Catholic Marian church buildings
Catholic Marian churches are religious buildings dedicated to the veneration of the Blessed Virgin Mary. These churches were built throughout the history of the Catholic Church, and today they can be found on every continent including Antarctica. The history of Marian church architecture tells the unfolding story of the development of Catholic Mariology.
The construction and dedication of Marian churches is often indicative of the Mariological trends within a period, such as a papal reign. For instance, the 1955 rededication by
The beginnings
The
The
Some of the early Roman churches were quite small. An example is the church of
Other churches, such as
Some Marian churches are major pilgrimage sites. According to Bishop Francesco Giogia, the
Progression of architecture and belief
Through the centuries, the progression of
A good example of the continuation of Marian traditions from the Gothic period to the present day is found at
Popes have at times viewed the existence of Marian churches as a key to the spread of Marian devotions, e.g. as he entrusted Europe to the Virgin Mary, Pope
Apparition-based Marian churches
Marian apparitions have resulted in the construction of major Marian churches.[22] Some of the very largest Catholic Marian churches in the world did not start based on a decisions made by informed theologians in Rome but based on the statements of young and less-than-sophisticated people about their religious experiences on remote (and often unheard of) hilltops.[23][24]
There are remarkable similarities in the accounts of the reported visions which have led to the construction of the churches.
Three Portuguese children,
The Shrine of Nostra Signora della Guardia in Genoa, Italy has a similar story. In 1490 a peasant Benedetto Pareto reported that the Virgin Mary had asked him to build a chapel on a mountain. Pareto reported that he replied that he was only a poor man and would not be able to do that, but he was told by the Virgin Mary: "Do not be afraid!". After falling from a tree, Pareto changed his mind and built a small wooden room that was eventually enlarged to the present shrine.
And the trend has continued. The first approval for a
In May 2016, the local ordinary of the Diocese of San Nicolás de los Arroyos Bishop Cardelli approved as "worthy of belief" the apparitions associated with the Marian image of Our Lady of the Rosary of San Nicolás. A Shrine erected in honor of Mary under this title was inaugurated in 2014. Reports of unusually radiant, glowing rosary beads were followed by a number of brief visions of Our Lady appearing to housewife and mother-of-two Gladys Motta developed into a series of interior locutions over several years, beginning on October 13 the anniversary of apparitions at Fátima. Specific messages led to the discovery—and restoration to veneration—of a long-neglected statue of a Madonna carrying the Christ Child. Occurring at the close of the twentieth century[2] the messages mirror those given at the beginning of the twentieth century to young shepherds in Portugal where the Virgin Mary reportedly identified herself as the Lady of the Rosary. Following approval of the spiritual merits by local religious authorities, a new church dedicated to Marian devotion under this title was erected as requested by Our Lady during the apparitions.
Churches, icons and devotions
Major Marian churches at times house major Marian symbols or icons and the interplay between churches and these symbols can reinforce the effect of Marian devotions. For instance, the Borghese or Pauline Chapel of the
Perhaps the ultimate example of this interplay is on
Architectural periods
The progress of Marian church architectures manifests both the progress of architecture and the spread of Marian devotions.
If there is a single Marian location that captures several types of architecture, it is the area surrounding the Sanctuary of Our Lady of Lourdes. The Rosary Basilica was built with the Byzantine architecture in the 19th century. The "Basilica of the Immaculate Conception" known widely as the Upper Basilica, was consecrated in 1876 and is an elaborate building in the Gothic style, while the Basilica of St. Pius X, is a very modern building that was completed in 1958 and is almost entirely underground.
Romanesque
The basilica of
This early period, also included growth and development in other aspects of Mariology, with activities by key figures such as
Gothic
Chartres Cathedral near Paris is also a good example of a French Gothic cathedral. Its two contrasting spires and the complex flying buttresses that surround it capture key architectural elements of the time. Reims Cathedral, where the kings of France were once crowned, exemplifies the heavier Gothic architecture present in the northern Franco-Germanic areas.
Further south, the
The interior of Notre-Dame Cathedral, Luxembourg shows the Gothic style of design at its height. The basilica is a good example of late gothic architecture with many Renaissance elements and adornments.
One major Mariological issue in this period was the Immaculate Conception. Gradually the idea that Mary had been cleansed of original sin at the very moment of her conception began to predominate, particularly after Duns Scotus dealt with the major objection to Mary's sinlessness from conception, that being her need for redemption.[32] Popes issued degrees and authorized feasts and processions in honor of Mary. Pope Clement IV (1265–1268) created a poem on the seven joys of Mary, which in its form is considered an early version of the Franciscan rosary.
Renaissance
Perhaps the key example of early
The facade of the
The Basilica of
This period also saw unprecedented growth in
Baroque
The Santa Maria della Pace's Baroque façade, designed by Pietro da Cortona is a good example of a Marian church in Rome that progressed beyond the Renaissance.
The
Some Marian churches are built as a response to specific events, e.g. Santa Maria della Salute in Venice was built to give thanks to thank the Virgin Mary for the city's deliverance from the plague. The church is full of Marian symbolism – the great dome represents her crown, and the eight sides the eight points on her symbolic star.
Baroque literature on Mary experienced unforeseen growth with over 500 pages of Mariological writings during the 17th century alone with contributors such as
Baroque Mariology was supported by
Modern
The modern period has witnessed unprecedented growth both for Marian churches and for papal and popular support for Marilogy, with a significant increase in the number of pilgrims to Marian shrines.
The
Two major Marian Basilicas were built in North America during the 20th Century in the capital cities of Mexico & the U.S. The first was the Basilica of the
Other Marian churches started to appear around the globe. The Basilica of
This period also saw the growth of lay Marian devotional organizations such as free rosary distribution groups. An example is Our Lady's Rosary Makers which was formed with a $25 donation for a typewriter in 1949 and now has thousands of volunteers who have distributed hundreds of millions of free rosaries to Catholic missions worldwide.
During this period key
The
The
Begun in 1987 the Sanctuary dedicated to Our Lady of the Rosary of San Nicolás in Buenos Aires province, Argentina was inaugurated May 25, 2014. It houses an historical statue of Our Lady identified by private revelations to a lay woman of the diocese that occurred over a number of years, and were documented in a book by Fr. Rene Laurentin, and subsequently approved as "worthy of belief" by the local ordinary Bishop Cardella in May 2016.
See also
References
Citations
- ^ Encyclical Ad Caeli Reginam on the Vatican website
- ^ Catholic encyclopedia
- ISBN 0520074122Univ California Press page 303
- ^ ISBN 159884654Xpage 161
- ^ The Canons of the Two Hundred Holy and Blessed Fathers Who Met at Ephesus
- ISBN 097129819Xpages 37-40
- ^ ISBN 1856694399page 290
- ISBN 88-8265-217-3page 34
- ISBN 0-271-02551-4page 21
- ISBN 0-85115-881-1page 175
- ISBN 1576072231pages 308-309
- ^ Eternal Word Television Network, Global Catholic Network
- ISBN 0-8059-2328-4page 235
- ISBN 1-57607-004-2page 38
- ^ "Zenith News 14 December 2009". Archived from the original on 13 November 2011. Retrieved 28 June 2011.
- ISBN 1-57918-355-7page 189
- ISBN 0195178076pages 179-180
- ISBN 0-312-38708-3page 553
- ISBN 1-59158-723-9page 69
- ISBN 0195154665pages 207-208
- ^ Vatican website: Marian entrustment of Europe
- ISBN 0-7546-6789-8page 217
- ^ Zenit News
- ^ Pilgrims to Our Lady of Guadalupe
- ^ ISBN 0809147440chapter on "Lourdes, Fatima, Guadalupe"
- ^ ISBN 0879739142page 194
- ^ ISBN 1-57607-004-2page 213
- ^ "Catholic News Agency". Archived from the original on 2009-11-20. Retrieved 2008-06-01.
- ^ "Catholic News Agency". Archived from the original on 2009-12-12. Retrieved 2008-06-01.
- ^ Ludwig Ott, Fundamentals of Catholic Dogma, Mercier Press Ltd., Cork, Ireland, 1955
- ^ A Roskovany, conceptu immacolata ex monumentis omnium seculrorum demonstrate III, Budapest 1873
- ^ F Zöpfl, Barocke Frömmigkeit, in Marienkunde, 577
- ^ "The Basilica of the National Shrine of the Immaculate Conception". Archived from the original on 2017-12-28. Retrieved 2015-03-30.
Sources
- Catholic Encyclopedia: "Ecclesiastical Architecture" [1]
- Giovanni Meriana, Guida ai santuari della Liguria (Guide of shrines in Liguria), Sagep Editrice publisher, Genoa (Italy), 1990.
- Bartlett, Kenneth R. (1992). The Civilization of the Italian Renaissance. Toronto: D.C. Heath and Company. ISBN 0-669-20900-7(Paperback).
- Henry A. Millon, ed. (1994). Italian Renaissance Architecture: from Brunelleschi to Michelangelo. London: ISBN 0-500-27921-7.
- ISBN 0-7506-2267-9
- Arnold Hauser, Mannerism: The Crisis of the Renaissance and the Origins of Modern Art, Cambridge: ISBN 0-674-54815-9
- Brigitte Hintzen-Bohlen, Jurgen Sorges, Rome and the Vatican City, Konemann, ISBN 3-8290-3109-2
- Janson, H.W., Anthony F. Janson, History of Art, 1997, New York: Harry N. Abrams, Inc.. ISBN 0-8109-3442-6
- ISBN 978-0-14-020109-3
- Ilan Rachum, The Renaissance, an Illustrated Encyclopedia, 1979, Octopus, ISBN 0-7064-0857-8
Further reading
- ISBN 0-89870-631-9.