The Saturday Evening Post

The Saturday Evening Post is an American magazine, currently published six times a year. It was published weekly from 1897 until 1963, and then every other week until 1969. From the 1920s to the 1960s, it was one of the most widely circulated and influential magazines among the American middle class, with fiction, non-fiction, cartoons and features that reached two million homes every week.

In the 1960s, the magazine's readership began to decline. In 1969, The Saturday Evening Post folded for two years before being revived as a quarterly publication with an emphasis on medical articles in 1971.

As of the late 2000s, The Saturday Evening Post is published six times a year by the Saturday Evening Post Society, which purchased the magazine in 1982. The magazine was redesigned in 2013.^[3]

History

19th century

The Saturday Evening Post was first published in 1821

Cyrus H. K. Curtis, publisher of the Ladies' Home Journal, bought the Post for $1,000 in 1897.^[6] Under the ownership of the Curtis Publishing Company, the Post grew to become the most widely circulated weekly magazine in the United States. The magazine gained prominent status under the leadership of its longtime editor George Horace Lorimer (1899–1937).^[7]

The Saturday Evening Post published current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry with contributions submitted by readers, single-panel gag cartoons, including Hazel by Ted Key, and stories by leading writers of the time. It was known for commissioning lavish illustrations and original works of fiction. Illustrations were featured on the cover and embedded in stories and advertising. Some Post illustrations continue to be reproduced as posters or prints, especially those by Norman Rockwell.^{[citation needed]}

20th century

In 1954, it published its first articles on the role of the U.S. in deposing Mohammad Mosaddegh, Prime Minister of Iran, in 1953. The article was based on materials leaked by CIA director Allen Dulles.^[8]

The Post readership began to decline in the late 1950s and 1960s. In general, the decline of general interest magazines was blamed on television, which competed for advertisers and readers' attention. The Post had problems retaining readers: the public's taste in fiction was changing, and the Post's conservative politics and values appealed to a declining number of people.^{[citation needed]} Content by popular writers became harder to obtain. Prominent authors drifted away to newer magazines offering more money and status. As a result, the Post published more articles on current events and cut costs by replacing illustrations with photographs for covers and advertisements.^{[citation needed]}

In 1967, The magazine's publisher,

William Emerson was promoted to editor-in-chief in 1965 and remained in the position until the magazine's demise in 1969.^[10]

In 1968,

These last-ditch efforts failed to save the magazine, and Curtis announced in January 1969 that the February 8 issue would be the magazine's last. Ackerman stated that the magazine had lost $5M in 1968 and would lose a projected $3M in 1969.[15] In a meeting with employees after the magazine's closure had been announced, Emerson thanked the staff for their professional work and promised "to stay here and see that everyone finds a job".^[16]

At a March 1969 post-mortem on the magazine's closing, Emerson stated that The Post "was a damn good vehicle for advertising" with competitive renewal rates and readership reports and expressed what The New York Times called "understandable bitterness" in wishing "that all the one-eyed critics will lose their other eye".^[17] Otto Friedrich, the magazine's last managing editor, blamed the death of The Post on Curtis. In his Decline and Fall (Harper & Row, 1970), an account of the magazine's final years (1962–69), he argued that corporate management was unimaginative and incompetent. Friedrich acknowledges that The Post faced challenges while the tastes of American readers changed over the course of the 1960s, but he insisted that the magazine maintained a standard of good quality and was appreciated by readers.^{[citation needed]}

In 1970, control of the debilitated Curtis Publishing Company was acquired from the estate of

With the January/February 2013 issue, the Post launched a major makeover of the publication, including a new cover design and efforts to increase the magazine's profile, in response to a general public misbelief that it was no longer in existence.[23] The magazine's new logo is an update of a logo it had used beginning in 1942.^[24] As of October 2018, the complete archive of the magazine is available online.^[25]

Legacy

The Post has made significant contributions to American and world culture.

Illustrations

In 1916, Saturday Evening Post editor George Horace Lorimer discovered Norman Rockwell, then an unknown 22-year-old New York City artist. Lorimer promptly purchased two illustrations from Rockwell, using them as covers, and commissioned three more drawings. Rockwell's illustrations of the American family and rural life of a bygone era became icons. During his 50-year career with the Post, Rockwell painted more than 300 covers.^{[citation needed]}

The Post also employed Nebraska artist John Philip Falter, who became known as "a painter of Americana with an accent of the Middle West," who "brought out some of the homeliness and humor of Middle Western town life and home life." He produced 120 covers for the Post between 1943 and 1968, ceasing only when the magazine began displaying photographs on its covers. ^{[citation needed]}

Another prominent artist was Charles R. Chickering, a freelance illustrator who went on to design numerous postage stamps for the U.S. Post Office. Other popular cover illustrators include artists George Hughes, Constantin Alajalov,^[26]

Cartoonists have included: Irwin Caplan, Clyde Lamb, Jerry Marcus, Frank O'Neal, Charles M. Schulz, and Bill Yates. The magazine ran Ted Key's cartoon panel series Hazel from 1943 to 1969.^{[citation needed]}

Literature

Each issue featured several original short stories and often included an installment of a serial appearing in successive issues. Most of the fiction was written for mainstream tastes by popular writers, but some literary writers were featured. The opening pages of stories featured paintings by the leading magazine illustrators.^{[citation needed]}

The Post published stories and essays by

Poetry published came from poets including: Carl Sandburg, Ogden Nash, Dorothy Parker, and Hannah Kahn.^{[citation needed]}

Jack London's best-known novel The Call of the Wild was first published, in serialized form, in the Saturday Evening Post in 1903.^[28]

Emblematic of the Post's fiction was author Clarence Budington Kelland, who first appeared in 1916–17 with stories of homespun heroes, "Efficiency Edgar" and "Scattergood Baines". Kelland was a steady presence from 1922 until 1961.^{[citation needed]}

For many years William Hazlett Upson contributed a very popular series of short stories about the escapades of Earthworm Tractors salesman Alexander Botts.^[29]

Publication in the Post launched careers and helped established artists and writers stay afloat. P. G. Wodehouse said "the wolf was always at the door" until the Post gave him his "first break" in 1915 by serializing Something New.^[30]

Politics

After the election of

After Lorimer died, Garrett became editorial writer-in-chief and criticized the Roosevelt administration's support of the United Kingdom and efforts to prepare to enter World War II, and allegedly showed some support for Adolf Hitler in some of his editorials. Garrett's positions aroused controversy and may have cost the Post readers and advertisers in the aftermath of Pearl Harbor and the Holocaust.^{[citation needed]}

Editors

(Listed from the purchase by Curtis, 1898)^[31]

Other notable staff

• Jane Nickerson^[36]

Cover gallery

• 
  December 28, 1907. Cover by J. C. Leyendecker
• 
  April 16, 1910. Cover by Anton Otto Fischer
• 
  March 11, 1911. Cover by

  Alonzo Myron Kimball
• 
  December 4, 1920. Cover by Norman Rockwell
• 
  June 4, 1921. Cover by Norman Rockwell

See also

• Constantin Alajalov
• Cyrus Curtis
• John Philip Falter
• Anton Otto Fischer
• Garet Garrett
• Ladies' Home Journal
• J. C. Leyendecker
• Norman Rockwell
• John E. Sheridan (illustrator)
• Harry Simmons
• Frank Glasgow Tinker
• Edmund Ward

Similar magazines

• Collier's
• Harper's Weekly
• Liberty
• Life
• Look
• Reader's Digest (still in publication)

References

Further reading

• Cohn, Jan. Creating America: George Horace Lorimer and the Saturday Evening Post (University of Pittsburgh Press, 1990)
• Damon-Moore, Helen. Magazines for the millions: Gender and commerce in the Ladies' Home Journal and the Saturday Evening Post, 1880–1910 (SUNY Press, 1994)
• Hall, Roger I. "A system pathology of an organization: the rise and fall of the old Saturday Evening Post." Administrative science quarterly (1976): 185–211. in JSTOR
• Tebbel, John William. George Horace Lorimer and the Saturday Evening Post (1948)

External links

Wikimedia Commons has media related to The Saturday Evening Post.

• Official website
• Curtis Publishing (archived 30 September 2017)
• "More Irrelevant Than Irreverent" by Pete Hamill for The Village Voice, January 16, 1969.