Santa Maria sopra Minerva

Coordinates: 41°53′53″N 12°28′42″E / 41.89806°N 12.47833°E / 41.89806; 12.47833
Source: Wikipedia, the free encyclopedia.
Not to be confused with Temple of Minerva, Assisi.
Basilica di Santa Maria sopra Minerva
  • Basilica of Saint Mary above Minerva (
    Style
Gothic
Groundbreaking1280 (1280)
Completed1370
Specifications
Length101 m (331 ft)
Width41 m (135 ft)
Nave width15 m (49 ft)
Administration
ProvinceDiocese of Rome
Clergy
Cardinal protectorAntónio Marto

Santa Maria sopra Minerva is one of the major

interpretatio romana
).

The church is located in Piazza della Minerva one block east the Pantheon in the Pigna rione of Rome within the ancient district known as the Campus Martius. The present church and disposition of surrounding structures is visible in a detail from the Nolli Map of 1748.

While many other medieval churches in Rome have been given

vaulting
that was painted blue with gilded stars and trimmed with brilliant red ribbing in a 19th-century Neo-Gothic restoration.

The church and adjoining convent served at various times throughout its history as the Dominican Order's headquarters. Today the headquarters have been re-established in their original location at the Roman convent of Santa Sabina. The titulus of Sanctae Mariae supra Minervam was conferred upon Cardinal António Marto, on 28 June 2018.

History

Santa Maria sopra Minerva interior

In Roman times there were three temples in what is now the area surrounding the basilica and former convent buildings: the

Gnaeus Pompey in honour of the goddess Minerva about 50 BC, referred to as Delubrum Minervae; the Iseum dedicated to Isis, and the Serapeum dedicated to Serapis.[3] Details of the temple to Minerva are not known but recent investigations indicate that a small round Minervium once stood a little further to the east on the Piazza of the Collegio Romano.[1] In 1665 an Egyptian obelisk was found, buried in the garden of the Dominican cloister adjacent to the church. Several other small obelisks were found at different times near the church, known as the Obelisci Isei Campensis, which were probably brought to Rome during the 1st century and grouped in pairs, with others, at the entrances of the temple of Isis.[4] There are other Roman survivals in the crypt
.

The ruined temple is likely to have lasted until the reign of

Basilian nuns from Constantinople who maintained an oratorium there dedicated to the "Virgin of Minervum".[5]
The structure he commissioned has disappeared.

In 1255 Pope Alexander IV established a community of converted women on the site. A decade later this community was transferred to the Roman Church of San Pancrazio thereby allowing the Dominicans to establish a convent of friars and a studium conventuale there. The Friars were on site beginning in 1266 but took official possession of the Church in 1275. Aldobrandino Cavalcanti (1279), vicarius Urbis or vicar for Pope Gregory X, and an associate of Thomas Aquinas ratified the donation of Santa Maria sopra Minerva to the Dominicans of Santa Sabina by the sisters of S. Maria in Campo Marzio.[6] The ensemble of buildings that formed around the church and convent came to be known as the insula sapientae or insula dominicana (island of wisdom or Dominican island).[7]

The Dominicans began building the present

Boniface VIII
and the faithful the side aisles were completed in the 14th century.

In 1453 church interior construction was finally completed when Cardinal Juan Torquemada ordered that the main nave be covered by a vault that reduced the overall projected height of the church.[2] In the same year of 1453 Count Francesco Orsini sponsored the construction of the façade at his own expense. However work on the façade remained incomplete until 1725 when it was finally finished by order of Pope Benedict XIII.[7]

In 1431, the Church and the adjacent Convent of the Dominicans was the site of a Papal conclave. The city of Rome was in an uproar upon the death of Pope Martin V (Colonna), whose family had dominated Roman political life for fifteen years, and enriched themselves on the wealth of the Church. There was fighting in the streets on a daily basis, and the Plaza in front of the Minerva, because of the configuration of streets, houses, church and monastery, could easily be fortified and defended.[8] The Sacristy of the Church served as the meeting hall for the fourteen cardinals (out of nineteen) who attended the Conclave, which began on 1 March 1431. The dormitory of the monks in the Convent to the immediate north of the Church, served as the living quarters for the cardinals and their refectory and kitchen. On 3 March they elected Cardinal Gabriele Condulmaro, who took the name Eugenius IV.[9] A second Conclave was held at the Minerva, on 4–6 March 1447, following the death of Pope Eugenius, once again in the midst of disturbances involving the Orsini supporters of Pope Eugenius and his enemies the Colonna. Eighteen cardinals (out of a total of twenty-six) were present and elected Cardinal Tommaso Parentucelli da Sarzana as Pope Nicholas V.[10]

The Minerva has been a

minor basilica
in that same year.

In the 16th century Giuliano da Sangallo made changes in the choir area, and in 1600 Carlo Maderno enlarged the apse, added Baroque decorations and created the present façade with its pilastered tripartite division in Renaissance style.[2] Marks on this façade dating back to the 16th and 17th centuries indicate various flood levels of the Tiber 65 feet (20 metres).

Between 1848 and 1855 Girolamo Bianchedi directed an important program of restoration when most of the Baroque additions were removed and the blank walls were covered with neo-gothic frescos giving the interior the

Neo-Gothic
appearance that it has today.

The basilica's stained glass windows are mostly from the 19th century. In 1909, the great organ was constructed by the firm of Carlo Vegezzi Bossi. The organ was restored in 1999.[12]

The inscriptions found in S. Maria sopra Minerva have been collected and published by Vincenzo Forcella.[13]

Convent and Studium

In 1288 the theology component of the provincial curriculum for the education of the friars was relocated from the studium provinciale at the Roman basilica of Santa Sabina to the studium conventuale at Santa Maria sopra Minerva which was redesignated as a studium particularis theologiae.[14] At various times in its history this studium served as a studium generale for the Roman province of the Order.

College of Saint Thomas

The late 16th century saw the studium at Santa Maria sopra Minerva undergo transformation. Thomas Aquinas, who had been canonized in 1323 by Pope

Latin: Collegium Divi Thomae) at Santa Maria sopra Minerva. The college occupied several existing convent structures, and new construction was required. At that time the convent underwent considerable reconstruction to accommodate the college and the cloister was redesigned so that side chapels could be added to the church's northern flank. A detail from the Nolli Map
of 1748 gives some idea of the disposition of buildings when the Minerva convent housed the College of St. Thomas.

Offices of the Inquisition

On 14 September 1628, by papal decree, the convent of Minerva was designated as the seat of the

Congregation of the Holy Office. It thus became the place where the tribunal of the Roman Inquisition set up by Paul III in 1542 held the Secret Congregation meetings during which the sentences were read out.[16] It was in a room of the Minerva Convent on 22 June 1633 that the father of modern astronomy Galileo Galilei, after being tried for heresy, abjured his scientific theses, i.e. those of the Copernican theory.[16]

In the late 18th and early 19th century the suppression of religious orders hampered the mission of the Order and the College of St. Thomas. During the French occupation of Rome from 1797 to 1814 the college declined and even briefly closed its doors from 1810 to 1815.[17] The Order gained control of the convent once again in 1815, only for it to be expropriated by the Italian government in 1870.

In 1873 the Collegium Divi Thomæ de Urbe was forced to leave the Minerva for good, eventually being relocated at the convent of Saints Dominic and Sixtus in 1932 and being transformed into the Pontifical University of Saint Thomas Aquinas, Angelicum in 1963.

The Dominicans eventually were allowed to return to the Minerva and part of the convent.

Interior

Among several important works of art in the church are

Clement VII (born Giulio de Medici, c. 1478–1534), designed by Baccio Bandinelli.[18]

Carafa Chapel

Main article: Carafa Chapel
Carafa chapel in 2010

The

Saint Thomas Aquinas. There are two Marian scenes, the Annunciation and the Assumption; over the altar is his St Thomas presenting Cardinal Carafa to the Blessed Virgin, and on the right-hand wall his Glory of St Thomas. It was inaugurated in 1493, and is also known as the Chapel of St Thomas Aquinas. The relics of St Thomas Aquinas were kept in this chapel until 1511, when they were moved to Naples. Designed by Pirro Ligorio in 1559, the tomb of Gian Pietro Carafa, who became Pope Paul IV
in 1555, is also in the chapel.

Cappella Capranica

The chapel is also known as the Chapel of the Rosary. The stucco ceiling was made in 1573 by Marcello Venusti. The chapel contains the tomb of Cardinal Domenico Capranica by Andrea Bregno.

Michelangelo's Cristo della Minerva

Christ the Redeemer
near the altar

The

Michelangelo Buonarroti
, finished in 1521, located to the left of the main altar.

Cappella Aldobrandini

The

St. Ignatius of Loyola as one of its earliest members. This chapel contains the Federico Barocci altarpiece depicting the Communion of the Apostles
.

Cappella Raymond of Penyafort

The chapel dedicated to Raymond of Penyafort houses the tomb of Cardinal Juan Díaz de Coca, by Andrea Bregno. The ceiling fresco Jesus Christ as a Judge, between two angels is by Melozzo da Forlì.

Other major artworks

Burials

Sarcophagus of Saint Catherine of Siena beneath the High Altar

Saint

Basilica of San Domenico in Siena). Beyond the sacristy, the room where she died in 1380 was reconstructed here by Antonio Barberini in 1637. This room is the first transplanted interior, and the progenitor of familiar 19th and 20th century museum "period rooms." The frescoes by Antoniazzo Romano
that decorated the original walls, however, are now lost.

The famous early Renaissance painter Fra Angelico died in the adjoining convent and was buried in the church. (He had painted a fresco cycle in the cloister on the initiative of Cardinal Juan de Torquemada, but those paintings have not survived.)

Before the construction of

Clement VII (Giulio de Medici) - are located here, designed by Florentine sculptor Baccio Bandinelli.[18] Curiously, Diotisalvi Neroni, a refugee who had taken part in the plot against Piero de' Medici
, is also buried in the church.

The tombs of Popes

Jules Mazarin, the Byzantine philosopher George of Trebizond, and two Renaissance theorists and practitioners, Filarete in architecture and Mariano Santo in surgery
.

Cardinal Astorgio Agnensi has his tomb monument in the cloister.

List of cardinal-priests from Santa Maria sopra Minerva

Minerva's Pulcino

Main article: Elephant and Obelisk
The Pulcino della Minerva, the famous elephant sculpture by Bernini and Ercole Ferrata, making the base of one of Rome's eleven Egyptian obelisks.

In front of the church there is one of the most curious monuments of Rome, the so-called Pulcino della Minerva. It is a statue designed by the Baroque era sculptor

Twenty-sixth dynasty of Egypt. The two obelisks were brought to Rome by Diocletian
, during his reign as emperor from 284 to 305, for placement at the Temple of Isis, which stood nearby. The Latin inscription on the base, chosen by the pope who commissioned the sculpture to support the obelisk found on the site, Alexander VII, is said to represent that "...a strong mind is needed to support a solid knowledge".

The inspiration for the unusual composition came from Hypnerotomachia Poliphili ("Poliphilo's Dream of the Strife of Love"), an unusual 15th century novel probably by Francesco Colonna. The novel's main character meets an elephant made of stone carrying an obelisk, and the accompanying woodcut illustration[20] in the book is quite similar to Bernini's design for the base for the obelisk. The curious placement of the obelisk through the body of the elephant is identical.

The sturdy appearance of the structure earned it the popular nickname of "Porcino" ("Piggy") for a while. The name for the structure eventually changed to Pulcino, the Italian for a small or little "chick". This may have been a reference to the comparatively short height of the obelisk or, an obscure reference to the major charity of the Dominicans to assist young women needing dowries, who made a procession in the courtyard every year. The latter were once depicted in a local painting as three tiny figures with the Virgin Mary presenting purses to them.

Cultural references

The elephant and obelisk monument and the church of Santa Maria sopra Minerva feature in the novel 'The Tomb of Alexander' by Sean Hemingway. In the novel it is claimed that a secret passageway beneath the church leads to a chamber beneath the elephant monument which contains the body of Alexander the Great, placed there in the 17th century by Pope Alexander VII. This is entirely a work of fiction and the theory is unproven.

Dali's painting 'Les Elephants' includes two elephants with long spindly legs that appear to be carrying obelisks; on closer inspection, the obelisks are floating. Dali also utilizes this motif in Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening (1944) and The Temptation of Saint Anthony (1946). See Monica Bowen's blog Alberti's Window.[21]

Gallery

See also

  • Roman Catholic Marian churches

References

Notes

Citations

  1. ^ a b c Grundmann & Fürst 1998, pp. 96–97
  2. ^ a b c "S. Maria sopra Minerva" (in Italian). Ministry of the Interior. Retrieved 2013-03-12.
  3. ^ "Official website of Santa Maria sopra Minerva" (in Italian). Retrieved 2009-03-15.
  4. ^ Platner, Samuel Ball (1929), "Obeliscus Isei Campensis", A Topographical Dictionary of Ancient Rome, Oxford, pp. 368–369{{citation}}: CS1 maint: location missing publisher (link)
  5. ^ Masetti 1855, p. 2
  6. ^ Bagliani, Agostino Paravicini. "Cavalcanti, Aldobrandino (Ildebrandinus)". Treccani.it- The Italian Encyclopedia (in Italian). Retrieved 2013-02-23.
  7. ^ a b "EUROPEAN HERITAGE DAYS 2012 - "ITALY TREASURE OF EUROPE"" (in Italian). Ministry of Cultural Heritage and Activities and Tourism. 2012-09-29. Retrieved 2013-12-19.
  8. ^ Ferdinand Gregorovius, The History of Rome in the Middle Ages (translated from the fourth German edition by A. Hamilton) Volume 7 part 1 [Book XIII, Chapter 1] (London 1900) 22-26.
  9. ^ J. P. Adams, Sede Vacante and Conclave of 1431. Retrieved: 2016-03-13.
  10. ^ J. P. Adams, Sede Vacante and Conclave of 1447. Retrieved: 2016-03-13.
  11. ^ David M. Cheney, Catholic-Hierarchy: Santa Maria sopra Minerva. Retrieved: 2016-03-13.
  12. ^ The Vegezzi Bossi Organ at the Minerva. Retrieved: 2016-03-13.
  13. ^ V. Forcella, Inscrizioni delle chese e d' altre edifici di Roma, dal secolo XI fino al secolo XVI Volume I. Roma: Tipografia delle scienze mathematiche e fisiche, 1869, pp. 409-539.
  14. ISBN 9780888441324
    . Retrieved 2011-05-26.
  15. ISBN 9788870942460. Retrieved 2011-04-21. {{cite book}}: |work= ignored (help
    )
  16. ^ a b "Palazzo del Seminario (The Seminario Palace)". Chamber of Deputies. Retrieved 2013-12-19.
  17. ISBN 9781883734183
    . Retrieved 2011-04-24.
  18. ^ a b c "Antonio da Sangallo, the Younger | Design for a Freestanding Tomb Seen in Elevation and Plan".
  19. ^ "Annunciation", Feminae, University of Iowa
  20. ^ Media related to Elephant hypnerno at Wikimedia Commons (illustration from Hypnerotomachia Poliphili)
  21. ^ Bowen, Monica. Bernini’s Elephant, Another Myth, and Dali. Alberti’s Window. March 21st, 2016.

Bibliography

External links
Preceded by
Santa Maria del Popolo 		Landmarks of Rome
Santa Maria sopra Minerva 		Succeeded by
Santa Maria in Trastevere
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