Philippine literature in Spanish

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Philippine literature in Spanish (

Philippine Literature in Filipino being the first, followed by Philippine literature in English
). It is slightly larger than the Philippine literature in the vernacular languages. However, because of the very few additions to it in the past 30 years, it is expected that the former will soon overtake its rank.

History

According to Mariñas (1974) Philippine Literature in Spanish can be divided into 5 stages of development[1] namely:

  1. Works of Spanish Religious About the Philippines (1593–1800)
  2. Formative Stage (1800–1900)
  3. Nationalist Stage (1883–1903)
  4. The Golden Age (1903–1966)
  5. Modern Works (1966–present)

Spanish religious works about the Philippines (1593–1800)

The arrival of the

translators, creating a bilingual class known as ladinos
.

The natives, called indios, generally were not taught Spanish, but the bilingual individuals, notably poet-translator

secular literature. Verse narratives, or komedya, were performed in the regional languages
for the illiterate majority. They were also written in the Roman alphabet in the principal languages and widely circulated.

In the early 17th century a Chinese Filipino printer,

Dominican press (where he worked) appeared in 1610. Unlike the missionary's grammar (which Pinpin had set in type), the native's book dealt with the language of the colonizers instead of the colonized. Pinpin's book was the first such work ever written and printed by a Philippine native.[citation needed
] As such, it is richly instructive for what it tells us about the interests that animated Tagalog translation and, by implication, Tagalog conversion in the early colonial period. Pinpin construed translation in simple ways to help and encourage Tagalog readers to learn Spanish.

Formative stage (1800–1873)

During the so-called 'Formative Stage', Filipino writers began to recognize the Philippines a separate entity from Spain and codified these in different form of expressions.

Among the first Filipinos to produce works is

Luis Rodríguez Varela, a mestizo born in Tondo (which was province outside Manila walls
but now incorporated as a district) in 1768.

Among the works, the earliest recognized work in this era is "Proclama historial que para animar a los vasallos que el Señor Don Fernando VII tiene en Filipinas a que defendian a su Rey del furor de su falso amigo Napoleón, primer Emperador de fanceses, escribe, dedicada e imprime a su costa Don Luis Rodríguez Varela". As the title expresses, the work is full of pro-Hispanic sentiments.

In 1810, a year later the publication of the said work, Fernández de Folgueras, Governor General to the Philippines was granted by the 'Office of the Censor' to publish three books. The books were entitled: "Elogio a las Provincias de los Reynos de la España Europea", "Elogio a la mujer" and "El Parnaso Filipino". The last book, a collection of poems written by various Filipino poets at that time, is still now one of the most important works in the entire corpus of Philippine Literature in Spanish. And although it was severely criticized during its heyday (in 1814), it bears the merit of being the first book about the Philippines in Castilian that is purely literary and not didactic or religious.

This era also saw the publication of works by José Vergara, one of the Filipino representatives to the

Spanish Cortes
; and Juan Atayde (1838–1896), a military official. Most of the works published during these years are poetry.

But since most of the people who are knowledgeable in Spanish are those that belong to the Catholic hierarchy, religious works still make up a large part of the corpus.

During his stay as Vicar General of the

S.J., (1812–1863) founded the El Católico Filipino, a journal of religious nature. While serving the said post, he also taught at the University of Santo Tomas
and acted as a correspondent to La Generación, a journal published in Madrid. In his works, Peláez worked much to the defense of his fellow Filipinos.

Though it was first printed anonymously, a flyer published in Madrid in 1862 entitled "Documentos importantes para la cuestión pendiente sobre la provisión de curatos en Filipinas" was also attributed to him. It was also Peláez who first used the term perla de oriente to refer to the Philippines. This was made popular later by José Rizal in his last poem and the modern translation into Filipino by the national anthem. The term was first used in 1855 in his work entitled "Sermón de San Andrés".

With the death of Peláez, another priest continued the battle for self-identity in the person of

Fr. José Apolonio Burgos (1837–1877). Burgos was a student of Peláez at UST
. A year after an earthquake of 1863 that took the life of his teacher, he graced the Madrid journal La Verdad with "Manifesto que a la noble Nación Española dirigen los leales filipinos" to defend the heavy criticisms of the regular priests against the Filipinos of that time. He was also able to publish "El Eco Filipino" in order to reiterate the call of reform to the Philippine government and hierarchy.

His other notable works are "Mare Magnum" (1851), "Estado de Filipinas a la llegada de los españoles" (witten in 1871 but published posthomustly in 1894), "Ciencias y costumbres de los filipinos" (1868), "Cuentos y leyendas filipinas" (1860), "Es verdad los milagros" (1860) and "Los Reyes Filipinos".

With the opening of the

Spaniards
came to the Philippines. Some even studied in the islands which gave birth to some publications like La Oceanía Española, El Comercio and La Voz de España.

Nationalist stage (1883–1903)

The opening of Philippine ports to foreign commerce, the transition to an export economy, and the establishment of regular maritime routes between the Philippines and Spain brought social and economic changes in the Philippines. More affluent families who benefited from the economic development of the Philippines during the late 19th century sent their children to Spain and Europe to take advantage of the educational opportunities offered to them by the liberalized Spanish colonial policy at that time.

United States of America
.

A potent tool in promoting Filipino nationalism in Spanish was the foundation of

, etc. were able to voice out their sentiments.

Perhaps, the best-known editor of the La Sol is

Graciano Lopez Jaena
(1856–1896). Some of his more famous works include "Fray Botod" and "La Hija del Fraile".

Pedro Paterno also tried to establish some newspaper like "La Patria", "El Libera", "Soberanía Nacional" and "Asamblea Filipina". This also became outlets where Filipino were able to publish their works in Spanish.

Filipino novels in Spanish are quite rare. And aside from

El Filibusterismo, Paterno published an earlier novel entitled "Ninay" in 1885. The work was depicting local colour and was one of the inspirations that led José Rizal
to write his own.

Aside from "Ninay", Paterno were able to publish "Doña Perfecta" (1876), a novel; and "Sampaguita" (1880), a collection of poems; "La antigua civilización tagalog" (1887), "El cristianismo en la antigua civilización tagalog" (1892), and "La familia tagala en la historia universal", all expositories.

If Paterno was able to introduce the Tagalogs into the world, Isabelo de los Reyes (fondly called Don Belong by contemporaries) did the same for the Ilocanos.

In 1882, Don Belong published his "La invasión de Limahong". This made him enter the world of journalism which gave him all the outlets he needed to express his nationalism. Some of the newspapers he worked for were El Diario de Manila, La Oceanía Española, Revista Catolica, El Progreso, El Republicano and El Heraldo.

Considered the founder of the

Holy Scriptures in Ilocano
.

Some of Don Belong's more renowned works include "El Folklore Filipino" (1889), "Las Islas Visaya en la Época de la Conquista" (1889), "Historia de Filipinas" (1889) and "Historia de Ilocos" (1890).

The era also saw the works of José Rizal, Antonio Luna, Eduardo de Lete, Emilio Jacinto, José Palma, Felipe Calderón and Apolinario Mabini.

In Cebu, the first Spanish newspaper, El Boletín de Cebú, was published in 1886.

The Golden Age (1903–1966)

Paradoxically, the greatest portion of Spanish literature by native Filipinos was written during the American commonwealth period, because the Spanish language was still predominant among the Filipino intellectuals.

Fernando Ma. Guerrero (Crisálidas, 1914), Flavio Zaragoza Cano (Cantos a España and De Mactán a Tirad) and others. Manila, Cebu, Bacolor
and many other cities and towns across the Philippines had its share of writers in Spanish, most of whom flourished during the early decades of the century.

Among the newspapers published in Spanish were El Renacimiento, La Democracia, La Vanguardia, El Pueblo de Iloílo, El Tiempo and others. Three magazines, The Independent, Philippine Free Press and Philippine Review were published in English and Spanish.∓

In 1915, the local newspapers began publishing sections in English and after World War II and the destruction of Intramuros where a large part of the Hispanic community was based, Hispano-Filipino literature started declining and the number of books and magazines written in Spanish by Filipino authors was greatly reduced.

Modern works (1966–present)

Although the output of Philippine literature in Spanish has diminished in later years, there are still some notable writers, like José del Mar, who won a Premio Zóbel (Zobel Prize) for his work, "Perfiles", in 1965, Francisco Zaragoza (1914–1990), author of "Castala Íntima", Guillermo Gómez Rivera, academic director of the Philippine Academy of the Spanish Language, Edmundo Farolan, director of Revista Filipina and recipient of the Premio Zóbel in 1982 for his poetry work "Tercera Primavera" or Lourdes Castrillo Brillantes, a prominent Filipino female writer, author of "80 Años del Premio Zóbel" (80 Years of the Zobel Prize), a compilation of Spanish literature written by Filipinos.

Notable writers

Notable works written by Filipino authors

  • Noli Me Tangere and El Filibusterismo, both written by
    Jose Rizal
    . The novels created controversy among the Spanish authority in the Philippines. They were instrumental in creating a Filipino sense of identity during the Spanish colonial period by caricaturing and exposing the abuses of the Spanish colonial government and religious authority.
  • Impresiones written by Antonio Luna. It is a collection of articles previously written for the newspaper La Solidaridad depicting Spain, the Spaniards, and their manners in a critical, corrosive and sarcastic fashion.
  • La oveja de Nathán written by the 1929 Premio Zóbel awardee Antonio Abad. Set during World War I, this novel movingly expresses the Filipino nation's desire for independence from the United States through the story of Mariano Bontulan, a young linotypist in a government printing office, whose work allows him to be well versed in global issues, eventually spurring him to enlist to fight in the First World War on the side of the Americans in the hopes of seeing the United States fulfill, in return, its promise of independence of the Philippines. The book won Abad the 1929 Premio Zóbel.
  • Mi casa de Nipa written by the 1927 Premio Zóbel awardee Jesús Balmori. It is a collection of poems that won him the 1940 Commonwealth Literary Award for poetry. The book was then published in 1941. This collection of poems is considered the culmination of Balmori's career as a poet, as he finally achieved his intent of creating a Filipino poetical aesthetic, overcoming Spanish modernism as a means of achieving a new literary stage, the culmination of the Golden Age of Spanish-Filipino literature.[5]
  • Cuentos de Juana: narraciones malayas de las Islas Filipinas written by the 1956 Premio Zóbel awardee Adelina Gurrea. It is a collection of short stories featuring indigenous folklore of the island of Negros, such as the tamao, the tic-tic, the asuang, the camá-camá, the bagát and the cafre.[6] First published in Spain in 1943, the book then won first prize for literature in a contest held by the Latin Union Writers' Association in Paris in 1951.
  • Quis ut Deus: o, el teniente Guimo, el brujo revolucionario de Yloilo written by the 1975 Premio Zóbel awardee
    Ilongo
    folklore and a soldier of the Philippine Revolutionary Government in Iloilo which resisted the American invasion. The Instituto Juan Andrés and Grupo de Investigación Humanismo-Europa of Spain awarded the author the 2015 I Premio Jose Rizal de las Letras Filipinas for the publication of this novel.
  • El diario de Frankie Aguinaldo written by the 1982 Premio Zóbel awardee
    Niebla of Miguel de Unamuno and Nausea of Jean-Paul Sartre, this novel recounts the life of Frankie Aguinaldo, the alter-ego of the author.[7] Farolán was awarded the 2017 III Premio Jose Rizal de las Letras Filipinas for the publication of his novel.[8]

See also

References

  1. . Coming from families that had benefited from the economic development of the country, these young men were able to take advantage of the educational opportunities that a liberalized Spanish colonial policy offered at the time.
  2. ^ Ortuño Casanova, Rocío. "Introducción temática a la Literatura filipina en español – Literatura filipina en español". www.cervantesvirtual.com (in Spanish). Archived from the original on August 25, 2019. Estos jóvenes estudiantes burgueses comienzan agrupándose en torno al círculo hispano-filipino de Madrid fundado en 1882. El círculo evolucionó a Asociación hispano-filipina y en 1888 comenzaron a publicar el periódico La solidaridad, con una intención, efectivamente, propagandista.
  3. ^ "Archived copy" (PDF). Archived from the original (PDF) on October 10, 2008. Retrieved January 14, 2009.{{cite web}}: CS1 maint: archived copy as title (link)
  4. OCLC 713301197
    .
  5. ^ Colby Knowlton, Edgar. "Adelina Gurrea Monasterio and philippine folklore / Edgar Colby Knowlton | Biblioteca Virtual Miguel de Cervantes". www.cervantesvirtual.com.
  6. ^ Lalinde, Luis M. "El diario de Frankie Aguinaldo de Edmundo Farolán en el contexto de la novela filosófica". revista.carayanpress.com.
  7. ^ "Tarjetón de la concesión del III Premio José Rizal". revista.carayanpress.com.

External links