Museo del Prado

Coordinates: 40°24′50″N 3°41′32″W / 40.41389°N 3.69222°W / 40.41389; -3.69222
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Museo Nacional del Prado
Exterior of the Prado Museum
Map
Established1819
LocationPaseo del Prado, Madrid, Spain
TypeArt museum, Historic site
Visitors852,161 (2020)[1]
Ranked 13th globally (2023)[2]
DirectorMiguel Falomir[3]
Public transit access
Websitemuseodelprado.es
Museo del Prado (front façade)
ArchitectJuan de Villanueva
Official nameMuseo Nacional del Prado
TypeNon-movable
CriteriaMonument
Designated1962
Reference no.RI-51-0001374

The Prado Museum (/ˈprɑːd/ PRAH-doh; Spanish: Museo del Prado [muˈseo ðel ˈpɾaðo]), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy.

The collection currently comprises around 8,200 drawings, 7,600 paintings, 4,800 prints, and 1,000 sculptures, in addition to many other works of art and historic documents. As of 2012, the museum displayed about 1,300 works in the main buildings, while around 3,100 works were on temporary loan to various museums and official institutions. The remainder were in storage.[4]

Due to the COVID-19 pandemic, in 2020 attendance plunged by 76 percent to 852,161. Nonetheless, the Prado was ranked as the 16th most-visited museum in the list of most-visited art museums in the world in 2020.[5] It is one of the largest museums in Spain.

The Prado, with the nearby

World Heritage
list in 2021.

History

The building that is now the home of the Museo Nacional del Prado was designed in 1785 by architect of the

María Isabel de Braganza, decided to use it as a new Royal Museum of Paintings and Sculptures. The royal museum, which would soon become known as the National Museum of Painting and Sculpture, and subsequently the Museo Nacional del Prado, opened to the public for the first time in November 1819. It was created with the double aim of showing the works of art belonging to the Spanish Crown and to demonstrate to the rest of Europe that Spanish art was of equal merit to any other national school. Also, this museum needed several renovations during the 19th and 20th centuries, because of the increase of the collection as well as the increase of the public who wants to see all the collection that the museum hosted.[6]

In the main exhibition hall, first floor

The first catalogue of the museum, published in 1819 and solely devoted to Spanish painting, included 311 paintings, although at that time the museum housed 1,510 from the various royal residences, the Reales Sitios, including works from other schools. The exceptionally important royal collection, which forms the nucleus of the present-day Museo del Prado, started to increase significantly in the 16th century during the time of

The Family of Charles IV by Goya.[citation needed
]

Francisco Goya, La maja desnuda, oil on canvas, (c. 1797–1800)
Francisco Goya, La maja vestida, oil on canvas, (c. 1797–1800)

In addition to works from the

]

Upon the deposition of

Duran Madonna; and the Ramón de Errazu bequest of 19th-century paintings. Particularly important donations include Barón Emile d'Erlanger's gift of Goya's Black Paintings in 1881. Among the numerous works that have entered the collection through purchase are some outstanding ones acquired in recent years including two works by El Greco, The Fable and The Flight into Egypt acquired in 1993 and 2001, Goya's The Countess of Chinchon bought in 2000, Velázquez's Portrait of Ferdinando Brandani, acquired in 2003, Bruegel's The Wine of Saint Martin's Day bought in 2010 and Fra Angelico's Madonna of the Pomegranate purchased in 2016.[citation needed
]

One entrance is dominated by this 1899 bronze statue of Diego Velázquez, by Aniceto Marinas.

Between 1873 and 1900, the Prado helped decorate city halls, new universities, and churches. During the

Valencia, then later to Girona, and finally to Geneva. The art had to be returned across French territory in night trains to the museum upon the commencement of World War II. During the early years of the dictatorship of Francisco Franco, many paintings were sent to embassies.[7]

The main building was enlarged with short pavilions in the rear between 1900 and 1960. The next enlargement was the incorporation of two buildings (nearby but not adjacent) into the institutional structure of the museum: the

Salón de Reinos
(Throne building), formerly the Army Museum.

In 1993, an extension proposed by the Prado's director at the time, Felipe Garin, was quickly abandoned after a wave of criticism.[8] In the late 1990s, a $14 million roof work forced the Velázquez masterpiece Las Meninas to change galleries twice.[9] In 1998, the Prado annex in the nearby Casón del Buen Retiro closed for a $10 million two-year overhaul that included three new underground levels. In 2007, the museum finally executed Rafael Moneo's project to expand its exposition room to 16,000 square meters, hoping to increase the yearly number of visitors from 1.8 million to 2.5 million.

The cafeteria in the underground extension by Rafael Moneo

A glass-roofed and wedge-shaped foyer now contains the museum's shops and cafeteria, removing them from the main building to make more room for galleries.[9] The 16th-century Cloister of Jerónimo has been removed stone by stone to make foundations for increased stability of surrounding buildings and will be re-assembled in the new museum's extension. Hydraulic jacks had to be used to prevent the basement walls from falling during construction. [10] The enlargement is an underground building which connects the main building to another one entirely reconstructed.

In November 2016, it was announced that British architect

Hall of Realms, which once formed part of the Buen Retiro palace and transform it into a $32 million extension of the Prado. The museum announced the selection of Foster and Rubio after a jury reviewed the proposals of the eight competition finalists – including David Chipperfield, Rem Koolhaas and Eduardo Souto de Moura –,[11] who had already been shortlisted from an initial list of 47 international teams of architects.[12] The building was acquired by the Prado in 2015, after having served as an army museum until 2005. The project is designed to give the Prado about 61,500 square feet of additional available space, of which about 27,000 square feet will be used to exhibit works.[12] Only in 2021, the Spanish government approved the plans and awarded the project 36 million euros.[13]

Historic structure

The Goya Gate in the north façade of the museum

The Prado Museum building is one of the buildings constructed during the reign of

José Moñino y Redondo, count of Floridablanca, and was commissioned in 1785 by Charles III for the reurbanización of the Paseo del Prado. To this end, Charles III called on one of his favorite architects, Juan de Villanueva, author also of the nearby Botanical Garden and the City Hall of Madrid.[14]

The prado ("meadow") that was where the museum now stands gave its name to the area, the Salón del Prado (later

Napoleonic
troops based in Madrid during the war.

The next renovations that this museum will undergo will be conducted by British architect Norman Foster. This renovation was approved in June 2020 and is expected to take a minimum of four years.[15]

Collection highlights

Hieronymus Bosch, The Garden of Earthly Delights, between 1480 and 1505
Diego Velázquez, Las Meninas, between 1656 and 1657
Diego Velázquez, The Triumph of Bacchus, 1628–29

Selected works

Management

Fra Angelico, Annunciation, 1430–32
Raphael, Christ Falling on the Way to Calvary, 1517
Pieter Bruegel the Elder, The Triumph of Death, c. 1562
The Adoration of the Magi
, 1609/1628–1629
Peter Paul Rubens, The Three Graces, c. 1635

Funding

In 1991, Manuel Villaescusa bequeathed his fortune of nearly $40 million in Madrid real estate to the Prado, to be used solely for the acquisition of paintings. The museum subsequently sold Villaescusa's buildings to realize income from them. The bequest suddenly made the Prado one of the most formidable bidders for paintings in the world.[16]

Until the early 2000s, the Prado's annual income was approximately $18 million, $15 million of which came from the government and the remainder from private contributions, publications, and admissions.[16] In 2001, the conservative government of José María Aznar decided to change the museum's financing platform, ushering in a public-private partnership. Under its new bylaws, which the Cortes Generales approved in 2003, the Prado must gradually reduce its level of state support to 50 percent from 80 percent. In exchange, the museum gained control of the budget — which was roughly €35 million in 2004 — and the power to raise money from corporate donations and merchandising.[17] However, its 2004 €150 million expansion was paid for by the Spanish state.[17]

Directors

The first four directors were drawn from nobility. From 1838 to 1960, the directors were mostly artists. Since then, most of them have been art historians.

In Google Earth

In 2009, the Prado Museum selected 14 of its most important paintings to be displayed in

megapixels. The images' zoom capability allows for close-up views of paint texture and fine detail.[18][19]

Nearby museums

A few meters away there are two museums of international significance, the Thyssen-Bornemisza Museum and the Museo Reina Sofía.

Nearby is the

Museo Arqueológico houses the archaeological collections formerly in the collection of the Prado, with works from Spain, Ancient Egypt, Mesopotamia, Greece, and Rome
.

The

, is also nearby.

Special exhibitions

Between 8 November 2011 and 25 March 2012, a group of 179 works of art were brought to the Museo del Prado from the

Notable works included:

Conversely, for the first time in its 200-year history, the Museo del Prado has toured an exhibition of its renowned collection of Italian masterpieces at the National Gallery of Victoria in Melbourne, Australia, from 16 May 2014 until 31 August 2014. Many of the works have never before left Spain.

See also

References

  1. ^ The Art Newspaper, March 31, 2021.
  2. ^ Cheshire, Lee; da Silva, José (27 March 2023). "The 100 most popular art museums in the world—who has recovered and who is still struggling?". The Art Newspaper. Archived from the original on 28 March 2023. Retrieved 8 July 2023.
  3. ^ Barrigós, Concha (21 March 2017). "Miguel Falomir, nuevo director del Prado: "Nunca, nunca pediré el traslado del 'Guernica'"". 20 minutos. Retrieved 1 April 2017.
  4. ^ "The Collection: origins". Museo Nacional del Prado. Retrieved 15 November 2012.See also Museo del Prado, Catálogo de las pinturas, 1996, Ministerio de Educación y Cultura, Madrid, No ISBN, which lists about 7,800 paintings. Many works have been passed to the Museo Reina Sofia and other museums over the years; others are on loan or in storage. On the new displays, see El Prado se reordena y agranda. europapress.es here (in Spanish)
  5. ^ "The Art Newspaper", 31 march 2021
  6. ^ "La historia del Museo del Prado". Vipealo. 13 November 2020. Retrieved 13 November 2020.
  7. ^ Alan Riding (1 August 1990). "The Prado Finds Out What It Has and Where". The New York Times. Retrieved 15 November 2012.
  8. ^ Alan Riding (1 May 1995). "The Prado Embarks On Plans to Expand Into a Complex". New York Times. Retrieved 15 November 2012.
  9. ^ a b Al Goodman (19 November 1998). "At Long Last, Expanding Spain's Treasure Chest". The New York Times. Retrieved 15 November 2012.
  10. ^ "Chronology of the extension". Museo Nacional del Prado. Retrieved 15 November 2012.
  11. ^ Hannah McGivern (25 November 2016), Norman Foster to design Prado extension in historic palace Archived 27 November 2016 at the Wayback Machine The Art Newspaper.
  12. ^
    New York Times
    .
  13. ^ Gareth Harris (September 30, 2021), Prado extension designed by Norman Foster finally gets the green light The Art Newspaper.
  14. ^ "Chronology of Museo del Prado, 1785" (in Spanish). Museo Nacional del Prado. Retrieved 15 November 2012.
  15. ^ "Así es la ampliación del Museo del Prado de Norman Foster". ABC. 25 June 2019. Retrieved 13 November 2020.
  16. ^ a b Michael Kimmelman (21 November 1993). "New Brooms Sweep Madrid's Museums". The New York Times. Retrieved 15 November 2012.
  17. ^ a b Dale Fuchs (24 December 2004). "The art of financing the Prado". New York Times. Retrieved 15 November 2012.
  18. Guardian News & Media Limited
    . Retrieved 5 March 2019.
  19. Google.com. Archived from the original
    on 17 January 2009. Retrieved 24 January 2009.
  20. ^ "The Hermitage in the Prado". Museo Nacional del Prado. Retrieved 15 November 2012.

Further reading

  • Alcolea Blanch, Santiago. The Prado, translated by Richard-Lewis Rees and Angela Patricia Hall. Madrid: Ediciones Polígrafa 1991.
  • Araujo Sánchez, Ceferino. Los museos de España. Madrid 1875.
  • Blanco, Antonio. Museo del Prado. Catálago de la Escultura. I Esculturas clásicas. II. Escultura, copia e imitaciones de las antiguas) (siglos XVI–XVIII). Madrid 1957.
  • Luca de Tena, Consuelo and Mena, Manuela. Guía actualizada del Prado. Madrid: Alfiz 1985.
  • Rumeu de Armas, Antonio. Origen y fundación del Museo del Prado. Madrid: Instituto de España 1980.

External links

40°24′50″N 3°41′32″W / 40.41389°N 3.69222°W / 40.41389; -3.69222