Rhapsody in Blue (film)
| Rhapsody in Blue | |
|---|---|
.jpg) Film poster | |
| Directed by | Irving Rapper |
| Screenplay by | Howard Koch Elliot Paul Clifford Odets (uncredited) Harry Chandlee (uncredited) Robert Rossen (uncredited) |
| Story by | Sonya Levien |
| Produced by | Jesse L. Lasky |
| Starring | Robert Alda Joan Leslie Alexis Smith Hazel Scott Anne Brown |
| Cinematography | Merritt B. Gerstad Ernest Haller Sol Polito |
| Edited by | Folmar Blangsted |
| Music by | George Gershwin Max Steiner Ray Heindorf |
| Distributed by | Warner Bros. |
Release dates |
|
Running time | 141 minutes |
| Country | United States |
| Language | English |
| Budget | $2.46 million[2] |
| Box office | $4.9 million[2] |
Rhapsody in Blue, subtitled The story of George Gershwin is a 1945 American
Plot
 | This article needs a plot summary. (January 2024) |
Cast
- Robert Alda as George Gershwin
- Joan Leslie as Julie Adams
- Alexis Smith as Christine Gilbert
- Charles Coburn as Max Dreyfus
- Julie Bishop as Lee Gershwin
- Albert Bassermann as Prof. Franck
- Morris Carnovsky as Poppa Morris Gershwin
- Rosemary DeCamp as Momma Rose Gershwin
- Oscar Levant as Himself
- Paul Whiteman as Himself
- Al Jolson as Himself
- George White as Himself
- Hazel Scott as Herself
- Anne Brown as Herself as Bess in 'Porgy and Bess' scene
- Herbert Rudley as Ira Gershwin
- Darryl Hickman as Ira Gershwin as a boy
- Elsa Maxwell as Herself
- Oscar Loraine as Maurice Ravel
- Tom Patricola as Himself
- Will Wright as Sergei Rachmaninoff
- George Zoritch as Joe in ‘Blue Monday’ Number (uncredited)
Production background
Starring
The film introduces two fictional romances into the story, one with a woman named Julie Adams, played by Leslie, and the other a near-romance with a rich society woman played by Smith.
The film notably features performances of Gershwin music by two African-American musicians/singers, Anne Brown and Hazel Scott. Both were child prodigies whose training included study at the Juilliard School. Brown, a soprano, created the role of "Bess" in the original production of Gershwin's opera Porgy and Bess in 1935. In the film, she sings the aria Summertime from Porgy and Bess, albeit rearranged, with the first verse sung by chorus only. Scott, who became known as a jazz and classical pianist and singer, was one of the first African-American women to have a career in Hollywood as well as television. She plays herself in the film, performing in a Paris nightclub.
Production
Irving Rapper felt it was "a rambling story, a little too sentimental at times, although written by some wonderful people, mainly Clifford Odets with far, far too much music."[3]
Rapper wanted Tyrone Power to play the lead but had to use Robert Alda. The director says apart from Alda's casting he was happy with the film.[3]
Reception
Contemporary reviews praised the music but had more mixed opinions about the plot. Bosley Crowther of The New York Times called the film a "standard biography," explaining: "There is never any true clarification of what makes the gentleman run, no interior grasp of his nature, no dramatic continuity to his life. The whole thing unfolds in fleeting episodes, with characters viewing the genius with anxiety or awe, and the progression is not helped by many obvious and telescoping cuts. Throughout, the brilliant music of Mr. Gershwin is spotted abundantly, and that is the best—in fact, the only—intrinsically right thing in the film."[4] Variety reported that the film "can't miss" with "such an embarrassment of musical riches," to the point that "corny lapses" in the script "can easily be glossed over."[5] Harrison's Reports wrote that the musical score was "in itself worth the price of admission," while the film also offered "an inspiring, heart-warming story."[6] Wolcott Gibbs of The New Yorker called the music "magnificent", but criticized the plot as a "monumental collection of nonsense," describing the romance as "silly and tiresome."[7]
On the
Box office
According to Warner Bros. records, the film earned $3.3 million domestically and $1.5 million overseas.[2]
Awards and nominations
The film was nominated for the Grand Prize at the 1946 Cannes Film Festival.[10] The film was also nominated for two Academy Awards; Academy Award for Best Original Score (Ray Heindorf and Max Steiner) and Best Sound Recording (Nathan Levinson).[11]
References
- ^ "Rhapsody in Blue". American Film Institute. Retrieved January 25, 2024.
- ^
- ^ a b Higham, Charles; Greenberg, Joel (1971). The celluloid muse; Hollywood directors speak. Regnery. p. [1].
- ^ Crowther, Bosley (June 28, 1945). "Movie Review – Rhapsody in Blue". The New York Times. Retrieved March 11, 2016.
- ^ "Film Reviews". Variety. New York: Variety, Inc.: 16 June 27, 1945.
- ^ "Harrison's Reports". June 30, 1945: 102.
{{cite journal}}: Cite journal requires|journal=(help) - ^ Gibbs, Wolcott (July 7, 1945). "The Current Cinema". The New Yorker. New York: F-R Publishing Corp. p. 36.
- ^ "Rhapsody in Blue". Rotten Tomatoes. Fandango Media. Retrieved April 30, 2023.
- Fandom, Inc.Retrieved April 30, 2023.
- ^ "Festival de Cannes: Rhapsody in Blue". festival-cannes.com. Retrieved 2024-01-25.
- ^ "The 18th Academy Awards (1946) Nominees and Winners". oscars.org. Retrieved 2011-08-16.
External links
- Rhapsody in Blue at IMDb
- Rhapsody in Blue at AllMovie
- Rhapsody in Blue at the TCM Movie Database
- Rhapsody in Blue at the American Film Institute Catalog