Shkinta
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In
Ceremonial usage
During the priest initiation ceremony, the shkinta is constructed to the north of the andiruna. It symbolizes the World of Light and it covered by a white cloth roof. In contrast, the andiruna has a blue cloth roof to symbolize the color of Ruha. Together, the two adjacent huts symbolize complementary masculine and feminine elements.[2]
Symbolism
The škinta (cognate with the Hebrew word shekhinah; from the Semitic root š-k-n, associated with dwellings) symbolizes the "male" side, and is associated with the World of Light, priests, the right side, gold, and the taga (crown).[2]
In contrast, the
In artwork
In 2018, Mandaean-Australian priest and artist Yuhana Nashmi created Sh-ken-ta, an exhibition of a shkinta, as a site-specific installation at the Casula Powerhouse Arts Centre.[3][4]
Gallery
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A reed house in the marshes ofBasra Province, southern Iraq in 1978. The shkinta is based on such reed structures.
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Miniature model of a shkinta displayed at the Ganzibra Dakhil Mandi in Liverpool, New South Wales, Australia
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Miniature model of a shkinta displayed at the Ganzibra Dakhil Mandi in Liverpool, New South Wales, Australia
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Miniature model of a shkinta displayed at the Ganzibra Dakhil Mandi in Liverpool, New South Wales, Australia
See also
- Andiruna
- Shekhinah
- Sweat lodge in Native American spiritual ceremonies
- Tarmida
- Anana (Mandaeism)
References
- ^ Drower, E. S.1937. The Mandaeans of Iraq and Iran. Leiden: Brill (1962 reprint).
- ^ OCLC 65198443.
- ^ "Sh-ken-ta". Casula Powerhouse Arts Centre. 2003-01-01. Retrieved 2023-08-26.
- ^ "Sh-ken-ta Workshop with Yuhana Nashmi". Casula Powerhouse Arts Centre. 2003-01-01. Retrieved 2023-08-26.