Pop rock

Source: Wikipedia, the free encyclopedia.
Not to be confused with Pop Rocks.
For other uses, see Pop rock (disambiguation).
Pop rock
Stylistic origins
Cultural originsLate 1950s[1]
Derivative forms
Subgenres
Fusion genres
Other topics

Pop rock (also typeset as pop/rock

fusion genre characterized by a strong commercial appeal,[5] with more emphasis on professional songwriting and recording craft, and less emphasis on attitude than standard rock music.[6][7][1] Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop).[1] It may be viewed as a distinct genre field rather than music that overlaps with pop and rock.[4] The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music.[8]

Characteristics and etymology

See also: Power pop
Further information: Pop music § Etymology
Paul McCartney and Wings performing in 1976 (Paul and Linda McCartney pictured)

Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music.[9] Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories.[4] To the authors Larry Starr and Christopher Waterman, it is defined as an "upbeat variety of rock music" represented by artists and bands such as: Andy Kim, the Bells, Paul McCartney, Lighthouse, and Peter Frampton.[10]

The term pop has been used since the early forties to refer to popular music in general, but from the mid-1950s it began to be used for a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll.[11][1] In the aftermath of the British Invasion, from about 1967, it was increasingly used in opposition to the term rock, to describe a form that was more commercial, ephemeral and accessible.[12]

As of the 2010s, "guitar pop rock" and "indie rock" are roughly synonymous terms.[13] "Jangle" is a noun-adjective that music critics often use in reference to guitar pop with a bright mood.[14]

Panic! at the Disco performing in 2008

Debates

See also: Rockism and poptimism

Critic Philip Auslander argues that the distinction between pop and rock is more pronounced in the US than in the UK. He claims that in the US, pop has roots in white

crooners such as Perry Como, whereas rock is rooted in African-American music influenced by forms such as rock and roll. Auslander points out that the concept of pop rock, which blends pop and rock, is at odds with the typical conception of pop and rock as opposites. Auslander and several other scholars, such as Simon Frith and Grossberg, argue that pop music is often depicted as an inauthentic, cynical, "slickly commercial", and formulaic form of entertainment. In contrast, rock music is often heralded as an authentic, sincere, and anti-commercial form of music, which emphasizes songwriting by the singers and bands, instrumental virtuosity, and a "real connection with the audience".[15]

Frith's analysis of the history of popular music from the 1950s to the 1980s has been criticized by B. J. Moore-Gilbert, who argues that Frith and other scholars have overemphasized the role of rock in the history of popular music by naming every new genre using the "rock" suffix. Thus, when a folk-oriented style of music developed in the 1960s, Frith termed it "folk rock", and the pop-infused styles of the 1970s were called "pop rock". Moore-Gilbert claims that this approach unfairly puts rock at the apex and makes every other influence become an add-on to the central core of rock.[16]

In

semipopular music marketplace at the time, including singer-songwriter music, art rock, heavy metal, boogie, country rock, jazz fusion, funk, disco, urban contemporary, and new wave, but not punk rock.[17]

See also

References

  1. ^ a b c d e f g h i "Early Pop/Rock". AllMusic. Archived from the original on 2019-03-21. Retrieved 2016-11-01.
  2. ISBN 978-0-9797714-0-8. Archived
    from the original on 2019-08-16. Retrieved 2017-02-07.
  3. ^ "Entertainment". Archived from the original on 2017-02-19. Retrieved 2017-02-28.
  4. ^
    ISBN 978-0-8203-2587-3. Archived
    from the original on 2017-03-02. Retrieved 2017-03-01.
  5. ^ "Pop Rock Music". Discogs.
  6. ^ "What is Pop Rock Music? With 7 Top Examples & History". 8 June 2023.
  7. ^ "Pop/Rock". AllMusic. Archived from the original on 2018-04-11. Retrieved 2018-05-04.
  8. ^ S. Jones, Pop music and the press (Temple University Press, 2002), p. 109.
  9. ISBN 0-415-34770-X
    , p. 207.
  10. ISBN 0-19-530053-X, archived from the original
    on 17 February 2011.
  11. ISBN 0-521-55660-0
    , pp. 93–108.
  12. ISBN 0-7546-3132-X
    , p. 3.
  13. ISBN 978-1-4438-6438-1. Archived
    from the original on 2020-07-14. Retrieved 2017-06-07.
  14. ISBN 978-0-7679-1873-2
    .
  15. ISBN 0415196892
    .
  16. ISBN 0-415-09906-4
    , p. 240.
  17. ISBN 0899190251. Archived
    from the original on April 2, 2019. Retrieved April 6, 2019 – via robertchristgau.com.
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