Rudi Bass

Add links
Source: Wikipedia, the free encyclopedia.

Rudi Bass
Emmy Award

Rudolf Bass (May 22, 1914 – January 6, 2011)

EMMY award.[2]

Early life (1914–1938)

Born in

Realgymnasium 1 in the Stubenring in Vienna in 1929, where he was immersed in a classical education including languages and math. Upon graduation, Bass was admitted to the Kunstgewerbeschule, now known as The University of Applied Arts, Vienna
.

With the help of his American uncle, John Bass, whom he joined when he arrived in New York City, Bass emigrated to the United States in the summer of 1938, for political reasons, having twice been imprisoned for distributing leaflets together with other activists against fascism which had already overtaken Austria, but before Kristallnacht, which occurred in November 1938.[3] Bass was hired by Esquire two weeks after entering the U.S.A. Bass continued working at Esquire until his entry into the U.S. Army in 1943. Bass served during World War II until 1946, during which time he became a U.S. Citizen. Bass’ proclivity in writing extended to poetry as well, and a poem of his entitled, The Heroes was published in "The Best from Yank Army Weekly" (selected by the editors of Yank, published by E. P. Dutton & Co., Inc., New York 1945 p. 153).

Creative life

Later, he was an art director in

McCann Erickson, BBDO,[4] and Columbia Records. In television, he was the first,[5] and to date, the only Director of Graphic Arts for CBS.[2]

While at CBS, he inspired the creation of the Vidifont, the first electronic graphics generator employed in television production.[2] The first font offered by the Vidifont was the CND-36 (CBS News Division) font that Rudi designed for CBS News.[6] Rudi worked with the lead engineer who designed the Vidifont teaching him the basics of graphics design so that he would understand the nuances of the problem he was trying to solve.[2] Within a year of its introduction, the system was widely adopted by the industry. CBS received an EMMY award in recognition of the Vidifont's impact on television production.

In addition, while at CBS, Bass was Director of Graphic Arts for the televised coverage of “Man on the Moon: The Epic Journey of Apollo 11,” July – September 1969.[7]

During his career in the United States, Rudi Bass won several awards, at least 14 in all, including: an Emmy from the National Academy of Television Arts & Sciences; 3 Best of Industry awards from The Direct Mail Association of America (DMAA), predecessor of the present-day Direct Marketing Association;[8] an award for Excellence in Typography from the Art Directors Club (1951)[9] and others from the American Institute of Graphic Arts (AIGA), where his work can be found in their design archives.

Additionally, he was a visiting professor at

Philadelphia College of Art
.

Later life

At age 72, in 1986, he and his wife, Dr. Annette Lyons, moved to Paris, France, where he began to write and draw as a free-lance artist. Two published works from this period are How to Talk to a French Crocodile and Comment Parler au Crocodile Americaine.

Bass gifted his design and installation of the war memorial stone plaques in the Cloister area and the design of the wrought iron alms bowl in the entry of the American Cathedral in Paris.[10]

From March 26 to April 21, 2002, he had a one-man show at The National Arts Club in NYC The National Arts Club in New York entitled "How We Got Where We Are: 42 Portraits and Stories by Rudi Bass of marriages and murders, myth and reality of the rights of women and the rites of men." These are portraits with calligraphic text depicting historical figures with a brief bio of each. He primarily used acrylics for the paintings and India ink for the calligraphy. This body of work had two additional showings in different venues and were very well received in their entirety both for their beauty and their interesting and educational data in the text.

During all their years in France and continuing in his studio at home in New York City until shortly before his death, Rudi continued his prolific creative life turning out books, other art work and more (see Published works). He painted, sketched, wrote, designed and created daily and was an inspiration for many much younger than he.

At the time of his death, at the age 96, he was working on a project creating a new alphabet to enhance texting on smartphones.

An oral history of his life was recorded by the Leo Baeck Institute in New York[3] shortly before his death, and they have spoken for his work and manuscripts for their library.

Published works

References

  1. ^ Rudi Bass Obituary, The New York Times, New York, January 25, 2011
  2. ^ a b c d e "First-Hand:Inventing the Vidifont: the first electronics graphics machine used in television production". ETHW. July 31, 2015. Retrieved March 5, 2024.
  3. ^ a b "AHC interview with Rudi Bass". Retrieved March 5, 2024.
  4. ^ Broadcasting. 70. Cahners Pub. Co: 119. 1966. Rudi Bass, formerly senior art director for BBDO, New York, named graphics director at CBS News {{cite journal}}: Missing or empty |title= (help)
  5. ^ National Society of Art Directors (1966). Art Direction. 18. Advertising Trade Publications: 174. With total color programming practically here, CBS's TV News Graphics Department was given its first Director, Rudi Bass {{cite journal}}: Missing or empty |title= (help)
  6. ^ Deutsche Gesellschaft für Kommunikationsforschung (1990). Revue internationale de la recherche de communication. 15. Verl. Hans Richarz: 116. Investigations into the problems arising from the use of type on the screen have led to the development of suitable type faces, such as the "CBS NEWS 36" system created by Rudi Bass {{cite journal}}: Missing or empty |title= (help)
  7. ^ Alfred Robert Hogan "Televising the Space Age: A descriptive Chronology of CBS News Special Coverage of Space Exploration from 1957 to 2003", 2005 [1]
  8. ^ W.H. Allner, "Posters": Fifty artists and designers analyze their approach, their methods, and their solutions to poster design and poster advertising Reinhold Publishing Corporation, New York, (1952) pp.14-15 Library of Congress Catalog Card Number: 52-10620
  9. ^ Frank A. Mercer and Rathbone Holme [Editors]: ART & INDUSTRY. London: The Studio Ltd., 1954. Original edition [Volume 56, Number 336: June 1954]
  10. ^ "Link American Cathedral in Paris Architectural features & Objets d'art The Cloister". Retrieved March 5, 2024.

External links

  • Profile at the
    AIGA
    Design Archives
Retrieved from "https://en.wikipedia.org/w/index.php?title=Rudi_Bass&oldid=1212012261"