Portal:New York City

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The New York City Portal


New York, often called

technology, entertainment and media, academics and scientific output, the arts and fashion, and, as home to the headquarters of the United Nations, international diplomacy
.


With an estimated population in 2024 of 8,478,072 distributed over 300.46 square miles (778.2 km2), the city is the
most densely populated major city in the United States. New York City has more than double the population of Los Angeles, the nation's second-most populous city. With more than 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York City is one of the world's most populous megacities. The city and its metropolitan area are the premier gateway for legal immigration to the United States. As many as 800 languages are spoken in New York City, making it the most linguistically diverse city in the world. In 2021, the city was home to nearly 3.1 million residents born outside the United States, the largest foreign-born population of any city in the world. (Full article...)

Selected article

  • Image 1 Main facade of the building's southern section in 2012 The New York Stock Exchange Building (also NYSE Building) is the headquarters of the New York Stock Exchange (NYSE), located in the Financial District of Lower Manhattan in New York City. It is composed of two connected structures occupying much of the city block bounded by Wall Street, Broad Street, New Street, and Exchange Place. The central section of the block contains the original structure at 18 Broad Street, designed in the Classical Revival style by George B. Post. The northern section contains a 23-story office annex at 11 Wall Street, designed by Trowbridge & Livingston in a similar style. The marble facade of 18 Broad Street contains colonnades facing east toward Broad Street and west toward New Street, both atop two-story podiums. The Broad Street colonnade, an icon of the NYSE, contains a pediment designed by John Quincy Adams Ward and Paul Wayland Bartlett, depicting commerce and industry. The facade of 11 Wall Street is simpler in design but contains architectural details similar to those at 18 Broad Street. Behind the colonnades at 18 Broad Street is the main trading floor, a 72-foot-tall (22 m) rectangular space. An additional trading floor, nicknamed the Garage, is at 11 Wall Street. There are offices and meeting rooms in the upper stories of 18 Broad Street and 11 Wall Street. The NYSE had occupied the site on Broad Street since 1865 but had to expand its previous building several times. The structure at 18 Broad Street was erected between 1901 and 1903. Within two decades, the NYSE's new building had become overcrowded, and the annex at 11 Wall Street was added between 1920 and 1922. Three additional trading floors were added in the late 20th century to accommodate increasing demand, and there were several proposals to move the NYSE elsewhere during that time. With the growing popularity of electronic trading in the 2000s, the three newer trading floors were closed in 2007. (Full article...)

    facade of 18 Broad Street contains colonnades facing east toward Broad Street and west toward New Street, both atop two-story podiums. The Broad Street colonnade, an icon of the NYSE, contains a pediment designed by John Quincy Adams Ward and Paul Wayland Bartlett, depicting commerce and industry. The facade of 11 Wall Street is simpler in design but contains architectural details similar to those at 18 Broad Street. Behind the colonnades at 18 Broad Street is the main trading floor, a 72-foot-tall (22 m) rectangular space. An additional trading floor, nicknamed the Garage, is at 11 Wall Street. There are offices and meeting rooms in the upper stories of 18 Broad Street and 11 Wall Street.

    The NYSE had occupied the site on Broad Street since 1865 but had to expand its previous building several times. The structure at 18 Broad Street was erected between 1901 and 1903. Within two decades, the NYSE's new building had become overcrowded, and the annex at 11 Wall Street was added between 1920 and 1922. Three additional trading floors were added in the late 20th century to accommodate increasing demand, and there were several proposals to move the NYSE elsewhere during that time. With the growing popularity of electronic trading in the 2000s, the three newer trading floors were closed in 2007. (Full article...
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  • Image 2 Anthony Kohlmann SJ (born Anton; July 13, 1771 – April 11, 1836) was an Alsatian Catholic priest, missionary, theologian, and Jesuit educator. He played a decisive role in the early formation of the Archdiocese of New York, where he was the subject of a lawsuit that for the first time recognized the confessional privilege in the United States, and served as the president of Georgetown College from 1817 to 1820. Kohlmann joined the Society of the Sacred Heart and ministered throughout Europe before entering the Society of Jesus. He left for the United States in 1806, where he taught at Georgetown College and ministered to German-speaking congregations in the mid-Atlantic region. In 1808, he became the pastor of New York City's only Catholic church, and then was made the apostolic administrator and first vicar general of the newly created Diocese of New York. He established the diocese's first cathedral in 1809. Kohlmann also founded a school, the New York Literary Institution; established an orphanage; and invited the first Ursuline nuns to the United States. In 1813, the City of New York sought to compel Kohlmann to disclose the identity of a thief, which he learned during a confession. In a landmark decision, the state court ruled that he could not be compelled to violate the seal of the confessional, recognizing the confessional privilege for the first time in the United States. Kohlmann returned to Maryland in 1815 as superior of the Jesuits' Maryland Mission and president of Georgetown College. Three years later, he left Georgetown to establish the Washington Seminary, which became Gonzaga College High School. In 1824, Pope Leo XII named Kohlmann the chair of theology at the Pontifical Gregorian University in Rome. Kohlmann later became a consultor to the College of Cardinals and various curial congregations, and was then appointed Qualificator of the Inquisition. (Full article...)
    seal of the confessional, recognizing the confessional privilege for the first time in the United States. Kohlmann returned to Maryland in 1815 as superior of the Jesuits' Maryland Mission and president of Georgetown College. Three years later, he left Georgetown to establish the Washington Seminary, which became Gonzaga College High School. In 1824, Pope Leo XII named Kohlmann the chair of theology at the Pontifical Gregorian University in Rome. Kohlmann later became a consultor to the College of Cardinals and various curial congregations, and was then appointed Qualificator of the Inquisition. (Full article...
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  • Image 3 Winkler in 2018 Henry Franklin Winkler (born October 30, 1945) is an American actor, producer, director, and author. Widely known as Arthur "Fonzie" Fonzarelli on the sitcom Happy Days (1974–1984), Winkler has distinguished himself as a character actor for roles on stage and screen. His many accolades include three Emmy Awards, two Golden Globe Awards and two Critics Choice Awards. Winkler studied theater at both Emerson College and the Yale School of Drama and spent a year and half with the Yale Repertory Theater. After getting cast in a small role in The Mary Tyler Moore Show, he became a star playing the role of "Fonzie" on the sitcom Happy Days (1974–1984). He then helped develop the original MacGyver television series and directed Memories of Me (1988) and Cop and a Half (1993). Winkler acted in films such as Heroes (1977), Night Shift (1982), Scream (1996), The Waterboy (1998), Holes (2003), The French Dispatch (2021), and Black Adam (2022). He also found a career resurgence in television portraying humorous characters such as Barry Zuckerkorn in Arrested Development (2003–2019), Eddie R. Lawson in Royal Pains (2010–2016), Dr. Saperstein in Parks and Recreation (2013–2015), and Gene Cousineau in Barry (2018–2023). The last earned him the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series. Winkler was a member of the main cast of the reality series Better Late Than Never (2016–2018). (Full article...)

    Barry Zuckerkorn in Arrested Development (2003–2019), Eddie R. Lawson in Royal Pains (2010–2016), Dr. Saperstein in Parks and Recreation (2013–2015), and Gene Cousineau in Barry (2018–2023). The last earned him the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series. Winkler was a member of the main cast of the reality series Better Late Than Never (2016–2018). (Full article...
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  • Image 4 Seen from the south 200 Madison Avenue (also known as the Marshall Field Building, Astor Estate Building, International Combustion Building, and Tower Building) is a 25-story office building in the Murray Hill neighborhood of Manhattan in New York City. It is along the west side of Madison Avenue between 35th and 36th Streets. Designed by Warren and Wetmore, it was built from 1925 to 1926. 200 Madison Avenue's facade is largely made of red brick with limestone trim, as well as window spandrels made of terracotta and cast iron. The ground story is made of limestone and contains entrances from Madison Avenue, 35th Street, and 36th Street. The building contains a setback above its ninth story. The T-shaped lobby is designed in a neo-Renaissance style, with a north–south arcade connecting 35th and 36th Streets, as well as an elevator lobby extending toward Madison Avenue. The lobby's ornate interior contains gilded decorations and various animal motifs. Due to zoning restrictions on the eastern part of the site, the lower stories originally served as an apartment hotel, while the smaller upper stories contained offices. Since the 1910s, the Astor family had wanted to develop a commercial building on the site, but the plans were delayed for a decade due to opposition from J. P. Morgan Jr. and other local residents. 200 Madison Avenue was developed by a syndicate that included Texas entrepreneur Jesse H. Jones. The building was originally known for its largest tenants, Marshall Field and Company and International Combustion. The apartment hotel initially occupied the second through ninth floors, but it was unprofitable, closed in 1939, and was turned into office space, with tenants such as Amtorg Trading Corporation. The building was sold several times in the 20th century, including to a group representing Philippine president Ferdinand Marcos during the 1980s. George V. Comfort and the Loeb Realty and Development Corporation acquired 200 Madison Avenue in the 1990s, and the New York City Landmarks Preservation Commission designated the building's lobby as an official landmark in 2021. (Full article...)

    Marshall Field and Company and International Combustion. The apartment hotel initially occupied the second through ninth floors, but it was unprofitable, closed in 1939, and was turned into office space, with tenants such as Amtorg Trading Corporation. The building was sold several times in the 20th century, including to a group representing Philippine president Ferdinand Marcos during the 1980s. George V. Comfort and the Loeb Realty and Development Corporation acquired 200 Madison Avenue in the 1990s, and the New York City Landmarks Preservation Commission designated the building's lobby as an official landmark in 2021. (Full article...
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  • Image 5 Seen in 2011 from across 42nd Street The New Amsterdam Theatre is a Broadway theater at 214 West 42nd Street, at the southern end of Times Square, in the Theater District of Manhattan in New York City, New York, U.S. One of the first Broadway venues to open in the Times Square neighborhood, the New Amsterdam was built from 1902 to 1903 to designs by Herts & Tallant. The theater is operated by Disney Theatrical Productions and has 1,702 seats across three levels. Both the Beaux-Arts exterior and the Art Nouveau interior of the building are New York City landmarks, and the building is on the National Register of Historic Places. The theater's main entrance is through a 10-story wing facing north on 42nd Street, while the auditorium is in the rear, facing south on 41st Street. The facade on 42nd Street is made of gray limestone and was originally ornamented with sculptural detail; the rest of the facade is made of brick. The lobby within the office wing leads to a set of ornamental foyers, a reception room, and men's and women's lounges. The elliptical auditorium contains two balconies cantilevered above a ground-level orchestra. Above the main auditorium is a now-disused roof theater, which opened in 1904 and also served as a studio. The theater has a steel frame and was designed with advanced mechanical systems for its time. The New Amsterdam Theatre was named for the Dutch settlement of New Amsterdam, the precursor to New York City. Klaw and Erlanger operated the venue for more than two decades after its opening on October 26, 1903. From 1913 to 1927, the New Amsterdam was the home of the Ziegfeld Follies, whose producer, Florenz Ziegfeld Jr., maintained an office in the building and operated the theater on the roof. Erlanger bought Klaw's interest in 1927, and the New Amsterdam was converted into a movie theater in 1937, in which capacity it served until 1983. The Nederlander Organization tried to redevelop the theater for ten years as part of the 42nd Street Development Project. It was then leased by The Walt Disney Company and renovated by Hardy Holzman Pfeiffer from 1995 to 1997. After Disney took over the New Amsterdam's operation, the theater hosted the musical The Lion King, followed by Mary Poppins and Aladdin. (Full article...)

    Hardy Holzman Pfeiffer from 1995 to 1997. After Disney took over the New Amsterdam's operation, the theater hosted the musical The Lion King, followed by Mary Poppins and Aladdin. (Full article...
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  • Image 6 View from 71st Street and Central Park West The Majestic (also known as the Majestic Apartments) is a cooperative apartment building at 115 Central Park West, between 71st and 72nd Streets, adjacent to Central Park on the Upper West Side of Manhattan in New York City. It was constructed from 1930 to 1931 and was designed by the firm of Irwin S. Chanin in the Art Deco style. The Majestic is 30 stories tall, with twin towers rising from a 19-story base. The building is a contributing property to the Central Park West Historic District, a National Register of Historic Places–listed district, and is a New York City designated landmark. The base surrounds an internal courtyard to the west, and two towers rise from the eastern portion of the base above that level. There are several cantilevered terraces with Art Deco balustrades. The first three stories are clad in cast stone, and the remainder of the facade is made of tan and brown brick with multi-paned windows. The floor slabs are cantilevered from a central core, permitting the inclusion of enclosed solariums at the northeast and southeast corners. There are vertical piers on several parts of the facade, contrasting with the horizontal solariums. When the building opened, it operated much like a short-term hotel with housekeeping and catering services. There were originally 235 apartments with two to eleven rooms, but several apartments have been split or combined over the years. The Chanin brothers bought the site in April 1929 and constructed the building from November 1930 to May 1931. The building officially opened on October 1, 1931, and the Chanins lost the Majestic to foreclosure two years later. The New York Majestic Corporation took over the building in 1937 and operated it for twenty years, when the Majestic became a housing cooperative. The Majestic remained an upscale development after its conversion, and it has undergone several renovations throughout its history. The building's residents have included artistic personalities as well as criminals. (Full article...)

    New York City designated landmark.

    The base surrounds an internal courtyard to the west, and two towers rise from the eastern portion of the base above that level. There are several cantilevered terraces with Art Deco balustrades. The first three stories are clad in cast stone, and the remainder of the facade is made of tan and brown brick with multi-paned windows. The floor slabs are cantilevered from a central core, permitting the inclusion of enclosed solariums at the northeast and southeast corners. There are vertical piers on several parts of the facade, contrasting with the horizontal solariums. When the building opened, it operated much like a short-term hotel with housekeeping and catering services. There were originally 235 apartments with two to eleven rooms, but several apartments have been split or combined over the years.

    The Chanin brothers bought the site in April 1929 and constructed the building from November 1930 to May 1931. The building officially opened on October 1, 1931, and the Chanins lost the Majestic to foreclosure two years later. The New York Majestic Corporation took over the building in 1937 and operated it for twenty years, when the Majestic became a housing cooperative. The Majestic remained an upscale development after its conversion, and it has undergone several renovations throughout its history. The building's residents have included artistic personalities as well as criminals. (Full article...
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  • Image 7 Seen to the west, from Beach Street 32 Avenue of the Americas (also known as the AT&T Long Lines Building, AT&T Building, or 32 Sixth Avenue) is a 27-story, 549-foot-tall (167 m) telecommunications building in the Tribeca neighborhood of Manhattan in New York City. Completed in 1932, it was one of several Art Deco-style telecommunications buildings designed by Ralph Thomas Walker of Voorhees, Gmelin and Walker in the early 20th century. 32 Avenue of the Americas spans the entire block bounded by Walker Street, Lispenard Street, Church Street, and Avenue of the Americas (also known as Sixth Avenue). 32 Avenue of the Americas was the last skyscraper designed by Walker in Lower Manhattan as well as one of the largest tele­communications buildings from that architect. Its construction was undertaken in three stages. The first, known as the Walker–Lispenard Building or 24 Walker Street, was designed in 1911–1914 by Cyrus L. W. Eidlitz and McKenzie, Voorhees & Gmelin. In the late 1910s, 24 Walker Street was expanded by seven stories. The current skyscraper is the result of the final building campaign, which took place between 1929 and 1932. Upon completion, 32 Avenue of the Americas was the largest building in the world that specifically handled long-distance calling. The building remains in use as a data/communications center, but is no longer owned by AT&T. 32 Avenue of the Americas's design features a complex massing and numerous setbacks. The brick facade is composed of numerous hues and is topped by parapets at the roof. The other ornamental elements give 32 Avenue of the Americas the impression of being both progressive and technologically up-to-date, reflecting its interior use. Inside, the main lobby contains numerous murals that reflect the building's use as a communications hub. The exterior and lobby were designated as official New York City landmarks in 1991. (Full article...)

    New York City landmarks in 1991. (Full article...
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  • Image 8 Serpico is a 1973 American biographical crime drama film directed by Sidney Lumet and starring Al Pacino in the title role. The screenplay was adapted by Waldo Salt and Norman Wexler from the book written by Peter Maas, with the assistance of its subject Frank Serpico. The story details Serpico's struggle with corruption within the New York City Police Department during his eleven years of service, and his work as a whistleblower that led to the investigation by the Knapp Commission. Producer Dino De Laurentiis purchased the rights from Maas. Agent Martin Bregman joined the film as co-producer. Bregman suggested Pacino for the main part, and John G. Avildsen was hired to direct the film. Pacino met with Serpico to prepare for the role early in the summer of 1973. After Avildsen was dismissed, Lumet was hired as his replacement. On a short notice, he selected the shooting locations and organized the scenes; the production was filmed in July and August. On its release, Serpico became a critical and commercial success. At the same time, the film drew criticism from police officers. It received nominations at the Academy Awards and BAFTA Awards. Pacino earned the Golden Globe Award for Best Actor – Motion Picture Drama, while Salt and Wexler received the Writers Guild of America Award for Best Adapted Screenplay. (Full article...)
    Golden Globe Award for Best Actor – Motion Picture Drama, while Salt and Wexler received the Writers Guild of America Award for Best Adapted Screenplay. (Full article...
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  • Image 9 1990 mugshot John Joseph Gotti Jr. (/ˈɡɒti/ GOT-ee, Italian: [ˈɡɔtti]; October 27, 1940 – June 10, 2002) was an American mafioso and boss of the Gambino crime family in New York City. He ordered and helped to orchestrate the murder of Gambino boss Paul Castellano in December 1985 and took over the family shortly thereafter, leading what was described as America's most powerful crime syndicate. Gotti and his brothers grew up in poverty and turned to a life of crime at an early age. Gotti quickly became one of the Gambino family's biggest earners and a protégé of Aniello Dellacroce, the family's underboss, operating out of Ozone Park, Queens. Following the FBI's indictment of members of Gotti's crew for selling narcotics, Gotti began to fear that Castellano would kill him and his brother Gene for dealing drugs. As this fear continued to grow, and amidst growing dissent over the leadership of the family, Gotti arranged the murder of Castellano. At his peak, Gotti was one of the most powerful and dangerous crime bosses in the United States. While his peers generally avoided attracting attention, especially from the media, Gotti became known as "The Dapper Don" for his expensive clothes and outspoken personality in front of news cameras. He was later given the nickname "The Teflon Don" after three high-profile trials in the 1980s resulted in acquittals, though it was later revealed that the trials had been tainted by jury tampering, juror misconduct, and witness intimidation. Law enforcement continued gathering evidence against Gotti, who reportedly earned between $5 million and $20 million per year as Gambino boss. (Full article...)

    witness intimidation. Law enforcement continued gathering evidence against Gotti, who reportedly earned between $5 million and $20 million per year as Gambino boss. (Full article...
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  • Image 10 Vitarelli in 1974 William Vincent "Vit" Vitarelli (October 21, 1910 – January 19, 2010), also referred to as Rubak in Palau, was an American educator and architect. He worked for the Trust Territory of the Pacific Islands (TTPI) from 1948 to 1970. He was stationed in various islands in Micronesia, including Palau and Ebeye, and participated in various educational and community development projects. (Full article...)

    Vitarelli in 1974

    William Vincent "Vit" Vitarelli (October 21, 1910 – January 19, 2010), also referred to as Rubak in Palau, was an American educator and architect. He worked for the Trust Territory of the Pacific Islands (TTPI) from 1948 to 1970. He was stationed in various islands in Micronesia, including Palau and Ebeye, and participated in various educational and community development projects. (Full article...)
  • Image 11 The Bryant Park Studios (formerly known as the Beaux-Arts Building) is an office building at 80 West 40th Street in the Midtown Manhattan neighborhood of New York City, at the corner of 40th Street and Sixth Avenue. The building, overlooking the southwest corner of Bryant Park, was designed by Charles A. Rich in the French Beaux-Arts style. Built from 1900 to 1901 by Abraham A. Anderson, the building is one of several in Manhattan that were built in the early 20th century as both studios and residences for artists. The Bryant Park Studios is 10 stories tall with several mezzanine levels. The lowest two stories of the facade are clad in rusticated blocks of terracotta, while the other stories have pink brick with terracotta and stone decoration. The brickwork of the facade contains both broad and narrow bays, and the northern side facing 40th Street contains large studio windows facing Bryant Park. The Cafe des Beaux-Arts once operated at the ground story and basement. The upper stories had forty units, the largest of which was Anderson's own double-story penthouse. Since the late 20th century, the former studios have served mostly as offices and showrooms, and the lower stories have contained storefronts. The Bryant Park Studios was developed by Anderson, who leased the building to another company in 1920. Anderson lived in his penthouse until his death in 1940, after which his family sold the building. By the late 20th century, the building was converted for office use. The Bryant Park Studios was designated a city landmark by the New York City Landmarks Preservation Commission (LPC) in 1988. The building has been owned since 1980 by the Mountain Development Corporation, which restored the building in the late 1980s and the 2000s. (Full article...)
    facade are clad in rusticated blocks of terracotta, while the other stories have pink brick with terracotta and stone decoration. The brickwork of the facade contains both broad and narrow bays, and the northern side facing 40th Street contains large studio windows facing Bryant Park. The Cafe des Beaux-Arts once operated at the ground story and basement. The upper stories had forty units, the largest of which was Anderson's own double-story penthouse. Since the late 20th century, the former studios have served mostly as offices and showrooms, and the lower stories have contained storefronts.

    The Bryant Park Studios was developed by Anderson, who leased the building to another company in 1920. Anderson lived in his penthouse until his death in 1940, after which his family sold the building. By the late 20th century, the building was converted for office use. The Bryant Park Studios was designated a city landmark by the New York City Landmarks Preservation Commission (LPC) in 1988. The building has been owned since 1980 by the Mountain Development Corporation, which restored the building in the late 1980s and the 2000s. (Full article...
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  • Image 12 Seen in 2021 The Beaux-Arts Apartments are a pair of apartment towers on 307 and 310 East 44th Street in the East Midtown and Turtle Bay neighborhoods of Manhattan in New York City. Designed by Raymond Hood and Kenneth Murchison, the Beaux-Arts Apartments were constructed between 1929 and 1930. The complex was originally designed with 640 apartments. The Beaux-Arts Apartments consist of two towers on East 44th Street; number 307 is on the north sidewalk while number 310 is on the south sidewalk. The two towers are 16 stories and are faced with limestone at the base, dark brick between windows on the upper stories, and light brick between each story. The top four stories of both buildings contain numerous setbacks, which form terraces for the upper-story units. The interiors largely consist of studio apartments measuring 22 by 13 feet (6.7 by 4.0 m) on average; they are lit by large windows on the outside. The ground floor of the south building, number 310, contains a cafe. The apartment complex was built just east of the Beaux-Arts Institute of Design, which had moved to the area in 1928. Plans for the apartment complex were announced in February 1929, with the buildings being financed by stock issues rather than mortgage loans. The buildings opened to residents in January 1930 during the Great Depression. The Beaux-Arts Apartments avoided foreclosure due to their financing arrangement and were initially popular among businesswomen. The buildings were sold to the Brodsky Organization in 1973 and the New York City Landmarks Preservation Commission designated the complex as a city landmark in 1988. (Full article...)

    mortgage loans. The buildings opened to residents in January 1930 during the Great Depression. The Beaux-Arts Apartments avoided foreclosure due to their financing arrangement and were initially popular among businesswomen. The buildings were sold to the Brodsky Organization in 1973 and the New York City Landmarks Preservation Commission designated the complex as a city landmark in 1988. (Full article...
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  • Image 13 The Hamilton Fish Pool, constructed in 1936 Hamilton Fish Park is a public park in the Lower East Side neighborhood of Manhattan in New York City. The park encompasses two blocks bounded by Houston, Pitt, Sheriff, and Stanton Streets. It contains a playground, basketball courts, and an outdoor swimming complex with general swimming and wading pools. Hamilton Fish Park also includes a Beaux-Arts recreation center designed by Carrère and Hastings. It is maintained by the New York City Department of Parks and Recreation (NYC Parks). Hamilton Fish Park, named after former New York governor Hamilton Fish, was planned during the late 19th century to alleviate overcrowded living conditions in the Lower East Side. The park and recreation building opened in 1900 as a landscaped park designed by Carrère and Hastings. The original design was reconfigured to accommodate more active recreation uses. The pool was built during a Works Progress Administration project in 1935–1936. The recreation center was made a New York City designated landmark in 1982, and the park was restored in the 1990s. (Full article...)

    New York City designated landmark in 1982, and the park was restored in the 1990s. (Full article...
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  • Image 14 The John Golden Theatre, formerly the Theatre Masque and Masque Theater, is a Broadway theater at 252 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City, New York, U.S. Opened in 1927, the Golden Theatre was designed by Herbert J. Krapp in a Spanish style and was built for real-estate developer Irwin S. Chanin. It has 800 seats across two levels and is operated by the Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is designed in a Spanish style with golden brick, terracotta, and stone. The ground floor, which contains the theater's entrance, is clad in rusticated blocks of terracotta above a granite water table. Above are a set of three double-height arches, as well as two terracotta plaques. The facade is topped by a loggia. The auditorium contains Spanish-style detailing, a large balcony, and a rib-arched ceiling. Due to the theater's small size, it lacks box seats. The balcony, proscenium arch, and exit arches are ornately decorated, with geometric panels and twisting colonettes. The Golden, Majestic, and Bernard B. Jacobs theaters, along with the Lincoln Hotel, were all developed by Chanin and designed by Krapp as part of a theater/hotel complex. The Masque opened on February 24, 1927, and was the second of the three theaters to open. The Shubert family took over the Masque in 1930 but subsequently went into receivership, and producer John Golden leased the theater in 1936. Golden renamed the theater after himself in 1937, and the Shuberts regained full control in 1945. The Golden has mostly remained in legitimate use since then, except from 1946 to 1948, when it was used as a cinema. Over the years, the Golden has largely been used for productions with small casts, as well as revues. (Full article...)
    colonettes.

    The Golden, Majestic, and Bernard B. Jacobs theaters, along with the Lincoln Hotel, were all developed by Chanin and designed by Krapp as part of a theater/hotel complex. The Masque opened on February 24, 1927, and was the second of the three theaters to open. The Shubert family took over the Masque in 1930 but subsequently went into receivership, and producer John Golden leased the theater in 1936. Golden renamed the theater after himself in 1937, and the Shuberts regained full control in 1945. The Golden has mostly remained in legitimate use since then, except from 1946 to 1948, when it was used as a cinema. Over the years, the Golden has largely been used for productions with small casts, as well as revues. (Full article...
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  • Image 15 The Empire Building in April 2009 The Empire Building is an office building and early skyscraper at 71 Broadway, on the corner of Rector Street, in the Financial District of Manhattan in New York City. It was designed by Kimball & Thompson in the Classical Revival style and built by Marc Eidlitz & Son from 1897 to 1898. The building consists of 21 stories above a full basement story facing Trinity Place at the back of the building and is 293 feet (89 m) tall. The Empire Building is a New York City designated landmark and is listed on the National Register of Historic Places (NRHP). It is also a contributing property to the Wall Street Historic District, a NRHP district created in 2007. The Empire Building's articulation consists of three horizontal sections similar to the components of a column—namely a base, shaft, and capital—and has a facade of gray granite at its base and white granite on the upper stories. It is one of the earliest skyscrapers built on pneumatic caissons and one of the oldest such buildings that remain standing. The building contains an interior steel frame structure with a curtain-walled facade. The top stories contain a loggia on the facade as well as a large metal cornice above the 20th floor. There are numerous band courses, balconies, and arched windows along the facade. The original Empire Building was a brownstone structure constructed in 1859. Though the politician and real estate developer Orlando B. Potter had acquired the brownstone in 1884, he died prior to the current building's construction. The present Empire Building was ultimately developed by his children as a 20-story structure. The Empire Building was the home of United States Steel Corporation from the company's 1901 founding to 1976, and U.S. Steel owned the building between 1919 and 1973. The Empire Building's 21st floor was constructed between 1928 and 1930 to designs by John C. Westervelt. The building was converted to apartments in 1997. (Full article...)

    United States Steel Corporation from the company's 1901 founding to 1976, and U.S. Steel owned the building between 1919 and 1973. The Empire Building's 21st floor was constructed between 1928 and 1930 to designs by John C. Westervelt. The building was converted to apartments in 1997. (Full article...
    )
  • Image 16 Hoffman at the Paris premiere of The Ides of March in 2011 Philip Seymour Hoffman (July 23, 1967 – February 2, 2014) was an American actor. Known for his distinctive supporting and character roles—eccentrics, underdogs, and misfits—he acted in many films and theatrical productions, including leading roles, from the early 1990s until his death in 2014. He was voted the greatest actor of the 21st century in a 2024 ranking by The Independent. Hoffman studied acting at New York University's Tisch School of the Arts. He gained recognition for his supporting work, notably in Scent of a Woman (1992), Boogie Nights (1997), Happiness (1998), The Big Lebowski (1998), Magnolia (1999), The Talented Mr. Ripley (1999), and Almost Famous (2000). He began to occasionally play leading roles, and for his portrayal of the author Truman Capote in Capote (2005), won the Academy Award for Best Actor. Further Oscar nominations came for playing a brutally frank CIA officer in Charlie Wilson's War (2007), a priest accused of child sexual abuse in Doubt (2008), and the charismatic leader of a Scientology-type movement in The Master (2012). While he mainly worked in independent films, including The Savages (2007) and Synecdoche, New York (2008), Hoffman also appeared in Hollywood blockbusters, such as Twister (1996) and Mission: Impossible III (2006). He played Plutarch Heavensbee in the Hunger Games series (2013–2015), in one of his final roles. The feature Jack Goes Boating (2010) marked his debut as a filmmaker. Hoffman was also an accomplished theater actor and director. He joined the off-Broadway LAByrinth Theater Company in 1995, where he directed, produced, and appeared in numerous stage productions. Hoffman received Tony Award nominations for his performances in the Broadway revivals of Sam Shepard's True West (2000), Eugene O'Neill's Long Day's Journey into Night (2003), and Arthur Miller's Death of a Salesman (2012). (Full article...)

    Tony Award nominations for his performances in the Broadway revivals of Sam Shepard's True West (2000), Eugene O'Neill's Long Day's Journey into Night (2003), and Arthur Miller's Death of a Salesman (2012). (Full article...
    )
  • Image 17 Manhattan-bound platform. An R160 F train is visible on the Manhattan-bound local track. The Jamaica–179th Street station is an express terminal station on the IND Queens Boulevard Line of the New York City Subway. Located under Hillside Avenue at 179th Street in Jamaica, Queens, it is served by the F train at all times, the <F> train during rush hours in the reverse peak direction, and a few rush-hour E trains. The station has 15 entrances, including two at Midland Parkway in Jamaica Estates. Jamaica–179th Street was opened on December 11, 1950, although a station had been planned at 178th Street as early as 1928. At the time, the Queens Boulevard Line was part of the Independent Subway System (IND), but the original IND plans did not provide for constructing the 178th Street station until the line was extended even further to Queens Village. The line opened to 169th Street, the next station west, in 1937. Various changes in plans, as well as material shortages due to the Great Depression and World War II, delayed the project until 1946. Jamaica–179th Street became among Queens' busiest upon its 1950 opening. After a period of deterioration, the station was renovated in the 1980s and again in the 2000s. As a result of planning for a never-built expansion to Queens Village, the station has eight storage tracks to its east, giving it the highest peak capacity of any New York City Subway station. (Full article...)

    169th Street, the next station west, in 1937. Various changes in plans, as well as material shortages due to the Great Depression and World War II, delayed the project until 1946. Jamaica–179th Street became among Queens' busiest upon its 1950 opening. After a period of deterioration, the station was renovated in the 1980s and again in the 2000s. As a result of planning for a never-built expansion to Queens Village, the station has eight storage tracks to its east, giving it the highest peak capacity of any New York City Subway station. (Full article...
    )
  • Image 18 Elias Karmon (October 11, 1910 – October 21, 2008), popularly known as Mr. Bronx, was an American businessman, philanthropist, and community leader in the Bronx during much of the 20th century. He made his living in the garment industry, running a retail clothing store in the South Bronx for 40 years. He later invested in Bronx real estate and was president of The Bronx Chamber of Commerce. Karmon was involved with many community organizations in the borough including the NAACP, the YMCA, the Boy's Club and the Urban League and endowed a scholarship fund for CUNY students. He was a member of the Jackson Democratic Club and a major force in getting Black and Latino candidates elected to public office, most notably Walter Gladwin and Felipe N. Torres, who were the first black person and the first Puerto Rican from the Bronx, respectively, to serve in the New York State Assembly. (Full article...)
    Elias Karmon (October 11, 1910 – October 21, 2008), popularly known as Mr. Bronx, was an American businessman, philanthropist, and community leader in the Bronx during much of the 20th century. He made his living in the garment industry, running a retail clothing store in the South Bronx for 40 years. He later invested in Bronx real estate and was president of The Bronx Chamber of Commerce.

    Karmon was involved with many community organizations in the borough including the NAACP, the YMCA, the Boy's Club and the Urban League and endowed a scholarship fund for CUNY students. He was a member of the Jackson Democratic Club and a major force in getting Black and Latino candidates elected to public office, most notably Walter Gladwin and Felipe N. Torres, who were the first black person and the first Puerto Rican from the Bronx, respectively, to serve in the New York State Assembly. (Full article...)
  • Image 19 Interstate 78 (I-78) is a part of the Interstate Highway System that runs from Union Township, Lebanon County, Pennsylvania, to New York City. In the US state of New York, I-78 extends 1⁄2 mile (800 m). The entirety of I-78 consists of the Holland Tunnel, which crosses under the Hudson River from New Jersey and ends at an exit rotary in Lower Manhattan. The tunnel and its approaches are maintained by the Port Authority of New York and New Jersey (PANYNJ). I-78 was planned to take a longer route when the Interstate System within New York City was originally proposed in the late 1950s. The proposed route of I-78 was to head east via the Williamsburg Bridge to John F. Kennedy International Airport and then north over the Throgs Neck Bridge to I-95 in the Bronx. One unbuilt section of I-78, the Lower Manhattan Expressway, would have connected the Holland Tunnel to the Williamsburg and Manhattan Bridges. Another unbuilt section, the Cross-Brooklyn and Bushwick Expressways, would have extended southeast across Brooklyn, connecting to what is now the Nassau Expressway (New York State Route 878 or NY 878). A third section would have connected the Nassau Expressway, at the southern edge of Queens near JFK Airport, to the southern end of what is now I-295, in central Queens. Due to opposition from the communities along the expressways' routes, these sections of I-78 were never built, and I-78 does not connect to I-278 or to any of its other auxiliary routes. (Full article...)
    Nassau Expressway (New York State Route 878 or NY 878). A third section would have connected the Nassau Expressway, at the southern edge of Queens near JFK Airport, to the southern end of what is now I-295, in central Queens. Due to opposition from the communities along the expressways' routes, these sections of I-78 were never built, and I-78 does not connect to I-278 or to any of its other auxiliary routes. (Full article...
    )
  • Image 20 The Singer Building (also known as the Singer Tower) was an office building and early skyscraper in Manhattan, New York City. The headquarters of the Singer Manufacturing Company, was at the northwestern corner of Liberty Street and Broadway in the Financial District of Lower Manhattan. Frederick Gilbert Bourne, leader of the Singer Company, commissioned the building, which architect Ernest Flagg designed in multiple phases from 1897 to 1908. The building's architecture contained elements of the Beaux-Arts and French Second Empire styles. The building was composed of four distinct sections. The original 10-story Singer Building at 149 Broadway was erected between 1897 and 1898, and the adjoining 14-story Bourne Building on Liberty Street was built from 1898 to 1899. In the first decade of the 20th century, the two buildings were expanded to form the 14-story base of the Singer Tower, which rose another 27 stories. The facade was made of brick, stone, and terracotta. A dome with a lantern capped the tower. The foundation of the tower was excavated using caissons; the building's base rested on shallower foundations. The Singer Building used a steel frame, though load-bearing walls initially supported the original structure before modification. When completed, the 41-story building had a marble-clad entrance lobby, 16 elevators, 410,000 square feet (38,000 m2) of office space, and an observation deck. With a roof height of 612 feet (187 m), the Singer Tower was the tallest building in the world from 1908 to 1909, when it was surpassed by the Metropolitan Life Insurance Company Tower. The base occupied the building's entire land lot; the tower's floors took up just one-sixth of that area. Despite being regarded as a city icon, the Singer Building was razed between 1967 and 1969 to make way for One Liberty Plaza, which had several times more office space than the Singer Tower. At the time of its destruction, the Singer Building was the tallest building ever to be demolished by its owners, a distinction it held until 2019. (Full article...)
    facade was made of brick, stone, and terracotta. A dome with a lantern capped the tower. The foundation of the tower was excavated using caissons; the building's base rested on shallower foundations. The Singer Building used a steel frame, though load-bearing walls initially supported the original structure before modification. When completed, the 41-story building had a marble-clad entrance lobby, 16 elevators, 410,000 square feet (38,000 m2) of office space, and an observation deck.

    With a roof height of 612 feet (187 m), the Singer Tower was the tallest building in the world from 1908 to 1909, when it was surpassed by the Metropolitan Life Insurance Company Tower. The base occupied the building's entire land lot; the tower's floors took up just one-sixth of that area. Despite being regarded as a city icon, the Singer Building was razed between 1967 and 1969 to make way for One Liberty Plaza, which had several times more office space than the Singer Tower. At the time of its destruction, the Singer Building was the tallest building ever to be demolished by its owners, a distinction it held until 2019. (Full article...
    )
Daguerreotype of Washington Irving
(modern copy by Mathew Brady,
original by John Plumbe)

Washington Irving (April 3, 1783 – November 28, 1859) was an American short-story writer, essayist, biographer, historian, and diplomat of the early 19th century. He wrote the short stories "Rip Van Winkle" (1819) and "The Legend of Sleepy Hollow" (1820), both of which appear in his collection The Sketch Book of Geoffrey Crayon, Gent. His historical works include biographies of Oliver Goldsmith, Muhammad, and George Washington, as well as several histories of 15th-century Spain that deal with subjects such as the Alhambra, Christopher Columbus, and the Moors. Irving served as American ambassador to Spain in the 1840s.

Irving was born and raised in Manhattan to a merchant family. He made his literary debut in 1802 with a series of observational letters to the Morning Chronicle, written under the pseudonym Jonathan Oldstyle. He temporarily moved to England for the family business in 1815, where he achieved fame with the publication of The Sketch Book of Geoffrey Crayon, Gent. which was serialized from 1819 to 1820. He continued to publish regularly throughout his life, and he completed a five-volume biography of George Washington just eight months before his death at age 76 in Tarrytown, New York. (Full article...)

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2 April 2025 – War on drugs in Ecuador
A court in
drug trafficking, conspiracy, arms trafficking, and illegal drug distribution in the United States. Villamar is not currently in U.S. custody. (AP)
29 March 2025 – 2025 Brooklyn Park TBM-700 crash
A SOCATA TBM-700 crashes into an unoccupied house in Brooklyn Park, Minnesota, United States, killing everyone on board. (FOX9 News)

Updated: 21:05, 4 April 2025

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Updated: 21:05, 4 April 2025

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