Sebastian Shaw (actor)

Source: Wikipedia, the free encyclopedia.

Sebastian Shaw
Royal Academy of Dramatic Art
Occupations
Years active1914–1991
Spouse
Margaret Kate Wellesley-Lynn
(m. 1929; died 1956)
Children1
Parent
Relatives

Sebastian Lewis Shaw (29 May 1905 – 23 December 1994) was an English actor, theatre director, novelist, playwright and poet. During his 65-year career, he appeared in dozens of stage performances and more than 40 film and television productions.

Shaw was born and brought up in

Royal Academy of Dramatic Art. Although he worked primarily on the London stage, he made his Broadway debut in 1929, when he played one of the two murderers in Rope's End. He appeared in his first film, Caste, in 1930 and quickly began to create a name for himself in films. He described himself as a "rotten actor"[1] as a youth and said his success was primarily due to his good looks. He claimed to mature as a performer only after returning from service in the Royal Air Force during World War II
.

Shaw was particularly known for his performances in productions of Shakespeare plays which were considered daring and ahead of their time. In 1966, he joined the Royal Shakespeare Company, where he remained for a decade and delivered some of his most acclaimed performances. He also wrote several poems and a novel, The Christening, in 1975. In 1983, he appeared in the third installment of the original Star Wars Trilogy, Return of the Jedi, as the redeemed Anakin Skywalker, as well as Skywalker's ghost in the original 1983 theatrical release of the film.

Early life

Shaw was one of three children born to

Geoffrey Shaw, the music master at Gresham's School, a Norfolk independent boarding school, where Shaw began his education.[2] His uncle, Martin Shaw, was a composer of church music, and his family's love of music heavily influenced Shaw's career path.[3]

Career

Early career

Shaw made his acting debut at age eight on the London stage as one of the juvenile band in The Cockyolly Bird at the

Royal Academy of Dramatic Art in Bloomsbury, London.[2] Actor Charles Laughton enrolled in the academy at the same time as Shaw, who later said his first impression of Laughton was "a poor fat boy".[4] Although Shaw and his fellow students initially felt pity for Laughton, they were quickly impressed with his talent.[4]

A young Sebastian Shaw, c. 1930

Shaw appeared in regional theatres in

Falstaff, convention of the day called for Prince Hal to change from a jovial drinking partner to an arrogant snob, but Shaw saw the view as simple-minded and contradictory toward Shakespeare's script. Instead, he displayed inward regrets about leaving Falstaff and accepting the new responsibilities. The interpretation was criticised at the time but, years later, became the standard approach to the character.[5]

Shaw made his

The first film Shaw appeared in was Caste in 1930. He soon began to make a name for himself in films such as

Daily Telegraph described as a "smooth villainy"[1] to the role of Frank Sutton in The Squeaker in 1937, while in 1939 he played the hero Cdr. David Blacklock alongside Conrad Veidt and Valerie Hobson in The Spy in Black, Michael Powell and Emeric Pressburger's first collaboration.[1] Shaw described himself as a film buff and called Academy Award-winning actor Spencer Tracy his "great god of all screen actors";[7] he was so impressed by Tracy's technique that he claimed to become depressed while watching his films because Tracy made acting look simple, while Shaw claimed to find it so difficult to master himself.[7]

World War II and post-war career

When

Flight Lieutenant.[11] According to his obituary in the Guardian, he saw little action in the service and was told the only chance he would have to fly would be as a rear gunner. Some of his fellow airmen hounded Shaw for autographs while others mocked his posh accent, to which he retaliated with an excellent and unflattering imitation of their less refined speech.[2] He continued to hold a Royal Air Force Volunteer Reserve commission after the war until he resigned the commission on 10 February 1954; he was permitted to retain his rank.[12]

Immediately upon returning to London after the war, Shaw lost his Albany flat and his acting contract, and essentially had to restart his acting career.[2] Although he made 20 films before the war and had already begun to develop a reputation as a strong leading man, in later years he would describe himself as "a rotten actor"[1] in the 1930s who landed roles based mainly on his good looks. He used the phrase "a piece of cinema beefcake"[1] to describe himself as an actor during that period.[1] He felt that after his return home from military service, he learned to act properly and began to mature as a performer.[2] Shaw's Royal Air Force experience was put to good use when he played a pilot in Journey Together, the 1946 RAF training film in which actor Edward G. Robinson coached actor Richard Attenborough in the rudiments of flying.[13]

In 1945, Shaw returned to the Embassy Theatre to direct

Lyric Theatre, Hammersmith in 1946, Mr. Hern-Lawrence in Florida Scott-Maxwell's experimental I Said to Myself at the Mercury Theatre, Notting Hill Gate in 1947,[14] Sir James Kirkham in His Excellency at Prince's Theatre in 1950, and Filmer Jesson, MP, in Arthur Wing Pinero's His House in Order at New Theatre in 1951. In 1956, he played the title role in the first British production of Hugo von Hofmannsthal's Everyman.[1] That same year, he wrote the lyrics to his father's ballad-opera, All at Sea, which played at the Royal College of Music. In 1957, he played Lucifer in Brother Lucifer in Shrewsbury, Shropshire, and a sinister Venetian agent in Jonathan Griffin's The Hidden King in Edinburgh.[3]

As Shaw grew older, his reputation as a dramatic actor grew stronger, and he became known for a sharp intelligence and dignified style. Although his good looks diminished, reviewers felt that he used his florid and weatherbeaten face well in evoking grandeur and self-assuredness in such roles as generals, priests and his familiar Shakespearean parts.[1][13] In 1956, his wife Margaret Delamere died; she was survived by their daughter Drusilla.[6] Shaw began a romantic relationship in the mid-1950s with Joan Ingpen, the well-known classical music and opera talent agent who had previously represented him. The two were romantically involved, to the point that she took his surname, until Shaw's death.[15] During the 1980s, however, Shaw also had a brief relationship with Harriet Ravenscroft, the mother of the disc jockey John Peel, whom he met while performing at Ludlow Castle at Ludlow. He split his time between Ingpen and Ravenscroft on a four-day rotating basis to which both women consented. Although Peel got along with Shaw and said he made his mother happy, he said he did not feel comfortable with the arrangement. He felt it disrupted his mother's friendships and prospects for a more stable relationship.[16]

In 1965, British theatre director

The Cresta Run and Pte Atterclife in John Arden's Serjeant Musgrave's Dance.[1]

Royal Shakespeare Company

In 1966, Shaw joined the

Edmund of Langley in Richard II,[1] the King in All's Well That Ends Well, Ulysses in Troilus and Cressida, and Leonato in Much Ado About Nothing.[3] The Times described his performance in the title role of Cymbeline as "awe-inspiring",[3] and The Independent described his performance as Polonius in Hamlet as "unrivalled in his complacency and sense of circumstance".[13] The Telegraph described his performance of Gloucester in King Lear as "doleful"[1] and his performance of Duncan in Macbeth as "decent".[1] Many of the company's Shakespearean productions at the time were considered interpretive and modern, which drew criticism from some traditionalists, but Shaw defended the experimental nature of the shows and rejected the notion that plays should be restricted to preconceived interpretations.[5]

During his time with the company, he also demonstrated what the

Summerfolk. He demonstrated a particular knack for Russian comedy in Jonathan Miller's productions of the Anton Chekhov plays Three Sisters and Ivanov.[1]

In 1978, Shaw earned acclaim for his performance as a judge in the stage debut of

The Old Curiosity Shop, a 1979 mini-series based on the novel by Charles Dickens. Around this time, he also voiced the part of Squire Beltham in a radio production of The Adventures of Harry Richmond, which the Daily Telegraph said was "remembered with affection".[1] He lent his voice to several radio performances, both Shakespearean and modern, including protagonist John Tanner in the five-hour Man and Superman by George Bernard Shaw.[3]

Writing career

Shaw wrote Take a Life, his first play, in 1961. He directed a production of the show at London's

Granada Television company, which expressed interest in the show and said it was one of two under consideration for television. The company ultimately chose the other show, the long-running British soap opera Coronation Street.[5]

Shaw agreed to take certain roles only on the condition that he have complete freedom to rewrite his dialogue. When he appeared in It Happened Here, a 1966 World War II film, he wrote many of his own lines, which the filmmakers later said "gave his dialogue an individual slant which enhanced his performance".[13] He also helped in other aspects of the filmmaking, including casting; he introduced the filmmakers to Fiona Leland, who would be cast as the wife of Shaw's character in It Happened Here.[13] He wrote other plays, including The Ship's Bell, The Cliff Walk, The Glass Maze and Cul de Sac.[4] He also wrote Poems, a collection of his personal poetry, which saw a limited print of 300 editions by publisher Exeter University.[17]

Shaw wrote The Christening, his only novel, in 1975.

pederast. When Alice asks Madgwick to become the godfather to her new child, the driver threatens to expose Madgwick, creating a conflict between losing his first feelings of intimacy with others or facing humiliation and ridicule at the driver's exposure.[18]

A description in the book cover flap reads, "In this tender, sensitive and blackly comic novel, Sebastian Shaw, the distinguished Shakespearean actor, explores areas of sexual and emotional encounter that are rarely seen and, unfortunately, too rarely understood."[1] Shaw originally planned to call the novel The Godfather, but later said he was glad he did not due to the popularity of Mario Puzo's book of that name.[5] He was said to have been working on another novel shortly after The Christening was completed, but no others were ever published.[5]

Shaw's memoirs were published posthumously in 2016.[19]

Return of the Jedi

Shaw as the unmasked Anakin Skywalker in the 2004 DVD re-release of Return of the Jedi, in which his eyebrows were digitally removed and eye colour altered to match that of Hayden Christensen.

In 1982, Shaw was chosen for the brief but significant role of redeemed, unmasked and dying

Anakin Skywalker in Return of the Jedi, the third and final film in the original Star Wars trilogy. As in the previous films, David Prowse and Bob Anderson played the costumed scenes, while James Earl Jones and Ben Burtt provided the voice and breaths of Darth Vader. Shaw was cast in a single scene with Mark Hamill, during the moment aboard the second Death Star when Luke Skywalker (Hamill) unmasks his dying father. Since this scene was the unequivocal emotional climax of the film, the casting crew sought an experienced actor for the role.[7] Contrary to popular belief, Shaw was familiar with the previous two Star Wars films and enjoyed them particularly for the visual effects, which he described in an interview with science-fiction film magazine Starlog
as "brilliant techniques which, in many ways, were revolutionary, something quite new."

When Shaw arrived at the set for filming, he ran into his friend

science-fiction."[20] His presence during the filming was kept secret from all but the minimum cast and crew, and Shaw was contractually obliged not to discuss any film secrets with anyone, even his family. The unmasking scene, directed by Richard Marquand, was filmed in one day and required only a few takes, with no alteration from the original dialogue.[7]

When the film was re-released on DVD in 2004, a few changes were made: the unmasking scene with Hamill remained mostly the same, but Shaw's eyebrows were digitally removed to maintain continuity with the injuries Darth Vader suffers at the end of Revenge of the Sith. His naturally brown eyes were also colored blue to match those of Hayden Christensen, who portrayed Anakin in Attack of the Clones and Revenge of the Sith.

Star Wars creator George Lucas personally directed Shaw for his appearance in the final scene of the film, in which he is a Force ghost of Anakin.[7] Shaw's image in this scene was replaced with that of Christensen in the 2004 DVD release. This last attempt to tie the prequel and original trilogies together proved to be among the most controversial changes in the Star Wars re-releases.[21][22]

Although Shaw's unmasking scene lasted only two minutes and seven seconds and included just 24 words of dialogue spoken by Shaw,[23] he received more fan mail and autograph requests from Return of the Jedi than he had for any role in the rest of his career. He later reflected that he very much enjoyed his experience filming for Return of the Jedi and expressed particular surprise that an action figure was made of him from the film.[7]

Later career

Shaw remained active in his later years; along with fellow Royal Shakespeare Company actors

A.A. Milne; artists Dante Gabriel Rossetti and John Everett Millais; and composer Edward Elgar.[3]

Death

Shaw died of natural causes on 23 December 1994 at the age of 89 in

Canon Henry Scott Holland. One of Shaw's own poems, Gemini, was also read by Alan Ravenscroft. Baritone Stephen Varcoe sang Wie bist du meine Königin by Johannes Brahms, accompanied by Graham Johnson on the piano, and guitarist Martin Best performed and sang his composition of Ariel's Songs from The Tempest. Shaw was survived by his partner Joan Ingpen, daughter Drusilla MacLeod (ex-wife of John MacLeod of MacLeod), sisters Susan Bonner-Morgan and Penelope Harness, and sister-in-law Olga Young.[6]
His other long term companion Harriet Ravenscroft pre-deceased him.

Filmography

Year Title Role Notes
1930 Caste Hon. George d'Alroy [26]
1933 Little Miss Nobody Pat Carey [27]
House of Dreams Unknown [28]
Taxi to Paradise Tom Fanshawe [29]
1934 The Way of Youth Alan Marmon [30]
The Four Masked Men Arthur Phillips [31]
Get Your Man Robert Halbean [32]
Adventure Ltd. Bruce Blandford [33]
1935 Brewster's Millions Frank [34]
The Lad Jimmy [35]
The Ace of Spades Trent [36]
Three Witnesses Roger Truscott [37]
Jubilee Window Peter Ward [38]
Department Store John Goodman Johnson [39]
1936 Tomorrow We Live Eric Morton [40]
Birds of a Feather Jack Wortle [41]
Jury's Evidence Philip [42]
Men Are Not Gods Edmund Davey [43]
1937 Farewell Again Capt. Gilbert Reed [44]
The Squeaker Frank Sutton [45]
1938 Julius Caesar Marcus Brutus
1939 Too Dangerous to Live Jacques Leclerc [46]
Prison Without Bars Doctor
Table d'Hote Adam "Doubting Hall" section
The Spy in Black Lieutenant Ashington
Commander David Blacklock
[47]
1940 Now You're Talking Charles Hampton [48]
Three Silent Men Sir James Quentin [49]
Bulldog Sees It Through Derek Sinclair [50]
The Flying Squad Inspector Bradley [51]
1941 East of Piccadilly Tamsie Green
1945 Journey Together Squadron Leader Marshall
1947 Hamlet Claudius
1949 The Glass Mountain Bruce McLeod
Landfall Wing Commander Dickens
1952 BBC Sunday Night Theatre Archdeacon Adam Brandon Episode: "The Cathedral"
1953 Laxdale Hall Hugh Marvell, MP
1958 Armchair Theatre Unknown Episode: "The Terrorist"
1960 Here Lies Miss Sabry James "Cracker" Talbot
1961 For Elise Chief Inspector Lynch BBC Home Service Radio Drama
1966 It Happened Here Dr. Richard Fletcher
Out of the Unknown Major Gregory Episode: "Walk's End"
1968 All's Well That Ends Well King of France
A Midsummer Night's Dream Quince [52]
1972 Thirty-Minute Theatre Judge Episode: "The Judge's Wife"
Dead of Night Powys Jubb Episode: "Death Cancels All Debts"[53]
1975 Village Hall Ralph Episode: "Lot 23"
1977 Play for Today Abbot General Episode: "A Choice of Evils"
1978 BBC2 Play of the Week Carl Fiodorich Episode: "Liza"
1979 Rumpole of the Bailey Mr. Justice Skelton Episode: "Rumpole and the Show Folk"
The Old Curiosity Shop
Grandfather
1981 Nanny Mr. Starkie Episode: "Goats and Tigers"
Timon of Athens Old Athenian
1983
Reilly: Ace of Spies
Reverend Thomas Episode: "An Affair with a Married Woman"
The Weather in the Streets Mr. Curtis [54]
Return of the Jedi Anakin Skywalker Also appears as Anakin Skywalker's force ghost in original release and 1997 Special Edition; replaced by Hayden Christensen in all DVD and Blu-ray releases since 2004
The Nation's Health Dr. Thurson Episodes: "Collapse" and "Decline"[55]
1984 Crown Court Justice Bewes Episodes: "There Was an Old Woman"[56] and "Drunk, Who Cares"[57]
1987 High Season Sharp [58]
1988 The Master Builder Knut Brovik [59]
Casualty Charles Howlett Episode: "Drake's Drum"[60]
1989 Chelworth Lord Toller [61][62]
1991 Chernobyl: The Final Warning Grandpa
Chimera Dr. Liawski Final Acting Role[63]

References

  1. ^
    Daily Telegraph
    , 2 January 1995.
  2. ^ a b c d e f g h i j k l Leech, Richard. "Better Than Beefcake: Sebastian Shaw", The Guardian, 29 December 1994, Features (section), p. T12.
  3. ^ a b c d e f g h i j k l m n "Sebastian Shaw", The Times, 30 December 1994, Features (section).
  4. ^ a b c d Kernan, Michael. "Sebastian Shaw & the Shades of the Bard", The Washington Post, 1 March 1980, Style (section), p. B2.
  5. ^
    Express and Star
    , 29 April 1974.
  6. ^ a b c "IN MEMORIAM Mr. Sebastian Shaw", The Daily Telegraph, 15 February 1995.
  7. ^ a b c d e f Pirani, Adam. "Sebastian Shaw: The Return of Anakin Skywalker", Starlog, July 1987, Vol. 11, Iss. 120, p. 56–57, 96.
  8. ^ "No. 35171". The London Gazette. 23 May 1941. p. 2952.
  9. ^ "No. 35391". The London Gazette. 23 December 1941. p. 7255.
  10. ^ "No. 35606". The London Gazette. 23 June 1942. p. 2767.
  11. ^ "No. 36618". The London Gazette (Supplement). 18 July 1944. pp. 3402–3403.
  12. ^ "No. 40271". The London Gazette (Supplement). 3 September 1954. pp. 5138–5140.
  13. ^ a b c d e f Benedick, Adan. "Sebastian Shaw", The Independent, 13 February 1995 Gazette (section), p. 12.
  14. ^ "Classified Advertising: Theatre". The Times (50803). London: 10. 3 July 1947.
  15. ^ Sutcliffe, Tom. "Obituary: Joan Ingpen, Inspirational artistic organiser at Covent Garden, Paris Opera and the New York Met", Archived 6 March 2016 at the Wayback Machine the Guardian, 14 January 2008, Obituaries Pages (section), p. 34.
  16. .
  17. ^ Shaw, Sebastian (1969). Poems – Sebastian Shaw, Exeter: University of Exeter. ISBN n/a.
  18. .
  19. .
  20. ^ Chernoff, Scott. "Ian McDiarmid: An Interview with the Emperor", Star Wars Insider, iss. 37, April/May 1998, p. 33.
  21. Velvet Light Trap
    , 22 September 2005, p. 36–44.
  22. ^ Ebert, Roger. "Anakin's fans strike back", Chicago Sun-Times, 1 May 2005, Sunday Showcase (section), p. 3.
  23. ^ Return of the Jedi (1983), written by George Lucas and Lawrence Kasdan, directed by Richard Marquand.
  24. ^ Lardner, James. "Theatre Notes" The Washington Post, 28 February 1980, Style (section), p. D9.
  25. ^ Elliott, David. "Paradise found in witty, sensual 'High Tension' ", The San Diego Union-Tribune, 6 July 1988, Lifestyle (section), p. D-1.
  26. ^ "Caste (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  27. ^ "Little Miss Nobody (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  28. ^ "House of Dreams (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  29. ^ "A Taxi to Paradise (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  30. ^ "The Way of Youth (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  31. ^ "Four Masked Men (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  32. ^ "Get Your Man". British Film Institute. Archived from the original on 14 January 2009. Retrieved 14 January 2009.
  33. ^ "Adventure Ltd. (Alternative)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  34. ^ "Brewster's Millions (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  35. ^ "The Lad (1935)". British Film Institute. Archived from the original on 13 July 2012.
  36. ^ "The Ace of Spades (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  37. ^ "Three Witnesses (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  38. ^ "Jubilee Window (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  39. ^ "Department Store (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  40. ^ "Tomorrow We Live (Alternative)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  41. ^ "Birds of a Feather (Alternative)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  42. ^ "Jury's Evidence (Alternative)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  43. ^ "Men Are Not Gods (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  44. ^ "Farewell Again (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  45. ^ "The Squeaker (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  46. ^ "Too Dangerous to Live (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  47. ^ "U-Boat 29 (1939)". AFI Catalog of Feature Films. American Film Institute. Archived from the original on 25 April 2019. Retrieved 24 August 2020.
  48. ^ "Now You're Talking (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  49. ^ "Three Silent Men (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  50. ^ "Bulldog Sees It Through (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  51. ^ "The Flying Squad (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  52. ^ "A Midsummer Night's Dream (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  53. ^ "Death Cancels All Debts (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  54. ^ "The Weather in the Streets (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  55. ^ "Decline (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  56. ^ "There Was an Old Woman Part 1 (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  57. ^ "Drunk, Who Cares Part 1 (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  58. ^ "High Season (Original)". British Film Institute. Archived from the original on 14 August 2019. Retrieved 24 August 2020.
  59. ^ "The Master Builder (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  60. ^ "Drake's Drum (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  61. ^ "You Can't Beat Mozart (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  62. ^ "Coming Home (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.
  63. ^ "Chimera Episode 3 (Original)". British Film Institute. Archived from the original on 24 August 2020. Retrieved 24 August 2020.

External links