Self-reference

Source: Wikipedia, the free encyclopedia.

The ancient symbol Ouroboros, a dragon that continually consumes itself, denotes self-reference.[1]

Self-reference is a concept that involves referring to oneself or one's own attributes, characteristics, or actions. It can occur in language, logic, mathematics, philosophy, and other fields.

In natural or formal languages, self-reference occurs when a sentence, idea or formula refers to itself. The reference may be expressed either directly—through some intermediate sentence or formula—or by means of some encoding.

In philosophy, self-reference also refers to the ability of a subject to speak of or refer to itself, that is, to have the kind of thought expressed by the first person nominative singular pronoun "I" in English.

Self-reference is studied and has applications in mathematics, philosophy, computer programming, second-order cybernetics, and linguistics, as well as in humor. Self-referential statements are sometimes paradoxical, and can also be considered recursive.

In logic, mathematics and computing

In classical

paradoxes were created by self-referential concepts such as the omnipotence paradox of asking if it was possible for a being to exist so powerful that it could create a stone that it could not lift. The Epimenides paradox, 'All Cretans are liars' when uttered by an ancient Greek Cretan was one of the first recorded versions. Contemporary philosophy sometimes employs the same technique to demonstrate that a supposed concept is meaningless or ill-defined.[2]

In

Berry's paradox
, and ultimately to classical philosophical paradoxes.

In game theory, undefined behaviors can occur where two players must model each other's mental states and behaviors, leading to infinite regress.

In

compilers using the 'meta-language' ML. Using a compiler to compile itself is known as bootstrapping. Self-modifying code is possible to write (programs which operate on themselves), both with assembler and with functional languages such as Lisp, but is generally discouraged in real-world programming. Computing hardware makes fundamental use of self-reference in flip-flops, the basic units of digital memory, which convert potentially paradoxical logical self-relations into memory by expanding their terms over time. Thinking in terms of self-reference is a pervasive part of programmer culture, with many programs and acronyms named self-referentially as a form of humor, such as GNU ('GNU's not Unix') and PINE ('Pine is not Elm'). The GNU Hurd
is named for a pair of mutually self-referential acronyms.

Tupper's self-referential formula is a mathematical curiosity which plots an image of its own formula.

In biology

The biology of self-replication is self-referential, as embodied by DNA and RNA replication mechanisms. Models of self-replication are found in Conway's Game of Life and have inspired engineering systems such as the self-replicating 3D printer RepRap.[citation needed]

In art

Drawloom
, with drawboy above to control the harnesses, woven as a repeating pattern in an early-1800s piece of Japanese silk. The silk illustrates the means by which it was produced.
graffiti art on a wall stating "SORRY ABOUT YOUR WALL"
A self-referencing work of graffiti apologizing for its own existence
Self-referential graffiti. The painter drawn on a wall erases his own graffiti, and may be erased himself by the next facade cleaner.

Self-reference occurs in

Jacques le fataliste et son maître, Italo Calvino's If on a winter's night a traveler, many stories by Nikolai Gogol, Lost in the Funhouse by John Barth, Luigi Pirandello's Six Characters in Search of an Author, Federico Fellini's and Bryan Forbes's The L-Shaped Room. Speculative fiction writer Samuel R. Delany makes use of this in his novels Nova and Dhalgren. In the former, Katin (a space-faring novelist) is wary of a long-standing curse wherein a novelist dies before completing any given work. Nova ends mid-sentence, thus lending credence to the curse and the realization that the novelist is the author of the story; likewise, throughout Dhalgren, Delany has a protagonist simply named The Kid (or Kidd, in some sections), whose life and work are mirror images of themselves and of the novel itself. In the sci-fi spoof film Spaceballs, Director Mel Brooks includes a scene wherein the evil characters are viewing a VHS copy of their own story, which shows them watching themselves "watching themselves", ad infinitum. Perhaps the earliest example is in Homer's Iliad, where Helen of Troy laments: "for generations still unborn/we will live in song" (appearing in the song itself).[5]

Self-reference in art is closely related to the concepts of breaking the fourth wall and meta-reference, which often involve self-reference. The short stories of Jorge Luis Borges play with self-reference and related paradoxes in many ways. Samuel Beckett's Krapp's Last Tape consists entirely of the protagonist listening to and making recordings of himself, mostly about other recordings. During the 1990s and 2000s filmic self-reference was a popular part of the rubber reality movement, notably in Charlie Kaufman's films Being John Malkovich and Adaptation, the latter pushing the concept arguably to its breaking point as it attempts to portray its own creation, in a dramatized version of the Droste effect.

Various

Egyptian creation myth has a god swallowing his own semen to create himself. The Ouroboros
is a mythical dragon which eats itself.

The Quran includes numerous instances of self-referentiality.[6][7]

The

M.C. Escher
's art also contains many self-referential concepts such as hands drawing themselves.

In language

A word that describes itself is called an

three-letter abbreviation
".

A sentence which inventories its own letters and punctuation marks is called an autogram.

There is a special case of meta-sentence in which the content of the sentence in the metalanguage and the content of the sentence in the object language are the same. Such a sentence is referring to itself. However some meta-sentences of this type can lead to paradoxes. "This is a sentence." can be considered to be a self-referential meta-sentence which is obviously true. However "This sentence is false" is a meta-sentence which leads to a self-referential

United States Constitution
at his citizenship ceremony.

Self-reference occasionally occurs in the

media when it is required to write about itself, for example the BBC reporting on job cuts at the BBC. Notable encyclopedias may be required to feature articles about themselves, such as Wikipedia's article on Wikipedia
.

Fumblerules are a list of rules of good grammar and writing, demonstrated through sentences that violate those very rules, such as "Avoid cliches like the plague" and "Don't use no double negatives". The term was coined in a published list of such rules by William Safire.[9][10]

argumentation
, but can result in a lack of clarity in communication.

The adverb "hereby" is used in a self-referential way, for example in the statement "I hereby declare you husband and wife."[12]

In popular culture

  • Douglas Hofstadter's books, especially Metamagical Themas and Gödel, Escher, Bach, play with many self-referential concepts and were highly influential in bringing them into mainstream intellectual culture during the 1980s. Hofstadter's law, which specifies that "It always takes longer than you expect, even when you take into account Hofstadter's Law"[13] is an example of a self-referencing adage. Hofstadter also suggested the concept of a 'Reviews of this book', a book containing only reviews of itself, which has since been implemented using wikis and other technologies. Hofstadter's 'strange loop' metaphysics attempts to map consciousness onto self-reference, but is a minority position in philosophy of mind.
  • The subgenre of "
    science-fiction fandom, some about science fiction and its authors.[14]

In law

Several constitutions contain self-referential clauses defining how the constitution itself may be amended.

.

See also

  • Circular reference – Series of references where the last object references the first
  • Droste effect – Recursive visual effect
  • Mise en abyme – Technique of placing a copy of an image within itself, or a story within a story
  • Fourth wall – Concept in performing arts separating performers from the audience
  • List of self–referential paradoxes
     – List of statements that appear to contradict themselves
  • Meta-joke
     – Humor that alludes to itself
  • Recursion – Process of repeating items in a self-similar way
  • Recursive acronym – Acronym whose expansion includes a copy of itself
  • Quine (computing) – Self-replicating program
  • Strange loop – Cyclic structure that goes through several levels in a hierarchical system
  • this (computer programming) – In programming languages, the object or class the currently running code belongs to
  • Bilingual tautological expressions – Redundancy in linguistic expression
  • Lucid dreaming
     – Dream where one is aware that one is dreaming – A dream during which the dreamer is aware that they are dreaming
  • Use–mention distinction

References

  1. ^ Soto-Andrade, Jorge; Jaramillo, Sebastian; Gutierrez, Claudio; Letelier, Juan-Carlos. "Ouroboros avatars: A mathematical exploration of Self-reference and Metabolic Closure" (PDF). MIT Press. Retrieved 16 May 2015.
  2. ^ Liar Paradox. Metaphysics Research Lab, Stanford University. 2020.
  3. ^ Malenfant, J.; Demers, F-N. "A Tutorial on Behavioral Reflection and its Implementation" (PDF). PARC. Archived from the original (PDF) on 21 August 2017. Retrieved 17 May 2015.
  4. .
  5. .
  6. ^ Madigan, David. The Qur'ân's Self-Image. Writing and Authority in Islam's Scripture.
  7. ^ Boisliveau, Anne-Sylvie. Le Coran par lui-même.
  8. .
  9. ^ "alt.usage.english.org's Humorous Rules for Writing".
  10. ^ Safire, William (4 November 1979). "On Language; The Fumblerules of Grammar". The New York Times (published 4 November 1979). p. SM4.
  11. .
  12. ^ "hereby in wiktionary". 19 June 2023.
  13. ^ "Recursive Science Fiction, updated 3 August 2008". New England Science Fiction Association.
  14. .

Sources