Roman à clef
Roman à clef (French pronunciation: literary techniques.[4]
Madeleine de Scudéry created the roman à clef in the 17th century to provide a forum for her thinly veiled fiction featuring political and public figures.[4]
The reasons an author might choose the roman à clef format include satire; writing about controversial topics and/or reporting inside information on
libel; the opportunity to turn the tale the way the author would like it to have gone; the opportunity to portray personal, autobiographical experiences without having to expose the author as the subject; avoiding self-incrimination
or incrimination of others that could be used as evidence in civil, criminal, or disciplinary proceedings; the ability to change the background and personalities of key participants; and the settling of scores.
Biographically inspired works have also appeared in other literary genres and art forms, notably the film à clef.
Notable examples
- The Infernal Marriage (1834) by Benjamin Disraeli
- A Portrait of the Artist as a Young Man (1916) by James Joyce
- The Sun Also Rises (1926) by Ernest Hemingway
- The Girls of Radcliff Hall (1932) by Lord Berners
- La vocation suspendue (1950) by Pierre Klossowski
- On the Road (1957) by Jack Kerouac
- The Bell Jar (1963) by Sylvia Plath
- Answered Prayers (1986) by Truman Capote
- The Devil Wears Prada (2003) by Lauren Weisberger
See also
- Allegory
- Autobiografiction
- Autobiographical novel
- Autofiction
- Blind item
- Creative nonfiction
- Defamation
- Gonzo journalism
- List of narrative techniques
- Nomen à clef
- Non-fiction novel
- Semi-fiction
- Small penis rule
- Self-insertion
- Author surrogate
- Tuckerization
Notes
- ^ "Definition of ROMAN À CLEF". www.merriam-webster.com.
- ISBN 978-0-8264-1777-0.
- ISBN 978-0-521-43627-4.
- ^ ISSN 0004-9697.
References
- Amos, William (1985). The Originals: Who's Really Who in Fiction. London: Cape. ISBN 0-7221-1069-3.
- ISBN 0-676-97579-8.
- Rintoul, M.C. (2014). Dictionary of Real People and Places in Fiction