Psychedelic folk

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Psychedelic folk
Other names
  • Acid folk
Stylistic origins
Cultural originsMid-1960s, United States
Derivative forms
Subgenres
Other topics
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Psychedelic folk (sometimes acid folk or freak folk)[2] is a loosely defined form of psychedelia that originated in the 1960s. It retains the largely acoustic instrumentation of folk, but adds musical elements common to psychedelic music.

Characteristics

Further information: Psychedelic music

Psychedelic folk generally favors

Chanting, early music and various non-Western folk music influences are often found in psych folk. Much like its rock counterpart, psychedelic folk is often known for a peculiar, trance-like, and atmospheric sound, often drawing on musical improvisation and Asian influences.[3][self-published source
]

History

1960s: Peak years

See also: Psychedelic rock
Donovan in 1965

The first musical use of the term psychedelic is thought to have been by the New York–based folk group The Holy Modal Rounders on their version of Lead Belly's "Hesitation Blues" in 1964.[4] Folk/

Velvet Underground bootlegs and "the very weirdest parts of late-'60s Pink Floyd pieces (like the shrieking guitar scrapes of 'Interstellar Overdrive')".[6]

Similarly, folk guitarist Sandy Bull's early work "incorporated elements of folk, jazz, and Indian and Arabic-influenced dronish modes".[7] His 1963 album Fantasias for Guitar and Banjo explores various styles and instrumentation and "could also be accurately described as one of the very first psychedelic records".[8] Later albums, such as 1968's E Pluribus Unum and his live album Still Valentine's Day 1969, which use experimental recording techniques and extended improvisation, also have psychedelic elements.[9][10]

Musicians with several groups that became identified with psychedelic rock began as folk musicians, such as those with the

Kaleidoscope, and the Peanut Butter Conspiracy from Los Angeles; Pearls Before Swine from Florida; and Jake and the Family Jewels, and Cat Mother & the All Night Newsboys from New York.[11][12] The Serpent Power
was a psychedelic rock group with a strong folk influence. The Byrds was the most important american folk rock band to incorporate psychedelia in their sound and themes.

In the UK, folk artists who were particularly significant included

Incredible String Band, who from 1967 incorporated a range of influences into their acoustic based music, including medieval and eastern instruments.[13] During the late 1960s and early 1970s, solo acts such as Syd Barrett and Nick Drake began to incorporate psychedelic influences into folk music with albums such as Barrett's the Madcap Laughs and Drake's Five Leaves Left.[14]

1970s: Decline

In the mid 1970s psychedelia began to fall out of fashion and those folk groups that had not already moved into different areas had largely disbanded. In Britain folk groups also tended to electrify as did acoustic duo Tyrannosaurus Rex which became the electric combo T. Rex.[15] This was a continuation of a process by which progressive folk had considerable impact on mainstream rock.[16]

Since 1990s: Revival

See also: New Weird America

Independent and underground folk artists in the late 1990s led to a revival of psychedelic folk with the

Pitchfork Media[20][21][22] and soon more artists began experimenting with the genre, including OCS, Quilt, Grizzly Bear,[23] Devendra Banhart, Rodrigo Amarante, Ben Howard and Grouper.[24]

In 2022, Uncut magazine published a CD called Blackwaterside: Sounds of the New Weird Albion[25], featuring artists including Jim Ghedi, Henry Parker, Jon Wilks, Sam Lee, and Cath Tyler. This subsequently led to the publication of an extensive exploration of Britain's new "weird folk" in Japanese music magazine, Ele-King.[26] The lead article looked at artists including Nick Hart, Burd Ellen, Elspeth Anne, Frankie Archer, Shovel Dance Collective and Angeline Morrison.[27]

Freak folk

Freak folk
Stylistic originsPsychedelic folk
Cultural originsLate 1990s, United States
Typical instruments
  • Acoustic guitar
  • Percussion
Other topics

Freak folk is a loosely defined[28] synonym[29] or subgenre of psychedelic folk[1] that involves acoustic sounds, pastoral lyrics, and a neo-hippie aesthetic.[28] The label originated from the "lost treasure" reissue culture of the late 1990s.[28]

Devendra Banhart would become one of the leaders of the 2000s freak folk movement,[35] along with Joanna Newsom.[36]

List of artists

Psychedelic folk artists

Main article: List of psychedelic folk artists

See also

References

  1. ^ a b Zeger, Eli (January 13, 2013). "Panda Bear Releases New Album: The Evolution of Noah Lennox in 10 Songs". The Observer.
  2. ^ Unterberger, Richie. "Rough Trade Shops - Psych Folk 2010". AllMusic.
  3. ^ Van Waes, Gerald. "A Brief Overview of Psych-Folk and Acid Folk, from 60s until the present". Retrieved October 25, 2022.
  4. ^ Hicks (2000), pp 59–60.
  5. ^ a b
    Allmusic
    . Rovi Corp. Retrieved July 25, 2013.
  6. ^
    Allmusic
    . Rovi Corp. Retrieved July 26, 2013.
  7. ^
    Allmusic
    . Rovi Corp. Retrieved July 16, 2013.
  8. ^ Greenwald, Matthew. "Fantasias for Guitar & Banjo — Album Review".
    Allmusic
    . Rovi Corp. Retrieved July 16, 2013.
  9. ^ Eder, Bruce. "E Pluribus Unum — Album Review".
    Allmusic
    . Rovi Corp. Retrieved July 26, 2013.
  10. Allmusic
    . Rovi Corp. Retrieved July 26, 2013.
  11. ^ Auslander (2006), pp. 76.
  12. ^ Unterberger (2002), pp. 183–230.
  13. ^ DeRogatis (2003), p. 120.
  14. ^ "Five Leaves Left review". Allmusic. Retrieved June 7, 2011.
  15. ^ Sweers (2005), pp. 40.
  16. ^ Macan (1997), pp. 134–5.
  17. ^ "Lady of Carlisle" and the New, Weird America-Sing Out! New Weird America Archived April 21, 2019, at the Wayback Machine Retrieved 13 May 2021
  18. ^ "Splendid Magazine reviews Animal Collective (featuring Vashti Bunyan): Prospect Hummer". Splendid. September 13, 2005. Archived from the original on July 9, 2009. Retrieved June 30, 2009.
  19. ^ "Splendid E-zine reviews: The Microphones". Splendid. Archived from the original on January 18, 2008. Retrieved June 30, 2009.
  20. ^ "Animal Collective: Sung Tongs". Pitchfork Media. May 2, 2004. Retrieved June 30, 2009.
  21. ^ "Animal Collective / Vashti Bunyan: Prospect Hummer EP". Pitchfork Media. May 15, 2005. Retrieved June 30, 2009.
  22. ^ "The Microphones: The Glow, Pt. 2". Pitchfork Media. September 10, 2001. Retrieved June 30, 2009.
  23. ^ "Grizzly Bear Feeds on Psych-Folk". The Harvard Crimson. February 11, 2005. Archived from the original on June 29, 2011. Retrieved June 30, 2009.
  24. ^ "Grouper – Dragging A Dead Deer Up A Hill review". Mojo. December 2008. Archived from the original on May 23, 2009. Retrieved June 30, 2009.
  25. ^ "Inside Uncut's new visionary folk CD". UNCUT. February 18, 2022. Retrieved July 3, 2022.
  26. ^ "ele-king vol.29". ele-king. Retrieved July 3, 2022.
  27. ^ Hadfield, James (July 3, 2022). "Exploring the re-emergence of 'Weird Folk'". Tradfolk. Retrieved July 3, 2022.
  28. ^
    About.com. Archived from the original
    on February 25, 2012. Retrieved June 9, 2018.
  29. ^ Unterberger, Richie. "Rough Trade Shops - Psych Folk 2010". AllMusic.
  30. ^ Nypress.com Archived 2 December 2008 at the Wayback Machine
  31. ^ Rogers, Jude (January 2, 2008). "Lie back and think of ukuleles". The Guardian. Retrieved August 1, 2008.
  32. ^ Hornaday, Ann. "Review: 'David Crosby: Remember My Name' finds famously prickly musician has mellowed – but not by much". The Spokesman-Review. Retrieved January 28, 2023.
  33. ^ Giles, Jeff. "Revisiting David Crosby's 'If I Could Only Remember My Name'". Ultimate Classic Rock.
  34. ^ Jurek, Tom. "Linda Perhacs". AllMusic.
  35. ^ MacNeil, Jason. "Devendra Banhart". AllMusic.
  36. ^ Mason, Stewart. "Bobb Trimble". AllMusic.

Bibliography

External links
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