Ant-Man films. He further gave freedom to explore the textures to create the music and did not want him to follow the elements from the first film, so that he could work on new sounds to make the film sonically beautiful.[2] He began scoring for the film by June 2022.[3][4] A single titled "Shazam! Fury of the Gods (Main Title Theme)" was released as a digital single by WaterTower Music on February 23, 2023, and the soundtrack album was released on March 10.[1]
Track listing
Shazam! Fury of the Gods (Original Motion Picture Soundtrack)[1]
No.
Title
Length
1.
"Shazam! Fury of the Gods (Main Title Theme)"
3:06
2.
"Introduction – Fright at the Museum"
4:32
3.
"Daughters of Atlas"
3:20
4.
"Steve"
1:14
5.
"Freddy Over Heels"
1:50
6.
"Dome and Gloom"
4:17
7.
"Freddy Sneaks In"
1:21
8.
"Act of Violins"
1:04
9.
"The Guardian"
2:57
10.
"A Family Affair"
2:42
11.
"Dragon Drop"
2:09
12.
"Philly Tree's Take"
2:08
13.
"I Chose Right"
3:22
14.
"Before You Go"
1:41
15.
"Dragon Chase"
0:57
16.
"You Disobeyed Me"
2:30
17.
"Lightning in a Bottle"
1:49
18.
"Unicorn Act"
2:21
19.
"Taste the Rainbow"
1:19
20.
"Garage Showdown"
1:32
21.
"Freddy Resists"
1:15
22.
"Crack of Dome"
1:59
23.
"All or None"
2:24
24.
"We End This Now"
2:13
25.
"A True God After All"
1:18
26.
"Restoration"
1:13
27.
"Hero"
2:36
28.
"Changing of the Garden"
1:16
Total length:
60:25
Additional music
In addition to Beck's score, the other songs that are featured in the film, includes "
Jonathan Broxton wrote "What's true is that Christophe Beck and his team have written an earnest, fitting, tonally appropriate score for Shazam: Fury of the Gods, which hits all the right buttons, occasionally soars, and will certainly appeal to fans of the franchise in general and this film in particular, but also somehow it feels curiously subdued and run of the mill, and is likely destined to get lost in 2023's over-crowded superhero extravaganza market."
Filmtracks.com wrote "For most people, Shazam! Fury of the Gods will sound like a two-theme score, and that observation is largely correct. But Beck potentially frustrates by saving his most engaging melodic ideas for secondary themes that never gain enough traction in the work to satisfy. The general musical narrative of the two major themes is fine, but their intermingling is not as adept as one might hope during scenes of direct conflict."[9]
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