Ray Jackendoff

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Ray Jackendoff
music cognition
InstitutionsTufts, Brandeis
Doctoral advisorNoam Chomsky
Notable studentsNeil Cohn

Ray Jackendoff (born January 23, 1945) is an American

cognition
(the main purpose of cognitive linguistics).

Jackendoff's research deals with the

musical cognition, culminating in their generative theory of tonal music. His theory of conceptual semantics
developed into a comprehensive theory on the foundations of language, which indeed is the title of a monograph (2002): Foundations of Language. Brain, Meaning, Grammar, Evolution. In his 1983 Semantics and Cognition, he was one of the first linguists to integrate the visual faculty into his account of meaning and human language.

Jackendoff studied under linguists

Tufts in 2005, Jackendoff was professor of linguistics and chair of the linguistics program at Brandeis University from 1971 to 2005. During the 2009 spring semester, he was an external professor at the Santa Fe Institute. Jackendoff was awarded the Jean Nicod Prize in 2003. He received the 2014 David E. Rumelhart Prize
. He has also been granted honorary degrees by the Université du Québec à Montréal (2010), the National Music University of Bucharest (2011), the Music Academy of Cluj-Napoca (2011), the Ohio State University (2012), and Tel Aviv University (2013).

Interfaces and generative grammar

Jackendoff argues against a syntax-centered view of generative grammar (which he calls syntactocentrism), at variance with earlier models such as the standard theory (1968), the extended standard theory (1972), the revised extended standard theory (1975), the government and binding theory (1981), and the minimalist program (1993), in which syntax is the sole generative component in the language. Jackendoff takes syntax, semantics, and phonology all to be generative, interconnected via interface components. The task of his theory is to formalize the proper interface rules.

While rejecting mainstream generative grammar due to its syntactocentrism, the cognitive semantics school has offered an insight that Jackendoff would sympathize with, namely, that meaning is a separate combinatorial system not entirely dependent upon syntax. Unlike many of the cognitive semantics approaches, he contends that neither syntax alone should determine semantics, nor vice versa. Syntax need only interface with semantics to the degree necessary to produce properly ordered phonological output (see Jackendoff 1996, 2002; Culicover & Jackendoff 2005).

Contribution to musical cognition

Jackendoff, together with

module than having evolved one for music, since even the specialized aspects of music comprehension are tied to more general cognitive functions.[1]

Selected works

See also

References

External links