Rosemary Kuhlmann
Rosemary Kuhlmann (January 30, 1922 – August 17, 2019) was an American operatic
Early life and education
Rosemary Kuhlmann was born in New York City. She attended high school in
Kuhlmann then returned to New York and worked six days a week "sending Morse code to the ships at sea." She also performed on radio programs promoting the WAVES and soon had her own weekly show, Navy Serenade, on WNEW where she would sing popular songs of the day.[2]
Following the war, Kuhlmann was accepted into the
Career
After graduating from Juilliard, Kuhlmann joined the Robert Shaw Chorale. Although contracted to sing with the ensemble for two years, Kuhlmann broke her contract when she was cast as the Secretary in Gian Carlo Menotti's Broadway production of The Consul, replacing Gloria Lane who had performed the role at its premiere in Philadelphia. Kuhlmann said, "Everybody said Robert Shaw wouldn't let me out of my contract, but he did. Menotti's music turned me on to opera. It was so real—the vocal and the dramatic melded. When I did The Consul, it wasn't even like I was singing. I was living it, and the music value was just fantastic."[2]
In 1951, Kuhlmann originated the role of Sadie in
Kuhlmann went directly from the closing of Music in the Air to rehearsals of Amahl and the Night Visitors in late November 1951. Rehearsals lasted approximately one month with Menotti, television director Kirk Browning, and conductor Thomas Schippers. In an interview, Kuhlmann said, "The crowning glory was having Toscanini attend one of the rehearsals. He kissed me on the cheek with tears in his eyes."[2]
On Christmas Eve 1951, Amahl and the Night Visitors was telecast live on NBC with Kuhlmann. The broadcast drew an estimated viewership of five million people. The following morning—Christmas Day—The New York Times ran a front-page review by Olin Downes on Menotti's "tender and exquisite" new opera. The article praised Kuhlmann's "moving portrayal, enhanced by the resources of her voice." The forty-five-minute work became an annual tradition, airing live for twelve consecutive Christmases with the same adult cast members—Kuhlmann as the Mother and David Aiken, Leon Lishner and Andrew McKinley as the Three Kings. The role of Amahl, originated by Chet Allen, was played in later broadcasts by Bill McIver and Kirk Jordan, both of whom played it opposite Kuhlmann.[4]
After the premiere of Amahl and the Night Visitors, Kuhlmann's career took off. In 1952, a few weeks after the premiere and the LP studio recording, Kuhlmann toured Europe with Menotti, once again playing the Secretary in The Consul. That same year, Kuhlmann made her debut with the
During the 1950s and early 1960s, Kuhlmann was a frequent guest artist with symphony orchestras and played Giorgetta on a CBC telecast of
In 1956, George Abbott and Harold Prince cast Kuhlmann as Meg in the national tour of Damn Yankees. She left the tour in early 1957 to marry Hugh Evans, an executive at Yachting and Boating magazine. That same year, Kuhlmann performed two more operas with NBC: Desideria in Menotti's The Saint of Bleecker Street and the devout Mother Marie in Poulenc's Dialogues of the Carmelites, with Elaine Malbin as Blanche, Patricia Neway as the Old Prioress and Leontyne Price as Mme. Lidoine.[2]
In 1961, Kuhlmann made her last original NBC Opera telecast in Leonard Kastle's Deseret as Brigham Young's eldest wife, Sarah. After this production, Kuhlmann retired to raise a family with her husband. Kuhlman said, "Life is all about time and place. Everyone—my teachers, my coach and my agent, Gus Schirmer—thought my next step was to sing at the Met. But then I met my husband and wanted to raise a family. Maybe I could have done both, and that would have been wonderful. But I would never give up what I have today—my two children and five grandchildren—to have said on my résumé that I sang at the Met."[2]
In 1978, Kuhlmann divorced her husband and took what was supposed to be a four-month temporary position at PepsiCo. Her temporary job turned into a sixteen-year career as the executive assistant to the international vice president of the company. Kuhlmann retired from PepsiCo in 1994, then worked for five years as the executive assistant to the director of the Westchester Conservatory of Music before "retiring for good" in 1999.[2]
In 2001, Kuhlmann was reunited with Menotti at New York's Museum of Television & Radio for a fiftieth-anniversary salute to Amahl. On January 20, 2006, she returned to the same Museum for a fiftieth-anniversary salute to Dialogues of the Carmelites, with a screening of the NBC Opera production.[2] She died in August 2019 at the age of 97 in Rhode Island.[10]
References
- ISBN 9780393034448.
- ^ a b c d e f g h i j k l Rebecca Paller (2007). "Reunion: Rosemary Kuhlmann". Opera News. 71 (7).
- ^ Brooks Atkinson (June 14, 1951). "At The Theatre". The New York Times. p. 30.
- ^ a b Mitchell Hadley (2009). "Three Kings in 50 Minutes: How the first made-for-TV opera became one of the most famous television programs of all time, and the young medium's first Christmas tradition". tvparty.com.
- ^ Ross Parmenter (October 30, 1952). "KUHLMANN SCORES HIT IN 'CONSUL' AT CENTER". The New York Times. p. 41.
- ^ J.B. (November 7, 1953). "CARMEN BOW MADE BY MISS KUHLMANN; Sings Opera's Display Pieces in Admirable Style at City Center -- Rosenstock Directs". The New York Times. p. 14.
- ^ J.B. (April 26, 1954). "FALSTAFF' SUNG AGAIN; Carol Smith as Dame Quickly in Debut With City Opera". The New York Times.
- ^ J.B. (October 1, 1954). "CITY OPERA SINGS 'LA CENERENTOLA'; Rosemary Kuhlmann Takes Lead, on Short Notice -- Druary Plays Ramiro". The New York Times. p. 19.
- ^ "REVIVAL FOR OPERA; City Troupe Will Do 'Golden Slippers' by Tchaikovsky". The New York Times. October 3, 1955. p. 22.
- ^ Neil Genzlinger (September 4, 2019). "Rosemary Kuhlmann, Singer in a TV Breakthrough, Dies at 97". The New York Times.