Ridley Scott

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Sir Ridley Scott

GBE
Scott in 2015
Born (1937-11-30) 30 November 1937 (age 86)
South Shields
, England
Alma mater
Occupations
  • Film director
  • scriptwriter
  • producer
Years active1963–present
WorksFull list
Spouses
  • Felicity Heywood
    ​
    ​
    (m. 1964; div. 1975)​
  • Sandy Watson
    ​
    ​
    (m. 1979; div. 1989)​
  • ​
    (m. 2015)​
Children
RelativesTony Scott (brother)
AwardsFull list

Sir Ridley Scott

Knight Grand Cross of the Order of the British Empire by King Charles III in 2024.[6]

An alumnus of the Royal College of Art in London, Scott began his career in television as a designer and director before moving into advertising as a director of commercials. He made his film directorial debut with The Duellists (1977) and gained wider recognition with his next film, Alien (1979). Though his films range widely in setting and period, they showcase memorable imagery of urban environments, spanning 2nd-century Rome in Gladiator (2000), 12th-century Jerusalem in Kingdom of Heaven (2005), medieval England in Robin Hood (2010), ancient Memphis in Exodus: Gods and Kings (2014), contemporary Mogadishu in Black Hawk Down (2001), and the futuristic cityscapes of Blade Runner (1982) and different planets in Alien, Prometheus (2012), The Martian (2015) and Alien: Covenant (2017).

Scott has been nominated for three

Primetime Emmy Award nominations. He won twice, for Outstanding Television Film for the HBO film The Gathering Storm (2002) and for Outstanding Documentary or Nonfiction Special for the History Channel's Gettysburg (2011).[9] He was Emmy-nominated for RKO 281 (1999), The Andromeda Strain (2008), and The Pillars of the Earth (2010).[10]

Early life and education

"My mum brought three boys up: my dad was in the army and so he was frequently away. During the war and post-war, we tended to travel following him around so my mum was the boss. She laid down the law and the law was God. We just said, 'Yup, okay' – we didn't argue. I think that's where the respect has come from, because she was tough."

— A supporter of strong female characters in his work, Scott credits his mother Elizabeth as his first female role model[11]

Scott was born on 30 November 1937[12] in South Shields, to Elizabeth (née Williams) and Colonel Francis Percy Scott.[13][14] His grand-uncle Dixon Scott was a pioneer of the cinema chain and opened many cinemas around Tyneside. One of his cinemas, Tyneside Cinema, is still operating in Newcastle and is the last remaining newsreel cinema in the UK.[15]

Born two years before the

Second World War began, Scott was brought up in a military family. His father, an officer in the Royal Engineers, was absent for most of his early life. His elder brother, Frank, joined the Merchant Navy when he was still young and the pair had little contact.[16] During this time the family moved around; they lived in Cumberland as well as other areas in England, in addition to Wales and Germany. After the war, the Scott family moved back to County Durham and eventually settled on Teesside
.

His interest in science fiction began by reading the novels of

West Hartlepool College of Art.[18] The industrial landscape in West Hartlepool would later inspire visuals in Blade Runner, with Scott stating, "There were steelworks adjacent to West Hartlepool, so every day I'd be going through them, and thinking they're kind of magnificent, beautiful, winter or summer, and the darker and more ominous it got, the more interesting it got."[19]

"I use everything I learned every day at art school. It's all about white sheets of paper, pens and drawing."

— Scott speaking about the influence the Royal College of Art has had in designing the visuals for his films[20]

Scott went on to study at the

Tonight
.

After graduation in 1963, he secured a job as a trainee set designer with the BBC, leading to work on the popular television police series Z-Cars and science fiction series Out of the Unknown. He was originally assigned to design the second Doctor Who serial, The Daleks, which would have entailed realising the serial's eponymous alien creatures. Shortly before he was due to start work, a schedule conflict meant he was replaced by Raymond Cusick.[21] In 1965, he began directing episodes of television series for the BBC, only one of which, an episode of Adam Adamant Lives!, is available commercially.[22]

Gold Hill in Shaftesbury, Dorset, where Scott filmed the 1973 Hovis television commercial

In 1968, Ridley and his younger brother

Bike Round" (underscored by the slow movement of Dvořák's "New World" symphony rearranged for brass), filmed in Gold Hill, Shaftesbury, Dorset.[1][25] A nostalgia themed television advert that captured the public imagination, it was voted the UK's favourite commercial in a 2006 poll.[26][27] In the 1970s the Chanel No. 5 brand needed revitalisation having run the risk of being labelled as mass market and passé.[28] Directed by Scott in the 1970s and 1980s, Chanel television commercials were inventive mini-films with production values of surreal fantasy and seduction, which "played on the same visual imagery, with the same silhouette of the bottle."[28]

Five members of the Scott family are directors, and all have worked for RSA.[29] His brother Tony was a successful film director whose career spanned more than two decades; his sons Jake and Luke are both acclaimed directors of commercials, as is his daughter, Jordan Scott. Jake and Jordan both work from Los Angeles; Luke is based in London. In 1995, Shepperton Studios was purchased by a consortium headed by Ridley and Tony Scott, which extensively renovated the studios while also expanding and improving its grounds.[30]

Career

1970s: The Duellists, Alien

The Duellists (1977) marked Ridley Scott's first feature film as director. Shot in continental Europe, it was nominated for the main prize at the Cannes Film Festival, and won an award for Best Debut Film. The Duellists had limited commercial impact internationally. Based on Joseph Conrad's short story "The Duel" and set during the Napoleonic Wars, it follows two French Hussar officers, D'Hubert and Feraud (Keith Carradine and Harvey Keitel) whose quarrel over an initially minor incident turns into a bitter extended feud spanning fifteen years, interwoven with the larger conflict that provides its backdrop. The film has been acclaimed for providing a historically authentic portrayal of Napoleonic uniforms and military conduct.[31][32] The 2013 release of the film on Blu-ray coincided with the publication of an essay on the film in a collection of scholarly essays on Scott.[33]

Scott had originally planned next to adapt a version of

heroine.[34] Ripley (played by Sigourney Weaver), who appeared in the first four Alien films, would become a cinematic icon.[34] The final scene of John Hurt's character has been named by a number of publications as one of the most memorable in cinematic history.[35] Filmed at Shepperton Studios in England, Alien was the sixth highest-grossing film of 1979, earning over $104 million worldwide.[36] Scott was involved in the 2003 restoration and re-release of the original film. In promotional interviews at the time, Scott indicated he had been in discussions to make a fifth film in the Alien franchise. However, in a 2006 interview, Scott remarked that he had been unhappy about Alien: The Director's Cut, feeling that the original was "pretty flawless" and that the additions were merely a marketing tool.[37] Scott later returned to Alien-related projects when he directed Prometheus and Alien: Covenant three decades after the original film's release.[38]

1980s: Blade Runner and other films

"Outside Star Wars, no sci-fi universe has been etched into cinematic consciousness more thoroughly than Blade Runner. Ridley Scott's definitive 1982 neo-noir offered an immersive dystopia of rain-soaked windows and shadowy buildings adorned with animated neon billboards, where flying cars hum through the endless night."

— Eric Kohn, IndieWire, 2017.[39]

After a year working on the film adaptation of Dune, and following the sudden death of his brother Frank, Scott signed to direct the film version of Philip K. Dick's novel Do Androids Dream of Electric Sheep? Re-titled Blade Runner and starring Harrison Ford, the film was a commercial disappointment in cinemas in 1982, but is now regarded as a classic.[40][41] In 1991, Scott's notes were used by Warner Bros. to create a rushed director's cut which removed the main character's voiceover and made a number of other small changes, including to the ending. Later Scott personally supervised a digital restoration of Blade Runner and approved what was called The Final Cut. This version was released in Los Angeles, New York City and Toronto cinemas on 5 October 2007, and as an elaborate DVD release in December 2007.[42]

Today, Blade Runner is ranked by many critics as one of the most important and influential science fiction films ever made,[43] partly thanks to its much imitated portraits of a future cityscape.[44] It is often discussed along with William Gibson's novel Neuromancer as initiating the cyberpunk genre. Stephen Minger, stem cell biologist at King's College London, states, "It was so far ahead of its time and the whole premise of the story – what is it to be human and who are we, where we come from? It's the age-old questions."[45] Scott has described Blade Runner as his "most complete and personal film".[46]

In 1985, Scott directed

cult classic. The 2002 Director's Cut restored Goldsmith's original score.[49]

Scott made Someone to Watch Over Me, a romantic thriller starring Tom Berenger and Mimi Rogers in 1987, and Black Rain (1989), a police drama starring Michael Douglas and Andy García, shot partially in Japan. The latter was very well received at the box office. Black Rain was the first of Scott's six collaborations with the composer Hans Zimmer.[50][51]

"1984" Apple Macintosh commercial

Main article: 1984 (advertisement)

In 1984, Scott directed a big-budget ($900,000) television commercial, "

Advertising Age placed it top of its list of the 50 greatest commercials.[57]

Set in a dystopian future modelled after

Big Brother), an allusion to IBM, at that time the dominant force in computing.[58]

1990s

The road film Thelma & Louise (1991) starring Geena Davis as Thelma, Susan Sarandon as Louise, in addition to the breakthrough role for Brad Pitt as J.D, proved to be one of Scott's biggest critical successes, helping revive the director's reputation and receiving his first nomination for the Academy Award for Best Director.[59][60] His next project, independently funded historical epic 1492: Conquest of Paradise, was a box office failure. The film recounts the expeditions to the Americas by Christopher Columbus (French star Gérard Depardieu). Scott did not release another film for four years.

In 1995, Ridley and his brother Tony formed a production company,

The Pinewood Studios Group, which is headquartered in Buckinghamshire, England.[61]

2000s

Scott's historical drama Gladiator (2000) proved to be one of his biggest critical and commercial successes. It won five Academy Awards, including Best Picture, Best Actor for the film's star Russell Crowe, and saw Scott nominated for the Academy Award for Best Director.[2] Scott worked with British visual effects company The Mill for the film's computer-generated imagery, and the film was dedicated to Oliver Reed who died during filming – The Mill created a digital body double for Reed's remaining scenes.[62][63] Some have credited Gladiator with reviving the nearly defunct "sword and sandal" historical genre. The film was named the fifth best action film of all time in the ABC special Best in Film: The Greatest Movies of Our Time.[64]

Portrait of Scott in Berlin in 2005 by German photographer Oliver Mark

Scott directed Hannibal (2001) starring Anthony Hopkins as Hannibal Lecter. The film was commercially successful despite receiving mixed reviews. Scott's next film, Black Hawk Down (2001), featuring Tom Hardy in his film debut, was based on a group of stranded US soldiers fighting for their lives in Somalia; Scott was nominated for an Oscar for Best Director.[2] In 2003, Scott directed a smaller scale project, Matchstick Men, adapted from the novel by Eric Garcia and starring Nicolas Cage, Sam Rockwell and Alison Lohman. It received mostly positive reviews but performed moderately at the box office.

In 2005, he made the modestly successful

Empire magazine calling the film an "epic", adding: "The added 45 minutes in the director's cut are like pieces missing from a beautiful but incomplete puzzle."[68] "This is the one that should have gone out" reflected Scott.[68] Asked if he was against previewing in general in 2006, Scott stated: "It depends who's in the driving seat. If you've got a lunatic doing my job, then you need to preview. But a good director should be experienced enough to judge what he thinks is the correct version to go out into the cinema."[69]

Scott teamed up again with Gladiator star

20th Century Fox (who backed the film) dismissed A Good Year as "a flop" at a shareholders' meeting.[70]

Scott's next film was American Gangster, based on the story of real-life drug kingpin Frank Lucas. Scott took over the project in early 2006 and had screenwriter Steven Zaillian rewrite his script to focus on the dynamic between Frank Lucas and Richie Roberts. Denzel Washington signed on to the project as Lucas, with Russell Crowe co-starring as Roberts. The film premiered in November 2007 to positive reviews and box office success, and Scott was nominated for a Golden Globe for Best Director.[2]

In late 2008, Scott's espionage thriller Body of Lies, starring Leonardo DiCaprio and Russell Crowe, opened to lukewarm ticket-sales and mixed reviews. Scott directed a revisionist adaptation of Robin Hood, which starred Russell Crowe as Robin Hood and Cate Blanchett as Maid Marian. It was released in May 2010 to mixed reviews, but a respectable box-office.

Scott speaking with Prometheus stars Charlize Theron and Michael Fassbender at Wondercon 2012 in Anaheim, California on 17 March 2012

On 31 July 2009, news surfaced of a two-part prequel to Alien with Scott attached to direct.[38][71] The project, ultimately reduced to a single film called Prometheus, which Scott described as sharing "strands of Alien's DNA" while not being a direct prequel, was released in June 2012. The film starred Charlize Theron and Michael Fassbender, with Noomi Rapace playing the leading role of the scientist named Elizabeth Shaw. The film received mostly positive reviews and grossed $403 million at the box office.[72][73]

In August 2009, Scott planned to direct an adaptation of

dystopian London with Leonardo DiCaprio.[74] In 2009, the TV series The Good Wife premiered with Ridley and his brother Tony
credited as executive producers.

2010s

On 6 July 2010, YouTube announced the launch of

2012 London Olympics, Scott produced Britain in a Day, a documentary film consisting of footage shot by the British public on 12 November 2011.[76]

In 2012, Scott produced the commercial for Lady Gaga's fragrance, "Fame". It was touted as the first ever black Eau de Parfum, in the informal credits attached to the trailer for this advertisement. On 24 June 2013, Scott's series Crimes of the Century debuted on CNN.[77] In November 2012 it was announced that Scott would produce the documentary, Springsteen & I directed by Baillie Walsh and inspired by Life in a Day, which Scott also produced. The film featured fan footage from throughout the world on what musician Bruce Springsteen meant to them and how he impacted their lives.[78] The film was released for one day only in 50 countries and on over 2000 film screens on 22 July 2013.[78]

Scott directed

Middle Eastern characters) and grossed $268 million worldwide on a $140 million budget, making it a financial disappointment. Filmed at Pinewood Studios in Buckinghamshire, the film starred Christian Bale in the lead role.[82]

Scott participates in a question and answer session about NASA's journey to Mars and his film The Martian, 18 August 2015

In May 2014, Scott began negotiations to direct The Martian, starring Matt Damon as Mark Watney.[83] Like many of Scott's previous works, The Martian features a heroine in the form of Jessica Chastain's character who is the mission commander.[84] The film was originally scheduled for release on 25 November 2015, but Fox later switched its release date with that of Victor Frankenstein, and thus The Martian was released on 2 October 2015.[85][86] The Martian was a critical and commercial success, grossed over $630 million worldwide, becoming Scott's highest-grossing film to date.[87][88][89]

A sequel to Prometheus, Alien: Covenant, started filming in 2016, premiered in London on 4 May 2017, and received general release on 19 May 2017.[90] The film received generally positive reviews from critics, with many praising Michael Fassbender's dual performance and calling the film a return to form for both director Ridley Scott and the franchise.[91][92]

In August 2011, information leaked about production of a sequel to Blade Runner by Alcon Entertainment, with Alcon partners Broderick Johnson and Andrew Kosove.[93] Scott informed the Variety publication in November 2014 that he was no longer the director for the film and would only fulfill a producer's role. Scott also revealed that filming would begin sometime within 2015, and that Harrison Ford has signed on to reprise his role from the original film but his character should only appear in "the third act" of the sequel.[94] On 26 February 2015, the sequel was officially confirmed, with Denis Villeneuve hired to direct the film, and Scott being an executive producer.[95] The sequel, Blade Runner 2049, was released on 6 October 2017 to universal acclaim.[96]

From May to August 2017, Scott filmed

kidnapping of John Paul Getty III, starring Mark Wahlberg and Michelle Williams.[97][98] Kevin Spacey originally portrayed Getty Sr. However, after multiple sexual assault allegations against the actor, Scott decided to replace him with Christopher Plummer, saying "You can't condone that kind of behaviour in any shape or form. We cannot let one person's action affect the good work of all these other people. It's that simple."[99] Scott began re-shooting Spacey's scenes with Plummer on 20 November, which included filming at Elveden Hall in west Suffolk, England.[99] With a release date of 25 December 2017, the film studio had its doubts that Scott would manage it, saying: "They were like, 'You'll never do it. God be with you.'"[99][100]

2020s

In 2020, Scott directed

medieval castle of Berzé-le-Châtel (with a film crew of 300 people including 100 extras),[103] and Ireland.[104]

In 2021, he directed House of Gucci, a film about the murder of Maurizio Gucci orchestrated by Patrizia Reggiani, who were portrayed by Adam Driver and Lady Gaga, respectively. Scott had originally been set to direct the film in 2006, but the project languished in development hell for several years, with different directors entering talks to sign on, before he returned to the project in November 2019.[105][106] The film was released on 24 November 2021.[107]

Scott next directed

Sony Pictures Releasing before streaming on Apple TV+ on 1 March 2024.[109]

Upcoming projects

Scott is currently in post-production on

Wraiths of the Broken Land,[116][117] development on which was announced in 2016.[118] On December 16, 2023, Scott signed on to direct the action thriller Bomb for 20th Century Studios, based on a short story by Kevin McMullin, who will also write the screenplay.[119] In February 2024, it was reported that Scott was in negotiations to direct Paramount Pictures' untitled Bee Gees biopic, written by John Logan.[120][121]

Television projects

In 2002, Ridley Scott and his brother Tony were among the executive producers of

FBI solve crimes; and The Good Wife (2009–2016), a legal drama about an attorney balancing her job with her husband, a former state attorney trying to rebuild his political career after a major scandal. The two Scotts also produced a 2010 film adaptation of 1980s television show The A-Team, directed by Joe Carnahan.[123][124]

Ridley Scott was an executive producer of the first season of Amazon's

BrainDead which debuted on CBS in 2016.[126][127][128]

On 20 November 2017, Amazon agreed a deal with AMC Studios for a worldwide release of

A Christmas Carol, developed by Steven Knight, alongside Tom Hardy.[131]

Scott's first television directing role in 50 years,

HBO Max in 2020.[132][133] Scott said his "tendency was to think, 'I don't want to go down that road of androids again'", but decided to take on the project after he read the script and liked it.[133] The show revolves around androids Mother and Father, who attempt to save humankind on planet Kepler-22b after earth is demolished by war between the Mithraic, who follow a god called Sol, and militant atheists.[134]

In August 2022, it was announced Scott would executive produce the Apple TV+ series Sinking Spring, written by Peter Craig and starring Brian Tyree Henry, and would also direct an episode.[135]

Personal life

Scott with his third wife Giannina Facio at the world premiere of The Martian held at the Toronto International Film Festival on 11 September 2015

Ridley Scott was married to Felicity Heywood from 1964 to 1975. The couple had two sons, Jake and Luke,[136] both of whom work as directors in Scott's production company, Ridley Scott Associates. Scott later married advertising executive Sandy Watson in 1979, with whom he had a daughter, Jordan Scott, also a director, and divorced in 1989.[137] His current partner is actress Giannina Facio,[138] whom he has cast in all his films since White Squall except American Gangster and The Martian,[139] and whom he married in 2015. He divides his time between homes in London, France, and Los Angeles.[82]

His eldest brother Frank died, aged 45, of skin cancer in 1980.

A&E. The two-part miniseries premiered on A&E on 3 September 2012, to mixed reviews.[142]

Scott has dedicated several of his films in memory of his family:

Golden Globes, after his film, The Martian, won Best Motion Picture – Musical or Comedy.[144]

In 2013, Scott stated that he is an

atheist.[145] Although when asked by the BBC
in a September 2014 interview if he believes in God, Scott replied:

I'm not sure. I think there's all kinds of questions raised... that's such an exotic question. If we looked at the whole thing practically speaking, the Big Bang occurred and then we go through this evolution of millions, billions of years where, by coincidence, all the right biological accidents came out the right way. To an extent, that doesn't make sense unless there was a controlling decider or mediator in all of that. So who was that? Or what was that? Are we one big grand experiment in the basic overall blink of the universe, or the galaxy? In which case, who is behind it?[146]

Directorial style

Scott's frequent collaborator Russell Crowe commented, "I like being on Ridley's set because actors can perform [...] and the focus is on the performers."[147] Paul M. Sammon, in his book Future Noir: The Making of Blade Runner, commented in an interview with Brmovie.com that Scott's relationship with his actors has improved considerably over the years.[148] More recently during the filming of Scott's 2012 film, Prometheus, Charlize Theron praised the director's willingness to listen to suggestions from the cast for improvements in the way their characters are portrayed on screen. Theron worked alongside the writers and Scott to give more depth to her character during filming.[149] When working on epics, Scott states, "there's always the danger that the characters can get swamped" on a large canvas, before adding, "My model is David Lean, whose characters never got lost in the proscenium."[150]

Scott's work is identified for its striking visuals, with

heroines also a common theme.[2][11][151][152] Los Angeles Times film editor Joshua Rothkopf wrote "Scott may be the movies' most consistent stealth feminist".[108] His visual style, incorporating a detailed approach to production design and innovative, atmospheric lighting, has been influential on a subsequent generation of filmmakers.[2][3] James Cameron commented, "I love Ridley's films and I love his filmmaking, I love the beauty of the photography, I love the visceral sense that you're there, that you're present."[153] Scott commonly uses slow pacing until the action sequences. Examples include Alien and Blade Runner; the Los Angeles Times critic Sheila Benson, for example, would call the latter "Blade Crawler" "because it's so damn slow". Scott claims to have an eidetic memory, which he says aids him in visualising and storyboarding the scenes in his films.[154]

Scott has developed a method for filming intricate shots as swiftly as possible: "I like working, always, with a minimum of three cameras. [...] So those 50 set-ups [a day] might only be 25 set-ups except I'm covering in the set-up. So you're finished. I mean, if you take a little bit more time to prep on three cameras, or if it's a big stunt, eleven cameras, and – whilst it may take 45 minutes to set up – then when you're ready you say 'Action!', and you do three takes, two takes and is everybody happy? You say, 'Yeah, that's it.' So you move on."[147]

Chinese Room Thought Experiment, respectively, in the chapter titled "What's Wrong with Building Replicants", which has been a recurring theme for many of Scott's films.[156] The chapter titled "Artificial Intelligence in Blade Runner, Alien, and Prometheus," concludes by citing the writings of John Stuart Mill in the context of Scott's Nexus-6 Replicants in Blade Runner (Rutger Hauer), the android Ash (Ian Holm) in Alien, and the android David 8 (Michael Fassbender) in Prometheus, where Mill is applied to assert that measures and tests of intelligence must also assess actions and moral behaviour in androids to effectively address the themes which Scott explores in these films.[157]

DVD format and director's cut

Blade Runner: The Final Cut showing at Prince Charles Cinema in Leicester Square, London in 2015

Scott is known for his enthusiasm for the DVD format, providing

audio commentaries and interviews for all his films where possible. In the July 2006 issue of Total Film magazine, he stated: "After all the work we go through, to have it run in the cinema and then disappear forever is a great pity. To give the film added life is really cool for both those who missed it and those who really loved it."[69]

Running alongside his enthusiasm for DVD, Scott is known for his use of the director's cut.[68] The positive reaction to the Blade Runner Director's Cut encouraged Scott to re-cut several movies that were a disappointment at the time of their release (including Legend and Kingdom of Heaven), which have been met with great acclaim.[68] Today the practice of alternative cuts is more commonplace, though often as a way to make a film stand out in the DVD marketplace by adding new material.

Filmography

Main article: Ridley Scott filmography
Directed features
Year Title Distributor
1977 The Duellists Paramount Pictures
1979 Alien 20th Century Fox
1982 Blade Runner Warner Bros. Pictures
1985 Legend Universal Pictures / 20th Century Fox
1987 Someone to Watch Over Me Columbia Pictures
1989 Black Rain Paramount Pictures
1991 Thelma & Louise Metro-Goldwyn-Mayer
1992 1492: Conquest of Paradise Paramount Pictures
1996 White Squall Buena Vista Pictures
1997 G.I. Jane
2000 Gladiator DreamWorks Pictures / Universal Pictures
2001 Hannibal Metro-Goldwyn-Mayer / Universal Pictures
Black Hawk Down
Sony Pictures Releasing
2003 Matchstick Men Warner Bros. Pictures
2005 Kingdom of Heaven 20th Century Fox
2006 A Good Year
2007 American Gangster Universal Pictures
2008 Body of Lies Warner Bros. Pictures
2010 Robin Hood Universal Pictures
2012 Prometheus 20th Century Fox
2013 The Counselor
2014 Exodus: Gods and Kings
2015 The Martian
2017 Alien: Covenant
All the Money in the World Sony Pictures Releasing / STX Entertainment
2021 The Last Duel 20th Century Studios
House of Gucci United Artists Releasing / Universal Pictures
2023 Napoleon Sony Pictures Releasing / Apple TV+
2024 Gladiator II Paramount Pictures / Universal Pictures

Honours and awards

Main article: List of awards and nominations received by Ridley Scott
Sir Ridley Scott was made an Honorary Doctor at the Royal College of Art during a ceremony in July 2015.

Scott was knighted in the 2003 New Year Honours for services to the British film industry.[158] He received his accolade from Queen Elizabeth II at an investiture ceremony at Buckingham Palace on 8 July 2003.[5] Scott admitted feeling "stunned and truly humbled" after the ceremony, saying, "As a boy growing up in South Shields, I could never have imagined that I would receive such a special recognition. I am truly humbled to receive this treasured award and believe it also further recognises the excellence of the British film industry."[159]

He has been nominated for three

BAFTA for Outstanding British Contribution To Cinema.[7] In 2018 he received the highest accolade from BAFTA, the BAFTA Fellowship, for lifetime achievement.[4][7]

Scott was inducted into the Science Fiction Hall of Fame in 2007.[160] In 2017 the German newspaper FAZ compared Scott's influence on the science fiction film genre to Sir Alfred Hitchcock's on thrillers and John Ford's on Westerns.[161] In 2011, he received a star on the Hollywood Walk of Fame.[162]

Scott has received three

Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover, to celebrate the British cultural figures of his life that he most admires to mark his 80th birthday.[165] On 3 July 2015, he was awarded an honorary doctorate by the Royal College of Art in a ceremony at the Royal Albert Hall in London at which he described how he still keeps on his office wall his school report placing him 31st out of 31 in his class, and how his teacher encouraged him to pursue what became his passion at art school.[166][167]

Scott was appointed

Knight Grand Cross of the Order of the British Empire (GBE) in the 2024 New Year Honours
for services to the UK film industry.[168]

Awards and nominations received by Scott's films
Year Title Academy Awards BAFTA Awards Golden Globe Awards
Nominations Wins Nominations Wins Nominations Wins
1977 The Duellists 2
1979 Alien 2 1 7 2 1
1982 Blade Runner 2 8 3 1
1985 Legend 1 3
1989 Black Rain 2
1991 Thelma & Louise 6 1 8 4 1
1992 1492: Conquest of Paradise 1
2000 Gladiator 12 5 14 4 5 2
2001 Black Hawk Down 4 2 3
2007 American Gangster 2 5 3
2012 Prometheus 1 1
2015 The Martian 7 6 3 2
2017 All the Money in the World 1 1 3
2021 House of Gucci 1 3 1
2023 Napoleon 3 4
Total 44 9 65 9 23 5

Directed Academy Award performances

Year Performer Film Result
Academy Award for Best Actor
2000 Russell Crowe Gladiator Won
2015 Matt Damon The Martian Nominated
Academy Award for Best Actress
1991 Geena Davis
Thelma and Louise
 		Nominated
Susan Sarandon Nominated
Academy Award for Best Supporting Actor
2000 Joaquin Phoenix Gladiator Nominated
2017 Christopher Plummer All the Money in the World Nominated
Academy Award for Best Supporting Actress
2007 Ruby Dee American Gangster Nominated

See also

References

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  6. ISSN 0261-3077. Archived
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External links

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