Pier Jacopo Alari Bonacolsi
Pier Jacopo Alari Bonacolsi (c. 1460–1528), called L'Antico by his contemporaries, and often Antico in English, the nickname given for the refined interpretation of the
Life
There is very little documentation of Bonacolsi, in spite of the aristocratic name he bore, that of the signori of Mantua who preceded the
Bonacolsi found patrons after 1490 above all in the brilliant court at Mantua of
His bronzes were remarkable for their extremely fine facture, meticulously cast and finely cleaned and finished. His black patination is characteristic. He was the first sculptor to realize the value of casting replicas of his bronzes by preserving his refined wax originals. His cool, refined, slightly precious works were designed for close appreciation in the privacy of a courtly
Bonacolsi also worked as a restorer. On one of the marble horses of the
He died at Gazzuolo in 1528.
An exhibition of L'Antico's work was held at the Frick Collection, New York, in 2012.[1]
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Representative works
- Medallions of Gianfrancesco Gonzaga and of Antonia del Balzo his wife, 1479, National Gallery, Washington.
- Gonzaga Vase, 1481, Galleria Estense, Modena.
- Hercules and the Lernaean Hydra, part-gilded bronze medallion, of one of a series celebrating Hercules, probably to flatter Ercole d'Este (died 1505), Bargello Museum, Florence. Five more from the sequence are in Vienna, and two at the Victoria and Albert Museum.
- Victoria and Albert Museum, c. 1484-1490, Meleager, bronze, part-gilded. The complementary figure of the boar is missing.
- Eros, 1490, if, as has been supposed, it was made as a wedding gift to Isabella d'Este, Bargello Museum, Florence.
- Apollo Belvedere, bronze, part-gilded, Justus Liebighaus, Frankfurt. The Apollo Belvedere was moved to the Cortile del Belvedere in the Vatican in 1509. Before that time it was in the personal collection of Pope Julius II, where L'Antico may have had access to it. There are other examples of this sculpture in the Fitzwilliam Museum, Cambridge and in the Ca' d'Oro, Venice.
- Venus Felix c. 1495, Kunsthistorisches Museum, Vienna. A reinterpretation rather than a reproduction.
- Hercules, 1496, bronze, silver inlays,
- Hercules, probably 1499, bronze part-gilded, silver inlays, Frick Museum, New York.
- Seated Paris, c. 1500, Metropolitan Museum.
- Mercury, c.1500-1511, Bargello Museum, Florence.
- Cupid, firing an arrow, c. 1519, Rijksmuseum.
- Bust of a Young Man, c. 1520, J. Paul Getty Museum.
- Venus Caritas, c. 1520-1523, bronze with gilding and silver inlay, Walters Art Museum.
- Young Hercules, Louvre Museum.
Further reading
- Manfred Leithe-Jasper, 1986. Renaissance Master Bronzes from the Collection of the Kunsthistorisches Museum, Vienna (London: Scala Publications) General background to Renaissance bronzes.
References
- ^ "The Frick Collection: Exhibitions: Antico".
- ^ "Red Digital de Colecciones de Museos de España - Museos". ceres.mcu.es (in Spanish). Retrieved July 3, 2020.
External links
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