List of industrial music genres
This article gives self-sourcing popular culture examples.(June 2017) ) |
Industrial music is a form of experimental music which emerged in the 1970s.
In the 1980s, industrial splintered into a range of offshoots, sometimes collectively named post-industrial music.[1][citation needed] This list details some of these offshoots, including fusions with other experimental and electronic music genres as well as rock, folk, heavy metal and hip hop. Industrial genres have spread worldwide and are particularly well represented in North America, Europe, and Japan.
Industrial music
Industrial music comprises many styles of
Post-industrial developments
Dark ambient
Dark ambient projects like
Electro-industrial
Electro-Industrial draws on Electronic Body Music (EBM), and developed in the mid-1980s. While EBM has a minimal structure and clean production, electro-industrial has a deep, complex and layered sound. The style was pioneered by Skinny Puppy,[25] Front Line Assembly, and Wumpscut. In the mid-'90s, the style spawned the dark electro and aggrotech offshoots.[26] Other artists include Haujobb,[27] Lab Report,[28] and Leæther Strip.[29]
EBM
EBM combines elements of European
Industrial hip hop
Industrial hip hop fuses the themes and aesthetics of industrial with
.Industrial rock and industrial metal
Industrial rock artists generally employ the basic rock instrumentation of
Japanoise
Japanoise (a blend of the words "Japanese" and "noise") is the noise music scene of Japan.[64][65] Popular and active in the 1980s and 1990s but continuing into the early 21st century, the Japanoise scene is defined by its sense of musical freedom: Groups range from the punk demolition of Hanatarash[66] and its subsequent psychedelic Boredoms evolutions,[67] to the tabletop electronics of Incapacitants[68] and Merzbow.[69] The scene was initially inspired by power electronics[70] and sometimes deals with BDSM themes.[71] Nonetheless, Japanoise is often less serious than other post-industrial styles,[72] and some musicians, such as Aube,[73] are also inspired by psychedelia or space rock.
Neofolk
Neofolk is the music of artists like
Power electronics
Power electronics was originally coined by
Power noise
Power noise (also known as rhythmic noise) takes its inspiration from some of the more structured and distorted early industrial acts, such as
Witch house
Witch house is a debated term referring to a fusion genre of
Sales
The best-selling offshoots of industrial music are industrial rock and metal; Ministry and Nine Inch Nails both recorded
References
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Bibliography
- RE/Search #6-#7: Industrial Culture Handbook. San Francisco, CA: RE/SEARCH PUBLICATIONS.
- Mercer, Mick (1997). The Hex Files: The Goth Bible. Woodstock: The Overlook Press.
- Sicko, Dan (1999). Techno Rebels: The Renegades of Electronic Funk. Billboard Books.
- ISBN 9780922915712.
- Reynolds, Simon (2005). Rip It Up And Start Again: Postpunk 1978-1984. London: Faber and Faber Limited.
- Connelly, Chris (2007). Concrete, Bulletproof, Invisible + Fried: My Life as a Revolting Cock. London: SAF Publishing.
- Di Perna, Alan (1995). "Jackhammer of the Gods". Guitar World. Vol. 15, no. 6. pp. 54–59, 61–62, 67, 69, 71.
- Kilpatrick, Nancy (2004). "Chapter 5: Music of the Macabre". The Goth Bible: A Compendium for the Darkly Inclined. New York: St. Martin's Griffin.
- Reed, S. Alexander (2013). Assimilate: A Critical History of Industrial Music. Oxford University Press.
Further reading
- Hegarty, Paul (2004). "Full With Noise: Theory and Japanese Noise Music". In CtheoryBooks. pp. 86–98.
- Hegarty, Paul (2007). Noise/Music: A History. Continuum International Publishing Group.
- Kahn, Douglas (1999). Noise, Water, Meat: A History of Sound in the Arts. MIT Press.
- LaBelle, Brandon (2006). Background Noise: Perspectives on Sound Art. New York and London: Continuum International Publishing.
- Lander, Dan; Micah, Lexier, eds. (1990). Sound by Artists. Toronto: Art Metropole/Walter Phillips Gallery.
- Licht, Alan (2007). Sound Art: Beyond Music, Between Categories. New York: Rizzoli.
- Moore, Thurston (2004). Mix Tape: The Art of Cassette Culture. Universe.
- Nechvatal, Joseph (2000). "Towards a Sound Ecstatic Electronica". The Thing. Retrieved September 13, 2017.
- Pitchfork. Retrieved September 13, 2017.
- Samson, Jim (1977). Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920. New York: W.W. Norton & Company.
- Brett Woodward, ed. (1999). Merzbook: The Pleasuredome of Noise. Melbourne, Cologne: Extreme.
External links
- alphamanbeast's noise directory
- The Rare Vinyl Network :: The Birth of Experimental Music The Birth of Experimental Music (pop music/experimental)