Ralph Rosenblum

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Ralph Rosenblum
Born(1925-10-13)October 13, 1925
film editor
SpouseDavida Rosenblum (m. 1948–1995)[1]
AwardsBest Editing 1977 Annie Hall

Ralph Rosenblum (October 13, 1925 – September 6, 1995) was an American film editor who worked extensively with the directors Sidney Lumet and Woody Allen. He won the 1977 BAFTA Award for Best Editing for his work on Annie Hall, and published an influential memoir When the Shooting Stops, the Cutting Begins: A Film Editor's Story.[2]

Life and career

Towards the end of the

Omnibus, The Guy Lombardo Show, and The Patty Duke Show. With Sid Katz and Gene Milford, he formed a company, MKR Films, that provided editorial services for television shows, spots, and corporate films.[5]

In the 1960s, Rosenblum edited four films directed by

demonstrated Rosenblum's editorial finesse. The montage ending of Fail Safe, depicting the last few moments of life on earth, and the use of concentration camp flashbacks in The Pawnbroker, brought Rosenblum his first industry recognition.

Paul Monaco has summarized Rosenblum's editing innovations on The Pawnbroker, as well as their influence, as follows, "In his work on The Pawnbroker, Rosenblum imitated devices from several French films of the previous decade, but he also extended them. Like Dede Allen, Rosenblum broke editing conventions and rules. More importantly, and like her also, his innovations shifted editing away from its traditional reliance on telling a story to the creation of a new and penetrating subjectivity in the feature film."[6]

In 1966, Rosenblum was nominated for an American Cinema Editors "Eddie" award (Best Editing of a Feature Film) for A Thousand Clowns (1965), which was directed by Fred Coe.

In 1968, Rosenblum was hired as an "editorial consultant" to help a young Woody Allen hone a large amount of footage into what became Allen's first film, the mockumentary Take the Money and Run. Rosenblum went on to edit the next five of Allen's films, including Annie Hall, for which he won the 1977 BAFTA Award for Best Editing with Wendy Greene Bricmont.[7] Interiors (1978) was Rosenblum's last film with Allen. Rosenblum and Allen came to a mutual decision that Rosenblum would not edit Manhattan. Susan E. Morse, who had been Rosenblum's assistant editor on several of Allen's films, became his successor and edited Allen's films for the ensuing twenty years.

For the last film, Interiors, Allen was actively involved in the editing and was fearful concerning the reception of the film. Allen's biographer Eric Lax quoted Rosenblum about the film:

He [Allen] managed to rescue Interiors, much to his credit. He was against the wall. I think he was afraid. He was testy, he was slightly short-tempered. He was fearful. He thought he had a real bomb. But he managed to pull it out with his own work. The day the reviews came out, he said to me, 'Well, we pulled this one out by the short hairs, didn't we?'[8]

Artwork that looks like several frames of a strip of movie film with sprocket holes along its sides. The strip looks like it was cut near its middle, and the lower portion is angled about 20 degrees from the upper portion. In the frame of the upper section are the words "WHEN THE SHOOTING STOPS". The lower frame has a photograph, possibly of Diane Keaton and Woody Allen from Annie Hall, and then the words "THE CUTTING BEGINS". The text continues, in a smaller font, "A Film Editor's Story" and "Ralph Rosenblum and Robert Karen"
Cover of the 1986 reprinting of Rosenblum and Karen's 1979 book.

In 1979, Rosenblum published a book written with Robert Karen, When the Shooting Stops, the Cutting Begins: A Film Editor's Story.[2] Gallagher described the importance of this book as follows:[5]

Ralph Rosenblum did a service to editors everywhere with the 1979 publication of his memoir When the Shooting Stops . . . the Cutting Begins, a popular volume which gave the first insider's explanation of what really goes into film editing. ... In the book Rosenblum revealed that he had saved several films by creatively reshaping the footage, such as William Friedkin's The Night They Raided Minsky's and Woody Allen's first major film as a director, Take the Money and Run. Rosenblum's revelations helped bring credit to the film editing profession, and forced scholars to reconsider editorial contributions.

According to his widow, Davida Rosenblum, "He was an autodidact, especially when it came to his prodigious knowledge of music, and used both jazz and classical music as temporary or permanent scores in many of the films he edited. Many of the composers exposed to his temporary tracks used them as a guide."[citation needed]

Rosenblum worked as a director for about five years, commencing with the documentary film Acting Out (1980). His films included Summer Solstice (1981), which was made for television and which was actor Henry Fonda's last film.

Later years

For the last eight years of his life, Rosenblum taught film and film editing at Columbia University as a Full Professor of Film Directing despite having not attended college himself.[9] In his final decade, Rosenblum taught editing at the International Film and Television Workshops in Rockport, Maine.[3] For the final four years, he was also an Artist in Residence.

Rosenblum had been selected as a member of the American Cinema Editors.[10]

Selected filmography

The director of each film is indicated in parentheses.

See also

References

Notes

  1. ^ Rosenblum, Davida. "About the author". Retrieved 2015-07-21.
  2. ^
    OCLC 4832061
    .
  3. ^ a b Remembering Ralph Rosenblum www.mindspring.com via Internet Archive. Retrieved February 26, 2022.
  4. OCLC 22377084. 20 minute film. Screenplay: Joseph Moncure March. Editor: Ralph Rosenblum. Cast: Dorothy Peterson
    , Howard Wierum, William E. Hawley.
  5. ^ . Retrieved December 24, 2007.
  6. .
  7. ^ "Film in 1978". BAFTA.org. Retrieved 19 August 2016.
  8. OCLC 22662351
    .
  9. ^ "Ralph Rosenblum, Film Editor, 69". The New York Times. September 8, 1995.
  10. ^ Members of the American Cinema Editors are often credited with the title "A.C.E.". For Rosenblum, see Ochiva, Dan (August 7, 2013). "Sight, Sound & Story: Manhattan Edit Workshop Delivers on Full Day of Editorial Glory". Motion Picture Editors Guild. Retrieved 2015-08-01.

Further reading

External links

  • Ralph Rosenblum at
    IMDb
  • Rosenblum, Ralph (1977). "Ralph Rosenblum interviews" (Interview). Interviewed by Robert Karen. Robert Karen interviewed Rosenblum in preparation for their book, When the Shooting Stops, the Cutting Begins. The original typescripts of the interview transcripts are held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts. Online access is not available, but the interviews are available to the public. Some of the typescripts are undated.