Red Hand of Ulster
The Red Hand of Ulster (
It is an open hand coloured red, with the fingers pointing upwards, the thumb held parallel to the fingers, and the palm facing forward. It is usually shown as a right hand, but is sometimes a left hand, such as in the coats of arms of baronets.
Historical background
The Red Hand is rooted in Gaelic culture as the sign of a great warrior. It is believed to date back to pagan times.
The Red Hand is first documented in surviving records in the 13th century, where it was used by the Hiberno-Norman de Burgh earls of Ulster.[3] It was Walter de Burgh who became first Earl of Ulster in 1243 who combined the de Burgh cross with the Red Hand to create a flag that represented the Earldom of Ulster and later became the modern Flag of Ulster.
It was afterwards adopted by the O'Neills when they assumed the ancient kingship of Ulster, inventing the title Rex Ultonie (king of Ulster) for themselves in 1317 and then claiming it unopposed from 1345 onwards.[4][5][6] An early Irish heraldic use in Ireland of the open right hand can be seen in the seal of Aodh Reamhar Ó Néill, king of the Irish of Ulster, 1344–1364.[7]
An early-15th-century poem by
The Red Hand symbol is believed to have been used by the O'Neills during its Nine Years' War (1594–1603) against English rule in Ireland, and the war cry lámh dearg Éireann abú! ("the Red Hand of Ireland to victory") was also associated with them.[14] An English writer of the time noted "The Ancient Red Hand of Ulster, the bloody Red Hand, a terrible cognizance! And in allusion to that terrible cognizance—the battle cry of Lamh dearg abu!"[6]
The Order of Baronets was instituted by letters patent dated 10 May 1612, which state that "the Baronets and their descendants shall and may bear, either in a canton in their coat of arms, or in an inescutcheon, at their election, the arms of Ulster, that is, in a field argent, a hand gules, or a bloody hand."[15] The oldest baronets used a dexter (right) hand just like the O'Neills; however, it later became a sinister (left) hand.[15]
Dispute over ownership
The exclusive rights to the use of the Red Hand symbol has proved a matter of debate over the centuries, primarily whether it belonged to the
A dispute, dated to 1689, arose between several Irish poets about whose claim to the Red Hand was the most legitimate.[3][17][18]
- Diarmaid Mac an Bhaird, one of the last fully trained Irish bardic poets,[19] admonishes the claim of the O'Neills to the Red Hand, arguing that it rightly belongs to the Magennises, who should be allowed to keep it.[17] He supports his statement citing several medieval texts attributing it to Conall Cernach, the legendary ancestor of the Uí Eachach Cobo.[17]
- Eoghan Ó Donnghaile refutes the Clanna Róigh (Clanna Rudraige) right to the symbol.[17] He cites a story based on the Lebor Gabála Érenn claiming that it belongs to the descendants of Érimón, from whom Conn of the Hundred Battles and thus the O'Neills are said to descend.[17]
- Niall
Further poetic quatrains in the dispute were written by Mac an Baird, Ó Donnghaile, as well as by Mac an Bhaird's son Eoghain.[17] The Mac an Bhairds appear to deride Ó Donnghaile as not having come from a hereditary bardic family and that he is of very low rank without honour, as well as hinting at his family's genealogical link to the O'Neills.[17]
Writing in 1908, the then head of the O'Neill clan says of the Red Hand: "History teaches us that already in pagan days it was adopted by the O'Neills from the Macgennis, who were princes in the north of Ireland region inhabited by them".[20]
Possible origins
Those involved in the bardic dispute of 1689 claimed that the Red Hand symbol came from a legendary ancestor who put his bloodstained hand on a banner after victory in battle:
- Diarmaid Mac an Bhaird claimed that Conall Cernach (a mythical Ulaid hero from the Ulster Cycle) put his bloodied hand on a banner as he avenged the death of Cú Chulainn (another mythical Ulaid hero), and it has belonged to the descendants of Conall since then.[17] This he says is backed up by medieval texts such as the Scéla Mucce Meie Da Thó ("The Tale of Mac Da Thó's Pig"), the Leabhar Ultach (also known as the Senchas Ulad and Senchas Síl Ír), and Ó hÚigínn's poem beginning Lámh Éireann í Eachach.[17]
- Eoghan Ó Donnghaile, basing his tale on the Lebor Gabála Érenn, claimed that after the Milesians defeated the Tuatha Dé Danann, they are granted three precious objects, amongst them a banner bearing the red hand.[17] This banner eventually ended up without contest in the hands of the descendants of Míl's son Érimón, from whom Conn of the Hundred Battles and thus the O'Neills are said to descend.[17] The surviving texts of the Lebor Gabála Érenn mention four treasures but not a banner.[17]
- Niall Mac Muireadhaigh claimed that when the Three Collas defeated the Ulaid, that one of the Collas placed their bloodied hand on a banner taken from them.[17] He then states the Clann Domhnaill have used the symbol within his own time, and accepts the poem Lámh Éireann í Eachach.[17] However, according to historian Gordon Ó Riain, Mac Muireadhaigh has mistaken the í Eachach element to mean the descendants of Echu Doimlén, father of the Collas, when in fact it is in reference to Echu Coba, legendary ancestor of the Magennises.[17]
F.J. Bigger in a paper read before the Royal Irish Academy in April 1900 noted the use of a right hand by the O'Neills around 1335, and surmises that it may have been for them a symbol signifying divine assistance and strength, whilst also suggesting that the ancient Phoenicians may have brought the symbol to Ireland.[21]
In medieval Irish literature, several real and legendary kings were given the byname 'red hand' or 'red handed' to signify that they were great warriors.
In another legend which has become widespread, the first man to lay his hand on the province of Ulster would have claim to it.[27] As a result, the warriors rushed towards land with one chopping off his hand and throwing it over his comrades and thus winning the land.[27] In some versions of the tale, the person who cuts off his hand belongs to the O'Neills, or is Niall of the Nine Hostages himself.[citation needed] In other versions, the person is the mythical Érimón.[28]
'Red Hand' as a byname
In medieval Irish literature, several real and legendary kings were given the byname 'red hand' or 'red-handed' (lámhdhearg or crobhdhearg). It signified that they were a great warrior, their hand being red with the blood of their enemies.[22]
- The ancient Irish god
- Lugaid Lámderg is a legendary figure who appears in the Book of Leinster and the "chaotic past" of the descent of the Dál gCais.[30][31] His epithet meaning "red hand", was transferred to Lugaid Meann around the start of the Irish historic period.[30]
- Labraid Lámderg (red hand Labraid) is a character in the Fenian Cycle of Irish mythology.[1][32]
- The Annals of the Four Masters mentions "Reachta Righdhearg" (Rechtaid Rígderg) as a High King of Ireland.[33] He gained the name "Righdhearg" according to Geoffrey Keating as he had an arm that was "exceeding Red".[33] Reachta is listed as the great-grandson of "Lughaigdh Lamdhearg" (Lugaid Lámderg).[33]
- Cathal Crobhdearg Ua Conchobair, otherwise known as "Cathal the Red-Handed O'Conor", was a king of Connacht in the early 13th century.[34] There is a poem that is attributed as having been composed between 1213 and Cathal's death in 1224, which makes frequent reference to Cathal's red hand.[35]
- A Dermott Lamhdearg is cited by Meredith Hanmer in his "Chronicles of Ireland" (first published in 1633), as being a king of Leinster who fought a battle around the start of the 5th century against an army of marauders at Knocknigen near Dublin.[36]
- The Kavanaghs of king of Leinster.[37]
- The Cavenaghs of Kildare that became part of the Protestant Ascendancy are kin of the Kavanagh's of Borris and according to their own traditions claim descent from a Cathair Rua Caomhánach who was said to descend the Lámhdhearg (Red Hand) branch of the Caomhánach clan.[38]
- Quatran 78 of the classical Irish poem Carn Fraoich Soitheach na Saorchlann, makes mention of the "inghean ríogh lámhdhearg Laighean", translated as 'a descendant (lit. 'daughter') of the red-handed kings of Leinster'.[39] This poem, as well as the related poem Osnach Carad i gCluain Fraoch, mention a Carn Lámha, the burial place of Fraoch's hand.[40]
- Gleoir Lamhderg, or Gleoir the red-handed, was a king of the Lamraighe and allegedly the step-father of Fionn mac Cumhaill from the Fenian Cycle of Irish mythology.[41] The Lamraighe are claimed as descending from Lamha, a son of Conchobar mac Nessa, a legendary king of Ulster.[41]
Similar symbols
The
Bigger suggested the mention of the Dextera Dei in Psalm 118 and Acts 2 represented the old-world figurative expression signifying strength and power, and such hand symbols can be found in ancient civilisations including amongst others the
According to Charles Vallancey in 1788, a red hand pointing upwards was the armorial symbol of the kings of Ireland, and that it was still in use by the O'Brien family, whose motto was Lamh laidir an uachdar, meaning "the strong hand up" or "the strong hand will prevail".[42] Hands feature prominently in Dermot O'Connor's 18th-century publication "Blazons and Irish Heraldic Terminology", with the Ó Fearghail sept bearing the motto Lámh dhearg air chlogad lúptha.[43]
References to Galicia
In some Central European
-
Coat of arms of Kingdom of Galicia in Miltenberg armorial, c. 1486–1500.
-
Coat of arms of Galicia in Sammelband mehrerer Wappenbücher, c. 1530.
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Coat of arms of Galicia in Hofkleiderbuch, 1508–1551.
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Coat of arms of Galicia in another German armorial, 17th century
Modern usage
This section needs additional citations for verification. (September 2017) |
The form in common use is an open right (dexter) hand coloured red, with the fingers pointing upwards, the thumb held parallel to the fingers, and the palm facing forward.
The Red Hand features in other Irish clan
The Red Hand is present in the arms of a number of Ulster's counties, such as Antrim, Cavan, Londonderry, Monaghan and Tyrone. It also appears in the Ulster Banner, and is used by many other official and non-official organisations throughout the province.
The arms of The Irish Society that carried out the Plantation of Ulster feature the Red Hand.[47]
The Red Hand sees use by both nationalists and loyalists, although is more closely associated with the latter, whose murals often centre the symbol as a focal point.[48]
Baronets
A left (sinister) Red Hand is an option for baronets to add to their arms to indicate their rank. The College of Arms formally allowed this in 1835, ruling that the baronets of England, Ireland, Great Britain or the United Kingdom may "bear either a canton in their coat of arms, or in an escutcheon, at their pleasure, the arms of Ulster (to wit) a Hand Gules or a Bloody Hand in a Field Argent."[50] It is blazoned as follows: A hand sinister couped at the wrist extended in pale gules.[51]
Examples
-
The flag of the province of Ulster
-
Four Provinces Flag of Ireland
-
The flag of the Northern Ireland parliament (1953–1972)
-
Ensign of the Royal Ulster Yacht Club
-
House flag of the Larne and Stranraer Steamboat Company
-
House flag of the Ulster Steamship Company
-
Badge worn by baronets of the United Kingdom
-
Seal with left hand for the Curtius baronets
-
The coat of arms of the GNR.
-
Republican National Graves Association, Belfast
-
Arms of O'Neill Hall at the University of Notre Dame
-
Arms of McCartan, a branch of the Magennis
Bibliography
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- Bigger, Francis Joseph (1900). "The Dextera Dei Sculptured on the High Crosses of Ireland". Proceedings of the Royal Irish Academy. Third Series (6). Royal Irish Academy – via Internet Archive. Read before the Royal Irish Academy 9 April 1900. Published October 1900 with extra paragraph.
- Burke, Bernard (1884). The General Armory of England, Scotland, Ireland, and Wales, Comprising a Registry of Armorial Bearings from the Earliest to the Present Time. Heritage Books – via Internet Archive.
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- Welsh, Robert (1996). Oxford Concise Companion to Irish Literature. ISBN 0-19-280080-9.
- Westropp, Thomas Johnson (1918). "The Earthworks, Traditions, and the Gods of South-Eastern Co. Limerick, Especially from Knocklong to Temair Erann". JSTOR 25504213.
- Williams, N. J. A. (1990). "Dermot O'Connor's Blazons and Irish Heraldic Terminology". Eighteenth-Century Ireland / Iris an Dá Chultúr. 5. Eighteenth-Century Ireland Society: 61–88. S2CID 256187747.
- Vallancey, Charles (1788). "Description of an Ancient Monument in the Church of Lusk in the County of Dublin". The Transactions of the Royal Irish Academy. 2. Royal Irish Academy: 57–68.
- M., Y. (1901). "Annals of the Four Masters". All Ireland Review. 2 (14): 102–103. JSTOR 20545308.
References
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- ISBN 978-1-78201-139-2.
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- ^ Duffy (2005), p. 231
- ^ Duffy (2005), p. 481
- ^ a b John Cornelius O'Callaghan (1870). "History of the Irish Brigades in the service of France". Cameron and Ferguson.
- ^ National Library of Ireland Heraldry In Ireland
- ^ Ó Riain (2013), pp. 147–8
- ^ a b Dublin Institute for Advanced Studies – 1185. Lamh dhearg Eireann Uibh Eathach; Dr Katharine Simms, Department of History, Trinity College Dublin
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- ^ "O Neill, Neill, Neale, Neil". Araltas.com.
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- ^ Debrett's Peerage, 1968, p.1235