produced and shown yearly.[5][3] Many producers and production houses later stopped producing films after losing millions of pesos.[4]
Thereafter, a new sense of excitement and trend enveloped the industry with the coming of digital and experimental cinema. Following the winning of the Palme d'Or at the Cannes Film Festival 2000 of Raymond Red's short film Anino (Shadows),[6] the 1999 digital feature film Still Lives by Jon Red pioneered this digital revolution; many other digital filmmakers soon followed suit.[7] Cheaper production cost using digital media over film has helped the rebirth of independent filmmaking. Hailed as the inspiration to French New Wave in digital form, this decade saw the proliferation of digital films by independent filmmakers with international reach and caliber, and the introduction of locally produced animated features.[8][9][10][11][12] Production of action films is on a decline, and formulaic romantic comedies and melodrama films constituted the majority of mainstream releases. However, independent filmmakers spurred a renewed interest in Filipino movies through digital movies.
History
It was in 1999 that digital cinema was introduced in the Philippines but by then, the film industry was already dwindling in numbers. According to the records of the
Signs of rebirth of the Philippine cinema arose by way of movies with inspirational themes. In 2002,
In 2005, the film industry saw the lowest number of films produced with only 50 films that were commercially released. However, the establishment of film festivals Cinemalaya and Cinema One Originals which are dedicated to digital films, the addition of Digital Lokal, a digital section, at the Cinemanila International Film Festival, and the second offering of the .MOV International Digital Film Festival helped save the Philippine Film industry.
In 2006 and 2007, Filipino filmmakers started making movies using digital media.
Although Filipino digital films are made in almost no time and with meager budget, they are strongly represented in international film festivals.
In 2007, a Filipino short film entitled Napapanggap (Pretend) by Debbie Formoso, a recent graduate of MFA Master of Film Art at LMU Loyola Marymount University in Los Angeles, had a successful run in a number of US film festivals.[26] Several other short films,[27][28] including Pedro "Joaquin" Valdes's Bulong (Whisper),[29] as well as documentaries,[30] garnered international attention and honors.
The same year, the first full-length animated Filipino film, Urduja, topbilled by
In order to build up and stimulate the film industry, some Congressmen and Senators recently have authored a number of proposals and legislations pending ratification by the
In 2010, an eponymous documentary film, Philippine New Wave: This Is Not a Film Movement, about the most prominent internationally-acclaimed and wildly divergent digital filmmakers from the Philippines answer questions on filmmaking and beyond.[38]
Notable filmmakers and actors
Lav Diaz
Lav Diaz is a Filipino independent filmmaker and former film critics who have known as a leading figure in experimental Philippine films and is one of the most critically acclaimed contemporary Filipino filmmakers whose works include long epics about Filipino life, some of which run up to ten hours including the 2004 film Ebolusyon ng Isang Pamilyang Pilipino, often testing the endurance of viewers.[13]
In 2014, Diaz directed his 12th narrative feature, Mula sa Kung Ano ang Noon (literally "From What is Before") won the Golden Leopard at the 2014 Locarno Film Festival. Its win was a highly regarded as the second Filipino film to be awarded at an international film festival in the world almost twenty years after Lamangan's The Flor Contemplacion Story won the Golden Pyramid at the 1995 Cairo International Film Festival.[39][40]
In 2016, Diaz directed his 16th narrative feature,
At the same year, Diaz directed his 17th narrative feature, Ang Babaeng Humayo (literally "The Woman Who Left"), received the Golden Lion at the 73rd Venice International Film Festival, the first Philippine film to do so, although it could be eligible to be submitted as a Philippine entry for the Best Foreign Language Film award at the 89th Academy Awards before it ended up selected to Mendoza's competitive film Ma' Rosa.[42]
In 2017, Diaz became one of the few Filipinos who have invited by the Academy of Motion Picture Arts and Sciences to join as a member.[43]
Dolly de Leon
Dolly Earnshaw de Leon is a Filipino actress known primarily for her work in
In 2022, De Leon achieved international recognition and acclaim for starring as a toilet cleaner on a luxury yacht in Ruben Östlund's satirical black comedy Triangle of Sadness (2022), winning the Guldbagge Award and Los Angeles Film Critics Association Award for Best Supporting Performance. She received nominations for a Golden Globe Award and for a BAFTA Award for Best Supporting Actress, becoming the first Filipino to be nominated for the awards in any category.
Due to her being internationally recognized by filmmakers and celebrities, De Leon continues to starred in the adult animated drama The Missing (2023), and the comedies Between the Temples and Grand Death Lotto (both in 2024).
In 2023, Leon became one of the few Filipinos who have invited by the Academy of Motion Picture Arts and Sciences to join as a member.[43]
Brillante Mendoza
Brillante Mendoza is a Filipino filmmaker who is one of the key members associated with the Filipino New Wave, among his works garnered more than 50 awards and 75 nominations at national award ceremonies and international film festivals.
In 2008, Serbis (literally Service) became the first Filipino full-length film to compete for Palme d'Or at the Cannes Film Festival since internationally acclaimed director Lino Brocka's Bayan Ko: Kapit sa Patalim (literally "This is My Country") in 1984.[45][46][47]
In 2009, Kinatay (literally "Butchered" or "The Execution of P"), about murder and
In 2017, Mendoza became one of the few Filipinos who have invited by the Academy of Motion Picture Arts and Sciences to join as a member.[51]
In 2019, he directed a titular film,
Isabel Sandoval
Isabel Sandoval is a Filipina filmmaker who has been associated with the next wave of Philippine independent cinema of the 2020s. Sandoval is also the first trans woman of color to compete at the Venice Film Festival for her international debut film, Lingua Franca. She is also known for her films Señorita and Aparisyon. She is currently working on her next feature Tropical Gothic, based on the 1972 short story by Nick Joaquin.
In 2022, Sandoval became the first Asian trans woman who have invited by the Academy of Motion Picture Arts and Sciences to join as a member.[53]
Other known filmmakers
Notable films
- Ebolusyon ng Isang Pamilyang Pilipino (2004)[54]
- Serbis (2008)[44]
- Urduja (2008)[31]
- Ded na si Lolo (2009)[55]
- Kinatay (2009)[44]
- RPG Metanoia (2010)[55]
- Ang Babae sa Septic Tank (2011)[55]
- Thy Womb (2012)
- Ang Babaeng Humayo (2016)[54]
- Birdshot (2016)[56]
- Die Beautiful (2016)
- Ma' Rosa (2016)[57]
- Saving Sally (2016)[57][58]
- Bliss (2017)
- Hello, Love, Goodbye (2019)[59]
- Hayop Ka! (2020)[60]
- Cleaners (2019)
See also
References
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- ^ de la Cruz, Khavn (June 21, 2012). "Philippine New Wave: Home-grown, all-natural, no preservatives added". Philippine Daily Inquirer. Makati. Retrieved February 10, 2017.
- ^ a b RP Movie Industry Dying Archived February 14, 2009, at the Wayback Machine. Vanzi, Sol Jose. Newsflash. January 15, 2006.
- ^ a b A bleak storyline for the Filipino film industry. Conde, Carlos H. International Herald Tribune. February 11, 2007.
- ^ "Is the Curtain Finally Falling on the Philippine Movie Industry?". PhilNews.com. Retrieved January 25, 2009.
- ^ "Awards 2000 : Competition". Festival de Cannes. Archived from the original on October 17, 2014. Retrieved March 17, 2015.
- ^ "Looking Back at Jon Red's Still Lives Part 1". Archived from the original on October 7, 2011. Retrieved July 18, 2011.
- ^ a b From Manila to Cannes – New Philippine cinema and the digital revolution[permanent dead link]. CPH:DOX website. Retrieved January 22, 2009.
- ^ Gina Pareño wins more Int'l acting awards. Good News Pilipinas website. Retrieved January 25, 2009.
- ^ Mendoza & Pareño win Russia filmfest honors. Good News Pilipinas website. Retrieved January 25, 2009.
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- ^ Encantos' wins in Venice Film Festival Archived November 23, 2010, at the Wayback Machine. Good News Pilipinas website. Retrieved January 25, 2009.
- ^ a b Filipino film industry reborn Archived March 21, 2012, at the Wayback Machine. Straight website. January 25, 2009.
- ^ Indie films gaining ground in local movie industry Archived February 13, 2009, at the Wayback Machine. Sumpreme. November 8, 2008.
- ^ "Duda (2003) – IMDb". IMDb. December 23, 2003. Retrieved March 17, 2015.
- ^ Pinoy Indie films win International awards. Good News Pilipinas. Retrieved January 24, 2009.
- ^ Toronto Film Fest to showcase Pinoy films Archived November 23, 2010, at the Wayback Machine. Good News Pilipinas website. Retrieved January 24, 2009.
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- ^ Tuli wins Berlin Film Festival's Top Prize Archived November 23, 2010, at the Wayback Machine. Good News Pilipinas website. Retrieved January 24, 2009.
- ^ film wins top prize in L-A filmfest Pinoy film wins top prize in LA filmfest. Good News Pilipinas website. Retrieved January 24, 2009.
- ^ Grand Jury Prize for Pisay in France Archived November 23, 2010, at the Wayback Machine. Good News Pilipinas website. Retrieved January 24, 2009.
- ^ Filipino films win big at Singapore and Germany Filmfests. Good News Pilipinas website. Retrieved January 24, 2009.
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- ^ Filipino short film a favorite in the US Archived November 23, 2010, at the Wayback Machine. Good News Pilipinas website. Retrieved January 24, 2009.
- ^ 9 Pinoy short films in French Filmfest Archived November 23, 2010, at the Wayback Machine. Good News Pilipinas website. Retrieved January 24, 2009.
- ^ Andong & 100 are victorious in Pusan film festival. Good News Pilipinas website. Retrieved January 25, 2009.
- ^ Filipino short film wins in Beijing competition. Good News Pilipinas website. Retrieved January 24, 2009.
- ^ Pinoy documentary wins in Brussels Archived November 23, 2010, at the Wayback Machine. Good News Pilipinas website. Retrieved January 25, 2009.
- ^ a b Urduja- A Milestone for RP animation. Good News Pilipinas website. Retrieved January 24, 2009.
- ^ Paris to honor Philippine movies Archived November 23, 2010, at the Wayback Machine. Good News Pilipinas website. Retrieved January 24, 2009.
- ^ Dayo animates MMFF Archived February 9, 2009, at the Wayback Machine. The Philippine Daily Inquirer.. Retrieved January 25, 2009.
- ^ Dayo showcasing local animation Archived January 31, 2009, at the Wayback Machine. The Philippine Daily Inquirer. Retrieved January 25, 2009.
- ^ Tax deal for movie industry Archived February 14, 2009, at the Wayback Machine. Martel, Rene. The Manila Times Internet Edition. January 29, 2008.
- ^ Senate Bill No.4 – Revival of the Philippine Movie Industry Archived February 14, 2009, at the Wayback Machine. Senator Jinngoy Estrada Official Website. Retrieved January 26, 2009.
- ^ Solons author bill to boost movie industry Archived January 31, 2009, at the Wayback Machine. Malaya Online Newspaper. February 18, 2008.
- GMA News Online. Retrieved September 23, 2022.
- ^ "1995 Cairo International Film Festival". IMDb. Retrieved January 24, 2013.
- ^ "Balik Tanaw: Pelikuilang Pilipino sa Panahon matapus ang Batas Militar". Retrieved October 10, 2014.
- ^ "Lav Diaz wins Silver Bear at Berlin Film Festival". Rappler. February 21, 2016. Retrieved September 26, 2022.
- ^ Sallan, Edwin (September 19, 2016). "'Ang Babaeng Humayo' moves playdate to September 28". Interaksyon. Retrieved September 20, 2016.
- ^ a b "Lav Diaz, Brillante Mendoza invited to U.S. Film Academy". Rappler. July 4, 2017. Retrieved September 26, 2022.
- ^ a b c "Filipino New Wave - Movie list". MUBI. Retrieved September 23, 2022.
- ^ Cannes entry puts spotlight on Philippine indie films. Grafilo, John. Top News Light Reading. May 6, 2008.
- ^ Serbis competes in 61st Cannes Film Festival. Good News Pilipinas website. Retrieved January 25, 2009.
- ^ Cannes brings cheer to ailing Philippine film industry. Philippine Daily Inquirer. May 11, 2008.
- ^ (2009-05-25). "Brillante Outshines Tarantino, Ang Lee in Cannes" Archived December 15, 2010, at the Wayback Machine. Good News Pilipinas Web Site. Retrieved on January 26, 2011.
- ^ Ebert, Roger (May 16, 2009). "Cannes #4: What were they thinking of?". Roger Ebert's Journal. Retrieved August 2, 2014.
- ^ (2009-08-20). "CNN's Talk Asia features Brillante Mendoza". Good News Pilipinas. Retrieved on January 26, 2011.
- ^ "Lav Diaz, Brillante Mendoza invited to U.S. Film Academy". Rappler. July 4, 2017. Retrieved September 26, 2022.
- ^ Severo, Deni Rose M. Afinidad-Bernardo,Jan Milo. "FULL LIST: MMFF 2019 winners". The Philippine Star. Retrieved September 24, 2022.
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