Culture of Italy
The culture of Italy encompasses the knowledge, beliefs, arts, laws, and customs of the Italian peninsula and of the Italians throughout history. Italy has been the centre of the
Due to its comparatively late unification, and the historical autonomy of the regions that comprise the Italian peninsula, many traditions and customs that are now recognized as distinctly Italian can be identified by their regions of origin. Despite the political and social isolation of some of these regions, Italy made significant contributions to the cultural and historical heritage of Europe.The main elements of Italian culture are its art, music, cinema, style, and food. Italy was the birthplace of opera,[5] and for generations the language of opera was Italian, irrespective of the nationality of the composer. Italy had a significant presence in the development of Classical music, birthing Baroque music, many forms of musical composition such as the Symphony, the Sonata and the Concerto, as well as many important composers. Italy is known for its lively folk dances. Italy has electronic dance music scenes consisting of Italian-born genres such as Italo disco, lento violento, and dream trance as well as foreign genres such as hardstyle. Before being exported to France, the Ballet dance genre also originated in Italy. Popular tastes in drama in Italy have long favoured comedy; the improvisational style known as the Commedia dell'arte began in Italy in the mid-16th century[6] and is still performed today. Italian cinema is revered throughout the world. The art film has its origins in Italy. Spaghetti Westerns emerged with the release of Sergio Leone's, A Fistful of Dollars, a genre consisting of films mostly produced and directed by Italians.
The country boasts several world-famous cities.
Italy has rich collections of art, culture and literature from many periods. The country has had a broad cultural influence worldwide and is home to the greatest number of UNESCO World Heritage Sites (58).[11][12]
Arts
Italian art has influenced several major movements throughout the centuries and has produced several great artists. Italy is
The very numerous
Italy was the main centre of artistic developments throughout the
However, Italy maintained a presence in the international art scene from the mid-19th century onwards, with cultural movements such as the
.Architecture
Italy is known for its considerable architectural achievements,
The Christian concept of a Basilica, a style of church architecture that came to dominate the early Middle Ages, was invented in Rome. They were known for being long, rectangular buildings, which were built in an almost ancient Roman style, often rich in mosaics and decorations. The early Christians' art and architecture were also widely inspired by that of the pagan Romans; statues, mosaics and paintings decorated all their churches.[18] Old St. Peter's Church (begun about A.D. 330) was probably the first significant early Christian basilica, a style of church architecture that came to dominate the early Middle Ages. Old St. Peter's stood on the site of the present St. Peter's Basilica in Rome. The first significant buildings in the medieval Romanesque style were churches built in Italy during the 800s. Several outstanding examples of the Byzantine architectural style of the Middle East were also built in Italy. The Byzantines kept Roman principles of architecture and art alive, and the most famous structure from this period is the Basilica of St Mark in Venice.
The Romanesque movement, which went from approximately 800 AD to 1100 AD, was one of the most fruitful and creative periods in Italian architecture, when several masterpieces, such as the Leaning Tower of Pisa in the Piazza dei Miracoli, and the Basilica of Sant'Ambrogio in Milan were built. It was known for its usage of the Roman arches, stained glass windows, and also its curved columns which commonly featured in cloisters. The main innovation of Italian Romanesque architecture was the vault, which had never been seen before in the history of Western architecture.[19]
A flowering of Italian architecture took place during the Renaissance.
The Baroque period produced several outstanding Italian architects in the 17th century, especially known for their churches. The most original work of all late Baroque and Rococo architecture is the
In the late 18th and early 19th centuries, Italy was affected by the Neoclassical architectural movement. Everything from villas, palaces, gardens, interiors and art began to be based on Roman and Greek themes,
Italian
The fascist architecture (shown in the
Cinema
The history of
After a period of decline in the 1920s, the Italian film industry was revitalized in the 1930s with the arrival of sound film. A popular Italian genre during this period, the Telefoni Bianchi, consisted of comedies with glamorous backgrounds.[38] Calligrafismo was instead in a sharp contrast to Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity and deals mainly with contemporary literary material.[39] Cinema was later used by Benito Mussolini, who founded Rome's renowned Cinecittà studio also for the production of Fascist propaganda until World War II.[40]
After the war, Italian film was widely recognised and exported until an artistic decline around the 1980s.
As the country grew wealthier in the 1950s, a form of neorealism known as pink neorealism succeeded, and starting from the 1950s through the Commedia all'italiana genre, and other film genres, such as sword-and-sandal followed as Spaghetti Westerns, were popular in the 1960s and 1970s.[45] Actresses such as Sophia Loren, Giulietta Masina and Gina Lollobrigida achieved international stardom during this period. Erotic Italian thrillers, or giallos, produced by directors such as Mario Bava and Dario Argento in the 1970s, also influenced the horror genre worldwide.[46] In recent years, the Italian scene has received only occasional international attention, with movies like Cinema Paradiso written and directed by Giuseppe Tornatore, Mediterraneo directed by Gabriele Salvatores, Life Is Beautiful directed by Roberto Benigni, Il Postino: The Postman with Massimo Troisi and The Great Beauty directed by Paolo Sorrentino.[47]
The aforementioned
Italy is the most awarded country at the
Comics
The official birth of Italian comics (usually called Fumetti in Italian) is 27 December 1908, when the first issue of the Corriere dei Piccoli was published. Attilio Mussino has produced for this weekly a wide range of characters, including a little black child, Bilbolbul, whose almost surrealist adventures took place in a fantastic Africa.
In 1932 publisher Lotario Vecchi, had already begun publication of Jumbo magazine, using exclusively North American authors.[54] The magazine reached a circulation of 350.000 copies in Italy, sanctioning comics as a mainstream medium with broad appeal. Vecchi moved to Spain three years later, bringing the same title.
In December 1932, the first Disney comic in Italy, Mickey Mouse, or Topolino in Italian, had been launched by the Florentine publisher Nerbini. The Disney franchise was then taken over by the Mondadori subsidiary, API, in 1935.
In 1945, Hugo Pratt while attending the Venice Academy of Fine Arts, created, in collaboration with Mario Faustinelli and Alberto Ongaro, Asso di Picche. Their distinctive approach to the art form earned them the name of the Venetian school of comics.
In 1948 Gian Luigi Bonelli initiated a long and successful series of Western strips, starting with the popular Tex Willer. This comic would become the model for a line of publications centred around the popular comic book format that became known as Bonelliano, from the name of the publisher.
Some of the series that followed Tex Willer were Zagor (1961), Mister No (1975), and more recently, Martin Mystère (1982) and Dylan Dog (1986).The subject matter was always an adventure, whether western, horror, mystery or science fiction. The Bonelliani are to date the most popular form of comics in the country.
Italy also produces many
Among the most important artists and authors are
Italy also produces many comic books for children, preteens and teens: Gormiti based on a popular toy line, Angel's Friends and Winx Club based on the animated series global phenomenon.
Dance
Fashion and design
Italian fashion has a long tradition. Milan, Florence and Rome are Italy's main fashion capitals. According to Top Global Fashion Capital Rankings 2013 by Global Language Monitor, Rome ranked sixth worldwide while Milan was twelfth. Previously, in 2009, Milan was declared as the "fashion capital of the world" by Global Language Monitor itself.[57] Currently, Milan and Rome, annually compete with other major international centres, such as Paris, New York, London, and Tokyo.
The Italian fashion industry is one of the country's most important manufacturing sectors. The majority of the older Italian couturiers are based in Rome. However, Milan is seen as the fashion capital of Italy because many well-known designers are based there and it is the venue for the Italian designer collections. Major Italian fashion labels, such as
Accessory and jewellery labels, such as Bulgari, Luxottica, and Buccellati have been founded in Italy and are internationally acclaimed, and Luxottica is the world's largest eyewear company. Also, the fashion magazine Vogue Italia, is considered one of the most prestigious fashion magazines in the world.[58] The talent of young, creative fashion is also promoted, as in the ITS young fashion designer competition in Trieste.[59]
Italy is also prominent in the field of design, notably interior design, architectural design,
Italy is recognized as a worldwide trendsetter and leader in design.
Literature
Formal Latin literature began in 240 BC when the first stage play was performed in Rome.[66] Latin literature was, and still is, highly influential in the world, with numerous writers, poets, philosophers, and historians, such as Pliny the Elder, Pliny the Younger, Virgil, Horace, Propertius, Ovid and Livy. The Romans were also famous for their oral tradition, poetry, drama and epigrams.[67] In early years of the 13th century, Francis of Assisi was considered the first Italian poet by literary critics, with his religious song Canticle of the Sun.[68]
Another Italian voice originated in Sicily. At the court of Emperor Frederick II, who ruled the Sicilian kingdom during the first half of the 13th century, lyrics modelled on Provençal forms and themes were written in a refined version of the local vernacular. One of these poets was the notary Giacomo da Lentini, inventor of the sonnet form, though the most famous early sonneteer was Petrarch.[69]
Guido Guinizelli is considered the founder of the Dolce Stil Novo, a school that added a philosophical dimension to traditional love poetry. This new understanding of love, expressed in a smooth, pure style, influenced Guido Cavalcanti and the Florentine poet Dante Alighieri, who established the basis of the modern Italian language; his greatest work, the Divine Comedy, is considered among the finest works of world literature;[70] furthermore, the poet invented the difficult terza rima. Two major writers of the 14th century, Petrarch and Giovanni Boccaccio, sought out and imitated the works of antiquity and cultivated their own artistic personalities. Petrarch achieved fame through his collection of poems, Il Canzoniere. Petrarch's love poetry served as a model for centuries. Equally influential was Boccaccio's The Decameron, one of the most popular collections of short stories ever written.[71]
Italian Renaissance authors produced works including Niccolò Machiavelli's The Prince, an essay on political science and modern philosophy in which the "effectual truth" is taken to be more important than any abstract ideal; Ludovico Ariosto's Orlando Furioso, continuation of Matteo Maria Boiardo's unfinished romance Orlando Innamorato; and Baldassare Castiglione's dialogue The Book of the Courtier which describes the ideal of the perfect court gentleman and of spiritual beauty. The lyric poet Torquato Tasso in Jerusalem Delivered wrote a Christian epic in ottava rima, with attention to the Aristotelian canons of unity.
Romanticism coincided with some ideas of the
In the late 19th century, a realistic literary movement called Verismo played a major role in Italian literature; Giovanni Verga and Luigi Capuana were its main exponents. In the same period, Emilio Salgari, writer of action-adventure swashbucklers and a pioneer of science fiction, published his Sandokan series.[78] In 1883, Carlo Collodi also published the novel The Adventures of Pinocchio, the most celebrated children's classic by an Italian author and one of the most translated non-religious books in the world.[79] A movement called Futurism influenced Italian literature in the early 20th century. Filippo Tommaso Marinetti wrote Manifesto of Futurism, called for the use of language and metaphors that glorified the speed, dynamism, and violence of the machine age.[80]
Modern literary figures and Nobel laureates are Gabriele D'Annunzio from 1889 to 1910, nationalist poet Giosuè Carducci in 1906, realist writer Grazia Deledda in 1926, modern theatre author Luigi Pirandello in 1936, short stories writer Italo Calvino in 1960, poets Salvatore Quasimodo in 1959 and Eugenio Montale in 1975, Umberto Eco in 1980, and satirist and theatre author Dario Fo in 1997.[81]
Music
From
Italy's most famous composers include the
Italy is widely known for being the birthplace of opera.
Introduced in the early 1920s,
Italy contributed to the development of
Producers such as
Philosophy
Part of a series on the |
Culture of Italy |
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People |
Traditions |
Over the ages, Italian philosophy and literature had a vast influence on
Italian Medieval philosophy was mainly Christian, and included philosophers and theologians such as Thomas Aquinas, the foremost classical proponent of natural theology and the father of Thomism, who reintroduced Aristotelian philosophy to Christianity.[99] Notable Renaissance philosophers include: Giordano Bruno, one of the major scientific figures of the western world; Marsilio Ficino, one of the most influential humanist philosophers of the period; and Niccolò Machiavelli, one of the main founders of modern political science. Machiavelli's most famous work was The Prince, whose contribution to the history of political thought is the fundamental break between political realism and political idealism.[100] Italy was also affected by the Enlightenment, a movement which was a consequence of the Renaissance.[101] University cities such as Padua, Bologna and Naples remained centres of scholarship and the intellect, with several philosophers such as Giambattista Vico (widely regarded as being the founder of modern Italian philosophy)[102] and Antonio Genovesi.[101] Cesare Beccaria was a significant Enlightenment figure and is now considered one of the fathers of classical criminal theory as well as modern penology.[97] Beccaria is famous for his On Crimes and Punishments (1764), a treatise that served as one of the earliest prominent condemnations of torture and the death penalty and thus a landmark work in anti-death penalty philosophy.[101]
Italy also had a renowned philosophical movement in the 1800s, with
Early Italian feminists include Sibilla Aleramo, Alaide Gualberta Beccari, and Anna Maria Mozzoni, though proto-feminist philosophies had previously been touched upon by earlier Italian writers such as Christine de Pizan, Moderata Fonte, and Lucrezia Marinella. Italian physician and educator Maria Montessori is credited with the creation of the philosophy of education that bears her name, an educational philosophy now practised throughout the world.[98] Giuseppe Peano was one of the founders of analytic philosophy and contemporary philosophy of mathematics. Recent analytic philosophers include Carlo Penco, Gloria Origgi, Pieranna Garavaso and Luciano Floridi.[93]
Sculpture
The art of sculpture in the Italian peninsula has its roots in ancient times. In the archaic period, when Etruscan cities dominated central Italy and the adjacent sea, Etruscan sculpture flourished. The name of an individual artist, Vulca, who worked at Veii, has been identified. He has left a terracotta Apollo and other figures, and can perhaps claim the distinction of being the most ancient master in the long history of Italian art.
A significant development of this art occurred between the 6th century BC and 5th century AD during the growth of the
During the Middle Ages, large sculpture was largely religious. Carolingian artists (named after Charlemagne's family) in northern Italy created sculpture for covers of Bibles, as decoration for parts of church altars, and for crucifixes and giant candlesticks placed on altars.
In the late 13th century,
The greatest sculptor of the early Renaissance was Donatello.[106] In 1430, he produced a bronze statue of David, which reestablished the classical idea of beauty in the naked human body. Conceived fully in the round and independent of any architectural surroundings, it was the first major work of Renaissance sculpture. Among the other brilliant sculptors of the 15th century were Jacopo della Quercia, Michelozzo, Bernardo and Antonio Rossellino, Giambologna and Agostino di Duccio.
Gian Lorenzo Bernini was the most important sculptor of the Baroque period.[108] He combined emotional and sensual freedom with theatrical presentation and an almost photographic naturalism. Bernini's saints and other figures seem to sit, stand, and move as living people — and the viewer becomes part of the scene. This involvement of the spectator is a basic characteristic of Baroque sculpture. One of his most famous works is Ecstasy of Saint Teresa.
The Neoclassical movement arose in the late 18th century. The members of this very international school restored what they regarded as classical principles of art. They were direct imitators of ancient Greek sculptors, and emphasized classical drapery and the nude. The leading Neoclassical artist in Italy was Antonio Canova, who like many other foreign neoclassical sculptors including Bertel Thorvaldsen was based in Rome. His ability to carve pure white Italian marble has seldom been equalled. Most of his statues are in European collections, but the Metropolitan Museum of Art in New York City owns important works, including Perseus and Cupid and Psyche.
In the 20th century, many Italians played leading roles in the development of modern art. Futurist sculptors tried to show how space, movement, and time affected form. These artists portrayed objects in motion, rather than their appearance at any particular moment. An example is Umberto Boccioni's Unique Forms of Continuity in Space.
Theatre
During the 16th century and on into the 18th century,
The first recorded Commedia dell'arte performances came from Rome as early as 1551,[114] and was performed outdoors in temporary venues by professional actors who were costumed and masked, as opposed to commedia erudita, which were written comedies, presented indoors by untrained and unmasked actors.[115] By the mid-16th century, specific troupes of commedia performers began to coalesce, and by 1568 the Gelosi became a distinct company. Commedia often performed inside in court theatres or halls, and also in some fixed theatres such as Teatro Baldrucca in Florence. Flaminio Scala, who had been a minor performer in the Gelosi published the scenarios of the Commedia dell'arte around the start of the 17th century, really in an effort to legitimise the form—and ensure its legacy. These scenarios are highly structured and built around the symmetry of the various types in duet: two zanni, vecchi, inamorate and inamorati, among others.[116]
In Commedia dell'arte, female roles were played by women, documented as early as the 1560s, making them the first known professional actresses in Europe since antiquity. Lucrezia Di Siena, whose name is on a contract of actors from 10 October 1564, has been referred to as the first Italian actress known by name, with Vincenza Armani and Barbara Flaminia as the first primadonnas and the first well-documented actresses in Europe.[120]
The
At first, ballets were woven into the midst of an opera to allow the audience a moment of relief from the dramatic intensity. By the mid-seventeenth century, Italian ballets in their entirety were performed in between the acts of an opera. Over time, Italian ballets became part of theatrical life: ballet companies in Italy's major opera houses employed an average of four to twelve dancers; in 1815 many companies employed anywhere from eighty to one hundred dancers.[123]
Carlo Goldoni, who wrote a few scenarios starting in 1734, superseded the comedy of masks and the comedy of intrigue by representations of actual life and manners through the characters and their behaviours. He rightly maintained that Italian life and manners were susceptible to artistic treatment such as had not been given them before. Italian theatre has been active in producing contemporary European work and in staging revivals, including the works of Luigi Pirandello and Dario Fo.
The Teatro di San Carlo in Naples is the oldest continuously active venue for public opera in the world, opening in 1737, decades before both Milan's La Scala and Venice's La Fenice theatres.[84]
Visual art
The history of Italian visual arts is significant to the history of
Roman art was influenced by Greece and can in part be taken as a descendant of ancient Greek painting. Roman painting does have its own unique characteristics. The only surviving Roman paintings are wall paintings, many from villas in Campania, in Southern Italy. Such paintings can be grouped into four main "styles" or periods[124] and may contain the first examples of trompe-l'œil, pseudo-perspective, and pure landscape.[125]
Panel painting becomes more common during the
The
In the 15th and 16th centuries, the High Renaissance gave rise to a stylised art known as Mannerism. In place of the balanced compositions and rational approach to perspective that characterised art at the dawn of the 16th century, the Mannerists sought instability, artifice, and doubt. The unperturbed faces and gestures of Piero della Francesca and the calm Virgins of Raphael are replaced by the troubled expressions of Pontormo and the emotional intensity of El Greco.
In the 17th century, among the greatest painters of Italian Baroque are Caravaggio, Annibale Carracci, Artemisia Gentileschi, Mattia Preti, Carlo Saraceni and Bartolomeo Manfredi. Subsequently, in the 18th century, Italian Rococo was mainly inspired by French Rococo, since France was the founding nation of that particular style, with artists such as Giovanni Battista Tiepolo and Canaletto.
In the 19th century, major Italian
Spatialism was founded by the Italian artist Lucio Fontana as the movimento spaziale, its tenets were repeated in manifestos between 1947 and 1954. Combining elements of concrete art, dada and tachism, the movement's adherents rejected easel painting and embraced new technological developments, seeking to incorporate time and movement in their works. Fontana's slashed and pierced paintings exemplify his thesis. Arte Povera is an artistic movement that originated in Italy in the 1960s, combining aspects of conceptual, minimalist, and performance art, and making use of worthless or common materials such as earth or newspaper, in the hope of subverting the commercialization of art.
Transavantgarde is the Italian version of Neo-expressionism, an art movement that swept through Italy and the rest of Western Europe in the late 1970s and 1980s. The term transavanguardia was coined by the Italian art critic, Achille Bonito Oliva,[126] originating in the "Aperto '80" at the Venice Biennale,[127][128] and literally means beyond the avant-garde.
Cuisine and meal structure
One of the main characteristics of Italian cuisine is its simplicity, with many dishes made up of few ingredients, and therefore Italian cooks often rely on the quality of the ingredients, rather than the complexity of preparation.[139][140] The most popular dishes and recipes, over the centuries, have often been created by ordinary people more so than by chefs, which is why many Italian recipes are suitable for home and daily cooking, respecting regional specificities, privileging only raw materials and ingredients from the region of origin of the dish and preserving its seasonality.[141][142][143]
Italian cuisine has developed through centuries of social and political changes, it has its roots in ancient Rome.
Italian cuisine, like other facets of the culture, speaks with highly inflected regional accents. There are certain self-consciously national constants: spaghetti with tomato sauce and pizza are highly common, but this nationalisation of culinary identity didn't start to take hold until after the Second World War, when southern immigrants flooded to the north in search of work, and even those classics vary from place to place; small enclaves still hold fast to their unique local forms of pasta and particular preparations. Classics such as Pasta e fagioli, while found everywhere, are prepared differently according to local traditions. Gastronomic explorations of Italy are best undertaken by knowing the local traditions and eating the local foods.
Northern Italy, mountainous in many parts, is notable for the alpine cheeses of the Valle d'Aosta, the
It is in the food of Naples and Campania, however, that many visitors would recognize the foods that have come to be regarded as quintessentially Italian: pizza, spaghetti with tomato sauce, aubergine parmigiana, although the origins of all three dishes are claimed by Sicily (Pizza originating in Palermo). [148]
Also, Italy exports and produces the highest level of wine,
The country is also famous for its gelato, or traditional ice-cream often known as Italian ice cream abroad. There are gelaterias or ice-cream vendors and shops all around Italian cities, and it is a very popular dessert or snack, especially during the summer. Sicilian granitas, or a frozen dessert of flavoured crushed ice, more or less similar to a sorbet or a snow cone, are popular desserts not only in Sicily or their native towns of Messina and Catania, but all over Italy (even though the Northern and Central Italian equivalent, the gratta checca, commonly found in Rome or Milan is slightly different from the traditional granita siciliana). Italy also boasts an assortment of desserts.
The Christmas cakes
Coffee, and more specifically
Italian cuisine is one of the most popular and copied around the world.
Folklore and mythology
In Italian folklore, the
The
An
Alberto da Giussano is a legendary character of the 12th century who would have participated, as a protagonist, in the battle of Legnano on 29 May 1176.[164] In reality, according to historians, the actual military leader of the Lombard League in the famous military battle with Frederick Barbarossa was Guido da Landriano.[165] Historical analyses made over time have indeed shown that the figure of Alberto da Giussano never existed.[166] In the past, historians, attempting to find a real confirmation, hypothesized the identification of his figure with Albertus de Carathe (Alberto da Carate) and Albertus Longus (Alberto Longo), both among the Milanese who signed the pact in Cremona in March 1167 which established the Lombard League, or in an Alberto da Giussano mentioned in an appeal of 1196 presented to Pope Celestine III on the administration of the church-hospital of San Sempliciano. These, however, are all weak identifications, given that they lack clear and convincing historical confirmation.[164][167]
The
Italian culture
Italy is the wellspring of Western civilization and has been a world crossroads for over 2,000 years.[169][170][171][172] Continuous learning, creativity, and technological advancement on the Italian peninsula have shaped virtually every aspect of Western culture.
Though its archaeological record stretches back tens of thousands of years, Italian history begins with the
The Etruscans and the other inhabitants of the peninsula were supplanted in the 3rd century BC by the Romans, who soon became the chief power in the Mediterranean world and whose empire stretched from Iraq to Scotland by the 2nd century AD.[173] The empire influenced the government, the arts, and the architecture of many later groups of people.
With
During the Middle Ages, which lasted from about the 5th century through the 15th century, the
Among the eminent personalities of the Christian world during the Middle Ages, perhaps the most important was that of Benedict of Nursia. His formula ora et labora, influenced the idea of work in Western monasticism and indirectly prepared the way for our modern high esteem of labour. For the development of their ideas about purgatory, western theologians relied heavily on the authority of Pope Gregory I.[182][183] In a society — like that of medieval Europe — deeply found on religion, changing the geography of the other world means to operate on a real mind revolution, it means to change life itself.
In Italy medieval communes were sworn associations of townsmen that arose during the 11th century to overthrow the rule of the local bishop or feudal magnates. The communal experience of medieval Italy was somehow salient to the origins of modern democracy.[184][nb 3] Many cities — especially Florence, Genoa, Pisa, Milan, and Venice — became powerful and independent city-states. An intellectual revival, stimulated in part by the freer atmosphere of the cities and in part by the rediscovery of ancient Greek and Latin writings, gave rise to the humanist attitudes and ideas that formed the basis of the Renaissance.
It was no accident that the origin of the European system of
Some of the greatest explorers of the late 15th century and early 16th century were Italians exposed to the traditions of the Renaissance. Christopher Columbus — like such other Italian explorers as John Cabot, Giovanni da Verrazzano, and Amerigo Vespucci — was willing to take enormous risks to achieve results that people had never dreamed of. In a sense, Columbus's arrival in America in 1492 was one of the greatest achievements of the Renaissance.
In general terms, the
The intellectual dynamism in 18th century Italy was considerable, across the gamut of genres. Italian elites became conversant with French Enlightenment principles and with English ideas, too, spread by young aristocrats on the
Italy continued its leading cultural role through the Romantic period, when its dominance in painting and sculpture diminished and it reestablished a strong presence in music. For example, the great vocal tradition of 19th-century European opera was
Italian artists have been quite influential in the 20th century, and some of the Italian exponents of Modernism in the 1920s and 1930s continue to have a strong presence in the international contemporary art market. A new movement called Fascism, led by Benito Mussolini, a former Socialist, grew increasingly popular. Italian Fascism became a model for similar movements in Europe and Latin America. The nationalism of Italian Fascism was culturally based.[188] The parties and organizations associated with these leaders also adopted the Roman salute.
Known in many circles as the father of the Atomic Age, Enrico Fermi was an Italian who bore witness to the discovery, control, and use of atomic power. Following World War II, Italian neorealism became an important force in motion pictures, and by the 1960s, Italy had established itself as one of a handful of great European film cultures. In the same years, the country has also been central to the formation of the European Union.[170] Today Italy is one of the international leaders in fashion and design.
Italophilia
Ancient Italy is identified with Rome and the so-called Romanophilia. Despite the fall of the Roman Empire, its legacy continued to have a significant impact on the cultural and political life in Europe. For the medieval mind, Rome came to constitute a central dimension of the European traditionalist sensibility. The idealisation of this Empire as the symbol of universal order led to the construction of the Holy Roman Empire. Writing before the outbreak of the First World War, the historian Alexander Carlyle noted that "we can without difficulty recognize" not only "the survival of the tradition of the ancient empire" but also a "form of the perpetual aspiration to make real the dream of the universal commonwealth of humanity."[189]
During much of the Middle Ages (about the 5th century through the 15th century), the Roman Catholic Church had great political power in Western Europe. Throughout its history, the Catholic faith has inspired many great works of architecture, art, literature, and music. These works include French medieval Gothic cathedrals, the Italian artist Michelangelo's frescoes in the Vatican, the Italian writer Dante's epic poem
As for Italian artists they were in demand almost all over Europe.
The Italian language was fashionable, at court for example, as well as Italian literature and art. The famous lexicographer John Florio of Italian origin was the most important humanist in Renaissance England.[190] and contributed to the English language with over 1,969 words.[191] William Shakespeare's works show an important level of Italophilia, a deep knowledge of Italy and the Italian culture, like in Romeo and Juliet and The Merchant of Venice. According to Robin Kirkpatrick, Professor of Italian and English Literatures at Cambridge University, Shakespeare shared "with his contemporaries and immediate forebears a fascination with Italy."[192] In 16th century Spain, cultural Italophilia was also widespread (while the Spanish influence in Southern Italy was also great) and king Philip IV himself considered Italian as his favourite foreign language.
The movement of "international Italophilia" around 1600 certainly held the German territories in its sway, with one statistic suggesting that up to a third of all books available in Germany in the early 17th century were in Italian.[193] Themes and styles from il pastor fido were adapted endlessly by German artists, including Opitz, who wrote several poems based on Guarini's text, and Schütz himself, whose settings of a handful of passages appeared in his 1611 book of Italian madrigals. Emperors Ferdinand III and Leopold I were great admirers of Italian culture and made Italian (which they themselves spoke perfectly) a prestigious language at their court. German baroque composers or architects were also very much influenced by their Italian counterparts.
During the 18th century, Italy was in the spotlight of the European grand tour, a period in which learned and wealthy foreign, usually British or German, aristocrats visited the country due to its artistic, cultural and archaeological richness. Since then, throughout the centuries, many writers and poets have sung of Italy's beauty; from
Italiophilia was not uncommon in the United States. Thomas Jefferson was a great admirer of Italy and ancient Rome. Jefferson is largely responsible for the neo-classical buildings in Washington, D.C. that echo Roman and Italian architectural styles.
Spain provided an equally telling example of Italian cultural admiration in the 18th century. The installation of a team of Italian architects and artists, headed by Filippo Juvarra, has been interpreted as part of Queen Elisabeth Farnese's conscious policy to mould the visual culture of the Spanish court along Italian lines. The engagement of Corrado Giaquinto from Molfetta and eventually the Venetian Jacopo Amigoni as the creators of the painted decorative space for the new seat of the Spanish court was a clear indication of this aesthetic orientation, while the later employment of Giovanni Battista Tiepolo and his son Giovanni Domenico confirmed the Italophile tendency.
The Victorian era in Great Britain saw Italophilic tendencies. Britain supported its own version of the imperial Pax Romana, called Pax Britannica. John Ruskin was a Victorian Italophile who respected the concepts of morality held in Italy.[195] Also the great writer Henry James has exhibited Italophilia in several of his novels. However, Ellen Moers writes that "In the history of Victorian Italophilia no name is more prominent than that of Elizabeth Barrett Browning....[She places] Italy as the place for the woman of genius ..."[196]
Italian patriot Giuseppe Garibaldi, along with Giuseppe Mazzini and Camillo Benso, Count of Cavour, led the struggle for Italian unification in the 19th century. For his battles on behalf of freedom in Europe and Latin America, Garibaldi has been dubbed the "Hero of Two Worlds." Many of the greatest intellectuals of his time, such as Victor Hugo, Alexandre Dumas, and George Sand showered him with admiration. He was so appreciated in the United States that Abraham Lincoln offered him a command during the Civil War, (Garibaldi turned it down).[197]
During the
In 1940 Walt Disney Productions produced Pinocchio based on the Italian children's novel The Adventures of Pinocchio by Carlo Collodi, the most translated non-religious book in the world and one of the best-selling books ever published, as well as a canonical piece of children's literature. The film was the second animated feature film produced by Disney.
After World War II, such brands as Ferrari and Alfa Romeo became well known for racing and sports cars. Since then Italy has experienced strong economic growth, particularly in the 1950s and 1960s, which lifted the country to the position of being one of the most industrialized nations in the world.[170] Italian product design, fashion, film, and cuisine and the notion of Italy as the embodiment of la dolce vita for German tourism — all left an imprint on contemporary Italophilia.
Libraries and museums
Italy is one of the world's greatest centres of architecture, art, and books. Among its many libraries, the most important are in the national library system, which contains two central libraries, in Florence (5.3 million volumes) and Rome (5 million), and four regional libraries, in Naples (1.8 million volumes), Milan (1 million), Turin (973,000) and Venice (917,000).[201] The existence of two national central libraries, while most nations have one, came about through the history of the country, as Rome was once part of the Papal States and Florence was one of the first capitals of the unified Kingdom of Italy. While both libraries are designated as copyright libraries, Florence now serves as the site designated for the conservation and cataloguing of Italian publications and the site in Rome catalogues foreign publications acquired by the state libraries.[201] All large Italian cities have public libraries.
Italy, a world centre of culture, history and art, has more than 3,000 museums. They contain, perhaps, the most important collections of artefacts from ancient civilizations. Taranto's museum, for example, offers material enabling scholars to probe deeply into the history of
The classical age is not the only age represented in Italy's museums. The Italian Renaissance is well represented in a number of museums: the
Media
Internet
In 1986, the first internet connection in Italy was experimented in Pisa, the third in Europe after Norway and the United Kingdom.[202] Already in the late 1970s, Pisan researchers, firstly with Luciano Lenzini, were in contact with U.S. researchers who had written the history of the Internet. Among them were Vint Cerf and Bob Kahn, who were the first to invent TCP and IP, the two protocols at the heart of the internet, and are hence considered the "Fathers of the Internet".
Currently, Internet access is available to businesses and home users in various forms, including dial-up, cable, DSL, and wireless. The .it is the Internet country code top-level domain (ccTLD) for Italy. The .eu domain is also used, as it is shared with other European Union member states.
According to data released by the fibre-to-the-home (FTTH) Council Europe, Italy represents one of the largest
Figures published by the
Newspapers and periodicals
As of 2002[update], there were about 90 daily newspapers in the country, but not all of them had national circulation.
The majority of papers are published in northern and central Italy, and circulation is highest in these areas. Rome and Milan are the most important publication centres. A considerable number of dailies are owned by political parties, the Roman Catholic Church, and various economic groups.[201]
The law provides for freedom of speech and the press, and the government is said to respect these rights in practice.[201]
Radio
Of all the claimants to the title of the "Father of Radio", the one most associated with it is the Italian inventor Guglielmo Marconi.[207] He was the first person to send radio communication signals in 1895. By 1899 he flashed the first wireless signal across the English Channel and two years later received the letter "S", telegraphed from England to Newfoundland. This was the first successful transatlantic radiotelegraph message in 1902.
Today, radio waves that are broadcast from thousands of stations, along with waves from other sources, fill the air around us continuously. Italy has three state-controlled radio networks that broadcast day and evening hours on both AM and FM.[nb 4] Program content varies from popular music to lectures, panel discussions, as well as frequent newscasts and feature reports. In addition, many private radio stations mix popular and classical music. A short-wave radio, though unnecessary, aids in the reception of VOA, BBC, Vatican Radio in English and the Armed Forces Network in Germany and in other European stations.
Television
The first form of televised media in Italy was introduced in 1939, when the first experimental broadcasting began. However, this lasted for a very short time: when fascist Italy entered World War II in 1940, all the transmissions were interrupted, and were resumed in earnest only nine years after the end of the conflict, in 1954.
There are two main national television organisations responsible for most viewing: state-owned
The television networks offer varied programs, including news,
National symbols
National symbols of Italy are the symbols that uniquely identify Italy reflecting its history and culture.[208] They are used to represent the Nation through emblems, metaphors, personifications, allegories, which are shared by the entire Italian people.
The three main official symbols, are:[209]
- the Constitution of the Italian Republic;[210]
- the emblem of Italy, which is the iconic symbol identifying the Italian Republic;
- The Il Canto degli Italiani by Goffredo Mameli and Michele Novaro, the Italian national anthem, which is performed in all public events.
Of these only the flag is explicitly mentioned in the Italian Constitution; this puts the flag under the protection of the law, with criminal penalties for contempt of it.[211]
Other official symbols, as reported by the Presidency of the Italian Republic,[209] are:
- the Presidential Standard of Italy, that is the distinctive standard representing the Presidency of the Italian Republic;
- the Vittorio Emanuele II of Savoy, the first Sovereign of a united Italy and founder of the Fatherland, which houses the shrine of the Italian tomb of the Unknown Soldier.
- the Festa della Repubblica, which is the national celebratory day established to commemorate the birth of the Italian Republic, which is celebrated every year on 2 June, the date of the institutional referendum of 1946 with which the monarchy was abolished;
The teaching in the schools of the Il Canto degli Italiani, an account of the
There are also other symbols or emblems of Italy which, although not defined by law, are part of the Italian identity:
- the Italia turrita, which is the national personification of Italy in the appearance of a young woman with her head surrounded by a wall crown completed by towers (hence the term "turrita");
- the cockade of Italy, or the national ornament of Italy, obtained by folding a green, white and red ribbon into plissé using the technique called plissage ("pleating");
- the
- the savoy azure has been used or adopted as the colour for many national teams, the first being the men's football team in 1910. The national auto racing colour of Italy is instead rosso corsa ("racing red"), while in other disciplines such as cycling and winter sports, which often use white.
- the national tree because of its green leaves, its white flowers and its red berries, colours that recall the Italian flag;[217]
- the Stella d'Italia, the most ancient identity symbol of Italian land, since it dates back to ancient Greece.[218]
- the Frecce Tricolori, or the national aerobatic team of the Italian Air Force.[219]
Traditions
The tradition of the
In Italy,
The
In Italy, a sagra (plural: sagre) is a popular festival of local nature and annual frequency, which traditionally arises from a religious festival, celebrated on the occasion of a consecration or to commemorate a saint (usually the patron saint), but also used to celebrate the harvest or promote a food and wine product local.[236] During a festival the local fair, the market and various celebrations usually take place.[236] A sagra is often dedicated to some specific local food, and the name of the sagra includes that food; for example: Festival delle Sagre astigiane, a Sagra dell'uva (grapes) at Marino, a Sagra della Rana (frog) at Casteldilago near Arrone, a Sagra della Cipolla (onion) at Cannara, a Sagra della Melanzana ripiena (stuffed eggplant) at Savona, a Sagra della Polenta at Perticara di Novafeltria, a Sagra del Lattarino at Bracciano, a Sagra del Frico at Carpacco-Dignano and so on. Among the most common sagre are those celebrating olive oil, wine, pasta and pastry of various kinds, chestnuts, and cheese.
The Italian national patronal day, on 4 October, celebrates Saints Francis and Catherine. Each city or town also celebrates a public holiday on the occasion of the festival of the local patron saint,[237] for example: Rome on 29 June (Saints Peter and Paul), Milan on 7 December (Saint Ambrose), Naples on 19 September (Saint Januarius), Venice on 25 April (Saint Mark the Evangelist) and Florence on 24 June (Saint John the Baptist). Notable traditional patronal festivals in Italy are the Feast of Saints Francis and Catherine, the Festival of Saint Agatha, the Feast of Saints Peter and Paul, the Feast of San Gennaro and the Feast of Our Lady of the Hens.
There are many traditional festivals in Italy. Some of them include the
Where the
See also
- Culture of Europe
- Culture in Apulia
- List of cultural icons of Italy
Footnotes
- ^ The first public hospital in Europe was founded by a Roman woman, Fabiola, at Ostia near Rome in 390.[177]
- ^ Outstanding examples include Padua, Naples, Siena, and Macerata.
- ^ See also Putnam R. D. (1995), Bowling Alone: America's Declining Social Capital, in "Journal of Democracy", 6, 65–78.
- ^ Rai Radio 1, Rai Radio 2, and Rai Radio 3.
- ^ Rai 1, Rai 2, and Rai 3; Canale 5, Italia 1, and Rete 4.
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"The literati taught that Italy had moral and intellectual primacy because it was the cradle of European civilization — of Roman law, of Christian thought, of the Renaissance. "Primacy" was Italy's great founding myth — the idea capable of animating and agitating, mobilizing, directing popular conscience, and sustaining action. Italy could be the spiritual empire that transforms and unites Western civilization." - ^ a b c Fisher, Ian. Italy (Background). The New York Times. Web. 1 December 2013.
"Encyclopædia Britannica describes Italy as "less a single nation than a collection of culturally related points in an uncommonly pleasing setting." However concise, this description provides a good starting point for the difficult job of defining Italy, a complex nation wrapped in as much myth and romance as its own long-documented history. The uncommonly pleasant setting is clear: the territory on a boot-shaped peninsula in the Mediterranean, both mountainous and blessed with 4,600 miles [7,400 kilometres] of coast. The culturally related points include many of the fountains of Western culture: the Roman Empire, the Catholic church, the Renaissance (not to mention pasta and pizza)."
"It has been central to the formation of the European Union, and after the destruction of World War II, built itself with uncommon energy to regain a place in the global economy." - artistic expressions, the country has enjoyed a very privileged cultural position in Europe and the world. As the direct descendant of the Roman Empire, the Italian nation has achieved and enjoyed a unique status of political power. The Roman Empire and cultural domination of the Italian Renaissance, which were influenced by Etruscan historical tradition, still represent a model of cultural expression for other nations.
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