Pilot (House)

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"Pilot"
House episode
Episode no.Season 1
Episode 1
Directed byBryan Singer
Written byDavid Shore
Featured music"You Can't Always Get What You Want" by The Rolling Stones
Production codeHOU-101
Original air dateNovember 16, 2004 (2004-11-16)
Running time44 minutes
Guest appearances
Episode chronology
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"Pilot", also known as "Everybody Lies",

. The episode features House's attempts to diagnose a kindergarten teacher after she collapses in class.

House was created by David Shore, who got the idea for the misanthropic title character from a doctor's visit. Initially, producer Bryan Singer wanted an American to play House, but British actor Hugh Laurie's audition convinced him that a foreign actor could play the role. Shore wrote House as a character with parallels to Sherlock Holmes—both are drug users, blunt, and close to being friendless. The show's producers wanted House handicapped in some way and gave the character a damaged leg arising from an improper diagnosis.

The episode received generally positive reviews; the character of House was widely noted as a unique aspect of the episode and series, though some reviewers believed that such a cruel character would not be tolerated in real life. Other complaints with the episode included stereotyped supporting characters and an implausible premise. The initial broadcast of "Pilot" was watched by approximately seven million viewers, making it the 62nd-most-watched show of the week.

Plot

Shortly after the start of class, kindergarten teacher Rebecca Adler becomes dysphasic and experiences seizures. Dr. James Wilson attempts to convince Gregory House to treat Adler, but House initially dismisses him, believing that the case would be boring. Hospital administrator Dr. Lisa Cuddy approaches House in the elevator and attempts to persuade him to fulfill his duties at the hospital's walk-in clinic. House refuses, claiming that Cuddy cannot fire him due to tenure, and hurriedly leaves. When House's team attempts to perform an MRI on Adler, they discover that House's authorization for diagnostics has been revoked; Cuddy restores his authorization in exchange for his working at the clinic.

Adler's throat closes up during the MRI due to an allergic reaction to

niacin). House also treats a ten-year-old boy whose mother allows him to use his asthmatic inhaler only intermittently instead of daily as prescribed. House criticizes the mother for making such a drastic medical decision without first learning more about asthma. During his monologue, House stumbles on an idea and leaves quickly to treat Adler; he diagnoses her with cerebral vasculitis, despite having no proof. House treats Adler with steroids
, which improves her condition greatly for a time, until she starts seizing and has heart failure.

On House's insistence, neurologist Dr.

Eric Foreman and Cameron break into Adler's house to find anything that might account for Adler's symptoms. They find an opened package of ham in Adler's kitchen and House concludes that she is suffering from neurocysticercosis from eating undercooked pork at some point in her past. Adler refuses to accept more random treatments unless there is conclusive evidence that the diagnosis is correct. House is ready to dismiss the case when Chase provides an idea for noninvasive evidence of Adler's tapeworm infection. By taking an X-ray
of her thigh, House proves that Adler is infested with other tapeworms and her condition is treatable. After seeing the evidence, Adler agrees to take medication to kill the tapeworms.

Production

Series creator David Shore wrote the pilot with a vivid memory of a doctor's visit.

In 2003, executive producers Katie Jacobs and Paul Attanasio approached David Shore about developing a series with them. Attanasio, inspired by the "Diagnosis" column in The New York Times Magazine, suggested a medical-themed procedural. Shore was initially not eager about the medical focus, but found the networks they pitched to were interested in the concept.[3] The trio pitched House to the Fox Broadcasting Company as a medical detective show—a hospital whodunit where the doctors would be the sleuths looking for the source of symptoms. The ideas behind House's character were added after Fox bought the show.[4] Shore was inspired by a vivid memory of a doctor's visit:[5] he once had to wait two weeks to get a doctor's appointment for a sore hip, by which point his pain had disappeared. Nevertheless, he went to the appointment, and Shore recalled thinking they were "incredibly polite" even as he wasted their time; he liked the idea of a doctor who would have been blunt with their patient.[5][6] Shore said that the writings of Berton Roueché, a The New Yorker staff writer who chronicled intriguing medical cases, inspired the plots for "Pilot" and other early episodes.[4]

As Shore developed an outline for the show, he was afraid it was developing into a more character-focused series, rather than a procedural. Attanasio suggested not showing the network an outline, and instead giving them a full pilot script. The pilot took Shore five months to write, and the completed script was delivered in early 2004.[7][8] Shore recalled there were relatively few changes to what he wrote; one significant change was moving the setting from Boston to Princeton. Director Bryan Singer suggested the change because he had grown up in Princeton and liked the smaller, more academic-focused setting that was more unique on television.[8]

A key element of the show's premise was the handicapped main character. The initial idea was for House to use a wheelchair,[9] but Fox turned down this interpretation (for which the crew was later grateful). The wheelchair idea turned into a scar on House's face, which later turned into a bad leg necessitating use of a cane.[10] Shore drew on the character of the detective Sherlock Holmes for House, as he was always a fan of the character and found the character's traits of indifference to his clients unique.[6] The parallels to Holmes informed the House-Wilson dynamic.[11]

After Fox green-lit the pilot, the production began casting. House's casting directors had previously worked on Jacobs and Attanasio's series Century City. While ideally the production would have cast their lead and then built the cast around them, the competitive rush of pilot season meant that roles were filled whenever they could. Wilson was the first role cast, followed by Cuddy and Cameron. Laurie was not cast as House until two weeks before photography for the pilot commenced.[12] Laurie had put together an audition tape in a dingy hotel bathroom in Namibia while shooting Flight of the Phoenix,[13] using an umbrella for a cane.[14] The roles of Chase and Foreman were cast soon after.[15]

The episode was shot in Vancouver, Canada; later episodes would be shot on soundstages in California.[16] The show was not called House until days into filming.[17] The music was composed by Christopher Hoag in his only work for the series; subsequent episodes would be scored by Jon Ehrlich and Jason Derlatka.

Analysis

"Pilot" establishes much of the formula the series would heavily rely on for the structure of most of its episodes; this predictable structure would be considered part of the show's appeal.[18][19] The episode opens with a "teaser" that shows the individual's medical mystery that House and his team will diagnose; the middle showcases House's unorthodox methods, including breaking into a patient's home to identify a possible cause for the illness; possible diagnoses are discussed using metaphors for the benefit of the viewer; and the "eureka" moments where a sudden insight reveals the true diagnosis.[20] The recurring theme that "everyone lies" is repeatedly underlined throughout the episode, beginning with the patient's lies to their coworker in the teaser.[21] In "Pilot", the notoriously patient-averse House pays Adler a bedside visit, revealing personal history to convince her to fight for her life; House occasionally makes similar patient visits in later episodes.[22] It also sketches out the main aspects of the cast and their relationships, particularly House's focus on unique or uncommon medical diagnoses, his dry personality, and his relationships with Wilson, Cuddy, and the team.[23] In comparison with later episodes, "Pilot" has a greater focus on the patient, and some character elements are adjusted as the series continues; House is much more casually-dressed, and the diagnostic team are less at a remove from their boss.[24] Another staple of the earlier episodes is the clinic visits House reluctantly takes in "Pilot", which break up the tension of the main case and intersperse comedic beats.[25]

Reception

House's premiere episode was generally well received, with the show being considered a bright spot in Fox's otherwise reality television-heavy broadcast schedule.[26][27][28] New York called the series "medical TV at its most satisfying and basic," and stated that the cast consisted of "[professional] actors playing doctors who come to care about their patients,"[29] while other reviews appreciated that the episode did not sugarcoat the flaws of the characters or the medical industry.[30][31] TV Guide's Matt Roush stated House was a better alternative to common television medical dramas.[32] Critics at The A.V. Club were concerned the formula established in the pilot might turn repetitive, but felt the dialogue and irreverence prevented boredom.[33]

Critics generally reacted positively to the character of House;

Sherwin Nuland of Slate felt that the meanness of House would be unrealistic in a real hospital setting,[38] and Halo Boedeker felt that the role "smothered" Laurie's charm.[39]

Reviews often highlighted the show's heavy use of medical imagery as too gory or a turnoff for some viewers.[26][39][40] In contrast, Shales wrote that the CSI: Crime Scene Investigation-influenced effects were well done and reminded viewers of the complexity of the human body.[35] Other reviews highlighted the perceived stereotypes of young, attractive doctors,[27][41] and a lack of characterization for the supporting characters in the early episodes.[42]

The episode's format was compared to NBC's Medical Investigation, which premiered the same season and featured a gruff diagnostician and harmful tapeworms.[43] USA Today favorably considered House more character-driven than Investigation's plot-heavy procedural format,[37] and the San Francisco Chronicle felt that House was the better show due to the title character.[44] Variety's Brian Lowry, meanwhile, stated that the two shows were too similar and House was mismatched among Fox's other programs.[41]

The premiere attracted approximately seven million viewers in the United States, making it the 62nd-most-watched show for the week of November 15–21, 2004.

NSF Thurmont".[48][49] Fox marketing Vice President Chris Carlisle promoted the show by distributing nearly two million free DVDs of the program through Entertainment Weekly and People.[50]

References

  1. ^ Werts, Diane (January 29, 2009). "Fox's medical marvel stays on top". Variety. Retrieved May 16, 2021.
  2. ^ "'House' finale bittersweet: 'Everybody Dies'". Reuters. May 10, 2012. Retrieved September 24, 2023.
  3. ^ Jackman 2010, pp. 1–2.
  4. ^ a b Gibson, Stacey (January 3, 2008). "The House That Dave Built". University of Toronto Magazine. Retrieved May 16, 2021.
  5. ^ a b Jensen, Jeff (April 4, 2005). "The success of Fox's 'House'". Entertainment Weekly. Retrieved May 16, 2021.
  6. ^
    The Paley Center for Media. Archived
    from the original on November 14, 2021. Retrieved May 16, 2021.
  7. The Toronto Sun
    . p. TV2.
  8. ^ a b Jackman 2010, pp. 3.
  9. ^ Carter, Bill (January 30, 2007). "'House,' Already Strong, Gets a Boost". The New York Times. Retrieved February 9, 2009.
  10. The Paley Center for Media. Archived from the original
    on September 13, 2008. Retrieved September 16, 2008.
  11. ^ Werts, Diane (September 4, 2006). "'House' thrives with inspiration from Sherlock Holmes". The Philadelphia Inquirer.
  12. ^ Jackman 2010, p. 6.
  13. ^ Keveney, Bill (November 16, 2004). "Hugh Laurie gets into 'House'". USA Today. Archived from the original on September 27, 2011. Retrieved October 26, 2008.
  14. ^ DeLeon, Kris (June 24, 2008). "How Hugh Laurie Got into 'House'". BuddyTV. Archived from the original on October 19, 2012. Retrieved December 11, 2008.
  15. ^ Jackman 2010, p. 9–11.
  16. ^ Staff (January 29, 2006). "Behind the Scenes of 'House'". Entertainment Tonight. Archived from the original on July 10, 2008. Retrieved September 17, 2008.
  17. ^ Jackman 2010, p. 12.
  18. ^ Barnett 2010, pp. 25–26.
  19. ^ Challen 2007, p. 103.
  20. ^ Barnett 2010, pp. 21–23.
  21. ^ Jackman 2010, p. xix.
  22. ^ Barnett 2010, p. 24.
  23. ^ Barnett 2010, p. 23.
  24. ^ Challen 2007, p. 101, 106.
  25. ^ Barnett 2010, p. 25.
  26. ^ a b Stanley, Alessandra (November 16, 2004). "With Terminal Witticism, Even Cancer Can Be Fun". The New York Times. Retrieved May 16, 2021.
  27. ^ a b Franklin, Nancy (November 29, 2004). "Playing Doctor". The New Yorker. p. 168. Archived from the original on November 11, 2013. Retrieved September 18, 2008.
  28. Daily News
    . p. 107.
  29. ^ Leonard, John (November 4, 2004). "Scrub Par". New York. Retrieved May 16, 2021.
  30. ^ Gilbert, Matt (November 16, 2004). "Strong Prognosis for Medical Show". The Boston Globe. p. D1.
  31. ^ a b Brownfield, Paul (November 16, 2004). "Television Review; Obnoxious doctor in the 'House'; Hugh Laurie terrorizes patients and dispenses pure nastiness in Fox's new hospital drama". Los Angeles Times. p. E1.
  32. ^ Roush, Matt (November 8, 2004). "Roush Review, Doctor Feel bad; Don't ask this grouch to make house calls". TV Guide. p. 1.
  33. ^ Gillette, Amelie; Murray, Noel; Phipps, Keith (November 22, 2004). "What's on". The A.V. Club. Archived from the original on September 21, 2008. Retrieved November 23, 2008.
  34. ^ Davies, Hugh (November 20, 2004). "Dr Laurie has viewers of US TV in stitches". The Daily Telegraph. Retrieved May 16, 2021.
  35. ^ a b Shales, Tom (November 16, 2004). "'House': Watching Is the Best Medicine". The Washington Post. Archived from the original on November 6, 2012. Retrieved December 30, 2006.
  36. ^ McFadden, Kay (November 15, 2004). "It's worth making a "House" call tomorrow". The Seattle Times. Archived from the original on February 23, 2014. Retrieved October 25, 2008.
  37. ^ a b Bianco, Robert (November 14, 2004). "There's a doctor worth watching in 'House'". USA Today. Retrieved May 16, 2021.
  38. ^ Nuland, Sherwin (November 30, 2004). "Is There a Doctor in the House?". Slate. Archived from the original on August 30, 2008. Retrieved May 16, 2021.
  39. ^ a b Boedeker, Hal (November 14, 2004). "Fox's 'House' Call Can Be Very Painful". Orlando Sentinel. p. 3.
  40. Philadelphia Inquirer
    . p. F1.
  41. ^ a b Lowry, Brian (November 21, 2004). "Fox prescribes edgy Rx for a dramatic improvement". Variety. p. 57.
  42. ^ McFarland, Melanie (November 16, 2004). "Fox's medical drama 'House' is a welcome transfusion of quality programming". Seattle Post-Intelligencer. Archived from the original on January 14, 2009. Retrieved October 26, 2008.
  43. ^ Hart, Hugh (November 14, 2004). "Microbe Hunting, Up Close and Personal". The New York Times. p. 4.
  44. ^ Goodman, Tim (November 15, 2004). "Network meddling by Fox execs starts the deathwatch for 'House'". San Francisco Chronicle. Archived from the original on February 10, 2009. Retrieved May 16, 2021.
  45. ^ "Viewer numbers for the week of November 15–21, 2004". American Broadcasting Company. Archived from the original on February 9, 2015. Retrieved January 1, 2007.
  46. ^ Brook, Stephen (June 10, 2005). "Springwatch gives BBC2 a natural high". The Guardian. Retrieved May 16, 2021.
  47. ^ "Outstanding Music Composition for a Series (Dramatic Underscore) – 2005". Emmy Awards. September 18, 2005. Retrieved May 16, 2021.
  48. The Tidings. Archived from the original
    (PDF) on March 21, 2014. Retrieved June 28, 2009.
  49. ^ "Past Winners". Humanitas Prize. Archived from the original on September 24, 2019. Retrieved May 16, 2021.
  50. ^ Waldman, Allison (June 19, 2006). "'House'". Television Week. Vol. 25, no. 25. p. 18.

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