Requiem Canticles

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Requiem Canticles is a 15-minute composition by Igor Stravinsky, for contralto and bass soli, chorus, and orchestra. Stravinsky completed the work in 1966, and it received its first performance that same year.

The work is a partial setting of the Roman Catholic

serial
period, but it has elements from all his stylistic periods. It was performed at Stravinsky's funeral five years after its initial premiere.

Orchestration

Requiem Canticles is scored for

mixed chorus, and an orchestra consisting of 3 flutes (3rd doubles on piccolo), alto flute, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani (2 performers), 2 percussionists (xylophone, vibraphone, and tubular bells), harp, piano, celesta, and strings
.

Structure

The piece consists of nine short movements:

  1. Prelude
  2. "
  3. Interlude
  4. "Rex tremendae"
  5. "Lacrimosa"
  6. "Libera me
"
  • Postlude
  • Joseph N. Straus has discussed in detail Stravinsky's particular application of serial technique in the work, and his devising and use of a system of "rotational arrays" and "four-part arrays" in composing the work.[1][2] David Smyth has noted Stravinsky's incorporation of the "B–A–C–H" (B–A–C–B) motif in the work.[3]

    Requiem Canticles is characteristic of Stravinsky's twelve-tone practice in that he preferred the inverse-retrograde (IR) to the typical retrograde-inverse (RI):

    Basic row forms from Stravinsky's Requiem Canticles:[4] P R I IR

    References

    Further reading

    External links