Roland Penrose

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Roland Penrose
Chiddingly, East Sussex, England
EducationArchitecture
MovementSurrealism
Spouses
​
​
(m. 1925; div. 1937)​
​
(m. 1947⁠–⁠1977)​
Children
James Doyle Penrose (father)
RelativesRoger Penrose (nephew)
Military career
AllegianceUnited Kingdom United Kingdom
Service/branch British Army
Years of service1943–1945
RankCaptain
UnitRoyal Engineers

Sir Roland Algernon Penrose

surrealists in the United Kingdom.[1] During the Second World War he put his artistic skills to practical use as a teacher of camouflage
.

Penrose married the poet Valentine Boué and then the photographer Lee Miller.

Biography

Early life

Penrose was the son of

James Doyle Penrose (1862–1932),[2] a successful portrait painter, and Elizabeth Josephine Peckover, the daughter of Lord Peckover, a wealthy Quaker banker. He was the third of four brothers; his older brother was the medical geneticist Lionel Penrose.[3]

Roland grew up in a strict

Quaker family in Watford and attended The Downs School, Colwall, Herefordshire, and then Leighton Park School, Reading, Berkshire. In August 1918, as a conscientious objector, he joined the Friends' Ambulance Unit, serving from September 1918 with the British Red Cross in Italy. After studying architecture at Queens' College, Cambridge, Penrose switched to painting and moved to France, where he lived from 1922 and where in 1925 he married his first wife the poet Valentine Boué.[4]

During this period he became friends with the artists Pablo Picasso, Wolfgang Paalen and Max Ernst, who would have the strongest influence on his work and most of the leading Surrealists.

Surrealism

Surrealist work Le Grand Jour, 1938, described by Penrose as a collage painting, made using nothing but paint, depicting among other things an alembic[5]

Penrose returned to London in 1936 and was one of the organisers of the London International Surrealist Exhibition, which led to the establishment of the English surrealist movement.[6] Penrose settled in Hampstead, north London, where he was the centre of the community of avant-garde British artists and emigres who had settled there.[7] With the Belgian surrealist E. L. T. Mesens, he opened the London Gallery on Cork Street,[8] where he promoted the Surrealists as well as the sculptor Henry Moore, to whom he was first introduced by his close friend Wolfgang Paalen, as well as the painter Ben Nicholson, and the sculptors Barbara Hepworth and Naum Gabo.

Busy with other duties, he made a small number of paintings[6] such as the 1938 Le Grand Jour, which he described as "a collage painting although nothing but paint has been applied to the canvas. The images are unrelated to each other but by coming together like images in dreams they produce new associations which can be interpreted in whatever way the spectator may feel inclined." The image, he wrote "seemed to indicate an atmosphere of excitement and exhilaration centred round the distillation of a dance hall and a sunset in an alembic".[5]

London, Cornwall, and Paris

Penrose commissioned a sculpture from Moore for his Hampstead house; the work became the focus of a press campaign against

Paul Eluard, and Joseph Bard. Photographs of their stay can be seen at Falmouth Art Gallery.[9]

In 1938, Penrose organised a tour of Picasso's

Guernica that raised funds for the Republican Government in Spain. In the same year he had an affair with Peggy Guggenheim, when she met him at her gallery Guggenheim Jeune to try and sell him a painting by French Surrealist artist Yves Tanguy. Penrose told Guggenheim he loved an American woman in Egypt, and in her autobiography Guggenheim reports that she told him to "go to Egypt to get his ladylove".[10] By 1939, Penrose had begun a relationship with the model and photographer Lee Miller. He also had an affair with the art conservator and botanist Gigi Crompton between 1945 and 1947.[11] Penrose finally married Miller in 1947. They lived at 21 Downshire Hill, Hampstead, London, which now bears a blue plaque.[12]

World War II camouflage work

Further information: List of camoufleurs
Penrose used this photograph of his partner Lee Miller to startle his audiences when lecturing on camouflage.

As a Quaker, Penrose had been a

Home Guard training centre at Osterley Park.[13][14] This led to Penrose's commission as a captain in the Royal Engineers
.

He worked as senior lecturer at the Eastern Command Camouflage School in Norwich, and at the Camouflage Development and Training Centre at Farnham Castle, Surrey. During his lectures, he used to startle his audiences by inserting a colour photograph of his partner Lee Miller, lying on a lawn naked but for a camouflage net; when challenged, he argued that "if camouflage can hide Lee's charms, it can hide anything".[15] Forbes suggests this was a surrealist technique being put into service.[15] His lectures were respected by both trainees and colleagues.[16] In 1941 Penrose wrote the Home Guard Manual of Camouflage, which provided accurate guidance on the use of texture, not only colour, especially for protection from aerial photography, which was monochrome at that time.[16]

Penrose applied for a job at the

Foreign Office, but was turned down because of a perceived security risk, possibly relating to the investigation of Lee Miller by MI5.[17]

The ICA

After the war, Penrose co-founded the

Tate Gallery
; he organised a survey of Picasso's work there in 1960 and used his contacts to negotiate purchases of works by Picasso and the Surrealists at discounted prices.

Farley Farm

Farleys House, now a museum and archive, with blue plaque

Penrose and Miller bought Farley Farm House near Chiddingly, East Sussex, in 1949, where he displayed his valuable collection of modern art, and in particular the Surrealists and works by Picasso. Penrose designed the landscaping around the house as a setting for works of modern sculpture. Farleys House is now a museum and archive open to the public for guided tours on pre-determined days.[22]

Penrose remained close to his first wife, Valentine; they met again in London during the Second World War, and she came to live with Roland and Lee Miller for eighteen months. Valentine died at Farley Farm in 1978.[4]

Awards and distinctions

His bold and enigmatic paintings, drawings and objects are some of the most enduring images of the surrealist movement. His postcard collages, examples of which are found in major national collections across Britain. He was awarded the

knighted for his services to the visual arts in 1966.[24] The University of Sussex awarded him an honorary Doctorate of Letters
in 1980.

Family

Penrose is the uncle of the physicist and polymath Roger Penrose, and the chess Grandmaster Jonathan Penrose. He and Lee Miller had a son, Antony Penrose, who continues to run Farleys House as a museum and archive.[25]

Recordings

An interview with Roland Penrose (and Lee Miller) recorded in 1946 can be heard on the audio CD Surrealism Reviewed.[26]

A filmed interview between Penrose and Antoni Tàpies was directed by James Scott in Spain in 1974.[27] The film, not previously completed, was in pre-production in 2018. The footage is available for viewing through the Fundació Antoni Tàpies.

Extracts from an interview between Penrose and Max Ernst can be seen in episode 5, "The Threshold of Liberty", of Robert Hughes's art-historical series The Shock of the New (1980).

See also

Notes

  1. ^ About Roland Penrose.
  2. ^ "James Doyle Penrose | artnet". www.artnet.com. Retrieved 5 November 2019.
  3. doi:10.1093/ref:odnb/31538. Retrieved 19 January 2009. (Subscription or UK public library membership
    required.)
  4. ^ a b Kellaway, Kate (22 August 2010). "Tony Penrose: 'With Picasso, the rule book was torn up'". The Guardian. Retrieved 8 May 2014.
  5. ^ a b "Sir Roland Penrose Le Grand Jour 1938". Tate Gallery. Retrieved 26 April 2021.
  6. ^ a b "Roland Penrose (1900-1984)". The Surrealism Website. {{cite web}}: Missing or empty |url= (help)
  7. OCLC 28963301
    .
  8. ^ "Cork Street through time, a history of innovation and scandal. The street that introduced major artists and avant garde movements to the UK". Cork Street Galleries. Retrieved 26 April 2021.
  9. ^ Breton, Andrea (2017). "A brief and incomplete history of art and artists in Cornwall". Best of Cornwall 2017. pp. 23–32.
  10. ISBN 978-0233001388
    .
  11. ^ Leslie, Alan. "Gig Crompton (1922–2020)" (PDF). BSBI News Obituaries. Retrieved 25 April 2022.
  12. ^ Clark, Ross (9 July 2003). "Daily Telegraph report on installation of blue plaque". The Daily Telegraph. London. Archived from the original on 5 May 2013. Retrieved 23 January 2008.
  13. ^ Newark, 2007.
  14. ^ "Surrealist who tried to paint a whole nation green". The Scotsman. Archived from the original on 15 September 2022. Retrieved 4 March 2007.
  15. ^ a b Forbes, 2009, page 151.
  16. ^ a b Forbes, 2009, pages 151–152.
  17. ^ Gardham, Duncan (3 March 2009). "MI5 investigated Vogue photographer Lee Miller on suspicion of spying for Russians, files show". The Daily Telegraph. Retrieved 9 May 2014.
  18. ^ "About". Institute of Contemporary Arts. Retrieved 26 April 2021.
  19. ^ Morris, Desmond. "Playground of the Avant-Garde: Desmond Morris on Post-War Rebellion and the Origins of the ICA". ICA. Retrieved 26 April 2021.
  20. ^ Bayley, Lucy Rose (24 April 2015). "From the Archive: Shapes and Forms". ICA. Retrieved 26 April 2021.
  21. OCLC 18470049
    .
  22. ^ "Farleys House and Gallery: Home of the Surrealists". Farleys House and Gallery. Retrieved 26 April 2021. OPEN SUNDAYS & THURSDAYS APR – OCT
  23. ^ "No. 42231". The London Gazette (Supplement). 31 December 1960. p. 8898.
  24. ^ "No. 43921". The London Gazette. 11 March 1966. p. 2703.
  25. ^ Penrose, Anthony (8 April 2010). "Roland Penrose and Lee Miller at Farley Farm". Colchester Decorative and Fine Arts Society. Retrieved 1 July 2012.
  26. ^ Surrealism Reviewed
  27. ^ Scott, James. "Filmography". James Scott. Retrieved 26 April 2021. Antoni Tàpies as Director 1974 Documentary (Work in Progress) A film about the Spanish/Catalan artist Antoni Tàpies, which consists of footage shot in Barcelona and interviews between Sir Roland Penrose and the artist.

References

  • Forbes, Peter.
    Dazzled and Deceived: Mimicry and Camouflage
    . Yale, 2009.
  • Newark, Tim. Now you see it… Now You Don't. History Today, March 2007.
  • Penrose, Roland. Home Guard Manual of Camouflage. George Routledge and Sons, 1941.

Further reading

ODNB article by Richard Cork, 'Penrose, Sir Roland Algernon (1900–1984)', rev. Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2006 accessed 27 May 2009

External links

Wikimedia Commons has media related to Roland Penrose.
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