Roberto Rossellini

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Roberto Rossellini
Rossellini in 1951
Born
Roberto Gastone Zeffiro Rossellini

(1906-05-08)8 May 1906
Died3 June 1977(1977-06-03) (aged 71)
Rome, Italy
Occupation(s)Film director, producer, screenwriter
Years active1936–1977
Spouses
(m. 1934; ann. 1936)
Marcella De Marchis
(m. 1936; div. 1950)
(m. 1950; div. 1957)
Sonali Senroy Das Gupta
(m. 1957; sep. 1973)
Children7 (1 adopted), including Renzo Rossellini and Isabella Rossellini

Roberto Gastone Zeffiro Rossellini[1][2] (8 May 1906 – 3 June 1977) was an Italian film director, screenwriter and producer. He was one of the most prominent directors of the Italian neorealist cinema, contributing to the movement with films such as Rome, Open City (1945), Paisan (1946), and Germany, Year Zero (1948). He is also known for his films starring Ingrid Bergman, Stromboli (1950), Europe '51 (1952), Journey to Italy (1954), Fear (1954), and Joan of Arc at the Stake (1954).

Biography

Early life

Rossellini was born in Rome. His mother, Elettra (

née Bellan), was a housewife born in Rovigo, Veneto, and his father, Angiolo Giuseppe "Peppino" Rossellini, who owned a construction firm,[3] was born in Rome from a family originally from Pisa, Tuscany. His mother was of partial French descent, from immigrants who had arrived in Italy during the Napoleonic Wars.[4] He lived on the Via Ludovisi, where Benito Mussolini had his first Roman hotel in 1922 when Fascism obtained power in Italy.[5]

Rossellini's father built the first cinema in Rome, the "Barberini", a theatre where movies could be projected, granting his son an unlimited free pass; the young Rossellini started frequenting the cinema at an early age. When his father died, he worked in film sound-making and for a certain time, he experienced all the ancillary jobs related to the creation of a film, gaining competence in each field. Rossellini had a younger brother, Renzo, who later scored many of his films.

Although he was not personally religious,

Catholic ethics and religious sentiment—things which he saw as being neglected in the materialist world.[7]

Career

In 1937, Rossellini shot his first film, "Prélude à l'après-midi d'un faune", which was possibly unreleased and later lost.[8] After this film, he was called to work as assistant director on Goffredo Alessandrini's in making Luciano Serra pilota, one of the most successful Italian films of the first half of the 20th century, and later worked on Francesco De Robertis's 1940 film Uomini sul Fondo.[9] His close friendship with Vittorio Mussolini, son of Benito Mussolini, has been interpreted as a possible reason for having been preferred to other apprentices.

Some writers have described the first part of his career as a sequence of trilogies. His first feature film,

Paisà (1946), produced with non-professional actors, and the third, Germany, Year Zero
(1948), was sponsored by a French producer and filmed in Berlin's French sector. In Berlin also, Rossellini preferred non-actors, but he was unable to find a face he found "interesting"; he placed his camera in the centre of a town square, as he did for Paisà, but was surprised when nobody came to watch.

As he declared in an interview "in order to really create the character that one has in mind, it is necessary for the director to engage in a battle with his actor which usually ends with submitting to the actor's wish. Since I do not have the desire to waste my energy in a battle like this, I only use professional actors occasionally".[10] One of the reasons for success is supposed to be Rossellini's rewriting of the scripts according to the non-professional actors' feelings and histories. Regional accent, dialect, and costumes were shown in the film as they were in real life.

After his Neorealist Trilogy, Rossellini produced two films now classified as the 'Transitional films': L'Amore (1948) (with Anna Magnani) and La macchina ammazzacattivi (1952), on the capability of cinema to portray reality and truth (with recalls of commedia dell'arte). In 1948, Rossellini received a letter from a famous foreign actress proposing a collaboration:

Dear Mr. Rossellini,
I saw your films Open City and Paisan, and enjoyed them very much. If you need a Swedish actress who speaks English very well, who has not forgotten her German, who is not very understandable in French, and who in Italian knows only "ti amo," I am ready to come and make a film with you.
Ingrid Bergman

With this letter began one of the best-known love stories in film history, with Bergman and Rossellini both at the peak of their careers. Their first collaboration was

Giovanna d'Arco al rogo
(1954) were the other films on which they worked together.

In 1957, Jawaharlal Nehru, the prime minister of India at the time, invited him to India to make the documentary India and put some life into the floundering Indian Films Division. Though married to Bergman, he had an affair with Sonali Senroy Dasgupta, a screenwriter, herself married to local filmmaker Harisadhan Dasgupta, who was helping develop vignettes for the film.[11] Given the climate of the 1950s, this led to a huge scandal in India as well as in Hollywood.[12] Nehru had to ask Rossellini to leave.[citation needed] Soon after, Bergman and Rossellini separated.

In 1971, Rice University in Houston, Texas, invited Rossellini to help establish a Media Center, where in 1970 he had begun planning a film on science with Rice professor Donald D. Clayton.[13] They worked daily for two weeks in Rome in summer 1970, but financing was insufficient for filming to begin. In 1973, he was invited to teach at Yale University in New Haven, Connecticut, where he taught a one-semester course titled "The Essential Image."

Rossellini's final project was the documentary Beaubourg, filmed in 1977 and first premiered in 1983.[14]

Personal life

In 1934, Rossellini married Assia Noris, a Russian actress who worked in Italian films; the marriage was annulled in 1936. On 26 September 1936, he married Marcella De Marchis (17 January 1916, Rome – 25 February 2009, Sarteano), a costume designer with whom he collaborated even after their marriage was over. De Marchis and Rossellini had two sons: Marco Romano (born 3 July 1937 and died of appendicitis in 1946), and Renzo (born 24 August 1941). Rossellini and De Marchis divorced in 1950.

While filming Stromboli, Rossellini had an affair with Ingrid Bergman (who was at the time married to Petter Lindström) in 1949. In the same month the film was released, Bergman gave birth to a boy, Renato Roberto Ranaldo Giusto Giuseppe ("Robin") Rossellini (born 2 February 1950). A week after their son was born, Bergman divorced Lindström and married Rossellini in Mexico. On 18 June 1952, she gave birth to their twin daughters Isotta Ingrid Rossellini and Isabella Rossellini.

In 1957, Rossellini had an affair with Bengali screenwriter Sonali Dasgupta (née Senroy), and soon after, Bergman and Rossellini separated. Rossellini eloped with Dasgupta in 1957 when she was 27 years old. He adopted her young son Arjun, renamed Gil Rossellini (23 October 1956 – 3 October 2010), who became a New York-based film producer. Rossellini and Dasgupta had a daughter together, Raffaella Rossellini (born 1958), who is an actress and model.[12][15]

In 1973, Rossellini left Dasgupta for producer Silvia D'Amico Bendicò, but he remained married to Dasgupta until his death of a heart attack at age 71 in 1977.

Global policy

Along with

Peoples' World Convention (PWC), also known as Peoples' World Constituent Assembly (PWCA), which took place in 1950-51 at Palais Electoral, Geneva, Switzerland.[16][17]

Legacy

Rossellini's films after his early Neo-Realist films—particularly his films with Ingrid Bergman—were commercially unsuccessful, though Journey to Italy is well regarded in some quarters. He was an acknowledged master for the critics of Cahiers du Cinéma in general and André Bazin, François Truffaut, and Jean-Luc Godard in particular. Truffaut noted in his 1963 essay, Roberto Rossellini Prefers Real Life (available in The Films in My Life) that Rossellini's influence among the directors who became part of the nouvelle vague was so great that he was in every sense "the father of the French New Wave".

His posthumous ex-son-in-law

La Prise de pouvoir par Louis XIV
for praise.

Certain of Rossellini's film-related material and personal papers are contained in the Wesleyan University Cinema Archives to which scholars and media experts from around the world may have full access.[18] Rossellini's son Renzo is producing the Audiovisual Encyclopedia of History by Roberto Rossellini, a multi-media collection containing all of Rossellini's works, interviews, and other material from the Rossellini archive. The Encyclopedia existed in prototype form in 2011.[19]

Filmography

Other work

Television

Following the critical failure of Anima nera and his participation in the various artists film Ro.Go.Pa.G., Rossellini began directing films for TV in 1966 with La Prise de pouvoir par Louis XIV, and continued predominately in the medium until the end of his career in 1977.

TV films

In addition to his TV movies, he was involved with a number of TV series, as either writer or director.

TV series

  • L'India vista da Rossellini (1959) - director, mini-series
  • L'Età del ferro (1964) - director, mini-series[24]
  • Atti degli apostoli (1969) - director, mini-series
  • La lotta dell'uomo per la sua sopravvivenza (1970) - writer
  • L'Età di Cosimo de' Medici (1973) - director, mini-series

Some sources associate Rossellini with the 1961 Torino nei cent'anni, but the status and completion of the project is unconfirmed.[25]

Notes

  1. . Retrieved 13 August 2012.
  2. . Retrieved 13 August 2012.
  3. . Retrieved 7 December 2014.
  4. ^ "The Adventures of Roberto Rossellini". nytimes.com. Retrieved 7 December 2014.
  5. ^ Serri, Mirella From the Odeon to the Odeon: The Experience of Roberto Rossellini from Fascism to Antifascism, Kenneth Lloyd-Jones (translator) Telos Vol. 139 (Summer 2007): pp. 70–78.
  6. ^ (h)ortus. "La visione della realtà post-bellica italiana nel cinema". Hortus - Rivista di architettura.
  7. ^ a b Bondanella, Peter. The Films of Roberto Rossellini. New York: Cambridge University Press, 1991. 16–17. Print.
  8. .
  9. ^ Brunette, Peter. Roberto Rossellini. Berkeley, CA: University of California Press. p. 11.
  10. ^ G., Anthony. "'Free' Cinema Italiano @ NGA:"Trip to Italy" by World Famous Director Rossellini." Meetup. 14 October 2012.
  11. ^ "hoveyda.org - Diese Website steht zum Verkauf! - Informationen zum Thema hoveyda". ww3.hoveyda.org. Archived from the original on 8 April 2019. Retrieved 29 May 2019.
  12. ^ a b "The scandal that rocked Calcutta". The Telegraph. 1 June 2008. Archived from the original on 15 June 2008. Retrieved 19 February 2014.
  13. ^ "PHOTO ARCHIVE IN NUCLEAR ASTROPHYSICS". clemson.edu. Retrieved 7 December 2014.
  14. . Beaubourg Rossellini.
  15. ^ Joeanna Rebello (25 May 2008). "The Girl Who Turned Rossellini's Head". The Times of India. Retrieved 19 February 2014.
  16. ^ Einstein, Albert; Nathan, Otto; Norden, Heinz (1968). Einstein on peace. Internet Archive. New York, Schocken Books. pp. 539, 670, 676.
  17. ^ "[Carta] 1950 oct. 12, Genève, [Suiza] [a] Gabriela Mistral, Santiago, Chile [manuscrito] Gerry Kraus". BND: Archivo del Escritor. Retrieved 19 October 2023.
  18. ^ "Cinema Archives – Wesleyan University". Wesleyan.edu. Retrieved 13 August 2012.
  19. ^ "ROSSELLINI Film & TV | Enciclopedia del cinema di Roberto Rossellini". Archived from the original on 21 September 2012. Retrieved 10 December 2011.
  20. ^ a b c d Silva, Thaís Conconi Silva; Táboas, Plínio Zornoff (2012). Análise e reflexão sobre a construção e evolução do pensamento de René Descarte através do olhar cinematográfico de Roberto Rossellini (PDF). 13º Seminário Nacional de História da Ciência e da Tecnologia. Sociedade Brasileira de História da Ciência (SBHC).
  21. ^ a b c d "DVDs/Crítica: Em cinebiografia de Descartes, Rossellini fala para iniciados -". Jornal Folha de São Paulo. 24 May 2009. Retrieved 17 February 2023.
  22. ^ a b c d "Rossellini e a vida dos filósofos". Lumine (in Brazilian Portuguese). 1 December 2021. Retrieved 13 March 2023.
  23. ^ a b c d Gallagher, Tag. "Roberto Rossellini and Historical Neorealism". Art Forum. Retrieved 13 March 2023.
  24. ^ "Roberto Rossellini". publishing.cdlib.org. Retrieved 12 September 2022.
  25. .

External links