Portal:Music

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The Music Portal

Grooved side of the Voyager Golden Record launched along the Voyager probes to space, which feature music from around the world

The most general definition of music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content.However, definitions of music vary depending on culture, though it is an aspect of all human societies and a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, psychology, and therapeutic contexts. Music may be performed using a vast range of instruments, including the human voice to sing, and thus is often credited for its extreme versatility and opportunity for creativity.

In some musical contexts, a performance or composition may be to some extent

smartphones
.

Besides just

sound engineers, producers, tour organizers, distributors of instruments, accessories, and sheet music. Compositions, performances, and recordings are assessed and evaluated by music critics, music journalists, and music scholars, as well as amateurs. (Full article...
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The following are images from various music-related articles on Wikipedia.

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  • Image 1 Christ Illusion is the tenth studio album by American thrash metal band Slayer, released on August 8, 2006 by American Recordings. It was the band's first album featuring all four original members in nearly sixteen years. Slayer's drummer, Dave Lombardo, performed with the band for the first time since Seasons in the Abyss (1990). Depicting a mutilated Christ painted by longtime collaborator Larry Carroll, the album's graphic artwork courted controversy; an alternative cover was issued to conservative retailers who felt uncomfortable with the original, and the band also put out a censored cover without the offensive artwork. Lyrics, particularly in the song "Jihad", describe the September 11 attacks from the perspective of a terrorist. Following protests, all Indian stocks of the album were recalled and destroyed by EMI India. (Full article...)
    Larry Carroll, the album's graphic artwork courted controversy; an alternative cover was issued to conservative retailers who felt uncomfortable with the original, and the band also put out a censored cover without the offensive artwork. Lyrics, particularly in the song "Jihad", describe the September 11 attacks from the perspective of a terrorist. Following protests, all Indian stocks of the album were recalled and destroyed by EMI India. (Full article...
    )
  • Image 2 "Cross Road Blues" (commonly known as "Crossroads") is a song written by the American blues artist Robert Johnson. He performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talent. This is based largely on folklore of the American South that identifies a crossroads as the site where such pacts are made, although the lyrics do not contain any references to Satan or a Faustian bargain. "Cross Road Blues" may have been in Johnson's repertoire since 1932 and, in 1936, he recorded two performances. One was released in 1937 as a single that was heard mainly in the Mississippi Delta area. The second, which reached a wider audience, was included on King of the Delta Blues Singers, a compilation album of some of Johnson's songs released in 1961 during the American folk music revival. (Full article...)
    "
    Faustian bargain.

    "Cross Road Blues" may have been in Johnson's repertoire since 1932 and, in 1936, he recorded two performances. One was released in 1937 as a single that was heard mainly in the Mississippi Delta area. The second, which reached a wider audience, was included on King of the Delta Blues Singers, a compilation album of some of Johnson's songs released in 1961 during the American folk music revival. (Full article...
    )
  • Image 3 Lorde in 2022 Ella Marija Lani Yelich-O'Connor (born 7 November 1996), known professionally as Lorde (/lɔːrd/ LORD), is a New Zealand singer and songwriter. She is known for her unconventional style of pop music, and introspective songwriting. Lorde expressed interest in performing at local venues in her early teens. She signed with Universal Music Group (UMG) in 2009 and collaborated with producer Joel Little in 2011 to start recording music. Their first effort, an extended play (EP) titled The Love Club, was self-released in 2012 for free download on SoundCloud before UMG's commercial release in 2013. The EP's international chart-topping single "Royals" helped raise Lorde to prominence. Her debut studio album Pure Heroine was released that same year to critical and commercial success. The following year, Lorde curated the soundtrack for the 2014 film The Hunger Games: Mockingjay – Part 1 and recorded several tracks, including the single "Yellow Flicker Beat". (Full article...)

    the soundtrack for the 2014 film The Hunger Games: Mockingjay – Part 1 and recorded several tracks, including the single "Yellow Flicker Beat". (Full article...
    )
  • Image 4 Smith, 2020 Faryl Smith (born 23 July 1995) is a British soprano who performs opera, classical and classical crossover music. Smith rose to fame after appearing on the second series of the ITV television talent show Britain's Got Talent in 2008 as a child. After the programme, in December 2008, Smith signed a contract with Universal Classics and Jazz for a £2.3 million advance, the largest ever granted to a schoolgirl. Her debut album, Faryl, was recorded from December 2008 to January 2009 and released in March 2009. Faryl became the fastest-selling solo classical album in British chart history, selling 29,200 copies in the first week. It debuted at number six and rose to number four the following week, making Smith the third Britain's Got Talent contestant to have a top ten album. In 2010, on account of Faryl, Smith was nominated for two Classical BRIT Awards and became the youngest artist ever to receive a double nomination. Smith's second album, Wonderland, was released in November 2009, after which Smith left Universal. In addition to releasing her two albums, she featured on a charity cover of "The Prayer", released in March 2010, provided vocals for the 2012 album The Magic of a Thousand Strings by the International Harp Ensemble, and performed at numerous public events, including the 2009 Royal Variety Performance. In 2015, Smith began studying music at the Guildhall School of Music and Drama in London. She continued to perform regularly, including at major sporting events, such as a Six Nations match at Twickenham Stadium in February 2019. (Full article...)

    the second series of the ITV television talent show Britain's Got Talent in 2008 as a child. After the programme, in December 2008, Smith signed a contract with Universal Classics and Jazz for a £2.3 million advance, the largest ever granted to a schoolgirl. Her debut album, Faryl, was recorded from December 2008 to January 2009 and released in March 2009. Faryl became the fastest-selling solo classical album in British chart history, selling 29,200 copies in the first week. It debuted at number six and rose to number four the following week, making Smith the third Britain's Got Talent contestant to have a top ten album. In 2010, on account of Faryl, Smith was nominated for two Classical BRIT Awards and became the youngest artist ever to receive a double nomination.

    Smith's second album, Wonderland, was released in November 2009, after which Smith left Universal. In addition to releasing her two albums, she featured on a charity cover of "The Prayer", released in March 2010, provided vocals for the 2012 album The Magic of a Thousand Strings by the International Harp Ensemble, and performed at numerous public events, including the 2009 Royal Variety Performance. In 2015, Smith began studying music at the Guildhall School of Music and Drama in London. She continued to perform regularly, including at major sporting events, such as a Six Nations match at Twickenham Stadium in February 2019. (Full article...
    )
  • Image 5 Too Much Too Soon is the second album by the American hard rock band New York Dolls. It was released by Mercury Records on May 10, 1974, and recorded earlier that year at A&R Studios in New York City. Dissatisfied with the recording of their 1973 self-titled debut album, the Dolls' lead singer David Johansen enlisted veteran producer Shadow Morton to produce the sessions. Morton, who had been disenchanted by the music industry, found renewed motivation in the band's energy and undertook the project as a challenge. Although the Dolls shared an affinity for Morton, they produced little original material with him. To complete Too Much Too Soon, they covered older songs and re-recorded their past demos. Johansen impersonated different characters while singing some of the novelty covers, and Morton incorporated many studio sound effects and female backing vocals in his production. For the album, lead guitarist Johnny Thunders wrote and recorded "Chatterbox", his first recorded performance singing lead. (Full article...)
    covered older songs and re-recorded their past demos. Johansen impersonated different characters while singing some of the novelty covers, and Morton incorporated many studio sound effects and female backing vocals in his production. For the album, lead guitarist Johnny Thunders wrote and recorded "Chatterbox", his first recorded performance singing lead. (Full article...
    )
  • Image 6 Love It to Death is the third studio album by American rock band Alice Cooper, released on March 9, 1971. It was the band's first commercially successful album and the first album that consolidated the band's aggressive hard-rocking sound, instead of the psychedelic and experimental rock style of their first two albums. The album's best-known track, "I'm Eighteen", was released as a single to test the band's commercial viability before the album was recorded. Formed in the mid-1960s, the band took the name Alice Cooper in 1968 and became known for its outrageous theatrical live shows. The loose, psychedelic freak rock of the first two albums failed to find an audience. The band moved to Detroit in 1970 where they were influenced by the aggressive hard rock scene. A young Bob Ezrin was enlisted as producer; he encouraged the band to tighten its songwriting over two months of rehearsing ten to twelve hours a day. The single "I'm Eighteen" achieved Top 40 success soon after, peaking at No. 21. This convinced Warner Bros. that Alice Cooper had the commercial potential to release an album. After its release in March 1971, Love It to Death reached No. 35 on the Billboard 200 albums chart and has since been certified platinum. The album's second single, "Caught in a Dream", charted at No. 94. (Full article...)
    Love It to Death is the third studio album by American rock band Alice Cooper, released on March 9, 1971. It was the band's first commercially successful album and the first album that consolidated the band's aggressive hard-rocking sound, instead of the psychedelic and experimental rock style of their first two albums. The album's best-known track, "I'm Eighteen", was released as a single to test the band's commercial viability before the album was recorded.

    Formed in the mid-1960s, the band took the name Alice Cooper in 1968 and became known for its outrageous theatrical live shows. The loose, psychedelic freak rock of the first two albums failed to find an audience. The band moved to Detroit in 1970 where they were influenced by the aggressive hard rock scene. A young Bob Ezrin was enlisted as producer; he encouraged the band to tighten its songwriting over two months of rehearsing ten to twelve hours a day. The single "I'm Eighteen" achieved Top 40 success soon after, peaking at No. 21. This convinced Warner Bros. that Alice Cooper had the commercial potential to release an album. After its release in March 1971, Love It to Death reached No. 35 on the Billboard 200 albums chart and has since been certified platinum. The album's second single, "Caught in a Dream", charted at No. 94. (Full article...)
  • Image 7 Side A of retail US single "Like a Rolling Stone" is a song by the American singer-songwriter Bob Dylan, released on July 20, 1965, by Columbia Records. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. "Like a Rolling Stone" was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited. During a difficult two-day preproduction, Dylan struggled to find the essence of the song, which was demoed without success in 3 4 time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the Hammond B2 organ riff for which the track is known. Columbia Records was unhappy with both the song's length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when, a month later, a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, "Like a Rolling Stone" reached No. 2 in the US Billboard charts (No. 1 in Cashbox) and became a worldwide hit. (Full article...)

    tour of England. Dylan distilled this draft into four verses and a chorus. "Like a Rolling Stone" was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited.

    During a difficult two-day preproduction, Dylan struggled to find the essence of the song, which was demoed without success in 3
    4
    time
    . A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the Hammond B2 organ riff for which the track is known. Columbia Records was unhappy with both the song's length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when, a month later, a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, "Like a Rolling Stone" reached No. 2 in the US Billboard charts (No. 1 in Cashbox) and became a worldwide hit. (Full article...
    )
  • Image 8 E.T. the Extra-Terrestrial is an audiobook and soundtrack companion album for the 1982 film directed by Steven Spielberg. Composed by John Williams, the album was narrated by recording artist Michael Jackson, produced by composer Quincy Jones and distributed by MCA Records. The audiobook was produced by John Williams and Michael Jackson working with Rod Temperton, Freddy DeMann, and Bruce Swedien. The E.T. the Extra-Terrestrial audiobook was released by MCA on November 15, 1982 – the same month as Michael Jackson's acclaimed sixth studio album Thriller despite conditions given by Epic Records, Jackson's record label, that it should not be released until after Thriller. As a result, Epic took legal action against MCA which forced the album's withdrawal. During its curtailed release, E.T. the Extra-Terrestrial reached number 37 on the Billboard 200 and number 82 on the UK Albums Chart. It was well-received critically and won Jackson a Grammy Award for Best Recording for Children. (Full article...)
    Best Recording for Children. (Full article...
    )
  • Image 9 Silent Alarm is the debut studio album by English rock band Bloc Party. Recorded in Copenhagen and London in mid-2004 with Paul Epworth as producer, it was released on 2 February 2005, by Wichita Recordings. The album peaked at number three on the UK Albums Chart. In the United States, it entered the Billboard 200 at number 114 and the Billboard Independent Albums at number seven. The double A-side "So Here We Are/Positive Tension", "Banquet" and "The Pioneers" were released as singles. Silent Alarm went on to achieve worldwide sales of over one million copies. Bloc Party aimed to create an album that appealed to followers of different musical genres. Building on the arrangements in their demo songs recorded in 2004, the band members moulded tracks largely through live takes during the Silent Alarm studio sessions. The compositional focus was on rhythm and the drum and bass parts, while lyricist Kele Okereke's writing examined the feelings and hopes of young adults, including views on global politics. Following the album's completion, Bloc Party embarked on promotional tours before its release. (Full article...)
    Silent Alarm is the debut studio album by English rock band Bloc Party. Recorded in Copenhagen and London in mid-2004 with Paul Epworth as producer, it was released on 2 February 2005, by Wichita Recordings. The album peaked at number three on the UK Albums Chart. In the United States, it entered the Billboard 200 at number 114 and the Billboard Independent Albums at number seven. The double A-side "So Here We Are/Positive Tension", "Banquet" and "The Pioneers" were released as singles. Silent Alarm went on to achieve worldwide sales of over one million copies.

    Bloc Party aimed to create an album that appealed to followers of different musical genres. Building on the arrangements in their demo songs recorded in 2004, the band members moulded tracks largely through live takes during the Silent Alarm studio sessions. The compositional focus was on rhythm and the drum and bass parts, while lyricist Kele Okereke's writing examined the feelings and hopes of young adults, including views on global politics. Following the album's completion, Bloc Party embarked on promotional tours before its release. (Full article...)
  • Image 10 The Next Day is the 25th studio album by the English musician David Bowie. Released in March 2013, it was Bowie's first studio release in ten years, as he had retreated from public view after undergoing a procedure to treat a blocked heart artery in 2004. Co-produced by Bowie and Tony Visconti, the album was recorded in New York City between May 2011 and October 2012. It featured contributions from session musicians, some of whom he had worked with in the past, including Gerry Leonard, Earl Slick, Gail Ann Dorsey, Steve Elson, Sterling Campbell and Zachary Alford. Recording took place in secret; all personnel involved signed non-disclosure agreements. Primarily an art rock album, The Next Day references Bowie's earlier glam and funk releases. The generally bleak lyrics draw from his reading of English and Russian history and examine themes of tyranny and violence. The cover art is an adapted version of Bowie's 1977 album "Heroes" by designer Jonathan Barnbrook, who placed a white square with the album's title over Bowie's face and crossed out the "Heroes" title. The album was released through ISO Records in association with Columbia Records. (Full article...)
    Steve Elson, Sterling Campbell and Zachary Alford. Recording took place in secret; all personnel involved signed non-disclosure agreements.

    Primarily an art rock album, The Next Day references Bowie's earlier glam and funk releases. The generally bleak lyrics draw from his reading of English and Russian history and examine themes of tyranny and violence. The cover art is an adapted version of Bowie's 1977 album "Heroes" by designer Jonathan Barnbrook, who placed a white square with the album's title over Bowie's face and crossed out the "Heroes" title. The album was released through ISO Records in association with Columbia Records. (Full article...
    )
  • Image 11 Romances is the twelfth studio album by Mexican singer Luis Miguel, released on 12 August 1997, by WEA Latina. It is the third album of the Romance series, in which Miguel covers Latin songs from 1940 to 1978. Aside from Miguel, the production also involved arranger Bebu Silvetti, and Armando Manzanero, who directed all of Miguel's Romance albums. Romances consists of twelve cover versions and two new compositions by Manzanero and Silvetti. Recording took place in early 1997 at the Ocean Way recording studio in Los Angeles, California. Romances has sold over 4.5 million copies and received platinum certifications in several Latin American countries, the United States and Spain. Miguel promoted the album by touring the United States, Latin America and Spain. Upon its release, Romances received generally positive reviews from music critics. They mainly praised his vocals and production of the album although few reviewers found the arrangements to be repetitive and the record too similar to its predecessors. The album earned Miguel several awards, including the Grammy Award for Best Latin Pop Performance in the United States. Six singles were released: "Por Debajo de la Mesa", "El Reloj", "Contigo (Estar Contigo)", "De Quererte Así (De T'Avoir Aimee)", "Bésame Mucho", and "Sabor a Mí". (Full article...)
    arranger Bebu Silvetti, and Armando Manzanero, who directed all of Miguel's Romance albums. Romances consists of twelve cover versions and two new compositions by Manzanero and Silvetti. Recording took place in early 1997 at the Ocean Way recording studio in Los Angeles, California.

    Romances has sold over 4.5 million copies and received platinum certifications in several Latin American countries, the United States and Spain. Miguel promoted the album by touring the United States, Latin America and Spain. Upon its release, Romances received generally positive reviews from music critics. They mainly praised his vocals and production of the album although few reviewers found the arrangements to be repetitive and the record too similar to its predecessors. The album earned Miguel several awards, including the Grammy Award for Best Latin Pop Performance in the United States. Six singles were released: "Por Debajo de la Mesa", "El Reloj", "Contigo (Estar Contigo)", "De Quererte Así (De T'Avoir Aimee)", "Bésame Mucho", and "Sabor a Mí". (Full article...
    )
  • Image 12 Pru is the debut studio album by American singer Pru. It was released on November 7, 2000, through Capitol Records. Pru was managed by Capitol Records executive Roy Lott, who had signed Pru to Warner/Chappell Music Publishing after being impressed by her songwriting and voice on a demo tape. Pru collaborated with Ben Garrison, the Characters, and Rick Williams on the album. According to Lott, Pru was part of Capitol Records' attempts to attract a wider audience through her crossover appeal. According to music critics, the album encompasses several genres, with some commentators noting influences from neo soul. Pru also used poetry as an inspiration for writing music. (Full article...)
    demo tape. Pru collaborated with Ben Garrison, the Characters, and Rick Williams on the album.

    According to Lott, Pru was part of Capitol Records' attempts to attract a wider audience through her crossover appeal. According to music critics, the album encompasses several genres, with some commentators noting influences from neo soul. Pru also used poetry as an inspiration for writing music. (Full article...
    )
  • Image 13 Walter Bache Walter Bache (/ˈbeɪtʃ/; 19 June 1842 – 26 March 1888) was an English pianist and conductor noted for his championing the music of Franz Liszt and other music of the New German School in England. He studied privately with Liszt in Italy from 1863 to 1865, one of the few students allowed to do so, and continued to attend Liszt's master classes in Weimar, Germany regularly until 1885, even after embarking on a solo career. This period of study was unparalleled by any other student of Liszt and led to a particularly close bond between Bache and Liszt. After initial hesitation on the part of English music critics because he was a Liszt pupil, Bache was publicly embraced for his keyboard prowess, even as parts of his repertoire were questioned. Bache's major accomplishment was the establishment of Liszt's music in England, to which he selflessly devoted himself between 1865 and his death in 1888. This was at the height of the War of the Romantics, when conservative and liberal musical factions openly argued about the future of classical music and the merits of the compositions written in their respective schools. Bache featured several of the orchestral and choral works through an annual series of concerts, which he single-handedly funded, organised and promoted. Likewise, he played an annual series of solo recitals that incorporated Liszt's piano music. (Full article...)
    A man in his forties, balding and with a mustache, wearing a dark suit and a tie
    Walter Bache

    Walter Bache (/ˈb/; 19 June 1842 – 26 March 1888) was an English pianist and conductor noted for his championing the music of Franz Liszt and other music of the New German School in England. He studied privately with Liszt in Italy from 1863 to 1865, one of the few students allowed to do so, and continued to attend Liszt's master classes in Weimar, Germany regularly until 1885, even after embarking on a solo career. This period of study was unparalleled by any other student of Liszt and led to a particularly close bond between Bache and Liszt. After initial hesitation on the part of English music critics because he was a Liszt pupil, Bache was publicly embraced for his keyboard prowess, even as parts of his repertoire were questioned.

    Bache's major accomplishment was the establishment of Liszt's music in England, to which he selflessly devoted himself between 1865 and his death in 1888. This was at the height of the War of the Romantics, when conservative and liberal musical factions openly argued about the future of classical music and the merits of the compositions written in their respective schools. Bache featured several of the orchestral and choral works through an annual series of concerts, which he single-handedly funded, organised and promoted. Likewise, he played an annual series of solo recitals that incorporated Liszt's piano music. (Full article...)
  • Image 14 From the film advertising poster, by Izrail Bograd Sergei Prokofiev's Lieutenant Kijé (Russian: Поручик Киже, Poruchik Kizhe) music was originally written to accompany the film of the same name, produced by the Belgoskino film studios in Leningrad in 1933–34 and released in March 1934. It was Prokofiev's first attempt at film music, and his first commission. In the early days of sound cinema, among the various distinguished composers ready to try their hand at film music, Prokofiev was not an obvious choice for the commission. Based in Paris for almost a decade, he had a reputation for experimentation and dissonance, characteristics at odds with the cultural norms of the Soviet Union. By early 1933, however, Prokofiev was anxious to return to his homeland, and saw the film commission as an opportunity to write music in a more popular and accessible style. (Full article...)

    Poruchik Kizhe) music was originally written to accompany the film of the same name, produced by the Belgoskino film studios in Leningrad in 1933–34 and released in March 1934. It was Prokofiev's first attempt at film music, and his first commission.

    In the early days of sound cinema, among the various distinguished composers ready to try their hand at film music, Prokofiev was not an obvious choice for the commission. Based in Paris for almost a decade, he had a reputation for experimentation and dissonance, characteristics at odds with the cultural norms of the Soviet Union. By early 1933, however, Prokofiev was anxious to return to his homeland, and saw the film commission as an opportunity to write music in a more popular and accessible style. (Full article...
    )
  • Image 15 Velasquez in 2010 Regina Encarnacion Ansong Velasquez (/rɪˈdʒiːn vɛˈlæskɛz/ rij-EEN vel-ASK-ez; born April 22, 1970) is a Filipino singer and actress. She is considered one of the most influential figures in Philippine popular culture and is known for her vocal range and belting technique. She had unorthodox voice training during her childhood, where she was immersed neck-deep in the sea. Velasquez rose to prominence after winning the television talent show Ang Bagong Kampeon in 1984 and the Asia Pacific Singing Contest in 1989. Under the name Chona, she signed a recording contract with OctoArts International in 1986 and released the single "Love Me Again", which was commercially unsuccessful. The following year, she adopted the stage name Regine Velasquez for her debut studio album, Regine (1987), under the guidance of Viva Records executive Vic del Rosario and producer Ronnie Henares. She explored Manila sound and kundiman genres on her second and third studio albums, Nineteen 90 (1990) and Tagala Talaga (1991). After signing an international record deal with PolyGram Records, Velasquez achieved commercial success in some Asian territories with her fifth album Listen Without Prejudice (1994), which sold more than 700,000 copies and became her highest-selling album to date, aided by its lead single "In Love with You". She experimented further with jazz and adult contemporary genres on My Love Emotion (1995), while she recorded covers on Retro (1996). After she left PolyGram to sign with Mark J. Feist's MJF Company in 1998, she released the R&B-influenced album Drawn. Velasquez's follow-up record, R2K (1999), was supported by remakes of "On the Wings of Love", "I'll Never Love This Way Again", and "I Don't Want to Miss a Thing", and was subsequently certified twelve-times platinum by the Philippine Association of the Record Industry (PARI). (Full article...)

    PolyGram Records, Velasquez achieved commercial success in some Asian territories with her fifth album Listen Without Prejudice (1994), which sold more than 700,000 copies and became her highest-selling album to date, aided by its lead single "In Love with You". She experimented further with jazz and adult contemporary genres on My Love Emotion (1995), while she recorded covers on Retro (1996). After she left PolyGram to sign with Mark J. Feist's MJF Company in 1998, she released the R&B-influenced album Drawn. Velasquez's follow-up record, R2K (1999), was supported by remakes of "On the Wings of Love", "I'll Never Love This Way Again", and "I Don't Want to Miss a Thing", and was subsequently certified twelve-times platinum by the Philippine Association of the Record Industry (PARI). (Full article...
    )

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