Portuguese Gothic architecture

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Portuguese Gothic architecture is the architectural style prevalent in Portugal in the Late Middle Ages. As in other parts of Europe, Gothic style slowly replaced Romanesque architecture in the period between the late 12th and the 13th century. Between the late 15th and early 16th century, Gothic was replaced by Renaissance architecture through an intermediate style called Manueline.

Central aisle of the church of Alcobaça Monastery (12th–13th century)

Churches and monasteries

Champagne. Its three aisles are very tall and slender, giving an exceptional impression of height. The whole church is covered by rib vaulting and the main chapel has an ambulatory and a series of radiant chapels. The vault of the ambulatory is externally supported by flying buttresses
, typical features of Gothic architecture and a novelty at the time in Portugal.

After the foundation of Alcobaça, the Gothic style was chiefly disseminated by

ruins of Carmo Convent) and many other places. Mendicant Gothic churches usually had a three-aisled nave covered with wooden roof and an apse with three chapels covered with rib vaulting. These churches also lacked towers and were mostly devoid of architectural decoration, in tone with mendicant ideals. Mendicant Gothic was also adopted in several parish churches built all over the country, for instance in Sintra (Santa Maria), Mafra, Lourinhã and Loulé
.

Monastery of Batalha
: church façade (left) and Founder's Chapel (right)

Many of the Romanesque cathedrals were modernised with Gothic elements. Thus, the Romanesque nave of

Viana do Castelo
.

Several Gothic

Convent of the Order of Christ
.

In the early 15th century, the building of the

Beja (Nossa Senhora da Conceição) and Santarém (Igreja da Graça
).

Another Gothic variant was the so-called Mudéjar-Gothic, which developed in Portugal towards the end of the 15th century, especially in the Alentejo region. The name Mudéjar refers to the influence of Islamic art in the Christian kingdoms of the Iberian Peninsula, especially in the Middle Ages. In the Alentejo and elsewhere, Mudéjar influence in several buildings is evident in the profile of windows and portals, often with horseshoe arches and a mullion, circular turrets with conical pinnacles, Islamic merlons, etc., as well as tile (azulejo) decoration. Examples include the portico of St Francis Church of Évora, the courtyard of the Sintra Royal Palace and several churches and palaces in Évora, Elvas, Arraiolos, Beja, etc. Múdejar eventually intermingled with the Manueline style in the early 16th century.

Santa Maria da Feira
Castle. The Keep is unique in the world with its four pinnacles of four towers stuck in the main tower.
Bragança Castle. The large keep
tower was built in the 15th century.

Castles and palaces

During the Gothic era, several castles had to be either built or reinforced, especially along the border with the

became also widespread.

Starting in the 14th century, keep towers became larger and more sophisticated, with rib vaulting roofs and facilities like fireplaces. Keep towers with improved residential characteristics can be found in the castles of

Bragança, while some later castles (15th century) became real palaces, like those in Penedono, Ourém and Porto de Mós. The most significant case is the Castle of Leiria, turned into a royal palace by King John I. Some rooms of the palace are decorated with splendid Gothic loggias
, from which the surrounding landscape could be appreciated by the King and Queen.

Notable examples

  • Cloisters and church of the Monastery of Alcobaça
    Cloisters and church of the
    Monastery of Alcobaça
  • Cloisters of Oporto Cathedral (14th century)
    Cloisters of
    Oporto Cathedral
    (14th century)
  • Ambulatory of Lisbon Cathedral (14th century)
    Ambulatory of Lisbon Cathedral (14th century)
  • Transept and lantern-tower of Évora Cathedral (13th century)
    Transept and lantern-tower of
    Évora Cathedral
    (13th century)
  • Main façade of Silves Cathedral (15th century)
    Main façade of Silves Cathedral (15th century)
  • Cloisters of Évora Cathedral (14th century)
    Cloisters of
    Évora Cathedral
    (14th century)
  • Mudéjar-Gothic: main façade of St Francis of Évora (late 15th century)
    Mudéjar-Gothic: main façade of St Francis of Évora (late 15th century)
  • Leça do Balio Monastery, Matosinhos (14th century)
    Leça do Balio Monastery, Matosinhos (14th century)
  • Castle of Ourém (15th century)
    Castle of Ourém (15th century)
  • Gothic porch in Estremoz Castle
    Gothic porch in Estremoz Castle
  • Municipality of Guimarães with Gothic gallery (early 16th century)
    Municipality of Guimarães with Gothic gallery (early 16th century)
  • Star rib-vaulting of the Founder's Chapel of the Monastery of Batalha (15th century)
    Star rib-vaulting of the Founder's Chapel of the
    Monastery of Batalha
    (15th century)
  • Sintra National Palace (15th-16th centuries)
    Sintra National Palace (15th-16th centuries)
  • Entrance towers of Penedono Castle (15th century)
    Entrance towers of Penedono Castle (15th century)
  • Gothic bridge of Ponte de Lima
    Gothic bridge of Ponte de Lima
  • Portal of the Our Lady Convent in Beja (15th century)
    Portal of the Our Lady Convent in
    Beja
    (15th century)

See also

References

  1. ^ Martins, Ana Maria Tavares (2010). "Cistercians in Portugal: From Order to Congregation According to an Architectural Perspective" (PDF). University of Beira Interior.