Picts

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"Pict" redirects here. For other uses, see Pict (disambiguation).

The Aberlemno I roadside symbol stone, Class I Pictish stone with Pictish symbols, showing (top to bottom) the serpent, the double disc and Z-rod and the mirror and comb

The Picts were a group of peoples in northern

exonym from the late third century AD. They are assumed to have been descendants of the Caledonii and other northern Iron Age tribes. Their territory is referred to as "Pictland" by modern historians. Initially made up of several chiefdoms, it came to be dominated by the Pictish kingdom of Fortriu from the seventh century. During this Verturian hegemony, Picti was adopted as an endonym. This lasted around 160 years until the Pictish kingdom merged with that of Dál Riata to form the Kingdom of Alba, ruled by the House of Alpin. The concept of "Pictish kingship" continued for a few decades until it was abandoned during the reign of Caustantín mac Áeda.[2]

Pictish society was typical of many early medieval societies in northern Europe and had parallels with neighbouring groups. Archaeology gives some impression of their culture. Medieval sources report the existence of a

Middle Gaelic as part of the wider Gaelicisation from the late ninth century. Much of their history is known from outside sources, including Bede, hagiographies of saints such as that of Columba by Adomnán, and the Irish annals
.

Definitions

Silver plaque from the Norrie's Law hoard, Fife, with double disc and Z-rod symbol

There has been substantial critical reappraisal of the concept of "Pictishness" over recent decades.[3] The popular view at the beginning of the twentieth century was that they were exotic "lost people". It was noted in the highly influential work of 1955, The Problem of the Picts, that the subject area was difficult, with the archaeological and historical records frequently being at odds with the conventional essentialist expectations about historical peoples.[4] Since then, the culture-historical paradigm of archaeology dominant since the late nineteenth century gave way to the processual archaeology (formerly known as the New Archaeology) theory.[5] Moreover, there has been significant reappraisal of textual sources written, for example by Bede and Adomnán in the seventh and eighth centuries. These works relate events of previous centuries, but current scholarship recognises their often allegorical, pseudo-historical nature, and their true value often lies in an appraisal of the time period in which they were written.[6]

The difficulties with Pictish history and archaeology arise from the fact that the people who were called Picts were a fundamentally heterogeneous group with little cultural uniformity. Care is needed to avoid viewing them through the lens of what the cultural historian Gilbert Márkus calls the "Ethnic Fallacy".[7] The people known as "Picts" by outsiders in late antiquity were very different from those who later adopted the name, in terms of language, culture, religion and politics.

The term "Pict" is found in Roman sources from the end of the third century AD, when it was used to describe

endonym in the late seventh century, as an inclusive term for people under rule of the Verturian hegemony, centered in Fortriu (the area around modern-day Inverness and Moray), particularly following the Battle of Dun Nechtain.[10] This view is, however, not universal. Gordon Noble and Nicholas Evans consider it plausible, if not provable, that "Picts" may have been used as an endonym by those northern Britons in closest contact with Rome as early as the fourth century.[11]

The bulk of written history dates from the seventh century onwards. The Irish annalists and contemporary scholars like Bede use "Picts" to describe the peoples under the Verturian hegemony. This encompassed most of Scotland north of the Forth-Clyde isthmus and to the exclusion of territory occupied by Dál Riata in the west. To the south lay the Brittonic kingdom of Strathclyde, with Lothian occupied by Northumbrian Angles. The use of "Picts" as a descriptive term continued to the formation of the Alpínid dynasty in the ninth century, and the merging of the Pictish Kingdom with that of Dál Riata.

Etymology

The Latin word Picti first occurs in a panegyric, a formal eulogising speech from 297[12] and is most commonly explained as meaning 'painted'[13] (from Latin pingere 'to paint';[14] pictus, 'painted', cf. Greek πυκτίς pyktis, 'picture'[15]). This is generally understood to be a reference to the practice of tattooing.[16] Claudian, in his account of the Roman commander Stilicho, written around 404, speaks of designs on the bodies of dying Picts, presumably referring to tattoos or body paint.[17][18] Isidore of Seville reports in the early seventh century that the practice was continued by the Picts.[19] An alternative suggestion is that the Latin Picti was derived from a native form, perhaps related etymologically to the Gallic Pictones.[20]

The Picts were called Cruithni in

Máel Coluim mac Domnaill.[23]

Origins

Pictish Kingdoms
Pictland
Fib
Circin
Fortriu
Ce
Atholl
Dál Riata
Manaw
Cat
Sci
Orc
Northumbria
Britons
class=notpageimage|
Pictland and neighbouring territories, c. early 8th century AD.

The origin myth presented in Bede's Ecclesiastical History of the English People describes the Picts as settlers from Scythia who arrived on the northern coast of Ireland by chance. Local Scoti leaders redirected them to northern Britain where they settled, taking Scoti wives.[24] The Pictish Chronicle, repeating this story, further names the mythical founding leader Cruithne (the Gaelic word for Pict), followed by his sons, whose names correspond with the seven provinces of Pictland: Circin, Fidach, Fortriu, Fotla (Atholl), Cat, Ce and Fib.[25] Bede's account has long been recognised as pseudohistorical literary invention,[26] and is thought to be of Pictish origin, composed around 700.[27] Its structure is similar to the origin myths of other peoples and its main purpose appears to have been to legitimise the annexation of Pictish territories by Fortriu and the creation of a wider Pictland.[28]

A study published in 2023 sequenced the whole genomes from eight individuals associated with the Pictish period, excavated from cemeteries at

Iron Age Britons and the present-day people living in western Scotland, Wales, Northern Ireland and Northumbria, but less with the rest of England, supporting the current archaeological theories of a "local origin" of the Pictish people.[29]

History

The so-called Daniel Stone, cross slab fragment found at Rosemarkie, Easter Ross

The area occupied by the Picts had previously been described by Roman writers and geographers as the home of the

Verturiones, Taexali and Venicones.[31]

Written history relating to the Picts as a people emerges in the

Bridei mac Beli, when, in 685, the Anglians suffered a defeat at the Battle of Dun Nechtain
that halted their northward expansion. The Northumbrians continued to dominate southern Scotland for the remainder of the Pictish period.

The Whitecleuch Chain, high-status Pictish silver chain, one of ten known to exist, dating from between 400 and 800 AD

Dál Riata was subject to the Pictish king

Caustantín mac Fergusa (793–820), placed his son Domnall on the throne of Dál Riata (811–835).[34] Pictish attempts to achieve a similar dominance over the Britons of Alt Clut (Strathclyde) were not successful.[35]

The

Medieval Gaelic: Cináed mac Ailpín) became king of the Picts.[37]

During the reign of Cínaed's grandson, Caustantín mac Áeda (900–943), outsiders began to refer to the region as the Kingdom of Alba rather than the Kingdom of the Picts, but it is not known whether this was because a new kingdom was established or Alba was simply a closer approximation of the Pictish name for the Picts. However, though the Pictish language did not disappear suddenly, a process of Gaelicisation (which may have begun generations earlier) was clearly underway during the reigns of Caustantín and his successors.

By a certain point, probably during the 11th century, all the inhabitants of northern Alba had become fully Gaelicised Scots, and Pictish identity was forgotten.

myth and legend.[40]

Kings and kingdoms

See also: List of kings of the Picts

The early history of Pictland is unclear. In later periods, multiple kings ruled over separate kingdoms, with one king, sometimes two, more or less dominating their lesser neighbours.

the Mearns;[42] Fib, the modern Fife; Fidach, location unknown, but possibly near Inverness; Fotla, modern Atholl (Ath-Fotla);[43] and Fortriu, cognate with the Verturiones of the Romans, recently shown to be centred on Moray.[44]

More small kingdoms may have existed. Some evidence suggests that a Pictish kingdom also existed in Orkney.[45] De Situ Albanie is not the most reliable of sources, and the number of kingdoms, one for each of the seven sons of Cruithne, the eponymous founder of the Picts, may well be grounds enough for disbelief.[46] Regardless of the exact number of kingdoms and their names, the Pictish nation was not a united one.

For most of Pictish recorded history, the kingdom of Fortriu appears dominant, so much so that king of Fortriu and king of the Picts may mean one and the same thing in the annals. This was previously thought to lie in the area around

Moray) was the core of Fortriu.[47]

The Picts are often thought to have practised

matrilineal kingship succession on the basis of Irish legends and a statement in Bede's history.[48][49] The kings of the Picts when Bede was writing were Bridei and Nechtan, sons of Der Ilei, who indeed claimed the throne through their mother Der Ilei, daughter of an earlier Pictish king.[50]

In Ireland, kings were expected to come from among those who had a great-grandfather who had been king.[51] Kingly fathers were not frequently succeeded by their sons, not because the Picts practised matrilineal succession, but because they were usually followed by their own brothers or cousins (agnatic seniority), more likely to be experienced men with the authority and the support necessary to be king.[52] This was similar to tanistry.

The nature of kingship changed considerably during the centuries of Pictish history. While earlier kings had to be successful war leaders to maintain their authority, kingship became rather less personalised and more institutionalised during this time. Bureaucratic kingship was still far in the future when Pictland became Alba, but the support of the church, and the apparent ability of a small number of families to control the kingship for much of the period from the later 7th century onwards, provided a considerable degree of continuity. In much the same period, the Picts' neighbours in Dál Riata and Northumbria faced considerable difficulties, as the stability of succession and rule that previously benefited them ended.[53]

The later Mormaers are thought to have originated in Pictish times, and to have been copied from, or inspired by, Northumbrian usages.[54] It is unclear whether the Mormaers were originally former kings, royal officials, or local nobles, or some combination of these. Likewise, the Pictish shires and thanages, traces of which are found in later times, are thought to have been adopted from their southern neighbours.[55]

Society

The harpist on the Dupplin Cross, Scotland, c. 800 AD

The archaeological record gives insight into the Picts' material culture, and suggest a society not readily distinguishable from its British, Gaelic, or

Anglo-Saxon neighbours.[56] Although analogy and knowledge of other Celtic societies may be a useful guide, these extend across a very large area. Relying on knowledge of pre-Roman Gaul, or 13th-century Ireland, as a guide to the Picts of the 6th century may be misleading if the analogy is pursued too far.[citation needed
]

As with most northern European people in

wild garlic, nettles and watercress may have been gathered in the wild. The pastoral economy meant that hides and leather were readily available. Wool was the main source of fibres for clothing, and flax was also common, although it is not clear if they grew it for fibres, for oil, or as a foodstuff. Fish, shellfish, seals, and whales were exploited along coasts and rivers. The importance of domesticated animals suggests that meat and milk products were a major part of the diet of ordinary people, while the elite would have eaten a diet rich in meat from farming and hunting.[57]

No Pictish counterparts to the areas of denser settlement around important fortresses in Gaul and southern Britain, or any other significant urban settlements, are known. Larger, but not large, settlements existed around royal forts, such as at Burghead Fort, or associated with religious foundations.[58] No towns are known in Scotland until the 12th century.[59]

The technology of everyday life is not well recorded, but archaeological evidence shows it to have been similar to that in Ireland and Anglo-Saxon England. Recently evidence has been found of

Kilns were used for drying kernels of wheat or barley, not otherwise easy in the changeable, temperate climate.[61]

Reconstructed crannog on Loch Tay

The early Picts are associated with piracy and raiding along the coasts of Roman Britain. Even in the Late Middle Ages, the line between traders and pirates was unclear, so that Pictish pirates were probably merchants on other occasions. It is generally assumed that trade collapsed with the Roman Empire, but this is to overstate the case. There is only limited evidence of long-distance trade with Pictland, but tableware and storage vessels from Gaul, probably transported up the Irish Sea, have been found. This trade may have been controlled from Dunadd in Dál Riata, where such goods appear to have been common. While long-distance travel was unusual in Pictish times, it was far from unknown as stories of missionaries, travelling clerics and exiles show.[62]

Crannogs, which may originate in Neolithic Scotland, may have been rebuilt, and some were still in use in the time of the Picts.[64] The most common sort of buildings would have been roundhouses and rectangular timbered halls.[65] While many churches were built in wood, from the early 8th century, if not earlier, some were built in stone.[66]

The Picts are often said to have tattooed themselves, but evidence for this is limited. Naturalistic depictions of Pictish nobles, hunters and warriors, male and female, without obvious tattoos, are found on

Celtic" and later as Insular.[67] Irish poets portrayed their Pictish counterparts as very much like themselves.[68]

Religion

Main article: Christianisation of Scotland
Animal head from St Ninian's Isle Treasure (c.750–825 AD), found in Shetland

Early Pictish religion is presumed to have resembled

Bridei mac Maelchon
and Columba, but the process of establishing Christianity throughout Pictland will have extended over a much longer period.

Pictland was not solely influenced by

Bridei
among its guarantors.

The importance of monastic centres in Pictland was not as great as in Ireland. In areas that have been studied, such as Strathspey and Perthshire, it appears that the parochial structure of the High Middle Ages existed in early medieval times. Among the major religious sites of eastern Pictland were Portmahomack, Cennrígmonaid (later St Andrews), Dunkeld, Abernethy and Rosemarkie. It appears that these are associated with Pictish kings, which argue for a considerable degree of royal patronage and control of the church.[75] Portmahomack in particular has been the subject of recent excavation and research, published by Martin Carver.[60]

The cult of saints was, as throughout Christian lands, of great importance in later Pictland. While kings might venerate great saints, such as

Óengus mac Fergusa, many lesser saints, some now obscure, were important. The Pictish Saint Drostan appears to have had a wide following in the north in earlier times, although he was all but forgotten by the 12th century. Saint Serf of Culross was associated with Nechtan's brother Bridei.[76] It appears, as is well known in later times, that noble kin groups had their own patron saints, and their own churches or abbeys.[77]

Art

See also: Pictish stone
Distribution of Pictish symbol stones and cross slabs

Pictish art is primarily associated with

La Tène style with increasing influences from the Insular art of 7th and 8th century Ireland and Northumbria, and then Anglo-Saxon and Irish art
as the Early Medieval period continues. The most well-known surviving examples are the many Pictish stones located across Pictland.

The symbols and patterns consist of animals including the Pictish Beast, the "rectangle", the "mirror and comb", "double-disc and Z-rod" and the "crescent and V-rod", among many others. There are also bosses and lenses with pelta and spiral designs. The patterns are curvilinear with hatchings. The cross-slabs are carved with Pictish symbols, Insular-derived interlace and Christian imagery, though interpretation is often difficult due to wear and obscurity. Several of the Christian images carved on various stones, such as David the harpist, Daniel and the lion, or scenes of St Paul and St Anthony meeting in the desert, have been influenced by the Insular manuscript tradition.[78]

Pictish metalwork is found throughout Pictland (modern-day Scotland) and also further south; the Picts appeared to have a considerable amount of silver available, probably from raiding further south, or the payment of subsidies to keep them from doing so. The very large hoard of late Roman

Norrie's Law in Fife, but unfortunately much was dispersed and melted down (Scots law on treasure finds has always been unhelpful to preservation). A famous 7th century silver and enamel plaque from the hoard has a "Z-rod", one of the Pictish symbols, in a particularly well-preserved and elegant form; unfortunately few comparable pieces have survived.[79]

Over ten heavy silver chains, some over 0.5m long, have been found from this period; the double-linked

penannular linking piece for the ends, with symbol decoration including enamel, which shows how these were probably used as "choker" necklaces.[80]

In the 8th and 9th centuries, after Christianization, the Pictish elite adopted a particular form of the Irish Celtic brooch, preferring true penannular brooches with lobed terminals. Some older Irish brooches were adapted to the Pictish style, for example, the c. 8th century Breadalbane Brooch now in the British Museum. The St Ninian's Isle Treasure (c. 750–825 AD) contains the best collection of Pictish forms. Other characteristics of Pictish metalwork are dotted backgrounds or designs and animal forms influenced by Insular art. The 8th century Monymusk Reliquary has elements of Pictish and Irish styles.[81]

Language

Main article: Pictish language

The

Insular Celtic language related to the Brittonic languages of the south.[84] It is possible that Pictish diverged significantly from the Southern Neo-Brittonic dialects due to the lack of influence of Latin.[85] The absence of surviving written material in Pictish, discounting the enigmatic Ogham inscriptions, does not indicate a pre-literate society. The church certainly required literacy in Latin, and could not function without copyists to produce liturgical documents. Pictish iconography shows books being read and carried, and its naturalistic style gives every reason to suppose that such images were of real life. Literacy was not widespread, but among the senior clergy, and in monasteries, it would have been common enough.[86]

Toponymic evidence indicates the advance of Gaelic into Pictland; Atholl, meaning New Ireland, is attested in the early 8th century. This may be an indication of the advance of Gaelic. Fortriu also contains place names suggesting Gaelic settlement, or Gaelic influences.[87] A pre-Gaelic interpretation of the name as Athfocla meaning 'north pass' or 'north way', as in gateway to Moray, suggests that the Gaelic Athfotla may be a Gaelic misreading of the minuscule c for t.[88]

Ogham inscriptions on Pictish stones and other Pictish archaeological objects survive. These were argued by influential linguist Kenneth Jackson to be unintelligible as Celtic and evidence for the coexistence of a non-Celtic language in Pictish times.[89] Celtic interpretations have since been advanced for some of these inscriptions, but the nature of the inscriptions continues to be a matter of debate.[90]

See also

References

Citations

  1. ^ Woolf 2017
  2. ^ Fraser 2009, pp. 43–67; Fraser 2011, pp. 155–44; Woolf 2017
  3. ^ Fraser 2009, pp. 1–11
  4. ^ Wainwright 1955
  5. ^ Jones 1997; Fraser 2011
  6. ^ Fraser 2009, pp. 1–14
  7. ^ Markus 2017, p. ix
  8. ^ Markus 2017, p. 38; Foster 1996, p. 11; Evans 2022
  9. ^ Markus 2017, p. 38; Fraser 2009, p. 48
  10. ^ Fraser 2009; Fraser 2011; Woolf 2017
  11. ^ Evans 2022; Noble & Evans 2022, p. 9
  12. ^ Nixon & Rodgers 1994, p. 126
  13. ^ Fraser 2009, p. 47
  14. ^ Lewis & Short 1879 pingo, on Perseus Digital Library
  15. ^ Liddell & Scott 1940 πυκτίς, on Perseus Digital Library
  16. ^ Fraser 2011, pp. 25–27
  17. ^ Clarkson 2016, p. 31
  18. ^ Holmes 1907
  19. ^ Fraser 2009, p. 335; Barney et al. 2010, p. 198
  20. ^ Watson 1926, pp. 67–68
  21. ^ a b Fraser 2009, p. 48
  22. ^ Fraser 2009, p. 48; Woolf 2007, pp. 177–181
  23. ^ Broun 2005a, p. 258, note 95; Woolf 2007, pp. 177–181
  24. ^ Skene 1867, p. 4; translation in Anderson 1922, p. cxvii; Fraser 2009, pp. 238–239
  25. ^ Skene 1867, p. 4; translation in Anderson 1922, p. cxvii
  26. ^ Wainwright 1955, p. 25; Smyth 1984, p. 59; Fraser 2009, p. 238; Fraser 2011
  27. ^ Fraser 2009, p. 239
  28. ^ Fraser 2009; Fraser 2011; Evans 2019
  29. ^ Morez et al. 2023
  30. ^ e.g. by Tacitus, Ptolemy, and as the Dicalydonii by Ammianus Marcellinus. Ptolemy called the sea to the west of Scotland the Oceanus Duecaledonius.
  31. ^ E.g. Ptolemy, Ammianus Marcellinus.
  32. ^ See e.g. Higham 1993
  33. ^ Broun 1998 attempts to reconstruct the confused late history of Dál Riata. The silence in the Irish Annals is ignored by Bannerman 1999.
  34. ^ According to Broun 1998--but the history of Dál Riata after that is obscure.
  35. Óengus mac Fergusa
    .
  36. ^ Annals of Ulster (s.a. 839): "The (Vikings) won a battle against the men of Fortriu, and Eóganán son of Aengus, Bran son of Óengus, Aed son of Boanta, and others almost innumerable fell there."
  37. ISBN 019-910035-7
    .
  38. ^ Broun 1997; Broun 2001c; Forsyth 2005, pp. 28–32; Woolf 2001a; cf. Bannerman 1999, passim, representing the "traditional" view.
  39. ^ Woolf 2007, p. 1
  40. ^ For example, Pechs, and perhaps Pixies. However, Foster 1996 quotes Toland 1726, p. 145: "they are apt all over Scotland to make everything Pictish whose origin they do not know." The same could be said of the Picts in myth.
  41. ^ Broun 2001b; for Ireland see, e.g. Byrne 1973 and more generally Ó Cróinín 1995.
  42. ^ Forsyth 2000; Watson 1926, pp. 108–109
  43. ^ Bruford 2005; Watson 1926, pp. 108–113
  44. ^ Woolf 2006; Yorke 2006, p. 47. Compare earlier works such as Foster 1996, p. 33.
  45. ^ Adomnán 1995, pp. 342–343
  46. ^ Broun 2005b
  47. ^ Woolf 2006
  48. ^ Bede, I, c. 1
  49. ^ "Carla Nayland Article – Matrilineal succession amongst the Picts". www.carlanayland.org.
  50. ^ Clancy 2001c
  51. ^ Byrne 1973, pp. 35–41, 122–123, also pp. 108, 287, stating that derbfhine was practised by the cruithni in Ireland.
  52. ^ Byrne 1973, p. 35, "Elder for kin, worth for rulership, wisdom for the church." See also Foster 1996, pp. 32–34, Smyth 1984, p. 67
  53. ^ Broun 2001b, Broun 1998; for Dál Riata, Broun 2001a, for a more positive view Sharpe, "The thriving of Dalriada"; for Northumbria, Higham, Kingdom of Northumbria, pp. 144–149.
  54. ^ Woolf 2001b
  55. ^ Barrow 2003, Woolf 2001b
  56. ^ See, e.g. Campbell 1999 for the Gaels of Dál Riata, Lowe 1999 for Britons and Anglians.
  57. ^ Foster 1996, pp. 49–61. Kelly 1997 provides an extensive review of farming in Ireland in the middle Pictish period.
  58. ^ The interior of the fort at Burghead was some 12 acres (5 hectares) in size, see Driscoll 2001; for Verlamion (later Roman Verulamium), a southern British settlement on a very much larger scale, see e.g. Pryor 2005, pp. 64–70
  59. ^ Dennison 2001
  60. ^ a b Carver 2008
  61. ^ Foster 1996, pp. 52–53
  62. ^ Trade, see Foster 1996, pp. 65–68; seafaring in general, e.g. Haywood 1999, Rodger 1997.
  63. ^ Armit 2002 chapter 7
  64. ^ Crone 1993
  65. ^ Foster 1996, pp. 52–61
  66. ^ See Clancy 2001c, Foster 1996, p. 89
  67. ^ For art in general see Foster 1996, pp. 26–28, Laing & Laing 2001, p. 89ff, Ritchie 2001, Fraser 2008
  68. ^ Forsyth 2000, pp. 27–28
  69. ^ Clancy 2000, pp. 95–96, Smyth 1984, pp. 82–83
  70. ^ Markus 2001a.
  71. ^ Bede, III, 4. For the identities of Ninian/Finnian see Yorke, p. 129.
  72. ^ Mentioned by Foster, but more information is available from the Tarbat Discovery Programme: see under External links.
  73. ^ Bede, IV, cc. 21–22, Clancy, "Church institutions", Clancy, "Nechtan".
  74. ^ Taylor 1999
  75. ^ Clancy, "Church institutions", Markus, "Religious life".
  76. ^ Clancy 1999 Clancy 2001c, Taylor 1999
  77. ^ Markus 2001b
  78. ^ Henderson 1986, pp. 87–113, Ó Carragáin 1988, pp. 1–58
  79. ^ Youngs, 26–28; Poor image of 19th-century illustration
  80. ^ Youngs 1989, p. 28
  81. ^ Youngs 1989, pp. 109–113
  82. ^ Youngs, no. 111, with a plate showing the decoration much better; Laing, 310
  83. ^ "Breadalbane Brooch, pseudo-penannular brooch, Celtic, Pictish, Scotland". British Museum. Retrieved 9 April 2023
  84. ^ Watson 1926; Forsyth 1997; Price 2000; Taylor 2001; Taylor 2010; For K.H. Jackson's views, see Jackson 1955
  85. ^ Rhys 2015; Rhys 2020
  86. ^ Forsyth 1998
  87. ^ Watson 1926, pp. 225–233
  88. ^ Fraser 2009, pp. 101–102
  89. ^ Jackson 1955
  90. ^ Forsyth 1997; Rodway 2020

General bibliography

Further reading

External links

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