Post-romanticism

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Post-romanticism or Postromanticism refers to a range of cultural endeavors and attitudes emerging in the late nineteenth and early twentieth centuries, after the period of Romanticism.

In literature

The period of post-romanticism in poetry is defined as the mid-to-late nineteenth century,[1] but includes the much earlier poetry of Letitia Elizabeth Landon[2] and Tennyson.[3]

Notable post-romantic writers

In music

Post-romanticism in music refers to composers who wrote classical symphonies, operas, and songs in transitional style that constituted a blend of late romantic and early modernist musical languages.

La Jeune France as post-Romanticism rather than neo-Romanticism.[6]

Post-romantic composers created music that used traditional forms combined with advanced

Duke Bluebeard's Castle", may be described as having still used "dissonance ['such intervals as fourths and sevenths'] in traditional forms of music for purposes of post-romantic expression, not simply always as an appeal to the primal art of sound".[7]

Other notable post-romantic composers

References

  1. .
  2. ISBN 978-3-86821-578-6. Section 19: "Poetic Genres in the Victorian Age I: Letitia Elizabeth Landon's and Alfred Lord Tennyson's Post-Romantic Verse Narratives" by Anne-Julia Zwierlein [de
    ].
  3. .
  4. ^
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  6. .
  7. .
  8. ^ a b c d e f g h i j k "Period: Late– Post-Romantic", Nolan Gasser, Classical Archives

Further reading

See also