Popeye the Sailor (film series)
Popeye the Sailor | |
---|---|
Directed by | Dave Fleischer Dan Gordon I. Sparber Seymour Kneitel Bill Tytla Dave Tendlar |
Story by | George Manuell Seymour Kneitel Bill Turner Warren Foster Dan Gordon Tedd Pierce Milford Davis Eric St. Clair Cal Howard Jack Mercer Carl Meyer Jack Ward Joe Stultz Otto Messmer Dave Tendlar Irving Dressler I. Klein Woody Gelman Larry Riley Larz Bourne Irv Spector George Hill James Tyer Izzy Sparber |
Based on | Popeye by E. C. Segar |
Animation by | Seymour Kneitel Roland Crandall William Henning William Sturm Willard Bowsky Dave Tendlar Myron Waldman Thomas Johnson Nick Tafuri Harold Walker Charles Hastings George Germanetti Orestes Calpini Edward Nolan Frank Endres Robert G. Leffingwell Jack Ozark Lillian Friedman James Davis Joe D'Igalo Graham Place Robert Bentley Tom Golden Shamus Culhane Arnold Gillespie Abner Kneitel Winfield Hoskins Grim Natwick Irv Spector Myron Waldman Sidney Pillet Lod Rossner Bill Nolan Joe Oriolo Tom Baron Ruben Grossman John Walworth Al Eugster James Tyer Ben Solomon Morey Reden John Gentilella Lou Zukor Martin Taras George Rufle Bill Hudson Harvey Patterson Wm. B. Pattengill Steve Muffatti Hicks Lokey Howard Swift Jack Ehret (assistant animator) |
Color process | Black-and-white (1933–1943) 3-strip Technicolor (1936, 1937, 1939, 1943–1946, 1949–1957) 2-strip Cinecolor (1946–1948) 3-strip Polacolor (1948–1949) |
Production companies | |
Distributed by | Paramount Pictures |
Release dates | July 14, 1933 — August 9, 1957 |
Running time | 6–10 minutes (one reel) 15–20 minutes (two reel) (Popeye the Sailor Meets Sindbad the Sailor, Popeye the Sailor Meets Ali Baba's Forty Thieves and Aladdin and His Wonderful Lamp) |
Country | United States |
Language | English |
Popeye the Sailor is an American
The Fleischer Popeye cartoons proved to be among the most popular of the 1930s, and would remain a staple of Paramount's release schedule for nearly 25 years. Paramount would take control of the studio in 1941 and rename it Famous Studios, ousting the Fleischer brothers and continuing production. The theatrical Popeye cartoons began airing on television in 1956, and the Popeye theatrical series was discontinued in 1957. Popeye the Sailor in all produced 231 short subjects that were broadcast on television for several years.
The 1930s Popeye cartoons have been said by historians to have an urban feel, with the Fleischers pioneering an East Coast animation scene that differed highly from their West Coast counterparts.
Early history
Popeye the Sailor, created by E.C. Segar, debuted in 1929 in his King Features Syndicate-distributed comic strip, Thimble Theatre. The character was growing in popularity by the 1930s and there was "hardly a newspaper reader of the Great Depression that did not know his name."[2] It was obvious, however, that stars of a larger magnitude were being launched from animated cartoons, with the success of Mickey Mouse. In November 1932, King Features signed an agreement with Fleischer Studios, run by producer Max Fleischer and his brother, director Dave Fleischer, to have Popeye and the other Thimble Theatre characters begin appearing in a series of animated cartoons. The first cartoon in the series was released in 1933, and Popeye cartoons, released by Paramount Pictures, would remain a staple of Paramount's release schedule for nearly 25 years.
One source of inspiration for the Fleischers were newspapers and comic strips, and they saw potential in Popeye as an animated star, thinking the humor would translate well onscreen.[2] When the Fleischers needed more characters, they turned to Segar's strip: Wimpy debuted in the first regular Popeye cartoon, Swee'Pea, Poopdeck Pappy, the Goons, and Eugene the Jeep arrived onscreen by the late 1930s. Popeye was also given more family exclusive to the shorts, specifically his look-alike nephews Pipeye, Peepeye, Pupeye, and Poopeye. Spinach became a main component of the Popeye cartoons and was used for the energetic finale in each of them. Eventually, the Fleischers paired Popeye and spinach together far more than Segar ever did. In 1934, a statistic was released noting that spinach sales had increased 33% since the creation of the Popeye cartoons.[2] Segar received crates of spinach at his home because of the Popeye association. The huge child following Popeye received eventually prompted Segar's boss, William Randolph Hearst, to order Segar to tone down the humor and violence. Segar was not ready to compromise, believing there would be "nothing funny about a sissy sailor."[2]
Voice cast
Many voice artists worked on the Popeye shorts over the two decades of production; this list is based on the most comprehensive artists.
- William "Billy" Costello, Jack Mercer as Popeye the Sailor (substitutes: Floyd Buckley, Harry Foster Welch, Mae Questel). Costello had a gruff, gravelly quality in voicing the character. It is generally thought that Costello became difficult to work with after becoming overly confident from the success of the first few cartoons.[2] Jack Mercer was working in the in-between department of Fleischer Studios doing imitations of Costello, and, after practicing at home for a week, replaced Costello as the voice of Popeye beginning with King of the Mardi Gras (1935).[3] Historians believe the character came into his own when Mercer became the voice artist, employing acting and emotion into the character. Mercer voiced the character until his death in 1984. Mae Questel, Floyd Buckley and Harry Welch substituted in several wartime cartoons, when Mercer left to serve in World War II.[4][5][6]
- Bonnie Poe, Mae Questel, Margie Hines as Olive Oyl. Questel was the voice of Betty Boop when she was brought in early on to play Olive Oyl, and she based the character voice on ZaSu Pitts.[2] Questel voiced Olive Oyl until 1938, when Fleischer operations shifted to Florida. Hines, who was Mercer's wife, voiced the character until 1943. Paramount moved the studio back to New York the following year and Questel reassumed voice acting duties until the series' end in 1957.
- Dave Barry, Jack Mercer, Pinto Colvig, Tedd Pierce). William Pennell was the first to voice the Bluto character from 1933 to 1935's The Hyp-Nut-Tist. Gus Wickie is generally considered the most memorable voice actor by fans and historians.[2]Wickie voiced Bluto until Fleischer left New York in 1938, his last work being the voice of the "Chief" in Big Chief Ugh-A-Mug-Ugh. Several other actors were employed to voice Bluto from then on (including Mercer, Pierce, Colvig and Barry). When Famous Studios took over production and moved back to New York City, Jackson Beck took over the role until 1962.
Fleischer Studios
Popeye made his film debut in Popeye the Sailor, a 1933 Betty Boop cartoon. Although Betty has a small cameo appearance, the cartoon mostly introduces the main characters: Popeye's coming to rescue Olive Oyl after being kidnapped by Bluto. The triangle between Popeye, Olive and Bluto was set up from the beginning and soon became the template for most Popeye productions that would follow. The cartoon opens with a newspaper headline announcing Popeye as a movie star, reflecting the transition into film.[2] I Yam What I Yam became the first entry in the regular Popeye the Sailor series.
Thanks to the animated shorts, Popeye became even more of a sensation than he had been in comic strips. As Betty Boop gradually declined in popularity as a result of Hays Code censorship undermining her characterization in 1934, Popeye became the studio's star character by 1936. Popeye began to sell more tickets and became the most popular cartoon character in the country in the 1930s, surpassing Mickey Mouse. Paramount added to Popeye's profile by sponsoring the "Popeye Club" as part of their Saturday matinée program, in competition with Mickey Mouse Clubs. Popeye cartoons, including a sing-along special entitled Let's Sing with Popeye, were a regular part of the weekly meetings. For a 10-cent membership fee, club members were given a Popeye kazoo, a membership card, the chance to become elected as the Club's "Popeye" or "Olive Oyl", and the opportunity to win other gifts. Polls taken by theater owners proved Popeye more popular than Mickey, and Popeye upheld his position for the rest of the decade.[7][8]
Fleischer cartoons differed highly from their counterparts at
The Fleischers moved their studio to
Fleischer Studios produced 108 Popeye cartoons, 105 of them in
Famous Studios
By the end of 1939, Max and Dave Fleischer had stopped speaking to each other altogether, communicating solely by memo. In 1940, they found themselves at odds with Paramount over the control of their animation studio.[2] The studio borrowed heavily from Paramount in order to move to Florida and expand into features, and while their first feature, Gulliver's Travels (1939), was fairly successful, their second, Mr. Bug Goes to Town (1941) was not, and left the Fleischers in signing at debt to Paramount.[10] In May 1941, Paramount assumed ownership of Fleischer Studios.[11] The Fleischers left, and Paramount began reorganizing the studio, which they renamed Famous Studios. With Famous Studios headed by Sam Buchwald, Seymour Kneitel, Isadore Sparber and Dan Gordon, production continued on the Popeye shorts.
With World War II becoming a greater concern in the United States, Popeye enlisted into the
In late 1943, the Popeye series was moved to Technicolor production, beginning with Her Honor the Mare. Though these cartoons were produced in full color, some films in the late-1940s period were released in less-expensive processes like Cinecolor and Polacolor. Paramount had begun moving the studio back to New York that January, and Mae Questel reassumed voice duties for Olive Oyl. Jack Mercer was drafted into the Navy during World War II, and scripts were stockpiled for Mercer to record when on leave. When Mercer was unavailable, Harry Welch stood in as the voice of Popeye (and Shape Ahoy had Mae Questel doing Popeye's voice as well as Olive's). New voice cast member Jackson Beck began voicing Bluto within a few years; he, Mercer, and Questel would continue to voice their respective characters into the 1960s. Over time, the Technicolor Famous shorts began to adhere even closer to the standard Popeye formula, and softened, rounder character designs – including an Olive Oyl design which gave the character high heels and an updated hairstyle – were evident by late 1946.
Many established Fleischer animators stayed with Famous Studios and produced these new Popeye cartoons, but the loss of the founders was evident.[2] Throughout the 1940s, the production values on Popeye remained relatively high. Animation historian Jerry Beck notes that, however, the "gag sense and story sense fell into a bit of a rut." By the mid-50s, budgets at the studio became tight and staff downsized, while still producing the same number of cartoons per year. This was typical of most animation studios at the time, as many considered shutting their doors entirely due to the competition from television.[2] Paramount renamed the studio Paramount Cartoon Studios in 1956 and continued the Popeye series for one more year, with Spooky Swabs, released in August 1957, being the last of the 125 Famous shorts in the series.
Music and theme song
Popeye's signature theme song was composed by Sammy Lerner and premiered in the first Popeye cartoon in 1933, sung by Popeye himself. For the first few cartoons, the opening credits music consists of a short instrumental excerpt of "The Sailor's Hornpipe", a traditional sea shanty dating to no later than the 1700s, playing over the Paramount logo, followed by a vocal variation on Andrew B. Sterling and Charles B. Ward's "Strike Up the Band (Here Comes a Sailor)", substituting the words "for Popeye the Sailor" in the latter phrase. An instrumental of Popeye's theme replaced the latter beginning with the third short, "Blow Me Down!".
Cartoon music historian Daniel Goldmark writes that Popeye is one of few cartoon characters of the time to have a theme; composer
The music of Popeye is described as a mix of "sunny
For generations, the iconic Popeye theme song became an instantly recognizable musical bookmark, further propelling the character's stardom.[2]
Theatrical Popeye cartoons on television
The original 1932 agreement with the syndicate called for any films made within 10 years and any elements of them to be destroyed in 1942.[12] This would have destroyed all of the Fleischer Popeye shorts.
In 1955, Paramount put their pre-October 1950 cartoon library up for television sale. U.M. & M. TV Corporation acquired the majority of all theatrical shorts. However, the Popeye cartoons were sold separately at a higher price.[13] In June 1956,[14] Paramount sold the cartoons to television syndicator Associated Artists Productions (a.a.p.), one of the biggest distributors of the time, for release to television stations.[2] However, unlike the pre-August 1948 Warner Bros. cartoons they were distributing, a.a.p. was ordered to remove the Paramount logos and "Paramount presents" title cards, so the cartoons were given an a.a.p. opening title card similar to the Warner Bros. cartoons, using a version of the Popeye theme music introduced sometime in 1943; the cartoons closed with a piece first used in Olive Oyl for President in 1948. Yet Paramount's imprint was still noted in the a.a.p. prints, which referenced Fleischer and Famous Studios and left Paramount's credits and copyright tags intact. Once they began airing these cartoons were enormously popular. Jerry Beck likens Popeye's television success to a "new lease on life," noting that the character had not been as popular since the 1930s.[15]
King Features realized the potential for success and began distributing Popeye-based merchandise, which in turn led to a new series of Popeye shorts made for TV beginning in 1960. These shorts were farmed out to numerous studios and are of generally lower quality, employing limited animation, and many artists were unhappy with the quality of such cartoons.[2]
By the 1970s, the original Fleischer and Famous Popeye cartoons were syndicated to various stations and channels across the globe. In the intervening years, however, the theatrical Popeye cartoons slowly disappeared from the airwaves in favor of the newer made-for-television shorts.[15] a.a.p. was sold to United Artists in 1958, which was absorbed into Metro-Goldwyn-Mayer to create MGM/UA in 1981. Ted Turner purchased MGM/UA in 1986, gaining control of all theatrical Popeye shorts. Although Turner sold MGM back to Kirk Kerkorian some months later, Turner retained the film catalog. Turner Entertainment Co. (currently owned by Warner Bros.), therefore, controls the rights to the Popeye shorts.
After Turner's acquisition, the black-and-white Popeye shorts were shipped to South Korea, where artists retraced them into color. The process was intended to make the shorts more marketable in the modern television era, but prevented the viewers from seeing the original Fleischer pen-and-ink work, as well as the three-dimensional backgrounds created by Fleischer's "Stereoptical" process. Every other frame was traced, changing the animation from being "on ones" (24 frame/s) to being "on twos" (12 frame/s), and softening the pace of the films. These colorized shorts began airing on Superstation WTBS in 1986 during their Tom & Jerry and Friends 90-minute weekday morning and hour-long weekday afternoon shows. The retraced shorts were syndicated in 1987 on a barter basis, and remained available until the early 1990s. When Cartoon Network began in 1992, they mostly ran cartoons from the pre-May 1986 MGM library, which included the Popeye cartoons.[15]
For many decades, viewers could only see a majority of the classic Popeye cartoons with the a.a.p.-altered opening and closing credits. In 2001, Cartoon Network, under the supervision of animation historian Jerry Beck, launched The Popeye Show. The show aired the Fleischer and Famous Studios Popeye shorts in their complete, uncut original theatrical versions direct from prints that contained the original front-and-end Paramount credits, or, where those were unavailable, in versions approximating their original theatrical releases by replacing the a.a.p. opening and closing credits with ones that recreated the originals using various sources. The series, which aired 135 Popeye shorts over 45 episodes, also featured segments offering trivia about the characters, voice actors, and animators. The program aired on Cartoon Network until March 2004. Cartoon Network's spin-off network Boomerang aired reruns of it after that, along with half-hour afternoon airings of Popeye cartoons that sometimes included the color-traced versions from the 1980s.
In 2012, Popeye reruns ceased until 2018, when Popeye cartoons returned to TV on
In the UK, Popeye Cartoons aired on Cartoon Network from 1993 to 2001 and on Boomerang from 2000 to 2005. Since February 2021, Talking Pictures TV has aired the cartoons during their Saturday morning pictures block.
Home video
There were legal problems between King Features Syndicate and United Artists in the early 1980s regarding the availability of Popeye cartoons on home video. United Artists had television rights, but King Features disputed whether that included home video distribution.[15] In 1983, MGM/UA Home Video attempted to release a collection of Popeye cartoons on Betamax and VHS tapes titled The Best of Popeye, Vol. 1, but the release was canceled after MGM/UA received a cease and desist letter from King Features Syndicate, which claimed that they only had the legal rights to release the collection on video.[17] While King Features owned the rights, material, comics, and merchandizing to Popeye's character, it did not have ownership to the cartoons themselves.
Throughout the years, there have been many VHS cassettes and DVDs featuring public domain Popeye cartoons, where the copyright had lapsed.[15] While most of the Popeye cartoons remained unavailable on VHS tape, a handful of shorts fell into the public domain and were found on numerous low-budget VHS tapes and DVDs. Most used a.a.p. prints from the 1950s, which were in very poor shape, thus resulting in very poor image quality. These cartoons were seven black-and-white 1930s and 1940s cartoons, 24 Famous Studios cartoons from the 1950s (many of which fell to the public domain after the MGM/UA merger), and all three Popeye color specials (although some copyrighted Popeye cartoons turned up on public domain VHS tapes and DVDs).
In 1997 (by which time the Popeye cartoons had come under ownership of
Popeye cartoons were never officially released in any form until the late 2000s.[15] In 2006, Warner Home Video, King Features Syndicate, and Hearst Corporation finally reached an agreement allowing for the release of the Popeye cartoons on home video. Paramount Pictures allowed Warner Bros. to restore the original Paramount logos on the cartoons as part of a cross-licensing deal between the two companies (which also permitted the use of the "Warner Bros. Shield" logo on certain films produced by John Wayne's Batjac Productions that were originally released by Warner Bros. but are now distributed by Paramount) thus preserving the artistic integrity of the original theatrical releases.[19] Three volumes were produced between 2007 and 2008, released in the order the cartoons were released to theaters.
The first of Warner Bros.'s Popeye DVD sets, covering the cartoons released from 1933 until early 1938, was released on July 31, 2007. Popeye the Sailor: 1933–1938, Volume 1, a four-disc collector's edition DVD, contains the first 60 Fleischer Popeye cartoons, including the color specials Popeye the Sailor Meets Sindbad the Sailor and Popeye the Sailor Meets Ali Baba's Forty Thieves. Volumes 1 and 3 have the "Intended For Adult Collector And May Not Be Suitable For Children" advisory warning on the back of the box- with a text disclaimer at the beginning of each disc warning that certain shorts "...may reflect certain racist, sexist and ethnic prejudices that were commonplace in American society at the time"- similar to that seen on the Looney Tunes Golden Collection DVDs. The shorts were digitally restored and featured numerous bonus features; including audio commentary tracks and documentary featurettes. Historians supervised the release as consultants, assuring no colorized versions of unrestored prints were used.[15] The first volume was included, either erroneously or through somewhat fraudulent means, in a batch of boxed sets sold in discount outlets for $3 or less in the summer of 2009.[20]
Initially, there were four volumes of four-disc Popeye collections planned: the second volume would feature the remaining black-and-white Popeye cartoons from 1938 to 1943, with Volumes 3 and 4 covering the color Famous Studios cartoons released between 1943 and 1957.[15] However, due to the 2007–2008 financial crisis, Warner Home Video was forced to re-work Volume 2 into a series of two-disc sets.[21] Popeye the Sailor: 1938–1940, Volume 2 was released on June 17, 2008,[22] and includes the final color Popeye special Aladdin and His Wonderful Lamp.[23] Popeye the Sailor: 1941–1943, Volume 3 was released on November 4, 2008,[24] and includes Popeye's three seldom shown wartime cartoons: You're a Sap, Mr. Jap (1942), Scrap the Japs (1942), and Seein' Red, White 'N' Blue (1943). Like Volume 1 these sets contained a plethora of bonus material.
The remaining volumes featuring the color Famous Studios cartoons were abandoned due to the higher costs of restoring color cartoons and the low sales of the previous volumes due to the recession in the late 2000s.[21] In 2018, Warner Archive Collection announced they were releasing a series of single-disc Blu-ray sets entitled Popeye the Sailor: The 1940s which continued where the previous DVD sets left off almost a decade earlier.[21] Unlike the previous DVD sets the Blu-rays did not feature any bonus material, but the shorts were digitally restored and uncut. Popeye the Sailor: The 1940s, Volume 1 was released on December 11, 2018, and contained 14 color Popeye shorts released from 1943 to 1945. Popeye the Sailor: The 1940s, Volume 2 was released in June 2019 featuring the next 15 Popeye cartoons from 1946 to 1947. Popeye the Sailor: The 1940s, Volume 3 was released in September 2019 and featured the remaining 17 Popeye cartoons of the decade released from 1948 to the end of 1949.
In January 2020, Warner Archive announced they were "taking a break" from producing Popeye sets to focus on other classic animated titles, such as Tex Avery Screwball Classics.[25] As of 2022, the remaining 62 Popeye cartoons released between 1950 and 1957 have yet to be released.
DVD collections
- Popeye the Sailor: 1933–1938, Volume 1 (released July 31, 2007) features cartoons released from 1933 to early 1938 and contains the color Popeye specials Popeye the Sailor Meets Sindbad the Sailor and Popeye the Sailor Meets Ali Baba's Forty Thieves.
- Popeye the Sailor: 1938–1940, Volume 2 (released June 17, 2008) features cartoons released from late 1938 to 1940 and includes the last color Popeye special Aladdin and His Wonderful Lamp.
- Popeye the Sailor: 1941–1943, Volume 3 (released November 4, 2008)[26] features the remaining black-and-white Popeye cartoons released from 1941 to 1943 and covers the transition from Fleischer Studios to Famous Studios producing the cartoons.
- Popeye the Sailor: The 1940s, Volume 1 (released December 11, 2018) features the first 14 color Popeye shorts produced by Famous Studios from 1943 to 1945. The set was made available on Blu-ray and DVD.
- Popeye the Sailor: The 1940s, Volume 2 (released June 18, 2019) features the next 15 color Popeye shorts produced by Famous Studios from 1946 to 1947. The set was made available on Blu-ray and DVD.[27]
- Popeye the Sailor: The 1940s, Volume 3 (released September 17, 2019) features the next 17 color Popeye shorts produced by Famous Studios from 1948 to 1949. The set was made available on Blu-ray and DVD.
Filmography
References
- ISBN 0-8160-3831-7. Retrieved June 6, 2020.
- ^ Popeye the Sailor: 1933–1938, Volume 1. Special Features: I Yam What I Yam: The Story of Popeye the Sailor (DVD). Warner Home Video.
- ^ Hurwitz, Matt (July 29, 2007). "Hey, Sailor! 'Popeye' Is Back in Port". The Washington Post.
- ^ Erickson, Hal Allmovie: Overview
- ^ Popeye: An Illustrated Cultural History, 2d ed., page 58-60; by Fred M. Grandinetti; published Jul 29, 2004 by McFarland & Company (via Google Books)
- ISBN 978-0-7864-4513-4.
- ^ "GAC Forums – Popeye's Popularity – Article from 1935". Forums.goldenagecartoons.com. Archived from the original on July 11, 2011. Retrieved November 30, 2009.
- ^ "Popeye From Strip To Screen". Awn.com. Retrieved November 30, 2009.
- ^ Culhane, Shamus (1986). Talking Animals and Other People. New York: St. Martin's Press. Pages 218–219.
- ISBN 0-19-516729-5.
- ^ Popeye Volume 3 DVD documentary, released by Warner Brothers in 2008
- ^ "Fleischer v. A.A.P., Inc., 222 F. Supp. 40 | Casetext Search + Citator". casetext.com. Retrieved April 17, 2023.
...that this license expired at the end of a 10-year period from the date of release of the cartoon ... and required plaintiff licensee to destroy the negatives of such cartoons and that these rights were not assignable by plaintiff producer without the licensee's consent
- ^ Billboard, January 14, 1956
- ^ Broadcasting, June 11, 1956
- ^ a b c d e f g h Josh Armstrong (September 17, 2007). "Cartoons Then and Now: Jerry Beck talks Woody, Popeye and More!". AnimatedViews.com. Retrieved June 5, 2012.
- ^ "Saturday Morning Cartoons are coming to MeTV this January!".
- ^ a b "CARTOON RESEARCH COMMENTS". cartoonresearch.com. Archived from the original on January 21, 2020. Retrieved May 10, 2011.
- ^ "Fleischer Popeye Tribute". calmapro.com. Archived from the original on November 13, 2007.
- ^ "Cartoons Then and Now: Jerry Beck talks Woody, Popeye and More! • Animated Views". animated-views.com.
- ^ "Legal News & Entertainment Law - Hollywood, ESQ". The Hollywood Reporter.
- ^ a b c "Warner Archive Podcast: Popeye Popcast with Jerry Beck (4/12/18)". Warner Bros. Entertainment Inc. December 4, 2018. Retrieved June 8, 2022.
- ^ Popeye DVD news: Popeye – Warner 'Retools' Popeye Archived 2008-12-08 at the Wayback Machine DVDs; Switches to 2-Disc Sets! TVShowsOnDVD.com.
- ^ "Popeye DVD news: Early Info About Vol.'s 2, 3 and 4 | TVShowsOnDVD.com". TVShowsOnDVD.com. May 25, 2007. Archived from the original on November 16, 2010. Retrieved November 30, 2009.
- ^ "Popeye DVD news: Announcement for Popeye the Sailor - Volume 3: 1941-1943 | TVShowsOnDVD.com". TVShowsOnDVD.com<!. Archived from the original on May 1, 2010. Retrieved November 30, 2009.
- ^ "Warner Archive Podcast: Tex Avery Talk with Jerry Beck (2/11/20)". Warner Bros. Entertainment Inc. February 11, 2020. Retrieved June 8, 2022.
- ^ "Amazon.com: Popeye the Sailor: 1941-1943: The Complete Third Volume: Various: Movies & TV". amazon.com.
- ^ @WarnerArchive (May 17, 2019). "Pop open another can of spinach with..." (Tweet) – via Twitter.
External links
- Media related to Popeye the Sailor cartoons at Wikimedia Commons