Power noise

Source: Wikipedia, the free encyclopedia.

Power noise (also known as rhythmic noise, rhythm 'n' noise, and occasionally as distorted beat music) is a form of

harsh noise.[1]
Its origins are predominantly European.

History

1990s

Power noise takes inspiration from Spanish

Noisex
to the label Mental Ulcer Forges.

The first power noise artists were mostly German. In addition to Noisex, these included

Aube, and Contagious Orgasm,[7]
have also made use of prominent rhythms.

2000s-2010s

Notable power noise artists who emerged in the 21st century include Iszoloscope, Antigen Shift, Prospero, Drillbit, Tarmvred, Converter, Terrorfakt, Alter Der Ruine, Panzer Division, C/A/T, Dreamcrusher, Death Spells, and Xotox.

Characteristics

Typically, power noise is instrumental, based upon a distorted kick drum from a drum machine such as a

Kinetik Festival in Montreal
, Canada.

Some groups, such as

aggrotech. Others, such as Tarmvred, meld the style with breakcore.[9] Others still, merge elements of IDM, such as Endif.[10]

There has often been very similar sounds coming from the techno scene which at times has been embraced by those into rhythmic noise such as the late 1990s/2000 era Speedy J, or releases on labels like Uncivilized World.

In the current decade, there has been a resurgence of the harder, harsher and more experimental sounds in techno which crosses over a lot with the sounds of rhythmic noise although this is usually just known as industrial techno, instead of rhythmic noise or power noise, because these two scenes are often unaware of each other. For example, the artist Ancient Methods (one of the artists responsible for the resurgence of industrial techno), sampled P·A·L's track Gelöbnis on one of his first releases and has also later released music on Hands Productions which is one of the first labels that started pushing the rhythmic noise style back in the 90s.

There has also been and continues to be crossover within other sounds and scenes such as the breakcore and IDM scenes.

References

  1. ^ Emily Benjamin, "Whitehouse Asceticists Susan Lawly". The Johns Hopkins News-Letter. 14 February 2006. "Whitehouse Asceticists Susan Lawly – Arts". Archived from the original on 5 April 2009. Retrieved 15 March 2009. Access date: 8 August 2008.
  2. ^ a b Hymen Records, Converter, Coma record description. [1] Archived 11 November 2007 at the Wayback Machine. Access date: 8 August 2008.
  3. ^ Nancy Kilpatrick, The Goth Bible: A Compendium for the Darkly Inclined, New York: St. Martin's Griffin, 2004, chapter 5, "Music of the Macabre," p. 87.
  4. ^ Noisex, Over and Out, Discogs
  5. ^ Vlad McNeally (29 November 2007). "Review of Noisex". ReGen Magazine.
  6. ^ Ed Howard (1 September 2003). "Review of Merzbeat". Stylus Magazine. Archived from the original on 10 May 2012..
  7. ^ "Ant-Zen, Ripple". Archived from the original on 26 June 2008. Retrieved 8 August 2008.
  8. ^ Metropolis Records, Combichrist Bio
  9. ^ Mark Teppo, interview with Tarmvred, Ear Pollution. [2] Access date: 8 August 2008.
  10. ^ http://www.endif.org