Scruggs style

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Forward roll on G major chord in both standard notation and banjo tablature, accompaniment pattern characteristic of Scruggs style[1] Playⓘ.

Scruggs style is the most common style of playing the

19th-century finger-style played without picks), clawhammer/frailing/two-finger style (played with thumb and nail of the first or middle finger), jazz styles played with a plectrum, and more modern styles such as Keith/melodic/chromatic/arpa style and single-string/Reno style. The influence of Scruggs is so pervasive that even bluegrass players such as Bill Keith and Don Reno, who are credited with developing these latter styles, typically work out of the Scruggs style much of the time.[citation needed
]

Technique

Variant of forward roll above, shown only in tab. Playⓘ

Scruggs-style banjo is played with picks on the thumb, index, and middle fingers; the pinky and ring fingers are typically braced against the head (top) of the instrument. The

swing or shuffle feel, especially on mid-tempo numbers. The result is lively, rapid music, which lends itself both as an accompaniment to other instruments and as a solo.[citation needed
]

"Scruggs-style back-up is effective for any...break when it is played with the deeper tones of the banjo... However, it is particularly effective [with]...fiddle, mandolin, and vocal breaks. The deeper tones of the banjo counter-balance the higher pitched tones of the fiddle and mandolin, and the activity of the roll patterns creates a counter-melody which enhances the effectiveness of the melody."

— Janet Davis[2]
Banjo, "standard roll patterns", on G major chord: Play forwardⓘ (above), Play backwardⓘ, Play mixedⓘ, and Play forward-reverseⓘ.[1][3]

Beginning with his first recordings with

Lester Flatt, Earl Scruggs and the Foggy Mountain Boys, Earl Scruggs introduced a vocabulary of "licks", short musical phrases that are reused in many different songs. Because these licks were widely copied (with variations) by later players, they have become one of the defining attributes of the style, and give it its characteristic sound.[4] These licks often contain fretting-hand embellishments such as slides, chokes (bends), hammer-ons, or plucking the strings with the fretting hand (left hand pizzicato), which add to the harmonic and rhythmic complexity. Many licks also make use of blue notes, giving the music a bluesier feel.[citation needed
]

Influence

Some have debated how much of the "Scruggs style" was actually "invented" (instead of merely popularized) by Scruggs. For example, Scruggs names

ISBN 0-634-06042-2) was published. This made Scruggs' technique more widely accessible, and as one of the earliest books of its kind for bluegrass banjo, helped spread Scruggs' influence considerably. The style was also popularized by Scruggs' recording of the theme song of the television program The Beverly Hillbillies (1962-1971), "The Ballad of Jed Clampett", as well as the use of "Foggy Mountain Breakdown" in the film Bonnie and Clyde
(1967).

On January 11, 2019 (5 years ago) (2019-01-11), a Google Doodle paid homage to Scruggs by featuring a "close-up" animated demonstration of the "Scruggs style".[6]

See also

References

  1. ^
    ISBN 0-7866-6525-4
    .
  2. ^ Davis (2002), p.56.
  3. ISBN 1-893907-32-5
    . Shown without rhythm.
  4. ^ Adler, Thomas (1974). "Manual Formulaic Composition: Innovation in Bluegrass Banjo Styles," Journal of Country Music 5 no. 2: 55–64.
  5. ISBN 0-7866-5127-X
    .
  6. ^ Musil, Steven (2019-01-10). "Google Doodle celebrates Earl Scruggs, banjo-picking pioneer". CNET.

Bibliography

  • Scruggs, Earl; Brent, M.D., Burt (1968). Earl Scruggs and the 5-String Banjo. Peer International Corp.
  • Castelnero, Gordon and Russell, David L. Earl Scruggs: Banjo Icon. Rowman & Littlefield, 2017.

External links

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